The document provides details about a project to document the Royal Selangor Club building through measured drawings and photographs. A group of 19 students measured the building over 8 weeks under the supervision of Dr. Sucharita Srirangam. The group used various equipment such as laser measures, measuring tapes, cameras and drones to fully document the building. The report includes the measured drawings, photos taken and written analysis of the building's history, architecture, construction and cultural significance.

1. METHODS OF DOCUMENTATION AND MEASURED DRAWINGS (ARC60305)
ROYAL SELANGOR CLUB (OLD WING)
1, JALAN RAJA, CITY CENTRE, 52100 KUALA LUMPUR, SELANGOR, MALAYSIA.
9TH JANUARY – 9TH MARCH 2017

3. Name of Building
Royal Selangor Club
Address
1, Jalan Raja, City Centre, 52100 Kuala Lumpur, Selangor,
Malaysia.
This report is submitted for the subject ARC 1215 / ARC60305
Methods of Documentation and Measured Drawings to School
of Architecture Building Design of Taylor’s University to obtain 5
credits for Practicum 1.
It is a group effort by:
Leader
TAN MIN CHUEN 0322938
Group Members
CHA YUN XIAN 0322048
CHONG KIT YEE 0319748
MOHAMAD FAZRIE AIMAN BIN RAZAZEMI 0325594
TAN CHIN YIN 0320080
AARON CHONG YU HO 0320270
CHAN KOON QI 0322000
DANICA GAN JIA-EN 0323708
SHREYA MARIA WILSON 0322173
AHMAD ASHRAF BIN MOHAMAD 0317744
ANG AVERLLEN 0321444
JACKY TING SIM MING 0325286
LEE SUK FANG 0323293

4. MICHELLE SIAW WI WEE 0325883
DEENIE HYATT JUMAT 0319719
ADAM HARIZ SHAARANI 0325655
CLARE TSISIKA AYISI 0325787
THOMAS TING SHII KAI 0323962
ZOE LOW LI MIEN 0319444
Bachelor of Science (Honors) (Architecture)
January 2015
Taylor’s University
Supervised by
Dr. Sucharita Srirangam

5. The team would like to formally recognise and express our
gratitude to the individuals and Royal Selangor Club that have
helped us in accomplishing this project. We express our utmost
appreciation to all parties that have helped us kindly.
We would like to take this opportunity to thank Dr. Nor Hayati Binti
Ramli, the coordinator of this module for organising this site visit
and preparing the project briefs.
Not to forget, Ms Norma Jean and Shazreenee for making the
necessary arrangements with our transport and liaise our visitation
hours with the Royal Selangor Club.
Next, we would like to thank Dr. Sucharita Srirangam for her
guidance throughout this project and constantly encouraging us to
challenge ourselves.
We are also greatly thankful towards Mr. Sashi, the manager of
the Royal Selangor Club whom willingly took some time away from
his busy schedule to give us an insight of the club, have an
interview to provide us a clearer understanding of the club and
provide us with various data about the building.
We would also like to provide our sincere thanks to Professor
Robert, lecturer from Taylor’s University who have been a member
of the club since the 1980s for giving us an insight of the changes
of the club ever since he first joined till today.
Last but not least, we are really grateful to the management of the
Royal Selangor Club for granting us to measure, photograph and
study about the club in detail. Without their permission, the
research and documentation process would not be possible.
Figure 1.01 A picture of some of our group members, the lecturers, and
Mr. Sashi.

6. This report is an outcome of an eight-week exercise
undertaken by 19 students from the School of Architecture,
Building and Design, Taylor’s University, Malaysia. As part of a
mandatory short semester course we, the students, measured
the Royal Selangor Club in Kuala Lumpur with the objective of
learning methods of measuring and recording as well as to
research and report on the history and culture of the heritage
building. Our team comprises students who had just completed
their Semester 2 and Semester 3 of the Bachelor in Science
(Hons.) Architecture programme, and was supervised by Dr.
Sucharita Srirangam.
This report includes reduced copies of drawings (originally scaled
to A1 sized) and written text from our research questions which
themselves were derived from literature review, site visits,
interviews and discussions among the members responding to the
privilege given by the course module. The privilege was given to
us to investigate both the history and the culture of the building.
One of the first findings that impressed us was that the buildings of
the surroundings of the Royal Selangor Club was designed by
many different architectural styles which includes Victorian
architecture, Moorish architecture, Neo-Renaissance architecture,
Palladian architecture and many more due to its long history of
being under the power of the British for many years. Based on
these evidences, we as a team realised that the design of the
Royal Selangor Club does not have a distinct architectural style to
its design.
Figure 2.01 A picture of Kuala Lumpur High Court which is influenced
by Palladian Architecture.

7. This report, thus, takes inspiration from this generating point,
entitling itself Fusion, and picks up on the metaphor to flesh itself
out.
Part A of the introduction states our intention of this module and
the methodology which were in the main prescribed. The
methodology led us to a guiding research question which is,
“How does the soul of the building complement the
contemporary context?”
With the clear research question, the report was naturally
organized into seven different chapters.
Chapter 1, Historical Background, records the founding and
growth of the Royal Selangor Club till present time. It starts with
the history of the city where the club is located. Then discusses
the value of this club to not only its adherents and devotees
but also the neighbouring community and our multicultural nation.
It also discusses where it started and developed and all the
challenges that it has faced throughout its 133 years trying to stay
alive.
Chapter 2, Architectural Design, explains about the durability of
form function based on time and culture and how they play a role
towards the design of the club internally and externally.
Chapter 3, Poetics - Spatial Articulation and its Relationship,
moves into an analysis of how the architectural spaces within
the Royal Selangor Club are configured according to our
contemporary values of perception. It uses the user
experiences and its 5 senses to describe a poetic experience that
the user encounters when walking through the spaces.
Chapter 4 Tectonics - Construction Materials and Details, is a
straightforward description of the materials used in the building
itself. It also discusses about the building’s components which are
included within the architectural context which entails the
necessary aspects of the building.
The conclusion comprises a SWOT analysis of the whole project,
matters related to the physical condition of the building, the future
of the club, a summary conclusion to the project and the learning
outcome of this assignment.

8. Following the preceding textual narratives are the references that
we have used throughout this whole report, be it for the
information or the pictures.

9. DESCRIPTION PAGE
Declaration
Acknowledgement
Introduction on Research
Table of Contents
List of Figures, Plates and Illustrations
Introduction 1
1.1 Aims and Objectives 2
1.2 Methods of Measurements 3
1.2.1 Measuring Tape 3
1.2.2 GLM 80 + R60 Laser Measure with 24 inch Digital Level Attachment 3 - 4
1.2.3 30 Meter Nylon Measuring Tape 4
1.2.4 DSLR Camera with Tripod Stand and Drone 5
1.3 Equipment Used 6
1.3.1 Ladder 6
1.3.2 GLM 80 + R60 Laser Measure with 24 inch Digital Level Attachment 6
1.3.3 Paper 6
1.4 Literature Review 7
1.5 Significance of the Study 8

10. DESCRIPTION PAGE
1.6 Research Methods 9
1.6.1 Primary data 9
1.6.2 Secondary data 9 - 10
1.7 Scope and Area Delineation 11
1.8 Limitations 12
1.9 Ownership 13 - 14
Chapter 1: Historical Background 15
2.1 History of Kuala Lumpur Malaysia 16 - 18
2.2 Local Culture and Heritage 19
2.2.1 People 19 - 21
2.2.2 Architecture 22 - 23
2.2.3 Games and Pastimes 24
2.2.4 Handicraft 25
2.2.5 Traditional Attire 26 - 27
2.2.6 Music 28
2.2.7 Dance 29 - 30
2.3 Purpose and History of the Building 31
2.3.1 The Early Years 31 - 33
2.3.2 Club Founding Members 34 - 35
2.3.3 Deconstruction 36
2.3.4 Period of Uncertainty 37
2.3.5 Rebuilding 38
Chapter 2: Architectural Design 39
3.1 Architecture Style 40

11. DESCRIPTION PAGE
3.1.1 As Tudor – Revival 40 - 41
3.1.2 As Mock Tudor 42
3.2 Colonial and Architectural Influences 43
3.3 Design Intention 44 - 46
3.4 Club Spatial Planning 47 - 48
3.5 Massing 49
3.6 Entrance and Approach 50
3.7 Classification of Spaces 51
3.7.1 Dining 51
3.7.2 Hash Bar 52
3.7.3 Billiard Room 53
3.7.4 Squash Court 54
3.7.5 Ballroom 55
3.7.6 Gym 56
3.8 Form & Activity (Interactive, More Interactive, Private) 57
3.8.1 Time and Human Density 57 - 58
3.8.2 Public/ Private – Enclosure 59 - 60
3.9 Circulation 61
2.9.1 Main Circulation 61
2.9.2 Internal Movement 62
3.10 Design Principles 63
3.10.1 Datum 63
3.10.2 Harmony, Repetition and Unity 64
3.10.3 Balance and Symmetry 65
3.10.4 Asymmetrical: Form Roof Hierarchy 66
3.11 Fenestration 67
3.12 Culture 68
3.12.1 Lifestyle 68 - 71
3.13 Activities and Sports Interests 72 - 73

12. DESCRIPTION PAGE
3.13.1 Cricket 74
3.13.2 Billiard 75
3.13.3 Squash 76
Chapter 3: Poetics – Spatial Planning and Relationships 77
3.1 Isolated 78 - 79
3.2 Dining Area and Food Stalls 80 - 81
3.3 Lighting Strategy – Stained Glass 82
3.4 Linearity 83 - 84
3.5 Exclusive 85 - 86
3.6 Hierarchy 87
3.7 Ballroom 87 - 90
3.8 Verticality 91
3.9 Billiard Room 91 - 92
Chapter 4: Tectonics – Construction Materials and Details 93
4.1 The Main Building 94
4.2 Building Materials 95
4.2.1 Glass: Windows, Doors and Walls 95 - 96
4.2.2 Timber: Columns, Beam, Railings, Doors, Ceiling, Flooring, Door Frames, Walls 97 - 98
4.2.3 Concrete: Concrete Stumps, Flooring, Staircase 99
4.2.4 Ceramics: Flooring 100
4.2.5 Metal: Railings, Louvers and Window Frames 101
4.2.6 Clay: Roofing 102
4.2.7 Plastering: Cornices and Walls 103
4.3 Architectural Features 104
4.3.1 Columns and Beams 104 – 105
4.3.2 Walls 106
4.3.3 Doors 107 - 113
4.3.4 Windows 114 - 115
4.3.5 Ceiling 116 - 117

13. DESCRIPTION PAGE
4.3.6 Roof 118 - 120
4.4 Construction Details 121
4.4.1 Staircase 121
4.4.2 Flooring 122 - 124
4.5 Intricate Details 125
4.5.1 Cornices 125
4.5.2 Decorative Railing 126
Conclusion 127
8.1 SWOT Analysis 128
8.2 Findings Related to the Physical Condition of the Building 129 - 131
8.3 Future of the Building 132
8.4 Summary 133
8.5 Learning Outcome 134
References
Appendix 1: Photo Book
Appendix 2: Scaled Drawings

14. ACKNOWLEDGEMENT
PAGE
Figure 1.01 A picture of some of our group members, the lecturers, and Mr. Sashi.

15. INTRODUCTION ON RESEARCH
PAGE
Figure 2.01 A picture of Kuala Lumpur High Court which is influenced by Palladian Architecture.

16. INTRODUCTION
PAGE
Figure 3.01 Photo of one us discussing our plans with Dr. Suchi. 2
Figure 3.02 Min Chuen and Natalie discussing about the facade. 2
Figure 3.03 Photo of one of our group mate using the measuring tape. 3
Figure 3.04 Various methods on how to use the laser measuring. 4
Figure 3.05 Photo of a 30 meter nylon measuring tape. 4
Figure 3.06 Picture of a DSLR camera and a drone. 5
Figure 3.07 Photo of a step ladder. 6
Figure 3.08 Photo of the GLM 80 laser measuring. 6
Figure 3.09 Photo of one of the drawings done on site. 6
Figure 3.10 Photo of the information that we have gotten from the Kuala Lumpur Library. 7
Figure 3.11 Photo of the interview with Professor Robert. 7
Figure 3.12 Rear elevation of the old wing. 8
Figure 3.13 An interview with the manager of the Royal Selangor Club, Mr. Sashi. 9
Figure 3.14 A book, entitled “An Icon of the Nation for 125 years” that was given to us by the Royal Selangor Club. 10
Figure 3.15 An example of parallax error. 12
Figure 3.16 The remaining 11 members out of 19 members. 12

17. INTRODUCTION
PAGE
Figure 3.17 Picture of Sultan Sharafuddin Idris Shah Al-Haj (Tengku Idris Shah). 13
Figure 3.18 Photo of us having our discussions in an “abandoned” squash court. 14

18. HISTORICAL BACKGROUND
PAGE
Figure 4.01 A picture of Yap Ah Loy. 16
Figure 4.02 A picture of Kuala Lumpur being flooded. 17
Figure 4.03 A picture of Sultan Abdul Samad Building, which housed the offices of the British colonial administration and Government 18
Offices till 1974.
Figure 4.04 A picture of Orang Asli. 20
Figure 4.05 A picture of people of Kadazan Dusun. 21
Figure 4.06 A picture of the people of Bajau. 21
Figure 4.07 A picture of the people of Murut. 22
Figure 4.08 A picture of the people of Iban. 22
Figure 4.09 A picture of the people of Bidayuh. 23
Figure 4.10 A picture of the people of Melanau. 23
Figure 4.11 A picture of Orang Ulu at a wedding. 24
Figure 4.12 A Malay architecture influenced building. 25
Figure 4.13 Baba Nyonya house. 26
Figure 4.14 An Indian architecture influenced building. 26
Figure 4.15 Inside a longhouse. 27

19. HISTORICAL BACKGROUND
PAGE
Figure 4.16 Picture of how Sepak Manggis is being played. 28
Figure 4.17 Picture of a Labu Sayong. 30
Figure 4.18 Picture of a Belanga. 30
Figure 4.19 Picture of a Terenang. 31
Figure 4.20 Picture of a pattern of a Kerongsang. 32
Figure 4.21 Picture of a Cucuk Sanggul. 32
Figure 4.22 Picture of a Pending. 32
Figure 4.23 Picture of a traditional Chinese attire. 33
Figure 4.24 Picture of traditional Indian attire. 34
Figure 4.25 Picture of a traditional Baba Nyonya ladies wear. 34
Figure 4.26 Picture of a Rebana Ubi. 36
Figure 4.27 Picture of a Gambus. 36
Figure 4.28 Picture of a Sape. 37
Figure 4.29 Picture of people dancing the Malay Mak Yong dance. 38
Figure 4.30 Picture of people dancing the Kuda Kepang dance. 38
Figure 4.31 Picture of people dancing the Zapin dance. 39

20. HISTORICAL BACKGROUND
PAGE
Figure 4.32 Picture of people dancing the Joget dance. 39
Figure 4.33 Picture of people dancing the Lilin dance. 39
Figure 4.34 Picture of a person doing the Bharata dance. 40
Figure 4.35 Picture of a people doing the Bhangra dance. 40
Figure 4.36 Picture of a people doing the Ngajat dance. 41
Figure 4.37 Picture of a people doing the Datun Julud dance. 41
Figure 4.38 Picture of a people doing the Bamboo dance. 42
Figure 4.39 Picture of a people doing the Portuguese of Malacca Farapeira dance. 43
Figure 4.40 Picture of a people doing the Branyo dance. 43
Figure 4.41 Picture of the ‘attap’ roof Selangor Club. 44
Figure 4.42 Picture of a spotted dog. 45
Figure 4.43 Picture of the club house in the 1960’s. 45
Figure 4.44 Picture of the Royal Selangor Club Kiara Sport Annexe. 46
Figure 4.45 Picture of A.R. Venning. 48
Figure 4.46 Picture of the Royal Selangor Club being flooded. 49
Figure 4.47 Picture of the Royal Selangor Club on fire. 49

21. HISTORICAL BACKGROUND
PAGE
Figure 4.48 A news article on the Royal Selangor Club after the fire incident. 50
Figure 4.49 A news article on the reopening of the Royal Selangor Club. 51

22. ARCHITECTURAL DESIGN
PAGE
Figure 5.01 Royal Selangor Club’s cottage-like appearance. 40
Figure 5.02 High pitched triangular roofs. 40
Figure 5.03 Squarish symmetrical columns. 41
Figure 5.04 Timber Structure painted in black. 41
Figure 5.05 Round Arches borrowed from the Renaissance. 41
Figure 5.06 Opened courtyard built to refresh its spaces. 42
Figure 5.07 The Facade, extended and made as a drop-off to protect members from the rain. 42
Figure 5.08 A high pitch roof with an air vent, ventilating the dining room. 42
Figure 5.09 Royal Selangor Club and the Field. 43
Figure 5.10 The former field, Dataran Merdeka, which once belonged to the Royal Selangor Club. 43
Figure 5.11 Roof overhangs that serve as a drop off or pick up point for guests. 44
Figure 5.12 Illustration of the spaces design intention at the club. 45
Figure 5.13 Photo of the Billiard Room. 46
Figure 5.14 Image showing the Massive field at the Royal Selangor Club. 46
Figure 5.15 Illustration of the Public and Private spaces. 47
Figure 5.16 Main floor plan showing the planning of spaces at the Royal Selangor Club. 47

23. ARCHITECTURAL DESIGN
PAGE
Figure 5.17 Corridor from the dining area leading to other private spaces. 48
Figure 5.18 Massing of the building characterized by its front facade. 49
Figure 5.19 Illustration of Massing defined by roof of the club. 49
Figure 5.20 The lobby of the building. 50
Figure 5.21 Illustration of the entrance lobby through the front facade drawing. 50
Figure 5.22 Illustration of the dining from the main floor plan. 51
Figure 5.23 Interior view of the dining and kitchen area. 51
Figure 5.24 Illustration of the hash bar from the floor plan. 52
Figure 5.25 The Hash bar interior. 52
Figure 5.26 Illustration of the Billiard Room from the floor plan. 53
Figure 5.27 Image showing the Billiard Room and a snooker table in the room. 53
Figure 5.28 Seats arranged in the Billiard Room. 53
Figure 5.29 Illustration of the Squash court from the floor plan. 54
Figure 5.30 Photo of the Squash court. 54
Figure 5.31 Illustration of the Ballroom from the floor plan. 55
Figure 5.32 Image showing the interior of the Ballroom. 55

24. ARCHITECTURAL DESIGN
PAGE
Figure 5.33 Illustration of the gym room from the floor plan. 56
Figure 5.34 Image showing the interior of the gym. 56
Figure 5.35 Image showing average human density during first peak hour. 57
Figure 5.36 Picture of the dining area during peak hour. 58
Figure 5.37 Picture of hawkers stall during rush hour. 58
Figure 5.38 Shows the average human density during the evening peak hours. 58
Figure 5.39 Picture of hash bar. 58
Figure 5.40 Squash court during class time. 58
Figure 5.41 Public to private division seen using axis. 59
Figure 5.42 3-D representation of public and private. 59
Figure 5.43 Floor plan showing areas based on interaction level among people. 60
Figure 5.44 3-D view showing the spaces. 60
Figure 5.45 Shows the main circulation path. 61
Figure 5.46 Shows the lobby which connects to internal areas. 61
Figure 5.47 Shows internal movement from main entrance to dining area. 62
Figure 5.48 Shows the internal movement within the hash bar, squash courts. 62

25. ARCHITECTURAL DESIGN
PAGE
Figure 5.49 Elevation showing the datum and movement. 63
Figure 5.50 Shows the floor plan of the dining area highlighting the datum. 63
Figure 5.51 Highlights the repetition of roof and patterns on the elevation. 64
Figure 5.52 Shows the repetition element. 64
Figure 5.53 Front and back elevation highlighting the protruding part creating balance. 65
Figure 5.54 Shows the symmetry line drawn middle of the dining plan. 65
Figure 5.55 Shows the overall roof plan. 66
Figure 5.56 Picture showing hierarchy of roof. 66
Figure 5.57 Shows the view at an angle highlighting its asymmetrical form. 66
Figure 5.58 Shows the window openings present. 67
Figure 5.59 Shows the light penetration during day time into the building. 67
Figure 5.60 Food Court Stall 69
Figure 5.61 Chinese Restaurant 69
Figure 5.62 Long Bar 70
Figure 5.63 Hash Bar 70
Figure 5.64 Picture of beer or wine bottles. 71

26. ARCHITECTURAL DESIGN
PAGE
Figure 5.65 Picture of Cocktail Bar. 71
Figure 5.66 Gym at the club. 72
Figure 5.67 Snooker table at the club. 72
Figure 5.68 Squash court at the club. 73
Figure 5.69 Old photo of the cricket players 74
Figure 5.70 Old group photo of the cricket players. 74
Figure 5.71 Snooker Tables in the Billiards Room. 75
Figure 5.72 Snooker Players. 75
Figure 5.73 Squash Player. 76
Figure 5.74 The Squash Court. 76

27. POETICS - SPATIAL PLANNING AND RELATIONSHIPS
PAGE
Figure 6.01 Shows the division of spaces which we would be focusing on. 78
Figure 6.02 Floor plan. 78
Figure 6.03 Fencing that separates the dining area and walkway. 78
Figure 6.04 Separate pieces of fencing forms a visible partition between dining area and washing area. 79
Figure 6.05 The plan shows the location of entrance. 79
Figure 6.06 The appearance of the entrance and the elevated building. 79
Figure 6.07 Food stalls located right above dining area. 80
Figure 6.08 Floor steps create different levelling. 80
Figure 6.09 The plan shows the location of dining area. 80
Figure 6.10 The space of dining is wider than the entrance. 81
Figure 6.11 The plan of dining area is symmetrical and proportional. The dining plan follows a geometric order and axial symmetry. 81
Figure 6.12 The image shows the abundance of natural light. 82
Figure 6.13 The highlight parts show that the columns arranged with visual balance. 82
Figure 6.14 The image of the hawker stall where the stalls are facing each other. 82
Figure 6.15 Vertical lighting and hanging photographs in a row are leading users to walk along the corridor into different spaces. 83
Figure 6.16 Plan showing a sharp turning point along the corridor. 83
Figure 6.17 Toilet and gymnasium room located right after the turning at the corridor. 84

28. POETICS - SPATIAL PLANNING AND RELATIONSHIPS
PAGE
Figure 6.18 Hash bar with narrow circulation leading to squash courts. 85
Figure 6.19 Circulation of hash bar getting narrow as it goes deeper into the end of the dead corner. 85
Figure 6.20 Some area is not accessible as the circulation of hash bar is narrow with some blockage in between. 85
Figure 6.21 Seating areas as one of the gathering space to hang out with each other. 86
Figure 6.22 Dart board games that existed over century to bring back the memory. 86
Figure 6.23 Lounge bar counter that is made from hardwood. 86
Figure 6.24 Steps that leads people to the squash court. 87
Figure 6.25 Ballroom area highlighted on plan. 88
Figure 6.26 Wooden podium. 88
Figure 6.27 Timber flooring and wooden framed window are spotted in Royal Selangor Club ballroom. 88
Figure 6.28 Plan locating use of artificial light in ballroom. 89
Figure 6.29 There are two types of artificial lighting being used in the ballroom. 89
Figure 6.30 Artificial lighting creates a romantic lighting on a dark ballroom. 89
Figure 6.31 Sunlight penetrating on window diffuse into the surroundings. 90
Figure 6.32 Artificial lighting as an enhancement to natural lighting during night time. 90
Figure 6.33 Verticality in terms of height. 91
Figure 6.34 Shows that, users has to walk through the 16.22 meters long corridor before entering the billiard room. 91

29. POETICS - SPATIAL PLANNING AND RELATIONSHIPS
PAGE
Figure 6.35 The location of the billiard room. 91
Figure 6.36 The light and shadow that appears in the billiard room. 92
Figure 6.37 Rest area in the Billiard room. 92

30. TECTONICS – CONSTRUCTION MATERIALS AND DETAILS
PAGE
Figure 7.01 The Steel Structure of the Roof connected to the wall. 94
Figure 7.02 The Exterior the Building. 94
Figure 7.03 Timber 15 x 15 cm columns. 104
Figure 7.04 The rainwater gutter. 104
Figure 7.05 Some of these eye beams were supported by the brackets to the wall. 105
Figure 7.06 When the beams join with each other, it appears to be bolted, with a bracket and welded together as well. 105
Figure 7.07 Timber Panels on walls. 106
Figure 7.08 Tudor Hardwood Elements 106
Figure 7.09 The location of each door. 107
Figure 7.10 The location of timber flush doors. 108
Figure 7.11 The flush door connects the hash bar and the outdoor. 108
Figure 7.12 The frame of the flush door. 109
Figure 7.13 The door closer is added to flush door. 109
Figure 7.14 shows the round bar door handle with lock. 110
Figure 7.15 The location of interior timber door with decoration. 111
Figure 7.16 The interior timber door with decorations. 111

31. TECTONICS – CONSTRUCTION MATERIALS AND DETAILS
PAGE
Figure 7.17 The location of glass doors. 112
Figure 7.18 The glass door that is located in the squash room. 112
Figure 7.19 Door hinges and handles. 113
Figure 7.20 Iron fittings on the glass wall and door. 113
Figure 7.21 The location of casement window was shown through the exterior facade of the building. 114
Figure 7.22 shows the window and decorated window sill. 114
Figure 7.23 shows the stained glass window at the dining area. 115
Figure 7.24 The stained glass window provide skylight to the dining area. 115
Figure 7.25 shows the pattern of stained glass. 115
Figure 7.26 Corridor ceiling with covings. 116
Figure 7.27 The ceiling at the lobby area. 116
Figure 7.28 Billiard room ceiling painted blue. 116
Figure 7.29 Photo showing the squash court ceiling. 117
Figure 7.30 Image showing the cathedral ceiling at the dining. 117
Figure 7.31 The pitch rooves of Royal Selangor Club. 118
Figure 7.32 Gable roofing has secondary gable also known as cross gable. 118

32. TECTONICS – CONSTRUCTION MATERIALS AND DETAILS
PAGE
Figure 7.33 The Gable Roof. 119
Figure 7.34 The Roof’s Interior. 119
Figure 7.35 The Structural Roof. 119
Figure 7.36 Steel trusses as main support roof structures. 120
Figure 7.37 Steel spiral staircase behind the squash court. 121
Figure 7.38 The Entrance staircase. 121
Figure 7.39 Dining Area’s Majestic Marble floors. 122
Figure 7.40 A close up of the Dining Area floors. 122
Figure 7.41 Timber flooring in the Hash Bar. 123
Figure 7.42 Timber flooring in the Hash Bar. 124
Figure 7.43 Timber flooring in the Squash Court. 124
Figure 7.44 Interior Decorations. 125
Figure 7.45 Dining Room Railings 126
Figure 7.46 Facade Railings 126

33. CONCLUSION
PAGE
Figure 8.01 Façade showing its good condition and being well maintained. 129
Figure 8.02 Tiles intact, cleaned and checked regularly. 130
Figure 8.03 Columns present at the entrance. 130
Figure 8.04 Vents used in toilet area providing natural wind circulation. 131
Figure 8.05 Showing the roof tiles and gable roofing. 131

35. The aim of this module is to help us develop an understanding of
the fundamental building preservation and the practice of
recording it by using various documentation methods. This project
is an on-site exercise where students are required to execute
fieldwork and hands-on measuring exercise that will help
document information of the building. It also enables us to use
different types of researching methods to make a report containing
significance, historical and cultural information of the building,
complementing the drawings to preserve an accurate record of
historic properties that can be used in research and conservation
activities. We were required to analyse the relationship between
the architecture of the club, its context and its significance.
The research conducted aims to answer the following questions:
1. What is the purpose of the building and does the purpose
still remains?
2. What are the user’s experiences by using their 5 senses?
3. Does the design achieve the purpose of the club?
4. How do the various types of materials reflects the purpose
of each space?
Figure 3.01 Photo of one us discussing our plans with Dr.Suchi.
Figure 3.02 Min Chuen and Natalie discussing about the facade.

36. We were required to fulfil our fieldwork through data collection, on-
site investigation and measurement. Measurement of the building
was carried out for 5 days which is on the 21st January 2017 and
23rd to 26th January 2017. In order to obtain measurements of the
building, certain equipment were used.
It was the most general tool used on site. Each of us brought our
own measuring tape ranging from 3 meters to 8 meters. A
minimum of 2 students is required to use this device when
measuring long distances.
Figure 3.03 Photo of one of our group mate using the measuring tape.
These laser measuring tools from Bosch was used to measure
distance and heights of greater magnitude that are out of reach. It
can also measure the angle of an object.

37. Figure 3.04 Various methods on how to use the laser measuring.
The 30 meter nylon measuring tape is used to measure curved
surfaces such as columns, arches, curvy ornamentations and long
distances to ensure the surface is properly measured due to its
flexibility of the tape. A minimum of 2 students are required to use
this device.
Figure 3.05 Photo of a 30 meter nylon measuring tape.

38. 2 different types of cameras were used to capture images of the
site to achieve measurements of places which are out of reach by
using the proportion technique.
Figure 3.06 Picture of a DSLR camera and a drone.

39. A ladder was used to help us reach spaces that are higher, such
as the ceiling and wall ornamentations. However, some spaces
are out of reach due to the limited height of the ladder.
Figure 3.07 Photo of a step ladder.
The laser measuring tool couldn’t be used outdoors due to the
bright sunlight which would affect the laser pointer. This constrains
us to only being able to use manual measuring tools to measure
the facade and roof.
Figure 3.08 Photo of the GLM 80 laser measuring.
Some of us chose to use normal paper for the drawings of the
building. Due to the absence of guidelines that helps us to draw,
some of the drawings were out of proportion and lines were not
straight causing confusion during the CAD-ing process.
Figure 3.09 Photo of one of the drawings done on site.

40. Before the trip to the Royal Selangor Club, research was
conducted by visiting our university’s library and through the
internet in order to search for information regarding our building.
However our university’s library did not have the information
needed.
We solely relied on information obtained from the internet till we
visited the Kuala Lumpur Library which was situated just opposite
the Royal Selangor Club and we managed to find some
information regarding building.
The Royal Selangor Club had also given us a book which was
written by the club to commemorate their 125th anniversary which
was written in the year 2009.
Personal communication was conducted with the manager of the
club, Mr. Sashi to obtain more facts about the club. This
information includes its location, materials, initiatives to improve
the quality of the club and its future.
We had a chance to also interview a club member which was also
a lecturer in Taylor’s University, Professor Robert on his
experiences in using the club since the 1980s.
Figure 3.10 Photo of the information that we have gotten from the Kuala
Lumpur Library.
Figure 3.11 Photo of the interview with Professor Robert.

41. The purpose of this project is to have a better understanding of the
significance of the historical heritage and cultural values, while
relating it back to the architectural style along with the social,
economic, political and other influences to the design and concept
of the Royal Selangor Club in the past as well as the site context.
The measurements, photography, videography, interviews and
observations were the methods of documentation of the heritage
building on site which also supports our understanding of the
Royal Selangor Club. Furthermore, it promotes a sense of
appreciation towards the cultural heritage and architectural style of
the building. This building was built over a century ago and today,
it allows our team to see a glimpse of its past although part of it
was demolished by a fire in the 1970 and rebuilt in a Mock Tudor
style.
By documenting the overall information and history of the building,
it creates a different perspective view for us since the building
holds a lot of historical values in it that influences the architectural
style, technology and the essential elements of the building.
Overall, these methods of documenting provided us a greater
understanding in every aspect as well as learning to appreciate
the importance of conserving architectural heritage.
Accurate methods of measurement for the documentation are one
of the main tasks of our study. However the culture and
archaeological value of the site should not be neglected as they
have to be explored. To ensure that the essence of this
architectural wonder is expressed through the findings of our
project, intensive studies were implemented to further document
the building in relation to its long and rich history.
Figure 3.12 Rear elevation of the old wing

42. These are the various research methods that we have used to
gather information on the Royal Selangor Club heritage and its
cultural background.
Primary Data:
Interviews
We have done a few interviews with different people who are
directly and indirectly connected to the Royal Selangor Club. We
interviewed Mr. Sashi, the manager of the club, for the
background of the club and what was the club’s intention for the
future of the club. Furthermore, we had also interviewed Mr Robert
from Taylor’s University who have been a club member since the
80’s to get to know more about his personal experience in the club
as it undergo changes.
Figure 3.13 An interview with the manager of the Royal Selangor Club,
Mr Sashi.
Secondary Data:
Book references
We have found a few books from various libraries which gives an
insight of the Royal Selangor Club. The club had also given us a
book which was written for their 125th anniversary.

43. Figure 3.14 A book, entitled “An Icon of the Nation for 125 years” that
was given to us by the Royal Selangor Club.
Internet Resources
The internet is a fascinating invention that has helped us find
information that we were looking for when there was no
information to be found on books. We have found several internet
resources that are relatable to our research.

44. Group Video Report Photobook
Leader Tan Min Chuen Danica Tan Min Chuen
Members Involved Chan Koon Qi
Aaron Chong
Thomas Ting
Shreya
Michelle
Zoe Low
Group Model Drawings
Leader Tan Chin Yin Ahmad Ashraf
Members Involved Jacky Ting
Cha Yun Xian
Fazrie
Adam Hariz
Chong Kit Yee
Ang Averllen
Deenie Hyatt Jumat
Lee Suk Fang
Clare Tsisika Ayisi
Table 1.01 Job scopes of the members Off Site.
Group Video External
Elevation
Details
Leader Tan Min Chuen Cha Yun Xian Michelle Siaw
Members
Involved
Chan Koon Qi Zoe Low Cha Yun Xian
Group Billiard Room and Hall Lobby and Food
Court
Leader Ahmad Ashraf Chong Kit Yee
Members
Involved
Ang Averllen
Mohamad Fazrie
Adam Hariz
Shreya Maria Wilson
Lee Suk Fang
Clare Tsisika Ayisi
Group Hash Club and Squash Court Gymnasium
Leader Jacky Ting Sim Ming Thomas Ting
Members
Involved
Deenie Hyatt Jumat
Tan Chin Yin
Danica Gan Jia-En
Aaron Chong
Table 1.02 Area Delineation of the members On Site.

45. Multiple limitations were faced throughout this assignment.
Human Error
Parallax error may occur during the measuring process as
the eye level is not perpendicular to the reading of the measuring
tool. Besides that, the measurements were not taken
several times to avoid random error thus it leads to the
documentation of inaccurate measurements.
Figure 3.15 An example of parallax error.
Lack of Manpower
Due to the festive season, some of the members had to be absent
for the last few days as they have booked their tickets to return to
their hometown for the Chinese New Year celebration.
Furthermore, the changing of weather had also caused some of
the members to fall sick and unable to give their 100% in the
measuring process.
Figure 3.16 The remaining 11 members out of 19 members.

46. The club was founded as the Selangor Club in 1884 as a meeting
point for educated and high-ranking members of British colonial
society. Most of its early members were British, the founding
members include H.C. Syers, the Superintendent of Selangor
State; A.R. Venning, Treasurer of Selangor and head of the
Sanitation Board (who also created the Lake Gardens); A. C.
Norman who designed some early buildings of Kuala Lumpur; and
H.F. Bellamy who headed the Selangor Public Works Department.
Nevertheless, membership to the club is primarily determined by
high educational standard or social standing, rather than race or
citizenship; for example an original founding member was
Thamboosamy Pillay and its first Secretary was a German, Count
Bernstorff. Over the years, the club's membership increased and
had also begun to include high-ranking Malaysian civil servants:
judges, lawyers and important people in society.
The ownership of this place is currently taken by the Sultan of the
Selangor state which is currently in the hands of Sultan
Sharafuddin Idris Shah Al-Haj (Tengku Idris Shah). Due to its
Royal Connection with the club, the club membership has certain
standards to it. First, a member would have to be able to afford a
membership fee yearly,
ranging from RM 5,000 - RM 25,000. Next, they would be required
to undergo an interview with the membership committee, only then
they would be entitled to the membership of the club.
Figure 3.17 Picture of Sultan Sharafuddin Idris Shah Al-Haj (Tengku
Idris Shah).
Due to its certain standards of membership and dress codes, we
faced many difficulties during the site visit. There were many rules
that we had to follow and some obstructed our work progress. For

47. example, we had to comply with the dress code by ensuring that
we wear proper clothing namely, collared shirt, shoes and long
pants or jeans.
Furthermore, we were have to make sure that only up to a group
of 4 students are allowed to be at the lobby and food court during
peak hours which is from 12 p.m. till 2 p.m.. This caused us some
inconvenience as we normally only reach the club around 10 a.m.
and would have to leave by 5 p.m. and it was such a large space
with a lot of details to be measured.
Figure 3.18 Photo of us having our discussions in an “abandoned”
squash court.

48. Preamble
Question: What is the purpose of the building and does the
purpose still remains?
In this chapter, we focus on the history of Kuala Lumpur, local
culture and heritage of Malaysia, as these factors have played a
large role in shaping the Royal Selangor Club. We also look into
the challenges that the club has faced throughout its 133 years of
history.

49. Kuala Lumpur began life in 1857. It was then that a member of
Selangor's royal family, Raja Abdullah, chose to open up a
territory in the Klang Valley for tin prospectors. Miners from China
soon arrived and despite pestilence that killed a large number of
them, the Chinese miners thrived, attracting merchants and
businesses. The commercial area of tin trading was located in the
intersection of the Klang and Gombak rivers and it was here that
Kuala Lumpur was established. Its name literally means 'muddy
capital' in Malay, because of its establishment in the confluence of
the Klang and Gombak rivers.
During this time, which was the British colonial period, the tin
miners were often embroiled in gang warfare, disrupting the peace
and stability of the tin trade. The British authorities decided to
appoint a Chinese captain, called 'Kaptian' to administer the area
and ensure its order. After two Kapitans had finished their
appointed period of duties, Yah Ah Loy stepped up to take the
mantle.
Figure 4.01 A picture of Yap Ah Loy.
It was this third Kapitan that truly changed and prospered Kuala
Lumpur. Under his leadership, Kuala Lumpur transformed from a
sluggish town into a prominent commercial hub in Selangor. It was
likewise amid this time that gang warfare was at its peak. It
erupted into a civil war between the two main Chinese gangs, the
Hai San and Ghee Hin, of which the former that Yap Ah Loy was a
part. Eventually, the Hai San won, and Yap Ah Loy then rebuilt the
devastated town and repopulated it with more Chinese miners. He
also brought in Malay farmers to settle near Kuala Lumpur to give
nourishment to the miners. Under his administration, Yah Ah Loy

50. established Kuala Lumpur's first school and a shelter for the
homeless, besides building up commercial activities.
Towards the end of the 19th century, the city was tormented by
disasters and adversity. Diseases, epidemics, fires and floods
were at the order of the day. Yap Ah Loy replaced traditional ‘attap’
houses with brick and tile as a safety precaution.
Figure 4.02 A picture of Kuala Lumpur being flooded.
After his death, Frank Swettenham the British Resident of
Selangor, took over the helm of duties and kept on prospering
Kuala Lumpur until World War II. During the war, the Japanese
occupied the city but they eventually surrendered in 1945 to the
British after their loss in the War. However, when the Japanese
forces had left and the British returned to the city, the inhabitants
of Kuala Lumpur were fed up with all the oppression. Gradually
however doubtlessly the British lost their influence in both Kuala
Lumpur and the entire nation. Malaysia was then open for new
influences, and this happened unequivocally amid the ascent of
communism. Despite the fact that the British got their authority
back following a couple of years, it was at that point past the point
of no return. The people wanted to manage themselves, they
wanted independence.
In 1957, Malaysia gained independence from the British and it was
announced and declared in Kuala Lumpur, making it a historically-
significant city. Kuala Lumpur remained the capital of the nation,
despite the fact that the city did not have its own administration
and right. It was not up until 1972 that the city became
independent and got its own government.
Finally in 1974, Kuala Lumpur was formally removed from the
jurisdiction of Selangor state and made into a Federal Territory, as

51. Malaysia's booming economic capital. From that moment on the
city grew rapidly. The new capital attracted individuals of a wide
range of societies and the city soon became a melting pot of Asian
cultures. Special areas were erected in the city, and in every area
a different culture group lived. For instance, during that time, there
were a Chinese district, and Indian district, a district in which
Europeans (especially the English) lived and a district in which the
local 'Malay' lived. Over time, Kuala Lumpur has advanced into
becoming one of Southeast Asia's most prominent, modern and
sophisticated cities, attracting visitors from all over the world.
Figure 4.03 A picture of Sultan Abdul Samad Building, which housed
the offices of the British colonial administration and Government Offices
till 1974.

52. Malaysia has a rich history dating back to the 13th century.
Certain states were a busy seaport for European and Far East
traders for hundreds of years. This has caused Malaysia to be a
land of intriguing diversity.
Malay
The Malays, Malaysia's largest ethnic group, refers to a person
who practices Islam and Malay traditions, speaks the Malay
language and whose ancestors are Malays.
Chinese
The second largest ethnic group are mostly descendants of
Chinese immigrants during the 19th century. The Chinese are
known for their diligence and keen business sense.
Indian
The smallest of the three main ethnic groups, most of them are the
descendants of Tamil-speaking South Indian immigrants who
came to the country during the British colonial rule. Lured by the
prospect of breaking out of the Indian caste system, they came to
Malaysia to build a better life.
‘Orang Asli’
The general term utilized for any of the indigenous groups that are
found in Peninsular Malaysia. Some are fishermen, some farmers
and some are semi-nomadic.
Figure 4.04 A picture of Orang Asli.
Kadazan Dusun
The largest ethnic group of Sabah, they consist of two tribes; the
Kadazan and the Dusun. Kadazan’s are mainly inhabitants of flat
valley deltas, which are conducive to paddy field farming, while the

53. Dusun’s traditionally lived in the hilly and mountainous regions of
interior Sabah.
Figure 4.05 A picture of people of Kadazan Dusun.
Bajau
The second largest ethnic group in Sabah, a nomadic seafaring
people that worshipped the Omboh Dilaut or God of the Sea, they
are sometimes referred to as the Sea Gypsies.
Figure 4.06 A picture of the people of Bajau.
Murut
The third largest ethnic group in Sabah, they were the last of
Sabah's ethnic groups to renounce headhunting. Now, they are
mostly shifting cultivators of hill paddy and tapioca, supplementing
their diet with blowpipe hunting and fishing.
Figure 4.07 A picture of the people of Murut.
Iban
The largest of Sarawak's ethnic group, sometimes erroneously
referred to as the Sea Dayaks because of their skill with boats. In
the past, they were a fearsome warrior race renowned for
headhunting and piracy. Traditionally, they worship a triumvirate of

54. gods under the authority of Singalang Burung, the bird-god of war.
Figure 4.08 A picture of the people of Iban.
Bidayuh
They are mostly farmers and hunters. In their past headhunting
days their prized skulls were stored in a 'baruk‘, a roundhouse that
rises about 1.5 metres above the ground.
Figure 4.09 A picture of the people of Bidayuh.
Melanau
Believed to be among the first people to settle in Sarawak. They
are found mainly along the rivers and coastal plains of central
Sarawak.
Figure 4.10 A picture of the people of Melanau.
Orang Ulu
27 of the inland tribal groups of Sarawak are collectively called
Orang Ulu or upriver people. The aboriginal Penan people are
also included as Orang Ulu by government census but the Penan
are traditionally nomadic people living in small family groups
constantly moving from place to place within the rainforest.

55. Malay Architecture
Traditional Malay architecture utilizes sophisticated architectural
processes ideally suited to tropical conditions, for example,
structures built on stilts, which allows cross ventilation of breeze
underneath the dwelling to cool the house whilst mitigating the
effects of occasional flood. High-pitched roofs and large windows
not only allow cross ventilation but are also carved with intricate
organic designs. Traditional houses in Negeri Sembilan were built
of hardwood and entirely free of nails. They are built using beams,
which are held together by wedges.
Figure 4.11 A Malay architecture influenced building.
Chinese Architecture
In Malaysia, Chinese architecture is of two broad types: traditional
Chinese and Baba-Nyonya. Examples of traditional architecture
include Chinese temples found throughout the country such as the
Cheng Hoon Teng that dates back to 1646.
Many old shop houses especially those that can be found in
Melaka and Penang are of Baba-Nyonya heritage,
Figure 4.12 Baba Nyonya house.

56. Indian Architecture
With most of Malaysian Hindus originally from Southern India,
local Hindu temples exhibit the colourful architecture of that region.
Built in the late nineteenth century, the Sri Mahamariamman
Temple in Kuala Lumpur is one of the most ornate and elaborate
Hindu temples in the country. The detailed decorative scheme for
the temple incorporates intricate carvings, gold embellishments,
hand-painted motifs and exquisite tiles from Italy and Spain.
The Sikhs, although a small minority, also have their temples of
more staid design in many parts of the country.
Figure 4.13 An Indian architecture influenced building.
Indigenous Peoples of Sabah & Sarawak
Two unique architectural highlights of the indigenous peoples of
Sabah and Sarawak are longhouses and water villages.
Homes to interior riverine tribes, longhouses are traditional
community homes. These elongated and stilted structures, often
built of axe-hewn timber, tied with creeper fibre and roofed with
woven ‘attap’ or thatched leaves, can house between 20 to 100
families.
Rustic water villages built on stilts are also commonly found along
riverbanks and seafronts. Houses are linked by plank walkways
with boats anchored on the sides. Transport around the village is
usually by sampan or canoe.
Figure 4.14 Inside a longhouse.

57. Malaysians' strong sense of community is reflected in many of
their traditional games and pastimes.
Silat
It is a form of Malay martial art is also an international sport and
traditional dance form. It has mesmerising fluid movements that
are used to dazzle opponents.
Sepak Takraw
There are two main types of sepak takraw: bulatan (circle) and
jaring (net). Sepak raga bulatan is the original form in which
players form a circle and try to keep the ball in the air for as long
as possible. Sepak takraw jaring is the modern version in which
the ball is passed across a court over a high net.
Wau
A wau is a traditional kite that is traditionally flown after the rice
harvest season; these giant kites are often as big as a man -
measuring about 3.5 metres from head to tail.
Gasing
A gasing is a giant spinning top that weighs approximately 5kg or
10lbs. Traditionally played before the rice harvest season; this
game requires strength, coordination and skill.
Wayang Kulit
Wayang kulit is a traditional theatre form of a puppet show, which
shows the elusive quality and charming simplicity of a shadow
play. Wayang kulit usually dramatizes ancient Indian epics.
Congkak
Congkak is an oval solid wood block with two rows of five, seven,
or nine holes and two large holes at both ends called "home".
Sepak Manggis
Forming a circle and facing each other, players aim to strike the
bunga manggis floral carrier that dangles from a 10-metre high
pole. The winner will be rewarded with money, gifts or edibles,
which are in the carrier.

58. Earthenware
Popular items of traditional design include labu sayong, geluk,
belanga, terenang, Chinese dragon kiln ceramics and Sarawak-
ian tribal motif pottery. Commonly used for storing water or
cooking.
Wood Crafts
Antique Malay-styled engraved panels, keris dagger handles,
Chinese containers, unique Orang Asli spirit sculptures, intricate
walking sticks, kitchen utensils and carved scented woods are
among the wood crafts found in Malaysia.
Metal Crafts
Traditional brass casting, bronze and pewter has been used to
produce decorative items, kitchen ware and traditional artefacts.
Hand-woven Crafts
Local plant fibres are coiled, plaited, twined and woven to produce
items such as bags, baskets, mats, hats, tudung saji and sepak
raga balls.
Textiles
Malaysia's traditional textiles include batik, songket, pua kumbu
and tekat. These textiles are made into all sorts of decorative
items, from haute couture, clothes to shoes, colourful curtains and
delicate bed linen.
Kerongsang
A three-piece brooch set traditionally used to pin the lapels of the
baju kebaya together.
Cucuk Sanggul
A traditional hairpin used to secure hair in a bun at the back of
women's heads.
Pending
A large, intricately ornamented belt buckle worn around the
sampin, a skirt-like cloth worn by men, to complement their baju
melayu, the traditional attire for men.

59. Malay
Before the 20th century, Malay women still wore kemban. As
Islam became more widely embraced, they started wearing baju
kurung. The traditional attire for Malay men is the baju melayu.
Chinese
The traditional cheongsam is also a popular contemporary fashion
choice for ladies. Men would usually wear a chang pao.
Figure 4.15 Picture of traditional Chinese attire.
Indian
The saree is the world-renowned traditional Indian garment.
Popular with northern Indian ladies is the salwar kameez or
Punjabi suit; a long tunic worn over trousers with a matching shawl.
The kurta is the traditional attire for men on formal occasions.
Figure 4.16 Picture of traditional Indian attire.
Baba Nyonya
Chinese immigrants who married Malay partners wore the elegant
kebaya that can be described as traditional haute couture.
Figure 4.17 Picture of a traditional Baba Nyonya ladies wear.

60. Portuguese-Eurasian
Dominated by the colours black and red, men wear jackets and
trousers with waist sashes whilst ladies wear broad front-layered
skirts.
Sarawak
Using a variety of designs and native motifs, common materials for
the Orang Ulu or upriver tribes are hand-loomed cloths, tree bark
fabrics, feathers and beads. Sarawak is known for the woven pua
kumbu of the Iban tribe, songket of the Sarawak Malay, colourful
beaded accessories, traditional jewellery and head adornments.
Sabah
Each group adorns attire, headgears and personal ornaments with
distinctive forms, motifs and colour schemes characteristic of their
respective tribe and district.
Orang Asli
Orang Asli of Peninsular Malaysia wore clothing made from
natural materials such as tree barks like the terap, and grass skirts.
Ornaments include skilfully woven headbands with intricate
patterns that are made from leaf fronds.

61. Orchestra
Malaysia has two traditional orchestras: the gamelan and the
nobat. The gamelan is a traditional orchestra that plays ethereal
lilting melodies using an ensemble of gong percussion and
stringed instruments. The nobat is a royal orchestra that plays
more solemn music for the courts using serunai and nafiri wind
instruments.
Rebana Ubi
Used as a musical instruments of various social performances.
Figure 4.18 Picture of a Rebana Ubi.
Kompang
Similar to the tambourine but without the jingling metal discs, this
hand drum is most commonly played in large ensembles.
Gambus
Played in a variety of styles in Malay folk music; primarily used as
the lead instrument in Ghazal music.
Figure 4.19 Picture of a Gambus.
Sape
The sape is the traditional flute of the Orang Ulu community or
upriver people of Sarawak. Once played solely during healing
ceremonies within longhouses, it gradually became a social
instrument of entertainment. Typically, its thematic music is used
to accompany dances such as the Ngajat and Datun Julud.
Figure 4.20 Picture of a Sape.

62. Malay Mak Yong
Combination of romantic drama, dance, operatic singing and tales
of the golden age of the Malay.
Kuda Kepang
Dramatizing the tales of victorious Islamic holy wars, dancers sit
astride mock horses moving to the hypnotic beats of percussion.
Zapin
Performed to Islamic devotional chanting to spread knowledge
about the history of the Islamic civilisation.
Joget
A lively dance with an upbeat tempo performed by couples who
combine fast, graceful movements with playful humour.
Tarian Lilin
Also known as Candle Dance, it is performed by women who do
delicate dances while balancing candles in small dishes.
Chinese Lion Dance
Requiring perfect co-ordination, elegance and nerves of steel, the
dance is almost always performed to the beat of the tagu, the
Chinese drum, and the clanging of cymbals.
Dragon Dance
The Dragon Dance is said to bring good luck and prosperity for the
year to come. Usually requiring a team of over 60 people, it is a
dazzling display of perfect co-ordination, skill and grace.
Indian Bharata Natyam
This classical Indian dance is poetry in motion. Based on ancient
Indian epics, this highly intense and dramatic dance form uses
over 100 dance steps and gestures.
Bhangra
Bhangra is a lively folk music and dance form of the Sikh
community. Typically centred on romantic themes with singing and
dancing driven by heavy beats of the dhol, a double-barrelled
drum, the bhangra is engagingly entertaining.

63. Sabah & Sarawak Ngajat
This dance is usually performed during Gawai Kenyalang or
'Hornbill Festival'. Reputedly the most fearsome of Sarawak's
head hunters, the tribe's victorious warriors were traditionally
celebrated in this elaborate festival.
Datun Julud
Symbolises happiness and gratitude, it was once performed
during communal celebrations that greeted warriors returning from
headhunting raids or during the annual celebrations that marked
the end of each rice harvest season.
Sumazau
Used to honour spirits for bountiful paddy harvests, ward off evil
spirits and cure illnesses. Dancers perform this steady hypnotic
dance with soft and slow movements imitating birds in flight.
Bamboo Dance
Two long bamboo poles are held horizontally above the ground at
ankle-height. They are clapped together to a high-tempo drumbeat.
Requiring great agility, dancers are required to jump over or
between the poles without getting their feet caught.
Orang Asli
Dances are commonly used by witch-doctors as rituals to
communicate with the spirit world. Such dances include
Genggulang of the Mahmeri tribe, Berjerom of the Jah-Hut tribe
and the Sewang of the Semai and Temiar tribes.
The Portuguese of Malacca Farapeira
The Farapeira is a fast, cheerful dance usually accompanied by
guitars and tambourines, performed by couples dressed in
traditional Portuguese costumes.
Branyo
Favoured mainly by the older Portuguese generation, compared to
the Farapeira the Branyo is a more staid dance. Male dancers
dressed in cowboy-like costumes and female dancers dressed in
traditional baju kebayas with batik sarongs sway to the steady
rhythm of drums and violins.

64. The Royal Selangor Club was one of Asia’s oldest sporting
institution which was founded with the name Selangor Club in
1884 as a meeting point for educated and high-ranking members
of British colonial society. The club was initially based in a small
wooden building with an ‘attap’ roof near the north eastern corner
of the padang and later was then replaced by a two-storey Tudor
style structure designed by A.C.A. Norman, a Government
Architect, in 1890, at the present site of the club, on the west side
of the padang.
Figure 4.21 Picture of the ‘attap’ roof Selangor Club.
The club was nicknamed "The Spotted Dog", one explanation is
that it referred to its mixed community membership and began
with a remark that "frequenters of The Spotted Dog pub must
accept the company as they find it". Another suggestion is that it
refers to two Dalmatians that belong to the wife of H. C. Syers,
one of the club founders and left to watch the entrance of the club
whenever they visited the club. Yet another suggestion is that the
first emblem club was supposedly a spotted leopard that was so
badly drawn that some confused it for a dog. The club is also
simply referred to as "The Dog".

65. Figure 4.22 Picture of a spotted dog.
Most of its early members were British; the founding members
include H.C. Syers, the Superintendent of Selangor Public Works
Department; A.R. Venning, Treasurer of Selangor and head of the
Sanitation Board; A. C. Norman who designed some early
buildings of Kuala Lumpur; and H.F. Bellamy who headed the
Selangor Public Works Department. Nevertheless, membership to
the club is primarily determined by high educational standard or
social standing, rather than race or citizenship.
The clubhouse was built with funds from the British colonial
administration, and the British Resident of Selangor was ex officio
the President of the club – the first three Presidents were John
Pickersgill Rodger, William Edward Maxwell, and Frank
Swettenham.
In 1910, the building was further enhanced with a Mock Tudor
styling and included two additional wings on each side of the main
building. The masterpiece was the inspiration of architect Arthur
Benson Hubback, who was also credited for the design of the
Kuala Lumpur Railway Station.
Figure 4.23 Picture of the club house in the 1960’s.

66. The Padang was once leased by the government to the Selangor
Club which was used for various sports such as cricket, soccer
and rugby. However, in 1987 the Padang was taken back by the
City Hall and in return the Selangor Club was given a piece of land
in Bukit Kiara 5.5 kilometres away from the original clubhouse
where the club build its second club house, called the Royal
Selangor Club Kiara Sport Annexe.
Figure 4.24 Picture of the Royal Selangor Club Kiara Sport Annexe.

67. In search of a communal place far from home where perspectives
can be shared, ideas could be exchanged and a place which bore
some resemblance to life back home, the Selangor Club was
established. The following members were not only in charge for
founding this great club but also various other institution which
conveyed significant changes to the social order in the country.
K. Thamboosamy Pillai (Businessman)
 Famous tin miner and operator
 A Justice of Peace and a member of the prestigious Kuala
Lumpur Sanitary Board now known as Dewan Bandaraya
Kuala Lumpur
 One of the founders and one of the Trustees of Victoria
Institution
 Founder of the Sri Mahamariamman Temple, Kuala
Lumpur
H.C. Syers (Superintendent of the Selangor Public Works
Department)
 The founder of the first voluntary fire service in Malaysia
 Member of the Kuala Lumpur Sanitary Board now known
as Dewan Bandaraya Kuala Lumpur from its
establishment in the 1890
J. P Rodger (Resident of Selangor)
 He was educated at Eton College and Oxford University
 He was called to the English Bar in 1877
 Sir John was the British resident of Selangor (1884 - 1885)
and (1896 - 1902)
 First British Resident of Pahang (1888 - 1896)
Captain Charles Syers (Commissioner of Selangor Police)
 Formed Kuala Lumpur’s first police force
 Responsible for the establishment of Bukit Aman

68. A.R. Venning (Selangor Treasurer and Chairman of the
Sanitary Board)
 An experienced planter in Ceylon prior to his arrival in
Malaysia
 Instrumental in the move to create Lake Gardens
 He was also the President of the Perak Club (Taiping)
between 1898 - 1900
Figure 4.25 Picture of A.R. Venning.

69. Flood
The Royal Selangor Club was not spared from frequent flooding in
Kuala Lumpur. Between the start of the 1910s and the 1930s, the
club was recorded to be hit by floods in 1911, 1917, December
1925 and December 1926. Later in 1971, the club was hit by yet
another flood.
Figure 4.26 Picture of the Royal Selangor Club being flooded.
Fire
On 20 December, 1970, the main section of the club was razed in
a fire which was believed to have started from its kitchen at
around 10.30 p.m. and was contained within an hour by 50 fire
fighters. Property damage from the fire was estimated to cost
more than RM 1.5 million, but there were no casualties. The then
president of the club, Khir Johari, stated that the club was insured
for RM 1 million.
Figure 4.27 Picture of the Royal Selangor Club on fire.

70. Besides the fire and frequent floods that affected the club, a period
of uncertainty would see the club face the possibility of relocation,
bankruptcy and even closure. Various complex issues would loom
over the club during this difficult period of time.
Figure 4.28 A news article on the Royal Selangor Club after the fire
incident.

71. After the fire, plans were made by the club to rebuild what was
damaged. Proposals were made on a new wing and submitted to
the Kuala Lumpur City Hall in 1972. However, City Hall was
suggesting the construction of a civic centre over the site of the
club's field and club. The initial response by the club was to search
for a new site in the surrounding area, including Jalan Duta, an
area near the Houses of Parliament, an area near a polo club in
Ampang, and Damansara but with little success.
Discussions were eventually made with City Hall to agree on the
club's rebuilding. As a result, plans for the civic centre in the area
were abandoned, and the City Hall granted the reconstruction of
the club's new building in July 1978. The contractor, led by
architect Fong Yung Leong, completed the refurbishment of the
cellar (the club’s bar and discotheque) and this was opened by
former president Datuk Justice Harun Hashim.
Massive renovation works were undertaken to upgrade the
Selangor Club. Upon completion, the opening of the new wing was
officiated by the Yang Di-Pertuan Agong which was built in a
similar Mock Tudor style as the rest of the club building, was
constructed from 5 November, 1978 to December 1980 at a cost
of RM 6 million.
Figure 4.29 A news article on the reopening of the Royal Selangor Club.

72. Preamble
Question: Does the design achieve the purpose of the club?
In this chapter of architectural design we focus on concept that
aims on a certain purpose which focuses on the components or
elements that coherent and function as a whole, according to a
particular approach in achieving the objective(s) under the given
constraints or limitations. On the other hand how form and the
style of the building come together to define its function for the
building while time plays a crucial role on the activities and use of
space.

73. Royal Selangor Club inhabits a Mock Tudoresque style that
represents the British. It inherits this to portray their powerful
growth as an empire, as the Tudor is their renowned portrayal of
their culture.
Tudor is a British Architectural Style that was used in the 16th
Century. It has taken inspiration from the Renaissance style under
the influence of the Romans. The British favoured it as a
significant design that greatly portrayed their high class and posh
society.
Figure 5.01 Royal Selangor Club’s cottage-like appearance.
Figure 5.02 High pitched triangular roofs.

74. Figure 5.03 Squarish symmetrical columns.
Figure 5.04 Timber Structure painted in black. Figure 5.05 Round Arches borrowed from the Renaissance.

75. The style had eventually became a Mock. It was reused in later
years as the building was built, which was modified to its
contextual humid climate. Inheriting a cottage appearance,
constructed in an opened manner.
Figure 5.06 Opened courtyard built to refresh its spaces.
Figure 5.07 The Facade extended and made as a drop-off to protect
members from the rain.
Figure 5.08. A high pitch roof with an air vent, ventilating the dining
room.

76. The British favoured sports as their leisure activity, which
influenced the context of the clubhouse. This is based upon their
urban planning, which they often constructed clubhouses next to
football fields. A form of accommodation convenient for them as
they make use of the Football fields.
Figure 5.09 Royal Selangor Club and the Field.
Figure 5.10 The former field, Dataran Merdeka that once belonged to
the Royal Selangor Club.

77. The design intention of the Royal Selangor Club revolves around
the core purpose of a social club, which is for general social
interaction as well as a broad range of activities ranging from
sporting activities to social events etc. It had originally been
designed to meet expectations of a ‘gentlemen’s club’ so it carries
traits of both a social club and a gentlemen’s club. For instance, it
is restricted to only the club members who ascend from a high-
ranking group of people.
The roof at the front façade was designed with overhangs. It
serves to provide shade and can serve as a pickup or drop off
point when guests are coming or leaving the building. For instance,
when raining, it would be a convenient option, or when it is too
sunny as well.
Figure 5.11 Roof with overhangs that serves as a drop off or pick up
point for guests.
Upon entrance into the club, the members and visitors are greeted
by an open front façade that displays the lobby area altogether
with the dining area. However, the kitchen area is further hidden at

78. the backside, as it would not serve as a beautiful scenery for
receiving guests or rather for display to the public.
The open spaces (public spaces), which are the dining and
kitchen area, can be accessed by the general public. This is where
most activity takes place. Hence, they were intentionally put right
next to each other, separate from all the other rooms. Only club
members are privileged to access all the other rooms in the club,
such as the Billiard Room, the Hash Bar, Squash Court etc. The
design intention was to draw a clear line between the public areas
and the private areas.
The building layout follows the design of the old Gentlemen’s
clubs for instance the White’s Club, which is among the most
prominent gentlemen’s club. For instance, a room such as the
Billiard room is held in such high esteem.
The dining area is designed as an open area with columns aligned
at specific points. The columns bring a sense of order/harmony in
spaces.
Figure 5.12 Illustration of the spaces design intention at the club.

79. Figure 5.13 Photo of the Billiard Room.
The Billiard Room at the Royal Selangor Club is an aesthetic
delight and a haven of serenity. The atmosphere within the room
is typically different from other rooms.
Figure 5.14 Image showing the massive field at the Royal Selangor
Club.
A massive field that functions as a sport annex is stationed behind
the building. Royal Selangor Club contains various sporting
activities such as football, hockey, rugby and cricket. The field is
therefore intended for practicing and also holding of tournaments
against other clubs.

80. Royal Selangor Club is generally a social club for high-ranking
people. The spatial planning is mainly categorized into either
public or private spaces. This draws a clear line between the
members of the club and other normal guests visiting the club.
Most activities are restricted only to the members of the club
hence the commoners have restricted access to these areas.
Figure 5.15 Illustration of the public and private spaces.
The building layout follows the design of many other social clubs
but with rather extra facilities as per the club’s needs. General
spaces that are found in most social clubs are for instance the
dining and kitchen, bar area, indoor games, and also the gym
room.
Figure 5.16 Main floor plan showing the planning of spaces at the Royal
Selangor Club.

81. A lobby is placed at the main entrance of the building. Right after it,
there is an open dining area which is adjacent to the kitchen and
food stalls, making food serving more efficient. These two spaces
are rather left public and anyone can observe the activities that
take place.
A corridor leads away from the dining area and makes easier
access to other spaces in the club.
The other spaces, aside from the kitchen and dining are private.
However, members can easily manoeuvre from one room to
another, as the rooms are closely placed to each other to allow
easier movement and access.
Figure 5.17 Corridor from the dining area leading to other private
spaces.

82. The overall massing of the Royal Selangor club follows the
massing of Mock-Tudor style buildings in terms of the shape, form
and the size. This is characterized mainly by its roof and front
facade. This form of the building makes it suitable for its functions.
Figure 5.18 Massing of the building characterized by its front facade.
The Royal Selangor club is characterized by asymmetrical
massing which is primarily defined by the steep gabled roofs, and
a prominent front facade.
Aside that, the massing of the building is broken due to varying
roof shapes having been used on the building i.e. gable and cross-
cable.
Figure 5.19 Illustration of Massing defined by roof of the club.

83. Upon entrance at the Royal Selangor Club, is a staircase that
leads to a lobby. This is where members of the club and other
visitors get access to the interior of the building. It is located right
before the dining area at the club, and serves as a checkpoint
before granted access into any other part of the building.
Figure 5.20 The lobby of the building.
Figure 5.21 Illustration of the entrance lobby through the front facade
drawing.

84. The dining, located right after the entrance of the building,
functions as the eating area. The room is merely designed as an
open area and with columns placed at specific intervals from one
another. Furthermore, it is situated adjacent to the kitchen for
convenience in serving food.
Figure 5.22 Illustration of the dining from the main floor plan.
Figure 5.23 Interior view of the dining and kitchen area.

85. The hash bar is located right next to the Billiard room. Serving
alcoholic beverages to the club members is the primary purpose.
Aside that, it could also serve as an appealing gathering or
meeting place with friends, where there are seats adjacent to the
bar counter. It is simply designed like any other bar, with a bar
counter and high seats arranged along the counter.
Figure 5.24 Illustration of the hash bar from the floor plan.
Figure 5.25 The hash bar interior.

86. The room is exquisitely designed with rich colour orientation,
aesthetic lighting and leather furnishing. Entrance to the billiard
room is through a corridor that leads from the dining area. The
entrance is located on the left side of the corridor. The club
members can enjoy having a drink or two with their friends while
playing snooker, or they can just go there to sit and hang out to
pass time.
Figure 5.26 Illustration of the Billiard room from the floor plan.
Figure 5.27 Image showing the billiard room and a snooker table in the
room.
Figure 5.28 Seats arranged in the Billiard room.

87. The squash court, situated outside the hash bar, serves as a
recreational facility where members can play the racket sport. It
follows a simple design of a squash court i.e. an open area with
four walls, wooden flooring, adequate ventilation and proper
lighting.
Figure 5.29 Illustration of the squash court from the floor plan.
Figure 5.30 Photo of the squash court.

88. From the dining area, one can access the room from the right side
through a door. The Ballroom functions as a multipurpose hall
which can be used to hold important meetings. It is designed as a
wide, spacious area to accommodate a lot of people during
functions. Warm lighting and nice decor have also been used in
the room, bringing a sense of elegancy.
Figure 5.31 Illustration of the ballroom from the floor plan.
Figure 5.32 Image showing the interior of the Ballroom.

89. On the right side of the lobby, is a door that leads to the gym. It is
a private gym room with complete facilities, used by the members
for exercising and keeping fit.
Figure 5.33 Illustration of the gym room from the floor plan.
Figure 5.34 Image showing the interior of the gym.

90. With reference to the floor plan it can be observed that time plays
a crucial role to determine the average human density of certain
areas. For this case we compared two peak hours of the club i.e.
the morning and evening hours. It is evident that the dining area
has a greater human density compared to the others due to its
main attraction of the banana leaf restaurant.
On the other hand, the bars, that were present in the activity areas
have a larger density during evening hours thus can be concluded
that time plays an important role in use of a certain space. It can
be seen during the second peak hour that the inner part of the
building rather has a larger human density compared to the
morning peak hour.
Figure 5.35 Image showing average human density during first peak
hour.

91. Figure 5.36 Picture of the dining area during peak hour.
Figure 5.37 Picture of hawkers stall during rush hour.
Figure 5.38 Shows the average human density during the evening peak
hours.
Figure 5.39 Picture of hash bar. Figure 5.40 Squash court during
dfdhhjyjkyukyukukytkjtyktkkedfdrggfh class time.

92. The overall building can be divided into two major categories i.e.
public and private area. However the whole building is only
accessed by private members thus we can still observe this
pattern in terms of the overall activity.
Figure 5.41 Public to private division seen using axis.
In the public area a common activity consists in which all the
members indulge in, be it any age, gender, and race. Even if their
sports or interests are different, they all come together here.
Private as in based on certain usage of rooms and the interest of
the person. Some rooms have restrictions for certain age groups
while others require supervision. The gym, long bar can’t be
accessed by children while ladies need to be accompanied by
their husbands to the long bar. Most members belong to certain
sports teams who usually just come for practice thus are allocated
activity rooms and then return back.
Figure 5.42 3-D representation of public and private.

93. By examining the circulation path of the members we were able to
locate the buildings rooms based on the activities conducted. This
also includes the level of interaction between the two. It also
helped us in comprehending the hierarchy of spaces within the
building.
Figure 5.43 Floor plan showing areas based on interaction level among
people.
After analysing we can conclude that the dining area is the space
which is accessible by all and is one of the most interactive
spaces whereas the event hall is used only on certain occasions
and requires permission thus making it the least interactive spaces.
Billiards room hash bar and squash court are slightly interactive
due to its restrictions.
Figure 5.44 3-D view showing the spaces.

94. By observing the circulation pattern we were able to explore more
on the activities and its relation to space. It also helped us create
hierarchy of spaces based on time and activity
Figure 5.45 Shows the main circulation path.
Figure 5.46 Shows the lobby which connects to internal areas.

95. The circulation of space too depends on the event or activity
taking place and at what time it’s being done. For instance during
mornings major circulation area covered is the dining area along
with kitchen even though the restaurant is open the whole time
maximum movement takes place between 11am to 3pm. The
event hall on the other hand only functions during a gathering
occasion.
Figure 5.47 Shows internal movement from main entrance to dining
area.
Due to dining area being located at the entrance we can see most
movement leading straight to the hawker stall and back to the
dining area for seating purposes. A to and fro movement
especially during lunch hours and then the pattern either moves
towards the inner part of the building where the toilets are located
or either seen exiting the building.
From the lobby either left movement where the long bar is located
or right which leads to a narrow passage heading towards hash
bar/ squash court/ gym/ billiards room depending on the activity
needed to be done.
Figure 5.48 Shows the internal movement within the hash bar, squash
court.

96. The royal Selangor club has a lot of design principles which can
be noticed. These principles include (need to add). The application
of these primary principles help complement the club’s
exclusiveness factor, aesthetics and function use.
Figure 5.49 Elevation showing the datum and movement.
The entrance serves as a point of reference in terms of circulation
and hierarchy of spaces. Its main role to divert the path to different
parts of the building. From a main focal point to smaller areas of
specific use.
Figure 5.50 Shows the floor plan of the dining area highlighting the
datum.

97. Repetition of element forms a pattern and provides a sense of
harmony to the building together creating unity. Most cases a
pattern or two are repeated throughout to create rhythm and
movement visually.
This can be seen in the elevation of the building where railings,
roof and pattern are repeated all around giving a style to the plane
white block at the same time similarity gives a sense of one whole.
Figure 5.51 Highlights the repetition of roof and patterns on the
elevation.
Figure 5.52 Shows the repetition elements of façade.

98. Both the front and the elevation of the dining area can form a
symmetrical face if the axis is drawn can be clearly visible but
when comparing to the whole building elevation in context to the
main façade you can see the dining area protrudes out. This can
be seen from both sides elevation making it balanced.
Figure 5.53 Front and back elevation highlighting the protruding part
creating balance.
The buildings dining area plan is symmetrical and thus can be
proved using the plans. The design principle symmetry and
balance defines a volume of space making it identical from both
sides and giving a sense of completion.
Figure 5.54 Shows the symmetry line drawn middle of the dining plan.

99. The club inhabits an asymmetrical form, consisted of having
rectangular blocks concealing the spaces and triangular roofs that
contradict them. A combination of contrasting elements used to
give a balanced and secure effect towards the club members.
The roof is consisted of a hierarchical composition. Rectangular
elements repeated orderly based on the Facade as its starting
point.
Figure 5.55 Shows the overall roof plan.
Figure 5.56 Picture showing hierarchy of roof.
Figure 5.57 Shows the view at an angle highlighting its asymmetrical
form.

100. This part highlights the design placement and proportioning of
doors and windows which strongly influence the style and the
purpose of comfort based on the space and its usage.
The dining area next to the main entrance can be seen completely
open with just a roof on top and as one slowly moves it way inside
the building the load bearing walls block and windows are placed.
The gym area billiards room have maximum of 3-5 windows and
as you move further inside it reduces to 1-3 per area.
Figure 5.58 Shows the window openings present.
Openings in the dining area allow cool air to flow in and keep the
area naturally cool. Ceiling fans help in the process and louvers
acts as openings to filter warm air out thus a more velocity
distribution giving the area pleasant cool and comfort condition.
Figure 5.59 Shows the light penetration during day time into the building.

101. Malaysia and Britain are two countries of approximately the
same size. Neither country is very big. Both countries are divided
into different regions. Britain is divided into England, Scotland
and Wales, and Malaysia is made up of West Malaysia and East
Malaysia. Another similarity is that both countries have a very
long coastline. Furthermore, agriculture and fishing are
important industries in both countries. In addition, English is
widely spoken in the two countries, although in Malaysia it is a
second language. The road systems are also similar in both
countries. For example, cars drive on the left-hand side of the
road.
Although there are many similarities, there are also a lot of
differences. Both the British and Malaysians like to hang out
with people. However their style of hanging out is different as
the British would prefer to have conversations over alcoholic
drinks while Malaysians would normally hang out with each
other by eating.
This has largely influenced the activities that exist in the club as
nowadays, the club members are not only influenced by the
local lifestyle but some would also prefer the British lifestyle.

102. The food court serves Banana Leaf Rice which is served
according to the rice of your choice either parboiled rice or Biryani
rice. It also comes with various kinds of vegetables and pickle.
Papadam is also served when eating the Banana Leaf Rice.
Customers can also choose various dishes such as fried squid,
fried chicken, fish curry, chicken curry, mutton rendang, chicken
rendang and many more to add variety to their dish. Once done
with the meal, the diner can express his or her satisfaction with the
meal by folding the leaf towards him or her. Folding the leaf in the
opposite direction means that the meal failed to hit the spot.
The customers that normally visit this restaurants are Indians.
They would often have small business talks or catch up with their
friends at this place.
Figure 5.60 Food Court Stall Figure 5.61 Chinese Restaurant
Another place where the club members would use for
conversations over food is the Chinese Restaurant.
In the restaurant, the tables are all round in shape as the Chinese
believes that after a long day at work or in school, the table is
where the gathering of a family would be. Various local Chinese
dishes are served with rice and normally people would order 2 to
10 dishes depending on the amount of people.

103. There are few bars for the members of the club to sit and indulge
themselves with variety of drinks and special services provided
from the bartenders. These two main bars are called the Long Bar
and the Hash Bar. In the past, when the Royal Selangor Club has
been established for more than 100 years, it is used as a meeting
place for the high ranked and educated members of the British
colonial society to gather. The club went over a facelift back in
1910 when Arthur Benison Hubback redesigned the club. Over the
years, the membership has increased as many distinguished
Malaysian civil servants started to join the club.
Figure 5.62 Long Bar
Figure 5.63 Hash Bar
Even though the bars have been regarded by the local as the
‘oldest bar in the country’, it is still a favourite place for the
customers to chill and spend their weekends with friends and
relatives. Besides, the bar operation hours is quite lenient which
allows people to come anytime they want. This indirectly makes it
more convenient for their customers to go there. Up until now,
these bars are still well maintained and preserved as it is the main
attraction of the club. After the invasion of the British, the
adaptation of their culture can clearly be seen by where pubs and
clubs are used as a place for people to get to know each other

104. and socialize among them. These cultures or lifestyle is still
applied and continued until today.
Back in 1900s, the club was also used as a hall for theatrical
performances as there were no available halls back then. Ever
since the beginning, the Royal Selangor Club has been the host
for many sporting events especially cricket. It is from the Long Bar
there sporting events can be viewed from. Other attraction near
the club is none other than Merdeka Square where declaration of
independence took place back in 1957. There are many places
around the club where you can visit to learn more about the
culture in Malaysia.
Figure 5.64 Picture of beer or wine bottles.
Figure 5.65 Picture of Cocktail Bar.
All in all, Royal Selangor Club has served greatly for their customers in
many years up until now. It is also has been associated and accredited
by most of beverages companies worldwide for their services through
the years. This shows that the cultural and social activities of the people
are still implied there. People would still go to the club not only seeking
for pleasure and entertainment but also to maintain the elegancy of the
Royal Selangor Club itself. For them, even though there are plenty of
clubs and pubs in Kuala Lumpur, but still, the Royal Selangor Club has
always been one of the greatest among all, and it will always be.

105. The club has organized various sporting activities since its early
years, including cricket (where it has been a key player in the
history of cricket in Malaysia). Rugby Union has also been played
at the Club since 1894.
Sporting events at the club can be viewed from the Long Bar, a
portion of the club which has been off limits to women, purportedly
because men "would drink and get very excited when they
watched the games and they didn't want the ladies to see their
exuberant behaviour, hence it was decided to ban women visitors
from the Long Bar". Women are still prohibited from the bar area
today, contrary to a 2007 report by The Star, a local English daily.
Figure 5.66 Gym at the club.
Figure 5.67 Snooker table at the club.

106. Members of the club is said to have been introduced hash running
in 1938. Legend has it that some members of the Selangor Club
decided that it would be a good idea to run to work after heavy
drinking the night before so they could rid themselves of their
hangovers, which apparently they did. As the club was once also
called Hash House (so named because some of its members
thought its food unpalatable) the members therefore named
themselves Hash House Harriers. During the World Interhash in
1998, an exception was made to allow women into the Long Bar.
The Royal Selangor Club Kiara Sport Annex is a branch of the
Royal Selangor Club built over a piece of land in Bukit Kiara 5.5
kilometres away from the original clubhouse, which was given as
compensation after the original club's field was acquired by the
Kuala Lumpur City Hall in 1987. The facility was officially opened
on 7 June, 1998 by then Yang di-Pertuan Agong Tuanku Jaafar.
The annex is laid out in a similar manner as the original club, with
the main club building facing a large field and designed in a similar
architectural style as the original club building. The annex also
includes a swimming pool at the rear of the building.
Figure 5.68 Squash court at the club.

107. Cricket is one of the sports that have its own history, carved in the
heart of Royal Selangor Club. Before the ‘Padang’ became
Dataran Merdeka in 1987, the Club is like a home for all visiting
teams.
Hosting its first ever game between the year 1884 and 1886,
Malaya created its own history in cricket in the year 1927 when
they beat the famous visiting Australian team by 39 runs. Since
that time, the RSC cricket club is always associated with
Commonwealth Cricket Association and this gives them the
opportunity to play around the world. On present day, cricket has
been played at the Sport Annexe in Bukit Kiara, which has also
played several thrilling and historical matches over the years.
Figure 5.69 Old photo of the cricket players.
Figure 5.70 Old group photo of the cricket players.

108. Royal Selangor Club has the first billiard tables in Malaya,
imported from England in the early 1900s. This shows how billiard
made its history in Malaysia, starting from the RSC. Until now, the
number of tables in the billiard room has gone from 5 to only 2
tables, because of several destruction and renovations.
Apart from just being a place to spend leisure time, the billiard
room has also been a training ground for numerous occasions for
the national team in the early 90s. With a cozy atmosphere along
with retaining and old style colonial charm, it is one of the best
looking billiards room in the region.
Even till today, the RSC billiard room has maintained its reputation
as a long standing tradition of pursuing snooker excellence
Figure 5.71 Snooker Tables in the Billiards Room.
Figure 5.72 Snooker Players.

109. In 1980, the squash section started to promote squash among
club members. Then, there was no court in the Royal Selangor
Club so a fee of RM3 is charged every month so the club
members can train at commercial courts.
Within 2 weeks of formation, the club was already participating in
their first ever tournament, the Kuala Lumpur Area League
Squash Competition at division 3. They managed to end at 8th
place, a decent achievement for a new born club. 2 weeks later,
the club already had affiliated with Squash Rackets Association of
Malaysia (SRAM). This allows them to open up more opportunities
for more activities and events.
In 1982, Royal Selangor Club finally have its own squash court,
and over the years, many competitions were joined and held, one
namely the RSC Annual Tiger Trophy. Until now, the section has
139 members and most of them use the court almost every day.
Figure 5.73 Squash Player.
Figure 5.74 The Squash Court.

110. Preamble
Question: How the 5 senses create the user experience?
In this chapter of the report we will be looking into the
relationship each spaces have to its adjacent spaces and how its
composition creates a different experience for the user either by
its scale and proportion or its time of use.

111. The poetics of the building could be easy understood by dividing
the spaces and understanding the transition from one to other and
the experience the user carries along. At first a basic understand
of space is explained after which the experience is followed along.
Figure 6.01 Shows the division of spaces which we would be focusing
on.
The entrance is identified by its staircase leading the user into the
foyer. Foyer is a long horizontal walkway that is able to lead
people into different spaces such as dining area, long bar and
private indoor spaces. There is a fencing that separates between
the dining area and the long bar as well as walkway. Red line
indicated in Figure 6.02 illustrates the fencing that form a
boundary between walkway (foyer) and long bar. Besides there is
another separating piece of fencing as a visible partition to form a
boundary between dining are from wash basin in Figure 6.04.
Figure 6.2 Floor plan Figure 6.03 Fencing that separates the dining
dfejfjgehfrujejdiweidowkediwejufhdg area and walkway.

112. Figure 6.04 Separate pieces of fencing forms a visible partition between
dining area and washing area.
Figure 6.05 The plan shows the location of entrance.
Figure 6.06 The appearance of the entrance and the elevated building.
The entrance gives an isolated feelings from the outside
appearance. The entrance claims its territory and often sits on a
plinth or other raised platform to separate itself from the ground
(figure 6.06). It lost its connection from the ground which strives to
be “timeless. “It is also the only one entrance that leads to the
building which narrow and protruding entrance (figure 6.05) is
giving users a preparation to go inside the building which full of
mysterious places.

113. Dining area is a 2000cm long by 1814 cm wide space, welcoming
to the user, exposed to its surroundings. It also giving a direction
towards food stalls that is located end of the dining area by
guiding the user with the help of steps which can be seen in
Figure 6.08.
Figure 6.07 Food stalls located right above dining area.
Figure 6.08 Floor steps create different levelling.
Figure 6.09 The plan shows the location of dining area.

114. Figure 6.10 The space of dining is wider than the entrance.
Upon entering the dining area, the space becomes wider where
the entire width is 18.33meter compare to the entrance width, 4.8
meter causing a sudden change in scale (figure 6.10)
The plan is symmetrical and proportional as users can observe
that the columns are aligned together orderly. With the elimination
of load bearing walls in the space, the dining area is cosier and
allows people to gather at the space (Figure 6.11).
Figure 6.11 The plan of dining area is symmetrical and proportional
The dining plan follows a geometric order and axial symmetry.
As we venture into the dining area, we see an open dimmed
space. Luxurious as the ceiling’s wood panels with illuminating
blue stained glass. A reminiscent of the past colonial days. While
gazing upon entering, a burst of sounds break through the void.
Boisterous noises of clustering utensils, socializations and cookery
spread everywhere.

115. Figure 6.12 The image shows the abundance of natural light.
Warm daylight penetrates the stained glass which minimizes the
usage of lighting. Moreover, the ceiling is made out of timber
which brings cosiness to the space because timber is more
familiar and localize to the public. The ceiling that similar with the
pitched roof allows users glimpse and contemplate at the dining
area. The load-bearing walls of the hawker stall are balance and
proportional which creates a sense of orderliness together with the
dining area. (Figure 6.14)
The space of dining area is harmony and peaceful compare to the
other space of the building.
Figure 6.13 The highlight parts show that the columns arranged with
visual balance.
Figure 6.14 The image of the hawker stall where the stalls are facing
each other.

116. The corridor is a 152 cm wide passage with vertical artificial
lighting system as well as a row of photographs that hanging.
Figure 6.15 Vertical lighting and hanging photographs in a row are
leading users to walk along the corridor into different spaces.
As we enter into the corridor. It is enclosed into a passage, filled
with simplistic majestic walls of timber frames, reddish passive
paint like a maze. We smell a strong sense of old timber, cosy as
a cottage as we walk through. It was all silent apart from the
sounds of our footsteps upon the smooth flooring
Figure 6.16 Plan showing a sharp turning point along the corridor.

117. Figure 6.17 Toilet and gymnasium room located right after the turning at
the corridor.
The first part of the corridor comes to an end after 2000cm and
meets at the turning point in figure 6.16 which give a clearer
directory of the location of toilet and hidden gymnasium room
besides the toilet which can be seen in figure 6.17. It allows user
to stop at the corner and investigate other spaces that hidden
behind. The corridor will lead the user to the next spaces (Hash
bar).

118. Hash bar has a narrow circulation throughout the whole spaces. It
can be represented by a geometry space with 986 cm wide to
allocate bar counter, dart and seating area. It gets narrow as it
enters the squash court which is a level down to the ground floor.
Hash bar is presenting through a narrow circulation on its plan to
give direction for people to walk along the path until the end.
Besides, it is leading people to enter another space in different
levelling such as squash court that located a level below and
storage that is located at upper level.
Figure 6.18 Hash bar with narrow circulation leading to squash courts.
Figure 6.19 Circulation of hash bar getting narrow as it goes deeper into
the end of the dead corner.
Figure 6.20 Some area is not accessible as the circulation of hash bar is
narrow with some blockage in between.

119. Similarly, timber is used as a main material in Hash bar which can
be spotted on flooring, bar counter, build-in cabinets and so one
as shown in figure 6.21-6.23. The material itself brings out the
natural (originality) and pureness of the space. A comfortable
environment, with its wooden passive colours encouraging us to
build socializations, having drinks together at the bar. An
illuminating room with a range of activities from clashing cups to
shooting darts. Hence, it is still practices as its most original place
to hang out with each other.
Figure 6.21 Seating area as one of the gathering space to hang out with
each other.
Figure 6.22 Dart board games that existed over century to
bring back the memory.
Timber representing pure and it plays an important role to
enhance the reflection or flashback of the past and displaying it in
the present. It illustrates the high status royal member with humble.
Figure 6.23 Lounge bar counter that is made from hardwood.

120. Before entering the squash court area, located at different levelling,
the user has to travel a few steps to reach the based. From this
we can conclude that it plays an important role in hierarchy as the
significant of every space is defined by different levelling.
Figure 6.24 Steps that leads people to the Squash Court.
As one enters into the squash court, screeches of shoes and
steps upon the floor can he heard. High pitches in every move the
player makes along with the rough filthy marks on the walls and
floors can be experiences.

121. Royal Selangor club ballroom is located at the left handed-side of
private indoor area right after entering the corridor. It is a ballroom
that provided for any event or function to be carried out with
reservations. It is a ballroom that displaying major use of timber in
the space such as timber flooring, wooden framing window and
wooden door with decorative ornaments on it as shown in figure
6.26.
Figure 6.25 Ballroom area highlighted on plan.
Figure 6.26 Wooden podium
Figure 6.27 Timber flooring and wooden framed window are spotted in
Royal Selangor Club ballroom.

122. According to figure 6.27, the use of wood as the main material
creates a sense of humbleness to the space. It is a solid material
yet giving a relaxing ambience to the ballroom to make it a formal
and standard place for event and function.
Artificial lighting is applied all over ballroom. Ballroom is filled with
yellowish mild lighting diffusing into the environment making it a
romantic place with no doubt. Besides, the lighting is dissolved on
laminated timber flooring and furniture giving it an elegant outlook
with shiny surfaces.
Figure 6.28 Plan locating use of artificial light in ballroom.
Figure 6.29 Artificial lighting in the ballroom.
Figure 6.30 Artificial lighting creates a romantic lighting on a
dark ballroom.

123. Hash bar is using applying both natural and artificial lighting in the
space. Natural lighting that penetrate through the wooden window
diffuse so natural lighting that penetrate through the wooden
window diffuse softly into the space which makes it an exotic
ambiences in the morning.
Figure 6.31 Sunlight penetrating on window diffuses into the
surroundings.
The mild lighting that penetrating on the window absorbed by the
furniture inside and create a soft shadow on the ground giving it
an energetic and natural feelings to the surroundings.
Meanwhile, artificial lighting system is found on the ceiling
randomly installed. It is function as enhancement for the lighting in
hash bar during night time to replace the natural sunlight in the
morning with artificial lighting system. Artificial lighting system with
low and dim lighting creates a smoky and romantic ambience that
fits in the purpose of hash bar as a gathering space during night
time.
Figure 6.32 Artificial lighting as an enhancement to natural
lighting during night time.

124. Hash bar has a specialty as it is not built up from solid wall as
partition between squash court and the bar area. It is covered up
with a row of vertical glass wall that allow people to see through
the glass. The verticality of the glass wall creates transparency
and enhances the elegancy contribute to the design. Besides, a
row of vertical glass wall also allowed the space to look wider than
before, it enhances on the sense of visual and make it a wider
space with aesthetics look.
Figure 6.33 Verticality in terms of height.
Figure 6.34 Shows that, users has to walk through the 16.22 meters
long corridor before entering the billiard room.
Figure 6.35 The location of the billiard room.

125. Figure 6.36 The light and shadow that appears in the billiard room.
Before entering the billiard room, the users must go through a long
corridor which the distance is 16.22meters. The corridor creates a
threshold to people where they slowly adapt the ambience from
public to private space (Figure 6.34 and Figure 6.35).
When they arrived the billiard room entrance, inside the space are
totally lack of lighting which is more dominant in the aesthetic of
light and shadow (Figure 6.36).
Infiltrating into the Billiards room, it was completely pitched in
black. Cold as night within temptatious leisure of its refreshing
cooling air. A silent night.
The users are enable to lead themselves go through the whole
room by the presence of lighting where the lights are only focus on
the snooker table.
This space is faded of its own history. Users can reminisce the
past of the Royal Selangor Club, where the light focus on the
snooker, which the light represents the British culture and
activities, while the shadow represents the high-ranking people
are not seeking for meeting in the past anymore.
Figure 6.37 Rest area in the Billiard room.

126. Preamble
Question: How do various materials reflects the purpose of each
space?
This chapter consist of the materiality and construction details
found upon the building externally and internally. By construction
details is that it consist of the Architectural features, the details as
mentioned along with intricate details. How the materiality is
implemented upon these construction components to build the
spaces within the club.

127. The main building appears to be constructed of load-bearing walls
with steel beams and steel structure for the roof. Most of the
internal walls are bricks and plastering.
Figure 7.01 The Steel Structure of the Roof connected to the wall. Figure 7.02 The Exterior the Building.

131. .

132. AND

137. The timber structure uses timber columns sitting on top of the
concrete stumps, with hardwood crowns, receiving the timber
beam above. The joints between the columns and beams
appeared to be nailed together and there is hardwood prop
supporting the eaves of the building. The hardwood rafters sits on
top of the hardwood beam, whereby the roof tiles is laid on top of
paytons nailed onto the hardwood rafters. The column and the
beams are painted in black to reflect back the Tudor Style, giving
a sense of Contrast from the roof and walls.
The ceiling are finished with fibrous plaster ceiling and painted
white. The ceiling for the roof eaves appears to be cement board
with hardwood lining, nailed against the hardwood fascia board,
which in turns supports the brackets for the rainwater gutter.
Figure 7.03 Timber 15 x 15 cm columns.
Figure 7.04 The rainwater gutter

138. There appears to be some steel eye section used as a framing
structural component at the courtyard.
Figure 7.05 Some of these eye beams were supported by the brackets
to the wall.
Figure 7.06 When the beams join with each other, it appears to be
bolted, with a bracket and welded together as well.

139. Generally the internal and external partitions consist of brick wall
and plastering. The Tudor element on the external facades
appears to be painted hardwood planks nailed onto the brick wall.
It appears to be brick wall with plastering in general, with the
exception of some areas such as the bar, which consist of timber
panels. These panels give a warmth experience as to feel comfort
and cosy.
Figure 7.07 Timber Panels on walls
Figure 7.08 Tudor Hardwood Elements

140. The doors in the Royal Selangor Club, provides access to another
space. It also become an important partition for retain the privacy
of each space. There are 3 types of doors as listed below.
Timber flush door
Interior timber door with decoration
Glass door
Figure 7.09 The location of each door.
From Figure 7.08, the most of the doors of the building are located
on the private part of the building. By private as the billiards room,
the hash bar, squash court and the toilet in contrast to the public
dining area, which has a few doors.

141. Timber flush door
Figure 7.10 The location of timber flush doors.
Majority of the doors in Royal Selangor Club are Flush doors.
They are made out of timber as to follow the timber structure of
the building. They provide a sense of cosiness, as its warmth
brown colour gives a Cottage-like appeal.
Figure 7.11 The flush door connects the hash bar and the outdoor.
This door connects the hash bar and the exterior. This timber door
needs to be shaded in order to reduce the maintenance need. It is
suitable to be built for interiors.

142. Figure 7.12 The frame of the flush door.
The timber doors are coated with epoxy paint to prevent termite
attack and moisture. The door frame is also applied with the same
method as shown in Figure 7.35.
Figure 7.13 The door closer is added to flush door.
Fire safety as door closers are most commonly installed on fire
doors, which are needed to be closed in the case of fire. To
prevent the spread of fire and smoke. They also functioned as
maintaining room temperatures, since the cold air does not vent
out for longer periods.

143. Figure 7.14 shows the round bar door handle with lock.
The round bar door handles is made of aluminium, along with door
locks which suits the building design. This is installed as the
building requires privacy in each of its spaces.

144. The interior door located at the multipurpose hall, connecting the
multipurpose hall to the dining area. It’s decorated with stain glass
to provide an aesthetic and indicate a grand feeling within the
space.
Interior timber door with decoration
Figure 7.15 The location of interior timber door with decoration.
Figure 7.16 The interior timber door with decorations.

145. The glass doors are specifically located in the Hash Bar and
Squash court. They are transparent enabling the members to view
through the courts. Defining the space as freedom as their clear
glass. These doors don’t require much maintenance but they have
a higher cost than any other type of doors.
Glass doors
Figure 7.17 The location of glass doors.
Figure 7.18 The glass door that is located in the squash room.

146. For a fixed security, the squash court doors are constructed with 3
hinges instead of 2 hinges (Figure 7.18). They’re made of
Aluminium, which are ideal as they combine the required strength
with a low weight. There are iron fittings that render the wall,
making it heavier bulkier. (Figure 7.19).
Figure 7.19 Door hinges and handles. Figure 7.20 Iron fittings on the glass wall and door

147. There are two types of windows in this building which are
casement window and stained glass windows. They can be seen
through the elevation of the exterior building.
Figure 7.21 The location of casement window was shown through the
exterior facade of the building.
Casement windows can be seen at the exterior of the building.
They usually located at the hash bar, gym room, and the billiards
room. The windows are long, symmetrical balance and contain
decorated window sills to represents their culture and architectural
style. The windows are made of Black Tinted Glass to provide
privacy within the spaces. This prevents people from viewing into
the spaces externally. It also matches the black Tudor elements
upon its exterior, providing a mysterious effect upon the building
when viewed.
Figure 7.22 shows the window and decorated window sill.

148. There are two stained glass windows, which is one located at the
front and the other at the back of the dining area. The stained
glass of this building brings out its European culture as well as
providing skylight for the dining area. They illuminated the interior,
providing a reminiscence of the past like the churches use of it.
Figure 7.23 Shows the stained glass window at the dining area.
Figure 7.24 The stained glass window provide skylight to the dining
area.
Figure 7.25 Shows the pattern of stained glass.

149. The type of ceiling that has been used on majority of the rooms of
Royal Selangor Club is the plasterboard ceiling. The ceiling gives
out a simplistic design, as it is plastered and painted into white.
However, the ceilings in the other rooms such as the Billiards
room including the corridor also have cornices that are decorated.
These cornices gave out a classical and reminiscent feel.
Figure 7.26 Corridor ceiling with covings.
Figure 7.27 The ceiling at the lobby area
Figure 7.28 Billiard room ceiling painted blue

150. Figure 7.29 Photo showing the squash court ceiling
The ceiling of the squash court is painted white, enabling the
players to spot the ball easily.
Figure 7.30 Image showing the cathedral ceiling at the dining
The dining area has an opened ceiling that makes the space
spacious. It is topped with wooden ceiling planks that bring
warmth and elegance to the dining area.

151. Royal Selangor Club is featuring a steep gable roof for the whole
roofing construction. It is a roof sloping downward from a central
ridge to the both gable ends with steep decline of the roof.
A Cross gable is frequently found on gable with clay tiles roofing.
Figure 7.31 The pitch rooves of Royal Selangor Club.
Figure 7.32 Gable roofing has secondary gable also known as cross
gable.

152. Gable roofing often ends with verge boards with simple decorative
elements. Verges are known as the junction of the roof and verge
board. Steep gable roof is sloping down from ridge tiles till the
gable ends. For roofing on Royal Club Selangor, it features clay
roofing tiles embedded and pointed with fibrous cement strip laid
on top of verge board. These clay roofing tiles provide a rustic feel,
making the building more nostalgic as it contrasts the walls.
Figure 7.33 The Gable Roof.
Figure 7.34 The Roof’s Interior.
Figure 7.35 The Structural Roof.

153. Royal club Selangor steep gable roofing is supported by steel
truss as main structure based on Figure 7.34 and 7.35. It is
composed of steel trusses that connected with Gusset plate at the
end of each trust. Principal steel rafter is connected to each single
trust to form a structural support for roofing in Figure 8.48. It is
then covered by asbestos cement sheet with cleat in between and
ridge holding both side of roof firmly. The load of the roofing is
transferred down into base plate and foundation of wall of the
buildings to increase its stability. The figure below shows the
construction detail of steel truss structures for steep gable roofing.
Figure 7.36 Steel trusses as main support roof structures.

154. There are few types of staircase seen at the building. One of
which are the spiral staircase, located behind the squash area.
The spiral staircase appears to be constructed using a steel
structure. Timber planks, painted in black were screwed onto the
metal support, which is welded to the pole.
The Hash bar staircase appears to use RC to construct it along
with stone tiles placed onto the steps and a railing on the side for
safety.
The entrance staircase seems to be constructed using RC along
with a foundation. Marble stone tiles were placed upon the steps.
It’s also stain resistant, allowing it to achieve and provide a
luxurious feel.
Figure 7.37 Steel spiral staircase behind the squash court
Figure 7.38 The Entrance staircase

155. In the Royal Selangor Club, its details are capable of invoking
certain moods to the users in the building’s spaces. Marble
flooring and timber flooring are mostly used in their interior spaces.
Marble flooring is commonly used in spiritual buildings such as
temples, churches and mosques. It is also popular in buildings that
are luxurious and have rich specifications. Marble is a high cost
material, which gives out a high leisured effect. Marble tilling is a
suitable material for a prestigious and historical place like RSC.
Marble is a very decorative material because of its crystalline
structure, which gives it a luminous and pleasing appearance. It is
also stain resistant as it does not absorb particles easily. As a
result of its low porosity and hardness to absorb moisture, it is a
durable and strong material for flooring uses.
Figure 7.39 Dining Area’s Majestic Marble floors
Figure 7.40 A close up of the Dining Area floors

156. In some certain rooms of the building, high featured grade timber
flooring is used upon them. Apart from its cheap expenses, the
impact of using this timber is that it brings out the cosiness and
locality of the spaces inside Royal Selangor Club.
In a similar case for most timber floorings, they must be finished or
beautified before it is used. In most cases, including the building’s
interior, the timber floor is initially brushed with shellac for better
colour and appearance after its sanding process. Then, the water
shield membrane is added to ensure the flooring does not get
damaged when water is absorbed. This is because timber is a
water absorbent material. This entire processed are done to
further enhance the appearance of the material, and making sure
that the users are comfortable with using it.
Its colour provides the warmth and comfortable feeling towards the
members, making the spaces cosy.
Figure 7.41 Timber flooring in the Hash Bar.

157. Figure 7.42 Timber flooring in the Hash Bar. Figure 7.43 Timber flooring in the Squash Court.

158. The Cornices are located onto the ceilings of the Hash Bar,
Corridor and the Billiards room. They are cement plastered with
organic, leaf-like designs. A representation of the colonial classical
era, providing a formal effect.
Figure 7.44 Interior Decorations

159. The railings are made of timber, consisting of repetitive,
symmetrical planks aligned together. They consist of a linear
design filled a unity of diamond shaped holes. The railings, follows
the main Tudoresque timber structure of the building. As this is
constructed in this manner, they provide a sense of harmony to
the space. The timber brings out rejuvenating feel of the past as it
is a warmth material.
Figure 7.45 Dining Room Railings
Figure 7.46 Facade Railings

161.  Suitable environment for to spend leisure time
 Complete with facilities
 Membership ensure club integrity
 Rich with culture and history due to the club persevered
for many decades
 Anyone can join the club. An organization may not be
of the same interest
 High membership fee may cause less interest in the future
 Good finances ensure preservation
 Open to expansion and renovation
 Historical background can make a good national heritage
 Located in the middle of the city may decrease comfort
due to noise
 Hard to circulate due to traffic jams
 Lack of security may harm the safety of the place

162. There is no doubt that the Royal Selangor Club has proven its
endurance over the years. The Selangor Club has survived two
world wars, economic hardship, floods and a big fire. Other than
the efforts by individuals and groups to preserve this national gem,
it is also still where it is now because of its recognition as a
national heritage. Due to that, and some renovations and
remodelling, even though the building has been around for several
decades, the physical condition of it is still in good shape
Being the face of the building, the façade is always important to
give a good impression on how Royal Selangor Club is a
prestigious building. Due to good care and preservation, the
facade of the building remains iconic.
Figure 8.01 Façade showing its good condition and being well
maintained.

163. Most of the flooring in Royal Selangor Club is finished by marble,
which ascends the class of the club. Being a high quality material,
it is also cleaned daily, making it consistently clean and beautiful.
Figure 8.02 Tiles intact, cleaned and checked regularly.
Figure 8.03 Columns present at the entrance.
In RSC, many columns are made of timber. Being a strong but
cheap material, it also enables the columns to be more versatile.
Carvings and ornaments are being able to be included, giving the
aura of tradition and heritage to the place.

164. Figure 8.04 Vents used in toilet area providing natural wind circulation.
All buildings need a proper ventilation system, to ensure the
comfort of the people inside, and RSC is no exception. Combining
mechanical ventilation and natural ventilation through the vent
holes, the ventilation in the building ensures that everyone inside
the building able to experience maximum thermal comfort.
Figure 8.05 Showing the roof tiles and gable roofing.
The roof of the RSC is mostly gable roofs. The finishing is brick
cladding so even though it deteriorates in terms of appearance,
the strength and quality of it still stays the same

165. From the interview with Mr. Shashi it can be concluded that for
future of the building no major changes would be brought, only
some minor internal changes. For the club members as 20%
belong to an older generation thus a new proposal for a passenger
lift will be proposed on the new side of the building. The
passenger lift will connect members from the basement to the
cocktail lounge and other areas which were inconvenient for those
who found it difficult to climb. As for the building minor changes
would be brought to the interiors of the club. The outlooks of the
cellar will further undergo maintenances to achieve an
aesthetically pleasing look with better ambiance. On the other
hand other parts of the building such as the cocktail lounge, hash
bar, billiards room and so on will remain the same with some
minor touch ups. Furthermore new activities would be introduced
based on the demand.
In terms of maintenance due to heavy rain a lot of leaks were
formed on the ceiling, roof tiles and beds that were needed to be
rectified. For the hash and squash area
Instead of repairing the old timber roof the use of galvanized web
roof trusts were proposed. Since the whole building consists of
single air-conditioning units thus a change of centralized air-con
will be installed.
Rewiring of the whole building as the switchboards and tubes
located at the main office are old and prone to catching fire.
Provide proper maintenance of the basement pump to avoid
floods during rains is also one of their main aims in future.

166. To conclude the research conducted at the Royal Selangor Club,
which is one the oldest buildings Located in the heart of Kuala
Lumpur amongst many other colonial architecture influenced
buildings, the Royal Selangor Club is colonial building that
adopted various types of architecture styles - namely Tudor, Mock
Tudor, Chinese and Malay elements. The building holds many
tales of the past in its architecture and design.
Looking through the history and details of the Royal Selangor Club,
we can see a large change in the club’s history. Half the club’s
originality has remained while the other half has been loss as the
club grew. The club used to be a space where people would come
to the club and look out of the windows facing the padang to watch
people play cricket, football or rugby.
However, when the padang was taken back by the City Hall in
1987 and was given a land in Bukit Kiara, where all the sports that
used to be played on the field had to be shifted to the club house
in Bukit Kiara which causes the club to lose its identity.
This has caused the typology of the club to be changed, becoming
a place for people to do recreational activities and socialize with
other people. Although this place has lose its originality, members
of the club continue to go the club as it shows the social status of
the members as it marks the prestige of the person.
As we carried out this project, we soon came to realize the
importance of the conservation of historical sites and their va
lue to the future generations. The presence of these historical
sites not only enriches the city in which they stand but are also a
valuable asset of significance to the entire country.

167. Throughout this module, we have been exposed to historical
architecture of different styles within Malaysia during their pre-
Merdeka.
Over our five-day field work in Kuala Lumpur, this assignment has
given us an insight into conservation work as well as the job of an
architect. During the period of this course, we have learnt several
standard architectural techniques used in producing a set of
measured drawings to provide an accurate representation of
historical structures.
Furthermore, we were also able to get hands-
on experience in learning to record measurements and were
introduced to a variety of measuring equipment as well as
measuring methods that we had not been introduced to before
this. We were able to translate the measured data that we
obtained from our fieldwork, into scaled drawings.
Our task doesn’t only include the documentation of the building
measurements but also of its architectural, culture and historical
values.
As of such, we were also exposed to many research methods
such as conducting interviews, research through online as well as
printed resources to get more information regarding our building.
Through our research, we were able to appreciate the buildings
construction, its diverse historical background and significance to
future generations. Thus, with the completion of this project we
hope to provide as close to an accurate documentation as
possible that highlights the building’s importance and historical
significance.

168. `

169. ARCHITECTURAL DESIGN
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Pertubuhan Akitek Malaysia. (2007). Architectural Heritage (Kuala
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CONSTRUCTION DETAILS
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Door. (2017, February 21). Retrieved February 11, 2017, from
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2017, from http://www.theconstructioncivil.org/marble-flooring/

170. Squash Court Doors: "What makes the difference?” Retrieved
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CULTURE – LIFESTYLE
ADMC HD Common Year Compare & Contrast. Retrieved
February 15, 2017, from
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Tam, S. (2012, January 24). Banana leaf rice. Retrieved February
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leaf-rice/#hY34EAqLHtyZUGiX.99
HISTORY OF KUALA LUMPUR
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lumpur.ws/klhistory.htm?cid=ch%3AOTH%3A001
RSGC centenary: 1893-1993, The Royal Selangor Golf Club.
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171. LOCAL CULTURE AND HERITAGE
Cultural Heritage | Tourism Malaysia. Retrieved February 27, 2017,
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Culture of Malaysia. Retrieved February 9, 2017, from
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Delhi School of Communication Follow. (2013, January 19).
Culture Presentation on Malaysia. Retrieved February 8, 2017,
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MATERIALS
Marble: Characteristics, Uses and Problems. Retrieved February
24, 2017, from https://www.gsa.gov/portal/content/111858
Plaster. (2017), Retrieved February 24, 2017, from
https://en.wikipedia.org/wiki/Plaster
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Wrought Iron: Characteristics, Uses and Problems. (2016, July 15).
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METHODS OF MEASUREMENT
GLM 80 Lithium-Ion Laser Distance Measurer. Retrieved February
10, 2017, from https://www.boschtools.com/ca/en/boschtools-
ocs/laser-measuring-glm-80-34662-p/

172. OWNERSHIP
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POETICS: SPATIAL PLANNING
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Baker, G. H. (1996). Design Strategies in Architecture: An
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PURPOSE AND HISTORY OF THE BUILDING
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