1) Lucy has a nightmare where a hand tries to strangle her. She wakes up with writing all over her mirror and arms that won't rub off. Voices start taunting her, saying her name.
2) In the park, Lucy trips over a man's foot and is scared when she sees it's Lucas. Two Lucases appear and one grabs her shoulder.
3) In another part of the park, the voices get louder until Lucy collapses, holding her head in pain.
知名旅遊部落客~Panda 將他的鳳凰旅遊~埃及行程大體驗彙整成美麗又精緻的分享,讓您體驗<搭魔毯遨遊埃及的快感>,獨特的風情,歷史感的古文明,還有胡爾加達的海邊度假。相當推薦給格友們,而且埃及就是要趁早去.....
資料來源:貓熊噴射機 PANDA JET
版權所有:貓熊噴射機 PANDA JET(鳳凰旅遊已獲授權)
相關埃及行程參考:鳳凰埃及旅遊頻道
http://www.travel.com.tw/INF/INFM010.aspx?hall_id=FG07&view_id=001&info_id=05
This is my school project for Theatre Appreciation. Each of us had to choose a different genre or tradition and pretend like we were directing a play of Little Red Riding Hood. This was my rendition--a modern tradegy. Warning--it's very tragic, and everyone dies.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Normal Labour/ Stages of Labour/ Mechanism of Labour
Mind Trap - Screenplay
1. 1) BEDROOM – INT/DAY (SHOT IN BLACK AND WHITE UNTIL SPECIFIED)
A girl, LUCY ROBERTS, is sleeping fitfully, tossing and turning,
obviously having a nightmare. A jumbled mass of voices can be
heard as a hand starts to crawl up the bed toward her. It reaches
for her neck. Just as the hand is about the strangle her, she
wakes up and sits up violently, running her hands through her
hair and beating away the covers. She looks around the room
quickly, her eyes darting left to right, a confused and panicked
expression on her face as she breathes rapidly.
She gets out of bed, the voices quiet but present, her feet
thumping on the floor and she goes to look in the mirror to see
if the hand left any marks on her. The mirror is covered in
writing. She stumbles back in horror, landing back on the bed.
She looks down at her arms. The writing has transferred onto her
arms in the same messy writing. Panicking, she tries desperately
to rub the writing off her skin, but to no avail. Suddenly, a
single voice is heard clearly above the others.
VOICE
Luuuuucy...Luuuuuu-cyyyyy... [Continues]
The voice is loud compared to the others and sounds like a young
man trying to taunt her. LUCY puts her hands over her ears and
screws her eyes shut, trying to block out the voice and the rest
of the world around her. *SHOT IN COLOUR FROM HERE UNITL END OF
SCENE* LUCY opens her eyes to see her friend standing there,
everything is back to normal and the voices all stop. LUCY is
still breathing rapidly as her hands fall to her sides. ROXANNE
looks concerned and curious.
ROXANNE
Lucy, are you okay? Did your nap help?
ROXANNE stretches out a reassuring hand to LUCY’s shoulder. But
LUCY reacts violently to the touch. She grabs ROXANNE's arm whist
glaring at her – signifying a random mood change – and threatens:
LUCY
Don’t. Touch. Me.
She pushes her way past ROXANNE, leaving ROXANNE in the bedroom,
confused and worried. LUCY runs down the stairs quickly, and
ROXANNE begins to chase after her. When ROXANNE sees LUCY, she
struggling to put on her coat, her hands shaking.
ROXANNE
Lucy!
2. LUCY ignores her friend's call of her name and begins to put on
her boots. Once dressed, she turns and hurries towards the door.
ROXANNE
Where are you going?
She turns back to ROXANNE, who is still standing on the stairs.
She doesn't reply and walks out of the house, slamming the door
behind her.
2) PARK – EXT/DAY (SHOT IN BLACK AND WHITE)
LUCY is walking nervously in a concrete area. Too wrapped up her
thoughts, she does not notice the young man sitting on a nearby
wall. Obviously knowing her, she puts out one of his feet so that
when she walks past, she will trip over him and acknowledge his
presence. She does so; tripping violently over his foot. She
turns to apologise to the random stranger, but a look of horror
crosses her face when she sees who it is, leading the audience to
believe that she knows him and is scared of him. He points to
behind her. She turns on her heel to see him standing behind her,
waving in an intimidating, almost demonic way. She turns back to
the original man, now realising that there are two of them, and
he moves to stand up. She backs away, afraid that he may hurt
her, into the path of the second man. He grabs her shoulder. She
turns quickly to look at him, then wrenches away from his grip
and runs away, her coat flying out behind her.
MAN
There’s no point in running, Lucy. I will always find you.
3) PARK EXT/DAY (SHOT IN BLACK AND WHITE
LUCY has stopped running outside a children’s park. Children’s
voices can he heard, but when the camera is pointed at the park,
there are no children in it. LUCY enters the park and watches the
swing swinging to and fro by itself and the roundabout spinning
with no one on it. LUCY steps forward to stop the swing, but the
children’s voices continue. LUCY runs out of the park and off
camera.
4) PARK – EXT/DAY (SHOT IN BLACK AND WHITE)
Out of breath, LUCY sits on a park bench. The previously mumbled
3. voices now become clear as one distinct voice rings out over the
others.
As if true to his word, he comes up behind her and grabs her
shoulder again. LUCY pushes back his arm and stands up. After a
brief look of horror at him, she begins to run again.
MAN
Feisty, are we? Run, little girl, run.
The young man is seen to make effort in running after her because
he has no need to; he’s inside her head. The voices in LUCY's
head get louder and louder, so loud that it hurts her head and
stops running. She doubles over, holding her head in her hands in
a vain attempt to block out the voices.
LUCY
Shut up! Shut up, shut up, SHUT UP!
LUCY's legs give way and she falls to the ground, still holding
her head in her hands. The voices continue when a ringtone is
heard. It breaks through the voice which fade away. *FADES BACK
INTO COLOUR AT THIS POINT UNTIL END* Still on the ground and
having no energy to get up, she searches her pockets, digs out
her phone and looks at the screen. Roxanne is calling. Lucy
presses "accept" and places the phone to her ear.
LUCY
Hello?
ROXANNE (ON PHONE)
Lucy! I've tried calling before, but you didn't pick up. Where
are you?
LUCY
I'm sorry, Roxanne. It's a long story.
As she speaks, she runs a hand through her hair and uses a weary
tone of voice, as though drained by her ordeal.
4) HOUSE – LIVING ROOM - INT/DAY (SHOT IN COLOUR)
ROXANNE is curled up in an armchair with her phone to her ear.
She examines her chipping nail varnish as she talks to LUCY on
the phone. A pair of men's boots can be seen, casually resting on
the coffee table. These are the same boots that LUCY tripped over
earlier.
4. ROXANNE
All right, we can talk about this later. You'd better get
yourself home; there's someone here to see you.
LUCY (ON PHONE)
Who?
ROXANNE
He says his name is Lucas. You've never mentioned him before.
5) PARK – INT/DAY (SHOT IN COLOUR)
LUCY is still sitting on the ground, looking confused at the
name; she doesn't know a Lucas.
LUCY
What? But--
ROXANNE
Tell me when you get back; I'm low on credit. Bye, love.
ROXANNE hands up. A dial tone is heard. LUCY puts her phone back
in her pocket and shakily stands up, running a hand through her
hair once more. She walks off, exiting the park and towards home.
6) HOUSE – HALLWAY – INT/DAY (SHOT IN COLOUR)
The front door opens and LUCY steps through, closing the door
behind her. She steps into the doorway of the living room.
ROXANNE
Ah, there you are. Lucas and I were just talking about you.
LUCY doesn't respond. Instead, her gaze moves to look at LUCAS
and a look of fear crosses her face. LUCAS is the young man that
has been haunting her all day, driving to the brink of insanity.
He sits on the sofa, smirking his evil smirk.
END