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The document outlines a proposed thriller genre film with 2 characters, one being a villain. The villain will wear a mask and balaclava to intimidate and threaten the other character for money in a classroom setting at a school. A range of shots will be used to keep the storyline flowing and interesting for the audience, ending on a cliffhanger for dramatic effect.
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Assignment 3 draft 3
The document discusses horror genre conventions across different subgenres and hybrid genres. It provides examples of classic horror films that established conventions like dark lighting and isolation. Subgenres discussed include horror-thriller, horror-comedy, horror-romance, and horror-action. Hybrid genres mentioned are horror-romance-musical, horror-drama-documentary, and horror-romance-action. Each subgenre and hybrid is defined by its purpose and conventions are provided for film examples.
Taming of the Shrew
The document provides an analysis of Shakespeare's play The Taming of the Shrew. It discusses the play's style through diction, minor characters, and use of farce. It also examines literary techniques like figurative language, the induction, parallelism, and themes of gender roles and illusions. The analysis covers elements like verbal combat between characters, comic relief provided by servants, absurd and crude humor, minimal imagery, and how the induction sets up an acceptance of the farcical nature of the play.
Genres
This document outlines different genres of films including horror, comedy, romance, fantasy, mystery, thriller, action, adventure, western, musical, sci-fi, crime, war and drama. It defines genre as a system of signs that allows a particular genre to be recognized based on common themes. Genres create a contrast between audience expectations and how filmmakers play with those expectations. Examples of characteristics for the horror, comedy, romance and fantasy genres are provided.
Basic plots and empathy
The document summarizes several common plot structures and provides examples of stories that fit each structure. The five main plot structures discussed are:
1. Overcoming the monster (e.g. Perseus, Beowulf)
2. Rags to riches (e.g. Cinderella, Jane Eyre)
3. The quest (e.g. The Odyssey, The Pilgrim's Progress)
4. Voyage and return (e.g. Alice in Wonderland, The Time Machine)
5. Tragedy (e.g. Macbeth, Anna Karenina)
Additional plot types mentioned include mystery, rebellion, challenge, connection, and creativity
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This document summarizes a lecture on Christopher Booker's theory of the seven basic plots. It discusses each of the seven plots - Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides examples from literature and film and outlines the typical plot points. It emphasizes that while these seven plots are distinct, there is also significant overlap between them and they reflect universal storytelling elements of a hero transforming from an initial state of lack to a final state of fulfillment. The document concludes with guiding writing prompts for students to analyze which plots are in their stories and ways to potentially improve their stories.
Meaning theory pro forma
The document provides analyses of three movie posters. The first poster analysis describes the costumes, location, lighting, framing, actors/models, and props shown in the poster. The second poster analysis does the same for a sci-fi themed movie poster. The third poster analysis describes a World War I themed movie poster focusing on colors, costumes, location, lighting, framing, and actors/models.
Evaluation question 1
The document summarizes how the opening sequence of a student film project uses and develops conventions of real thriller films while also challenging some conventions. It discusses how the film's company ident, title, forest location, victim's red costume, minimal editing, and daylight lighting both follow and adapt typical conventions for the genre. The analysis draws comparisons to successful thriller films to support its creative choices.
Hoyte Van Hoytema-cinematographer
The cinematographer has worked on films with directors Tomas Alfredson, Mikael Marcimain, and David O. Russell across genres including crime, thriller, horror, and drama. They are praised for their ability to create the right atmosphere through use of bleak sepia tones, good contrast, well-framed shots, attention to detail, and expressionist lighting suited to the mood and tone of each film. Examples of their work are highlighted from Let the Right One In, Tinker Tailor Soldier Spy, Call Girl, and The Fighter.
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Assignment 3 draft 3
The document discusses horror genre conventions across different subgenres and hybrid genres. It provides examples of classic horror films that established conventions like dark lighting and isolation. Subgenres discussed include horror-thriller, horror-comedy, horror-romance, and horror-action. Hybrid genres mentioned are horror-romance-musical, horror-drama-documentary, and horror-romance-action. Each subgenre and hybrid is defined by its purpose and conventions are provided for film examples.
Taming of the Shrew
The document provides an analysis of Shakespeare's play The Taming of the Shrew. It discusses the play's style through diction, minor characters, and use of farce. It also examines literary techniques like figurative language, the induction, parallelism, and themes of gender roles and illusions. The analysis covers elements like verbal combat between characters, comic relief provided by servants, absurd and crude humor, minimal imagery, and how the induction sets up an acceptance of the farcical nature of the play.
Genres
This document outlines different genres of films including horror, comedy, romance, fantasy, mystery, thriller, action, adventure, western, musical, sci-fi, crime, war and drama. It defines genre as a system of signs that allows a particular genre to be recognized based on common themes. Genres create a contrast between audience expectations and how filmmakers play with those expectations. Examples of characteristics for the horror, comedy, romance and fantasy genres are provided.
Basic plots and empathy
The document summarizes several common plot structures and provides examples of stories that fit each structure. The five main plot structures discussed are:
1. Overcoming the monster (e.g. Perseus, Beowulf)
2. Rags to riches (e.g. Cinderella, Jane Eyre)
3. The quest (e.g. The Odyssey, The Pilgrim's Progress)
4. Voyage and return (e.g. Alice in Wonderland, The Time Machine)
5. Tragedy (e.g. Macbeth, Anna Karenina)
Additional plot types mentioned include mystery, rebellion, challenge, connection, and creativity
Ewrt 30 class 14
This document summarizes a lecture on Christopher Booker's theory of the seven basic plots. It discusses each of the seven plots - Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides examples from literature and film and outlines the typical plot points. It emphasizes that while these seven plots are distinct, there is also significant overlap between them and they reflect universal storytelling elements of a hero transforming from an initial state of lack to a final state of fulfillment. The document concludes with guiding writing prompts for students to analyze which plots are in their stories and ways to potentially improve their stories.
Meaning theory pro forma
The document provides analyses of three movie posters. The first poster analysis describes the costumes, location, lighting, framing, actors/models, and props shown in the poster. The second poster analysis does the same for a sci-fi themed movie poster. The third poster analysis describes a World War I themed movie poster focusing on colors, costumes, location, lighting, framing, and actors/models.
Evaluation question 1
The document summarizes how the opening sequence of a student film project uses and develops conventions of real thriller films while also challenging some conventions. It discusses how the film's company ident, title, forest location, victim's red costume, minimal editing, and daylight lighting both follow and adapt typical conventions for the genre. The analysis draws comparisons to successful thriller films to support its creative choices.
Hoyte Van Hoytema-cinematographer
The cinematographer has worked on films with directors Tomas Alfredson, Mikael Marcimain, and David O. Russell across genres including crime, thriller, horror, and drama. They are praised for their ability to create the right atmosphere through use of bleak sepia tones, good contrast, well-framed shots, attention to detail, and expressionist lighting suited to the mood and tone of each film. Examples of their work are highlighted from Let the Right One In, Tinker Tailor Soldier Spy, Call Girl, and The Fighter.
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The document discusses various concepts related to theory and analysis of media. It defines denotation and connotation for symbols like snakes, flags, and guns. It also analyzes film posters and trailers, discussing techniques used to convey certain meanings and appeal to audiences. Stereotypes for different groups are listed along with positive and negative connotations. Iconography for genres like western, science fiction, and fantasy are outlined. Narrative structures like linear and non-linear are defined and film examples are provided. Finally, a Star Wars clip is analyzed focusing on the characterization of Darth Vader compared to other characters.
Three horror film poster analysis
The poster summarizes the key themes, iconography, and technical elements used to convey the essence of the film. It establishes that the film will involve themes of nightmares, good versus evil, and a serial killer slaying victims through the use of a phallic symbol weapon in an isolated wooded area signified by low key lighting. Dark colors and the villain's prominent central positioning signify a strong and intimidating force creating fear and dread for audiences.
Meaning theory pro forma
This document contains analyses of three movie posters. The first poster takes place underwater and depicts two small fish facing a large shark, representing the shark as the villain. The second poster shows a colorful fantasy world with eccentric characters, suggesting a strange story. The third poster features a woman with pale skin and horns as the villain, while a peaceful girl lies near a tree protected by fairies.
Group genre research task
This document discusses a group project to create promotional materials for the film Shutter Island including a teaser trailer and marketing poster. The poster features a close-up image of actor Leonardo DiCaprio with a dark color scheme using red and white typography in a harsh, bold font style that emphasizes the actor's expression and includes a tagline about the story.
Group genre research task
This document outlines the marketing plan for the movie Shutter Island, including a teaser trailer, poster, and key elements. The poster would use a close-up image of actor Leonardo DiCaprio with a dark color scheme of red and white. Text would be in a harsh, bold font style to match the ominous tone.
Group genre research task
This document outlines the marketing plan for the movie Shutter Island, including a teaser trailer, poster, and key elements. The poster would use a close-up image of actor Leonardo DiCaprio with a dark color scheme of red and white. Bold typography and DiCaprio's serious expression are intended to intrigue viewers and hint at the mysterious story.
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This document summarizes and compares the style, content, narrative structure, genre, and target audience of various media scripts, including:
- The film script for "The Hangover", following typical film script format and focusing on the misadventures of friends on a bachelor party trip.
- The TV series script for "Stranger Things", following standard TV script style and centered around supernatural events in 1980s Indiana.
- The radio sitcom script "Welcome to Our Village", jumping straight into dialogue with scene descriptions and focusing on an alien invasion of a small English village.
- The video game script for "Dragon Shard", describing the story and gameplay of a Dungeons & Dragons real-
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This document discusses various plot structures and storytelling conventions. It outlines seven common plot structures: Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides a brief outline of typical story beats or stages. It also discusses universal plot elements of beginning, middle, and end, as well as fundamental movements between states. The document provides story starters and prompts writers to identify which plot their story follows and to outline their story to incorporate essential elements. It assigns homework of posting a scene demonstrating a chosen plot convention.
Script
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Aleksandra banaszak assignment1
The document discusses different narrative structures and plot devices commonly used in movies, television shows, and other works of fiction. It defines closed narratives found in standalone movies or franchises with prequels/sequels, open narratives seen in ongoing television shows, and multi-stranded narratives that tell intertwining stories from multiple perspectives. It also explains point-of-view narratives, plot twists, MacGuffins, deus ex machina resolutions, red herrings that misdirect the audience, and narratives that begin in medias res without initial exposition. Examples are provided for each term to illustrate how the techniques are employed.
Codes and conventions of a horror film
The document discusses common codes and conventions in horror films aimed at teenagers. Settings are usually isolated and familiar places like forests and schools at night. Characters typically include a villain, victim or "princess", and sometimes a hero. Props like knives are used to dramatize scenes and identify the genre. Editing builds tension through techniques like cross-cutting. Camera work and lighting emphasize atmosphere through angles and low lighting. Sound effects and music create an ominous atmosphere to scare the audience.
A2 Comedy Drama Codes and Conventions
The document discusses the comedy-drama genre which balances elements of comedy and drama. Some conventions of comedy-drama films include using lighting, sound effects, and settings to transition between comedic and dramatic scenes. Characteristics like slapstick comedy, dark humor, and word play are incorporated alongside dramatic conventions like realistic settings and relatable characters. Overall, the genre juxtaposes comedy against drama through narrative, action, and mise-en-scene elements.
Meaning theory pro forma
This document provides analysis of three movie posters and two film clips. For the posters, it examines the symbolism and imagery used and how they portray stereotypes. It finds one poster reinforces stereotypes of a strong man and pretty princess, while another focuses more on the female protagonist. The third uses tropical imagery to set the scene. For the clips, it analyzes costuming, dialogue, props, lighting, camerawork, editing and music to understand how they portray the characters and build tension. Darth Vader is shown as powerful and evil through his dark costume and menacing music, while the heroes wear earth tones and have a happier theme. The editing and lighting create a scary atmosphere during their battle.
Initial Ideas for a Short film
The document proposes three potential short film ideas:
1) "In the Still of the Night" follows a mafia gathering discussing rumors of a hitman, cutting between the present and past depictions of the hitman's assassinations.
2) "The Hunger Artist" adapts Kafka's short story about a performer who fasts for the public's entertainment until he is no longer appreciated.
3) "Photographer" follows a photographer's daily routine of capturing people in a city over one day, showing how their lives change between the morning and evening.
WWI Poetry
The document provides background information on WWI poetry, including analyses and comparisons of two poems - "The Soldier" by Rupert Brooke and "Dulce et Decorum Est" by Wilfred Owen. It discusses the themes, imagery, and differing perspectives between the two poems, with Brooke portraying an idealized, romantic view of war and Owen providing a grim, realistic depiction of the horrors of trench warfare.
Mac387 franchising fantasy: The Walking Dead and Game of Thrones
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The document discusses the genre of film noir and conventions used in films of that genre. It analyzes conventions like the voiceover narration, villains portrayed as femme fatales who seduce and kill men, victims who are attracted to these dangerous women, and crimes involving guns and murder. The document also discusses how these conventions could be used or developed in an opening sequence for a film noir genre film, with examples from films like Sunset Boulevard.
Meaning theory pro forma
The document discusses various film concepts including narrative structure, stereotypes, iconography for different genres, and analyzing film clips. It provides definitions for linear and non-linear narrative and examples of each. It also analyzes how costumes, dialogue, props, lighting, camera work, editing, music, and color are used to distinguish good and bad characters in a clip featuring a duel with lightsabers.
Productionplanrunaway 190113145344
This document contains a production schedule for filming and editing a short film over several weeks. It details the dates, tasks, locations, crew and equipment needed for both the production and post-production phases. Production tasks include filming scenes at the director's house on various dates, requiring different casts and props. Post-production involves uploading footage, reviewing shots, editing using Adobe Premiere Pro, finding music, and finalizing the edit. The schedule spans from early February to late March.
Editing process
The document describes James Pugh's editing process for a film project in Adobe Premiere Pro. He began by renaming video clips to make them easier to import in the correct order. He then trimmed clips and added licensed music. Additional editing steps included adding transitions between shots, inserting on-screen text to aid the plot, and including opening and closing credits to professionalize the film. The last step was rendering and exporting the completed edited video.
04. rushes log (1)
This document is a rushes log for the film "Runaway" containing 65 shots of various types including graphics, video files and details about each shot such as length, possibilities for editing, and limitations. The shots cover a range of scenes from the film including characters interacting, driving in a car, playing darts, discovering a pregnancy, reading a letter, and driving away. The editor provides notes on how each shot could be used or edited to fit together and tell the story for the audience.
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The document discusses various concepts related to theory and analysis of media. It defines denotation and connotation for symbols like snakes, flags, and guns. It also analyzes film posters and trailers, discussing techniques used to convey certain meanings and appeal to audiences. Stereotypes for different groups are listed along with positive and negative connotations. Iconography for genres like western, science fiction, and fantasy are outlined. Narrative structures like linear and non-linear are defined and film examples are provided. Finally, a Star Wars clip is analyzed focusing on the characterization of Darth Vader compared to other characters.
Three horror film poster analysis
The poster summarizes the key themes, iconography, and technical elements used to convey the essence of the film. It establishes that the film will involve themes of nightmares, good versus evil, and a serial killer slaying victims through the use of a phallic symbol weapon in an isolated wooded area signified by low key lighting. Dark colors and the villain's prominent central positioning signify a strong and intimidating force creating fear and dread for audiences.
Meaning theory pro forma
This document contains analyses of three movie posters. The first poster takes place underwater and depicts two small fish facing a large shark, representing the shark as the villain. The second poster shows a colorful fantasy world with eccentric characters, suggesting a strange story. The third poster features a woman with pale skin and horns as the villain, while a peaceful girl lies near a tree protected by fairies.
Group genre research task
This document discusses a group project to create promotional materials for the film Shutter Island including a teaser trailer and marketing poster. The poster features a close-up image of actor Leonardo DiCaprio with a dark color scheme using red and white typography in a harsh, bold font style that emphasizes the actor's expression and includes a tagline about the story.
Group genre research task
This document outlines the marketing plan for the movie Shutter Island, including a teaser trailer, poster, and key elements. The poster would use a close-up image of actor Leonardo DiCaprio with a dark color scheme of red and white. Text would be in a harsh, bold font style to match the ominous tone.
Group genre research task
This document outlines the marketing plan for the movie Shutter Island, including a teaser trailer, poster, and key elements. The poster would use a close-up image of actor Leonardo DiCaprio with a dark color scheme of red and white. Bold typography and DiCaprio's serious expression are intended to intrigue viewers and hint at the mysterious story.
Annotating scripts
This document summarizes and compares the style, content, narrative structure, genre, and target audience of various media scripts, including:
- The film script for "The Hangover", following typical film script format and focusing on the misadventures of friends on a bachelor party trip.
- The TV series script for "Stranger Things", following standard TV script style and centered around supernatural events in 1980s Indiana.
- The radio sitcom script "Welcome to Our Village", jumping straight into dialogue with scene descriptions and focusing on an alien invasion of a small English village.
- The video game script for "Dragon Shard", describing the story and gameplay of a Dungeons & Dragons real-
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This document discusses various plot structures and storytelling conventions. It outlines seven common plot structures: Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides a brief outline of typical story beats or stages. It also discusses universal plot elements of beginning, middle, and end, as well as fundamental movements between states. The document provides story starters and prompts writers to identify which plot their story follows and to outline their story to incorporate essential elements. It assigns homework of posting a scene demonstrating a chosen plot convention.
Script
This document discusses different types of scripts used in various media like comics, performing arts, and recorded media. It defines scripts as the blueprint that outlines the flow of conversation between characters and helps audiences understand the story. The document provides tips for writing a good script, including considering the audience's perspective and outlining themes, characters, plot, and dialogue. It also describes common plot structures like episodic, rising action, quest, and transformation plots. Key elements of a plot like exposition, conflict, complications, and climax are defined.
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Aleksandra banaszak assignment1
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Codes and conventions of a horror film
The document discusses common codes and conventions in horror films aimed at teenagers. Settings are usually isolated and familiar places like forests and schools at night. Characters typically include a villain, victim or "princess", and sometimes a hero. Props like knives are used to dramatize scenes and identify the genre. Editing builds tension through techniques like cross-cutting. Camera work and lighting emphasize atmosphere through angles and low lighting. Sound effects and music create an ominous atmosphere to scare the audience.
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Meaning theory pro forma
This document provides analysis of three movie posters and two film clips. For the posters, it examines the symbolism and imagery used and how they portray stereotypes. It finds one poster reinforces stereotypes of a strong man and pretty princess, while another focuses more on the female protagonist. The third uses tropical imagery to set the scene. For the clips, it analyzes costuming, dialogue, props, lighting, camerawork, editing and music to understand how they portray the characters and build tension. Darth Vader is shown as powerful and evil through his dark costume and menacing music, while the heroes wear earth tones and have a happier theme. The editing and lighting create a scary atmosphere during their battle.
Initial Ideas for a Short film
The document proposes three potential short film ideas:
1) "In the Still of the Night" follows a mafia gathering discussing rumors of a hitman, cutting between the present and past depictions of the hitman's assassinations.
2) "The Hunger Artist" adapts Kafka's short story about a performer who fasts for the public's entertainment until he is no longer appreciated.
3) "Photographer" follows a photographer's daily routine of capturing people in a city over one day, showing how their lives change between the morning and evening.
WWI Poetry
The document provides background information on WWI poetry, including analyses and comparisons of two poems - "The Soldier" by Rupert Brooke and "Dulce et Decorum Est" by Wilfred Owen. It discusses the themes, imagery, and differing perspectives between the two poems, with Brooke portraying an idealized, romantic view of war and Owen providing a grim, realistic depiction of the horrors of trench warfare.
Mac387 franchising fantasy: The Walking Dead and Game of Thrones
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Assignement9finished [autosaved]
The document discusses the genre of film noir and conventions used in films of that genre. It analyzes conventions like the voiceover narration, villains portrayed as femme fatales who seduce and kill men, victims who are attracted to these dangerous women, and crimes involving guns and murder. The document also discusses how these conventions could be used or developed in an opening sequence for a film noir genre film, with examples from films like Sunset Boulevard.
Meaning theory pro forma
The document discusses various film concepts including narrative structure, stereotypes, iconography for different genres, and analyzing film clips. It provides definitions for linear and non-linear narrative and examples of each. It also analyzes how costumes, dialogue, props, lighting, camera work, editing, music, and color are used to distinguish good and bad characters in a clip featuring a duel with lightsabers.
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Mac387 franchising fantasy: The Walking Dead and Game of Thrones
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This document provides evidence of the filmmaker directing actors in shots for their film. It describes explaining scenes to actors and adjusting camera angles and focus through multiple takes to achieve higher quality. It also shows setting up shots, including adjusting the camera position and tripod length. As director, the filmmaker made sure to inform actors of any risks.
Legal & ethical considerations
The director must get consent from all actors, especially those under 18, to be shown in the film on websites. Any music or effects used must be from sources that allow use in films. The film will be rated PG due to lack of offensive content. To ensure the film's success, it must avoid copyrighted material, slander, or libel, which could result in the film being banned from sites like YouTube.
Treatment scripts
Mason, Dom, and Jack break into Harvey's house. Harvey and his dad catch them and demand they drop their weapons. Mason refuses to go along with Dom and Jack's plans. An argument breaks out between Mason and Dom. Harvey's dad arrests the three boys for committing a crime. Harvey tells them to get out of his house and that he never wants to see them again. After they leave, Harvey thanks Mason for not giving in to peer pressure.
Treatment scripts
Mason, Dom, and Jack break into Harvey's house. Harvey and his dad catch them and demand they drop their weapons as they are under arrest. Mason refuses to go along with Dom and Jack's plans. There is arguing between Mason and Dom and between Harvey and Jack. Harvey's dad tells the boys they have committed a crime and must leave. Harvey thanks Mason for not getting involved with Dom and Jack's actions.
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This 3 scene summary outlines a story of relationship betrayal:
Scene 1 introduces Billy and Jason discussing going on holiday together while Billy's girlfriend Jess asks Billy to run an errand, leaving her alone with Jason. Scene 2 reveals Jess and Jason have been secretly seeing each other and she is pregnant with his child. Scene 3 Billy finds a note from Jess admitting to the affair and that she and Jason are leaving together. The story depicts the discovery and fallout of Jess's betrayal of Billy with his friend Jason.
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This document is a shooting script that outlines 37 shots for a film called "Runaway". It details the shot type, description, length, and audio for each shot. The shots follow characters Billy, Jason, and Jess and include dialogue scenes between the characters at Billy and Jess's house, a conversation in the kitchen where Jess interrupts, Billy returning from the shop and finding a message, him making a phone call and finding a text, going upstairs to search for something, and ending with Jason and Jess in a car with Jess sobbing.
Casting details
This document provides casting details for three main characters - Billy, Jess, and Jason - in an upcoming film. Billy will be played by Brad, a 17-year-old with great charisma suited for an upbeat protagonist. Jess will be played by Emily, a 19-year-old everyday young woman intended to be relatable to audiences. Jason will be played by Chris, an 18-year-old who is well-suited for an antagonist "villain" role due to his height and ability to portray dark characters well. The document explains clothing and physical characteristics for each character and the reasons these actors were chosen for their roles.
Client feedback
The client provided feedback to the writer at three different meetings/communications to improve the structure and formatting of their script. The first meeting included recommendations to add a school address, scene numbers, split descriptions before character entrances, remove brackets from directions, and include character emotions. The second meeting focused on shortening two scene descriptions. An email then confirmed the client was happy with the final script and approved it for publication.
Character profiles
The target audience for this drama film is broad, ranging from teenagers to people in their late 40s, as the film involves relationship drama and plot twists that many can relate to. It will appeal most to fans of the drama genre. The main characters are Billy, a 20-year-old man engaged to Jess, a 21-year-old woman; and Jason, Billy's 22-year-old best friend. By the end of the film, audiences are likely to feel sorry for Billy after Jess cheats on him with Jason, and dislike Jess and Jason for their disloyalty.
Unit 16 treatments
The document provides treatment plans for two short film ideas by James Pugh. The first film idea, called "Backfire", is about a group of teenagers who try to pressure another boy into committing a crime. However, the boy gets help from his friend to set up a trap for the group. The second idea, called "Runway", is about a man who discovers his fiancée and best friend have been having an affair and have run away together, taking his money. Both films are targeted at teenagers and young adults and explore themes of peer pressure and betrayal. Contingency plans are also discussed in case of scheduling or weather issues during filming.
Production plan
This document provides a production plan for a short film. It includes a work plan schedule to keep the project on track to meet deadlines. It also includes a list of equipment that will be used, such as a camera, tripod, microphone, and computer for editing. The document discusses the software that will be used, including Adobe Premiere Pro for editing. It also includes sections about the cast and crew needed, planned budget, legal considerations regarding copyright and permissions, ethical considerations like the film rating, and a proposed launch date of February 14th to match the romantic plot.
Recce
The document outlines the filming locations and scenes for a short film. Scene 1 will take place in the lounge to start the film. Scene 2 will be filmed in the kitchen where the characters Jason and Jess will have a conversation. Scenes 3 and 4 involve Billy making a phone call, either in the kitchen or another room. Scene 5 follows Billy searching for his passport through the hallway and upstairs to his bedroom. Scene 6 concludes the film with Jess and Jason driving away together outside the house.
Risk assessment
The document identifies several potential hazards for a film production crew:
- Slipping hazards from wet surfaces both inside and outside could cause injury.
- Tripping over obstacles, especially on stairs, poses a risk.
- Heavy or fragile equipment could cause injury if dropped accidentally during handling or transport.
- Electrical equipment left on or near water presents electrical and fire dangers.
- Moving vehicles near outdoor filming locations endanger actors and crew in the road.
- Sharp objects like knives in kitchen filming locations could damage equipment or injure someone if left accessible.
The document outlines actions already taken and responsibilities to address each hazard during filming.
Risk assessment
The document identifies several potential hazards for a film production:
- Slipping hazards from wet surfaces either outside or inside if there are spills. The production team will check for spillages and wet surfaces before filming.
- Tripping hazards from obstacles, especially on stairs. The production team will be aware of trip hazards and remove obstacles.
- Injuries from dropping or breaking heavy or fragile equipment. The team will be careful handling equipment and clean up immediately if anything is dropped.
- Electrical hazards from equipment left on or near water. The production team will turn off and properly store electrical equipment.
- Injury from moving vehicles for outdoor shots. The team will ensure no cars are moving where filming occurs.
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Mind map
- 1. JamesPugh The Conversation Genre will be thriller 2 characters.1 villain. Props Mask for the villain Classroom Desksand chairs Balaclavafor villain Conversationabout villainintimidatingthe othercharacter and threateninghimfor some money. Ends ona cliffhangertoadd dramaticeffect. Locationsetat a school to give the audience a more relatable storyline than otherfilms. Large range of shots to keepthe film flowingand interestingforthe audience.