Film concept
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The Tea Boy is a romantic drama film about a married man named Alex who falls in love with his office's tea boy/peon. Alex tries to convey his feelings for the tea boy through various gestures but the tea boy is uninterested in Alex, leaving him heartbroken and driving him to suicide.
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Film treatment a2
Two children, Alice and Alex, are trapped by an evil witch who wants revenge for something that happened in the past. Throughout the film, the children try various ways to escape but fail. In the climax, Alice notices that the witch is looking for something important. Alice and Alex decide to take that item, a potion, to destroy it. When the witch comes to stop them, Alex throws the bottle, killing the witch. This allows both children to finally escape.
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Screenplay
This screenplay follows the story of Alex and the tea boy over 8 scenes. In the first scene, a person is shown applying makeup and sitting on a bed. In scene 2, the tea boy delivers tea to Alex in his office. In scene 3, Alex leaves a conversation with Janice on a swing. Later in scene 4, Alex sits on a sofa and then rides in a car with the tea boy. The story continues with scenes of Alex working on a car engine and getting a ride on the tea boy's bike. In scene 7, the tea boy talks with his girlfriend while Alex watches. The final scene reveals that Alex has taken sleeping pills while dressed in a wig and makeup and lies dying on the bed.
Editing note
Hamim Tak edited his 6 minute movie from 11 minutes of footage using Adobe Premiere, adjusting the pace and adding sound effects. He created a website for the film using Wix, uploading pictures and information. Tak also designed a post card for the film using Adobe Photoshop, adding the title and a curious image without hints about the film.
Shooting schedule
The shooting schedule outlines 8 scenes over 3 days for the film "The Tea Boy" by Hamim Tak. Scenes 1-3 will be filmed on March 14th at a home and office between 9:30pm and 11:20pm, while scenes 4-5 will be filmed at a home on March 15th between 12:30am and 3:00am. Scenes 6-7 will be filmed in an alleyway and outside a home on March 16th and 17th between 11:30pm and 1:30am, with the last scene being filmed at a home on March 17th from 4:40am to 6:20am.
Props list
This props list contains items needed for the film "The Tea Boy" directed by Hamim Tak, including costumes like a wig and women's clothing, furniture such as a bed, dressing table, office table and sofa, props like tea cups, office supplies, an envelope and fake sleeping pills, and vehicles including 3 cars for different scenes, a motorbike, and a cell phone with a torch function.
Mis-en-scene Note
The document discusses the mis-en-scene elements used in the film "The Tea Boy" including lighting, costumes, locations, camera shots, sound, and editing. Low-key lighting and dark locations were used to portray sad scenes while high-key lighting showed happy moments. Casual clothing was worn throughout and costumes changed to show the passage of time. Both mid and long shots were primarily used with some close-ups. Sound gradually increased in pitch to build drama and editing was slow to maintain a dramatic flow for the romantic drama.
Lighting plan
The lighting plan describes the different lighting techniques used in each scene of the director's film. Soft lighting was used overall, with the intensity and patterns changing based on the scene. Low-key lighting was used in the first scene to create drama and curiosity, and in later scenes to depict depression and sadness. High-key lighting was used to portray normal office environments and happy, fantasy scenes. Lighting was also manipulated to indicate nighttime versus daytime settings.
Film treatment
The film follows Alex, who develops an attraction for his office's tea boy. Alex fantasizes about having a romantic relationship with the tea boy. However, Alex sees the tea boy with his girlfriend, leaving Alex heartbroken. Struggling with his secret desires and the end of his hopes, Alex dresses as a woman and contemplates suicide with a packet of sleeping pills. The film explores Alex's repressed feelings for the tea boy and the consequences of his unrequited love.
Character profiling
Alex is a middle-aged man who works in an office and lives in the city with his wife Janice, though he ignores her and is unhappy in their marriage as he is homosexual. Janice is in her early 30s, a housewife who likes fashionable clothes but is also unhappy with Alex ignoring her. John is a young adult in his late 20s who lives alone in the city and works as a tea boy at an office, making minimum wage and wearing neutral casual clothes, and is in a relationship with a maid from his office.
Institution research
Warner Bros. Entertainment Inc. is a major American film and television studio that is a subsidiary of Time Warner. It has many successful subsidiary companies involved in film, television, animation, video games, and more. In 2013, Warner Bros. had its most successful year ever at the global box office, grossing over $5 billion. It has been the industry leader in home entertainment for 13 consecutive years. Warner Bros. owns a vast library of over 61,000 hours of programming, including thousands of feature films and television episodes. It employs thousands of people in its production and operations across North America and other countries.
Shoot location
The document discusses shoot location for a film. It is titled "Shoot Location" and is authored by Hamim Tak. The main topic appears to be planning the location for filming a project.
Shot division list[1]
This document lists 6 shots for a scene including close-ups, wide shots, and an extreme close-up, providing the shot number, scene, camera angle, and type of camera movement for each shot. Shot 1 and 2 are close-ups, shot 3 is a wide shot with panning movement, shots 4-6 include additional close-ups and a wide shot, and shot 7 is an extreme close-up from a high camera angle.
Props list
The props list includes items like a metal gun, red dark light, tables and chairs, pillows and cushions, casual and night wear clothes, a bed with blankets and pillows, a sharp knife, oranges and plates, ketchup for a blood effect, a mobile phone, and tube lights.
Shooting schedule
The shooting schedule outlines two days of filming, with the first day running from 8:25pm to 11:50pm at a home location to shoot scenes 1, 2, and 3, and the second day running from 10:45pm to 2:50am at the same home location to shoot scenes 4, 5, 6, and 7.
Film concep hamim tak
The film concept is a thriller that follows a small town boy who moves to the city for a job at a multi-national company. The movie uses narration instead of dialogue and shows footage of past incidents from the main character's life. It opens with the character holding a gun to his head, implying suicide, then flashes back to reveal the past events that led him to commit suicide, which a final text message helps explain.
Film lighting
This lighting plan describes using low key lighting for a suspense-thriller film. In the first scene, a dark red light combination will be used to convey both depression, as the character is committing suicide, and a bloody death scene. Low key lighting creates a depressed look and helps audiences feel what the character is experiencing. It also represents the dark phase and difficult condition the character is in. This lighting style hints that it is a horror film, though it turns out to be something different through a plot twist.
F ilm treatment (2)
Jonathan Blunt moves to the city and buys a house from a friend. He begins experiencing strange incidents in the house like lights turning on and off on their own and losing his senses. Voices in his head tell him to kill himself. The incidents drive Jonathan crazy and he commits suicide by shooting himself. It is later revealed by his doctor that Jonathan had a blood clot in his brain that was causing him to hallucinate, and there was nothing actually wrong with the house.
Mis en-scene notes
The document provides mis-en-scene notes for multiple scenes in a film or video. In the first scene, a person holds a gun to their head in a dark room with only a window. The second scene shows two people conversing while sitting at a table in a lawn with trees, cars, and a garden swing visible. Subsequent scenes depict a character on a cell phone near a wall and table, cutting their wrist while sitting on a sofa with stairs visible, sleeping in bed under blankets and pillows, and finally dead on the floor after shooting themselves with a mobile phone next to them.
Dialogues
The narrator has been experiencing increasingly frequent incidents of hearing voices in their head telling them to kill themselves or the voices will do it. The voices have gotten stronger over time and now constantly compel the narrator to commit suicide. Unable to resist the urges anymore, the narrator has decided to end their own life to stop the voices.
Director research
Clint Eastwood is an American actor, filmmaker, musician, and politician known for roles in Westerns like A Fistful of Dollars and Unforgiven, for which he won an Oscar for Best Director. Some of his most successful films include Every Which Way But Loose, Any Which Way You Can, and Gran Torino. Eastwood has also directed many acclaimed films that he did not star in such as Mystic River and Letters from Iwo Jima.
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Screenplay
This screenplay follows the story of Alex and the tea boy over 8 scenes. In the first scene, a person is shown applying makeup and sitting on a bed. In scene 2, the tea boy delivers tea to Alex in his office. In scene 3, Alex leaves a conversation with Janice on a swing. Later in scene 4, Alex sits on a sofa and then rides in a car with the tea boy. The story continues with scenes of Alex working on a car engine and getting a ride on the tea boy's bike. In scene 7, the tea boy talks with his girlfriend while Alex watches. The final scene reveals that Alex has taken sleeping pills while dressed in a wig and makeup and lies dying on the bed.
Editing note
Hamim Tak edited his 6 minute movie from 11 minutes of footage using Adobe Premiere, adjusting the pace and adding sound effects. He created a website for the film using Wix, uploading pictures and information. Tak also designed a post card for the film using Adobe Photoshop, adding the title and a curious image without hints about the film.
Shooting schedule
The shooting schedule outlines 8 scenes over 3 days for the film "The Tea Boy" by Hamim Tak. Scenes 1-3 will be filmed on March 14th at a home and office between 9:30pm and 11:20pm, while scenes 4-5 will be filmed at a home on March 15th between 12:30am and 3:00am. Scenes 6-7 will be filmed in an alleyway and outside a home on March 16th and 17th between 11:30pm and 1:30am, with the last scene being filmed at a home on March 17th from 4:40am to 6:20am.
Props list
This props list contains items needed for the film "The Tea Boy" directed by Hamim Tak, including costumes like a wig and women's clothing, furniture such as a bed, dressing table, office table and sofa, props like tea cups, office supplies, an envelope and fake sleeping pills, and vehicles including 3 cars for different scenes, a motorbike, and a cell phone with a torch function.
Mis-en-scene Note
The document discusses the mis-en-scene elements used in the film "The Tea Boy" including lighting, costumes, locations, camera shots, sound, and editing. Low-key lighting and dark locations were used to portray sad scenes while high-key lighting showed happy moments. Casual clothing was worn throughout and costumes changed to show the passage of time. Both mid and long shots were primarily used with some close-ups. Sound gradually increased in pitch to build drama and editing was slow to maintain a dramatic flow for the romantic drama.
Lighting plan
The lighting plan describes the different lighting techniques used in each scene of the director's film. Soft lighting was used overall, with the intensity and patterns changing based on the scene. Low-key lighting was used in the first scene to create drama and curiosity, and in later scenes to depict depression and sadness. High-key lighting was used to portray normal office environments and happy, fantasy scenes. Lighting was also manipulated to indicate nighttime versus daytime settings.
Film treatment
The film follows Alex, who develops an attraction for his office's tea boy. Alex fantasizes about having a romantic relationship with the tea boy. However, Alex sees the tea boy with his girlfriend, leaving Alex heartbroken. Struggling with his secret desires and the end of his hopes, Alex dresses as a woman and contemplates suicide with a packet of sleeping pills. The film explores Alex's repressed feelings for the tea boy and the consequences of his unrequited love.
Character profiling
Alex is a middle-aged man who works in an office and lives in the city with his wife Janice, though he ignores her and is unhappy in their marriage as he is homosexual. Janice is in her early 30s, a housewife who likes fashionable clothes but is also unhappy with Alex ignoring her. John is a young adult in his late 20s who lives alone in the city and works as a tea boy at an office, making minimum wage and wearing neutral casual clothes, and is in a relationship with a maid from his office.
Institution research
Warner Bros. Entertainment Inc. is a major American film and television studio that is a subsidiary of Time Warner. It has many successful subsidiary companies involved in film, television, animation, video games, and more. In 2013, Warner Bros. had its most successful year ever at the global box office, grossing over $5 billion. It has been the industry leader in home entertainment for 13 consecutive years. Warner Bros. owns a vast library of over 61,000 hours of programming, including thousands of feature films and television episodes. It employs thousands of people in its production and operations across North America and other countries.
Shoot location
The document discusses shoot location for a film. It is titled "Shoot Location" and is authored by Hamim Tak. The main topic appears to be planning the location for filming a project.
Shot division list[1]
This document lists 6 shots for a scene including close-ups, wide shots, and an extreme close-up, providing the shot number, scene, camera angle, and type of camera movement for each shot. Shot 1 and 2 are close-ups, shot 3 is a wide shot with panning movement, shots 4-6 include additional close-ups and a wide shot, and shot 7 is an extreme close-up from a high camera angle.
Props list
The props list includes items like a metal gun, red dark light, tables and chairs, pillows and cushions, casual and night wear clothes, a bed with blankets and pillows, a sharp knife, oranges and plates, ketchup for a blood effect, a mobile phone, and tube lights.
Shooting schedule
The shooting schedule outlines two days of filming, with the first day running from 8:25pm to 11:50pm at a home location to shoot scenes 1, 2, and 3, and the second day running from 10:45pm to 2:50am at the same home location to shoot scenes 4, 5, 6, and 7.
Film concep hamim tak
The film concept is a thriller that follows a small town boy who moves to the city for a job at a multi-national company. The movie uses narration instead of dialogue and shows footage of past incidents from the main character's life. It opens with the character holding a gun to his head, implying suicide, then flashes back to reveal the past events that led him to commit suicide, which a final text message helps explain.
Film lighting
This lighting plan describes using low key lighting for a suspense-thriller film. In the first scene, a dark red light combination will be used to convey both depression, as the character is committing suicide, and a bloody death scene. Low key lighting creates a depressed look and helps audiences feel what the character is experiencing. It also represents the dark phase and difficult condition the character is in. This lighting style hints that it is a horror film, though it turns out to be something different through a plot twist.
F ilm treatment (2)
Jonathan Blunt moves to the city and buys a house from a friend. He begins experiencing strange incidents in the house like lights turning on and off on their own and losing his senses. Voices in his head tell him to kill himself. The incidents drive Jonathan crazy and he commits suicide by shooting himself. It is later revealed by his doctor that Jonathan had a blood clot in his brain that was causing him to hallucinate, and there was nothing actually wrong with the house.
Mis en-scene notes
The document provides mis-en-scene notes for multiple scenes in a film or video. In the first scene, a person holds a gun to their head in a dark room with only a window. The second scene shows two people conversing while sitting at a table in a lawn with trees, cars, and a garden swing visible. Subsequent scenes depict a character on a cell phone near a wall and table, cutting their wrist while sitting on a sofa with stairs visible, sleeping in bed under blankets and pillows, and finally dead on the floor after shooting themselves with a mobile phone next to them.
Dialogues
The narrator has been experiencing increasingly frequent incidents of hearing voices in their head telling them to kill themselves or the voices will do it. The voices have gotten stronger over time and now constantly compel the narrator to commit suicide. Unable to resist the urges anymore, the narrator has decided to end their own life to stop the voices.
Director research
Clint Eastwood is an American actor, filmmaker, musician, and politician known for roles in Westerns like A Fistful of Dollars and Unforgiven, for which he won an Oscar for Best Director. Some of his most successful films include Every Which Way But Loose, Any Which Way You Can, and Gran Torino. Eastwood has also directed many acclaimed films that he did not star in such as Mystic River and Letters from Iwo Jima.
Laura Mulvey
Laura Mulvey is a prominent British feminist film theorist who developed the influential concept of the "male gaze" in cinema. She argued that classical Hollywood films positioned the male viewer to identify with male protagonists and objectify female characters who were presented as objects of male desire. Her 1975 essay "Visual Pleasure and Narrative Cinema" used psychoanalytic concepts from Freud and Lacan to analyze how the cinematic apparatus reinforced gender stereotypes and the objectification of women on screen.
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