This document provides job descriptions for 6 different roles:
1) A production manager is responsible for keeping a production on schedule and within budget through organizing finances, schedules, and staff.
2) A costume designer creatively designs and acquires costumes that fit characters while staying within the budget. They oversee the costume department.
3) A stage manager is responsible for organizing all aspects of a production such as schedules, scripts, props, and actors. They facilitate the director's vision.
4) A video editor technically edits raw footage into a polished final product using software and effects as required by the director.
5) An accounting assistant performs clerical financial work like managing accounts, invoices, and payroll to
This document discusses several jobs in the television and film industry, including their roles and responsibilities. It describes the roles of a production manager, costume designer, stage manager, and video editor. The production manager is responsible for budgets, schedules, and organization throughout production. The costume designer creatively designs and acquires costumes. The stage manager oversees all aspects of production and ensures organization. The video editor assembles raw footage into the final product during post-production. These roles demonstrate the wide variety of jobs needed at different stages of the filmmaking process.
The Maintenance Planner is responsible for screening work orders, conducting field walk downs to identify job requirements, ensuring safety procedures are followed, estimating work hours and skills required, procuring necessary tools and parts, compiling job packages for trades workers, and keeping maintenance records updated. The ideal candidate will have 5 years experience in skilled trades, be proficient in computer programs like CMMS and MS Office, be able to communicate effectively, and organize tasks with limited oversight.
Maintenance Planning and Scheduling is a key aspect of the Best Practices for Maintenance and Reliability. Jeff Shiver provides this Checklist so you can determine where you are with this functional area, and where you will want to improve. Questions on where to start? www.peopleandprocesses.com/mps.php
Do you know the gaps in your Maintenance Planning and Scheduling in your organization? Sit down with your team and evaluate the current state of maintenance planning and scheduling and then develop a plan to close the gaps. This is Maturity Matrix 1 of 2 for Maintenance Planning and Scheduling.
Roles And Responsibilities Of First Line Maintenance Supervisorbheinsius
The document outlines the roles and responsibilities of a first-line maintenance supervisor, which include:
1) Directing the maintenance work force and providing on-site expertise.
2) Ensuring work is accomplished safely and efficiently.
3) Reviewing work planning and scheduling with planners and ensuring job plans and scheduling are effective.
This document provides information about a maintenance planning and scheduling course taking place in Lagos, Nigeria from July 2-4, 2014. The course will provide participants with essential physical asset management skills and teach best practices for maintenance planning and scheduling. It will cover topics such as maintenance strategy, work planning, scheduling and performance indicators. The fee for the 3-day course is 126,000 Naira per participant and organizations can also request customized in-house training. Interested individuals should contact the business development desk for registration details.
The role of a film producer involves overseeing all aspects of film production from development through distribution. Producers are responsible for assembling key personnel like directors and casting, securing financing, approving budgets and schedules, communicating with creative teams during production, and consulting on post-production and marketing. While producers delegate tasks, they are ultimately accountable for the entire filmmaking process. Producers require business skills, creativity, and extensive knowledge of the film industry to coordinate complex productions and ensure projects are completed on time and on budget.
This document discusses several jobs in the television and film industry, including their roles and responsibilities. It describes the roles of a production manager, costume designer, stage manager, and video editor. The production manager is responsible for budgets, schedules, and organization throughout production. The costume designer creatively designs and acquires costumes. The stage manager oversees all aspects of production and ensures organization. The video editor assembles raw footage into the final product during post-production. These roles demonstrate the wide variety of jobs needed at different stages of the filmmaking process.
The Maintenance Planner is responsible for screening work orders, conducting field walk downs to identify job requirements, ensuring safety procedures are followed, estimating work hours and skills required, procuring necessary tools and parts, compiling job packages for trades workers, and keeping maintenance records updated. The ideal candidate will have 5 years experience in skilled trades, be proficient in computer programs like CMMS and MS Office, be able to communicate effectively, and organize tasks with limited oversight.
Maintenance Planning and Scheduling is a key aspect of the Best Practices for Maintenance and Reliability. Jeff Shiver provides this Checklist so you can determine where you are with this functional area, and where you will want to improve. Questions on where to start? www.peopleandprocesses.com/mps.php
Do you know the gaps in your Maintenance Planning and Scheduling in your organization? Sit down with your team and evaluate the current state of maintenance planning and scheduling and then develop a plan to close the gaps. This is Maturity Matrix 1 of 2 for Maintenance Planning and Scheduling.
Roles And Responsibilities Of First Line Maintenance Supervisorbheinsius
The document outlines the roles and responsibilities of a first-line maintenance supervisor, which include:
1) Directing the maintenance work force and providing on-site expertise.
2) Ensuring work is accomplished safely and efficiently.
3) Reviewing work planning and scheduling with planners and ensuring job plans and scheduling are effective.
This document provides information about a maintenance planning and scheduling course taking place in Lagos, Nigeria from July 2-4, 2014. The course will provide participants with essential physical asset management skills and teach best practices for maintenance planning and scheduling. It will cover topics such as maintenance strategy, work planning, scheduling and performance indicators. The fee for the 3-day course is 126,000 Naira per participant and organizations can also request customized in-house training. Interested individuals should contact the business development desk for registration details.
The role of a film producer involves overseeing all aspects of film production from development through distribution. Producers are responsible for assembling key personnel like directors and casting, securing financing, approving budgets and schedules, communicating with creative teams during production, and consulting on post-production and marketing. While producers delegate tasks, they are ultimately accountable for the entire filmmaking process. Producers require business skills, creativity, and extensive knowledge of the film industry to coordinate complex productions and ensure projects are completed on time and on budget.
The document provides descriptions of various jobs in the film and television industry organized into categories such as organizational, creative, editorial, technical, financial, management, research, administrative, and sources. It summarizes several roles including gaffer, script writer, editor, camera operator, accountant, script supervisor, market researcher, camera department overviewer, vision mixer, and makeup effects artist. For each it provides details on the nature of the role, why it fits the category, typical daily duties, main responsibilities, and who they work with. The sources listed at the end are websites with additional information on TV and film jobs.
The document discusses various roles within the film industry, divided into key areas such as development, production, post-production, distribution, and exhibition. It provides details on dozens of specific roles within departments like accounts, art, camera, casting, catering, construction, costume, direction, distribution, editing/post-production, exhibition, hair/makeup, health and safety, lighting, locations, music, performing, post-production sound, production sound, props, publicity, script, transport, and more. Key roles highlighted include production accountant, director of photography, aerial director of photography, production designer, construction manager, costume designer, and director.
Job roles within the film and tv industrywebstesa05
There are many jobs in the media industry divided into creative and non-creative roles. The document discusses jobs in management, finance, production, editing, technical, and research areas of media. Key jobs include producer, director, location manager, casting director, accountant, sound engineer and research roles that support film production.
Job roles in the film industry can be divided into two main categories: creative and non-creative. Technical roles ensure that equipment like cameras, lighting, and sound equipment are working properly to allow directors to film as requested. Creative roles include positions like art department coordinators who oversee visual elements, and creature designers who create costumes and props. Editorial roles involve selecting and preparing various media for conveying information, and include positions like editor, assistant editor, and post-production supervisor.
Jobs available in the tv and film industryjaneanesu
1) There are many creative and non-creative roles in the TV and film industry, including directors, editors, sound designers, producers, researchers, and transport managers.
2) These roles have varying work patterns, from long hours on filming locations to office work, and contracts range from freelance to permanent positions.
3) Pay also varies significantly depending on the role, experience, and size of the production, with starting salaries generally between £15,000-25,000 and more experienced roles earning up to £70,000.
There are various job roles and contract types in the TV and film industry. Job roles include management positions like marketing and publicity managers, creative roles like film directors, editorial roles like title designers, technical roles like vision mixers, research roles, and financial roles like financial controllers and accountants. Contract types include shift work contracts, fixed term contracts, office hour contracts, freelance contracts, time rate contracts, piece rate contracts, and continued employment contracts. Each job role and contract type has different responsibilities and conditions.
The document discusses various jobs in the media industry, dividing them into creative and non-creative roles. It provides examples of jobs that fall under categories such as management, finance, administration, production, and legal. Many of the jobs involve long hours and irregular schedules. The creative roles like director, camera operator, and title designer play important parts in deciding how the media content will be produced and presented.
The document discusses various roles in the media industry including production, management, organizational, administrative, financial, research, editing, creative, and technical roles. It provides descriptions of what each role entails and relevant responsibilities. For example, it states that a producer oversees pre-production of a film and ensures all elements run smoothly, while an editor focuses on selecting the best shots and footage to tell the story. The document also gives examples of common job titles for each area.
This document provides an overview of different job roles in the TV and film industry, dividing them into creative and non-creative categories including management, editorial, technical, research, financial, organizational, and administrative. It then discusses some specific jobs in more depth, including production accounting, casting director, camera operator, and film director. Production accounting involves managing budgets, payroll, and closing out financial records. Casting directors find actors and negotiate contracts. Camera operators implement camera shots as directed. Film directors are responsible for overseeing all artistic and technical aspects of a production from pre-production through post-production.
There are many diverse job roles within the film and TV industry. These include management, creative, editorial, technical, research, financial, organizational and administrative roles. Creative roles help set the scene and atmosphere of films. Editorial roles such as editors assemble raw footage into a finished product. Technical roles ensure the proper functioning of equipment. Research roles investigate locations, music and other aspects of production. Organizational roles manage schedules and people. Administrative roles handle paperwork and other office tasks.
First Assistant Director
- The 1st Assistant Director (1st AD) is the director's right-hand person on set, responsible for the smooth running of a film shoot. They help plan and oversee all aspects of production.
- Key 1st AD duties include creating detailed shooting schedules, calling "action" and "cut" during takes, ensuring shots are completed on time and within budget, and supervising other assistant directors and crew.
- 1st ADs need to have excellent organisational and time management skills. Experience as a 2nd 2nd or 3rd AD is usually required before moving up to 1st AD.
- 1st ADs work long hours, often starting before other crew and finishing
There are several key job roles within the TV industry, including technical, creative, managerial, financial, administrative, and sales/marketing. Technical jobs involve setting up and operating equipment like cameras, lighting, and sound. Creative roles help bring the vision to life through directing, casting, makeup, and more. Managerial positions oversee various aspects of production and finance handles budgeting. Administrative duties include paperwork, accounts, and logistics. Sales and marketing advertise and promote TV shows and films.
This document discusses different career pathways in the media industry. It identifies several sectors - management, creative, editorial, technical, research, financial, administrative, and organizational. Each sector contains various job roles. For example, the creative sector includes roles like editoral photographer, actor, and cinematographer. The document then provides more detail on 9 specific media jobs - publicist, gaffer, researcher, camera operator, producer, post-production supervisor, special effects supervisor, director, and editor. For each role, it describes typical responsibilities and how the role relates to other sectors in the media industry.
The document provides an overview of various job roles in the film industry, dividing them into creative, technical, editorial, management, administrative, legal and financial categories. It describes several key roles, including film director, film producer, camera operator, boom operator, editor, managing director, locations manager, casting director, and finance assistant. Their main responsibilities and tasks are outlined for each role.
The document discusses various job roles and contract types in the TV and film industry. It provides details on the responsibilities and requirements for roles like marketing managers, location managers, music composers, directors, editors, title designers, and more. It also explains different types of employment contracts such as shift work, fixed term, freelance, time rate, piece rate, and continued employment.
Unit 8 assignment 2a teona mc fadden finish tonightteonamaud
This document outlines several job roles in the television industry and provides descriptions of their responsibilities. It describes the location manager, camera operator, audio editor, casting director, script writer, director, financial controller, and producer roles. The location manager researches locations and pitches options to the production manager. The camera operator films all on-set activity. The audio editor edits sound and ensures no mistakes. The casting director auditions and selects actors. The script writer independently writes scripts. The director plans shots and directs actors on set. The financial controller manages finances and ensures no losses. The producer plans filming schedules and ensures projects are on budget and on time.
Job roles in the creative media industriesnonniecox
A producer has overall control of every aspect of film production. They are responsible for developing the premise, securing financing, assembling the creative team, overseeing pre-production, managing day-to-day operations during production, and coordinating post-production and marketing. Producers secure funding, prepare budgets, facilitate communication between departments, and ensure legal and financial responsibilities are met throughout the entire filmmaking process.
The document outlines the key stages in developing a multimedia project: pre-production, production, and post-production. Pre-production involves planning, defining goals and the target audience. Production is where the content is created, such as scripts, art, audio/video. Post-production includes testing, mastering, duplication and distribution of the final product. Successful projects require collaboration between team members with different skills, such as project managers, designers, programmers, and specialists in areas like audio/video. The roles and responsibilities of each team member are also described.
Adani Group's Active Interest In Increasing Its Presence in the Cement Manufa...Adani case
Time and again, the business group has taken up new business ventures, each of which has allowed it to expand its horizons further and reach new heights. Even amidst the Adani CBI Investigation, the firm has always focused on improving its cement business.
SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
The document provides descriptions of various jobs in the film and television industry organized into categories such as organizational, creative, editorial, technical, financial, management, research, administrative, and sources. It summarizes several roles including gaffer, script writer, editor, camera operator, accountant, script supervisor, market researcher, camera department overviewer, vision mixer, and makeup effects artist. For each it provides details on the nature of the role, why it fits the category, typical daily duties, main responsibilities, and who they work with. The sources listed at the end are websites with additional information on TV and film jobs.
The document discusses various roles within the film industry, divided into key areas such as development, production, post-production, distribution, and exhibition. It provides details on dozens of specific roles within departments like accounts, art, camera, casting, catering, construction, costume, direction, distribution, editing/post-production, exhibition, hair/makeup, health and safety, lighting, locations, music, performing, post-production sound, production sound, props, publicity, script, transport, and more. Key roles highlighted include production accountant, director of photography, aerial director of photography, production designer, construction manager, costume designer, and director.
Job roles within the film and tv industrywebstesa05
There are many jobs in the media industry divided into creative and non-creative roles. The document discusses jobs in management, finance, production, editing, technical, and research areas of media. Key jobs include producer, director, location manager, casting director, accountant, sound engineer and research roles that support film production.
Job roles in the film industry can be divided into two main categories: creative and non-creative. Technical roles ensure that equipment like cameras, lighting, and sound equipment are working properly to allow directors to film as requested. Creative roles include positions like art department coordinators who oversee visual elements, and creature designers who create costumes and props. Editorial roles involve selecting and preparing various media for conveying information, and include positions like editor, assistant editor, and post-production supervisor.
Jobs available in the tv and film industryjaneanesu
1) There are many creative and non-creative roles in the TV and film industry, including directors, editors, sound designers, producers, researchers, and transport managers.
2) These roles have varying work patterns, from long hours on filming locations to office work, and contracts range from freelance to permanent positions.
3) Pay also varies significantly depending on the role, experience, and size of the production, with starting salaries generally between £15,000-25,000 and more experienced roles earning up to £70,000.
There are various job roles and contract types in the TV and film industry. Job roles include management positions like marketing and publicity managers, creative roles like film directors, editorial roles like title designers, technical roles like vision mixers, research roles, and financial roles like financial controllers and accountants. Contract types include shift work contracts, fixed term contracts, office hour contracts, freelance contracts, time rate contracts, piece rate contracts, and continued employment contracts. Each job role and contract type has different responsibilities and conditions.
The document discusses various jobs in the media industry, dividing them into creative and non-creative roles. It provides examples of jobs that fall under categories such as management, finance, administration, production, and legal. Many of the jobs involve long hours and irregular schedules. The creative roles like director, camera operator, and title designer play important parts in deciding how the media content will be produced and presented.
The document discusses various roles in the media industry including production, management, organizational, administrative, financial, research, editing, creative, and technical roles. It provides descriptions of what each role entails and relevant responsibilities. For example, it states that a producer oversees pre-production of a film and ensures all elements run smoothly, while an editor focuses on selecting the best shots and footage to tell the story. The document also gives examples of common job titles for each area.
This document provides an overview of different job roles in the TV and film industry, dividing them into creative and non-creative categories including management, editorial, technical, research, financial, organizational, and administrative. It then discusses some specific jobs in more depth, including production accounting, casting director, camera operator, and film director. Production accounting involves managing budgets, payroll, and closing out financial records. Casting directors find actors and negotiate contracts. Camera operators implement camera shots as directed. Film directors are responsible for overseeing all artistic and technical aspects of a production from pre-production through post-production.
There are many diverse job roles within the film and TV industry. These include management, creative, editorial, technical, research, financial, organizational and administrative roles. Creative roles help set the scene and atmosphere of films. Editorial roles such as editors assemble raw footage into a finished product. Technical roles ensure the proper functioning of equipment. Research roles investigate locations, music and other aspects of production. Organizational roles manage schedules and people. Administrative roles handle paperwork and other office tasks.
First Assistant Director
- The 1st Assistant Director (1st AD) is the director's right-hand person on set, responsible for the smooth running of a film shoot. They help plan and oversee all aspects of production.
- Key 1st AD duties include creating detailed shooting schedules, calling "action" and "cut" during takes, ensuring shots are completed on time and within budget, and supervising other assistant directors and crew.
- 1st ADs need to have excellent organisational and time management skills. Experience as a 2nd 2nd or 3rd AD is usually required before moving up to 1st AD.
- 1st ADs work long hours, often starting before other crew and finishing
There are several key job roles within the TV industry, including technical, creative, managerial, financial, administrative, and sales/marketing. Technical jobs involve setting up and operating equipment like cameras, lighting, and sound. Creative roles help bring the vision to life through directing, casting, makeup, and more. Managerial positions oversee various aspects of production and finance handles budgeting. Administrative duties include paperwork, accounts, and logistics. Sales and marketing advertise and promote TV shows and films.
This document discusses different career pathways in the media industry. It identifies several sectors - management, creative, editorial, technical, research, financial, administrative, and organizational. Each sector contains various job roles. For example, the creative sector includes roles like editoral photographer, actor, and cinematographer. The document then provides more detail on 9 specific media jobs - publicist, gaffer, researcher, camera operator, producer, post-production supervisor, special effects supervisor, director, and editor. For each role, it describes typical responsibilities and how the role relates to other sectors in the media industry.
The document provides an overview of various job roles in the film industry, dividing them into creative, technical, editorial, management, administrative, legal and financial categories. It describes several key roles, including film director, film producer, camera operator, boom operator, editor, managing director, locations manager, casting director, and finance assistant. Their main responsibilities and tasks are outlined for each role.
The document discusses various job roles and contract types in the TV and film industry. It provides details on the responsibilities and requirements for roles like marketing managers, location managers, music composers, directors, editors, title designers, and more. It also explains different types of employment contracts such as shift work, fixed term, freelance, time rate, piece rate, and continued employment.
Unit 8 assignment 2a teona mc fadden finish tonightteonamaud
This document outlines several job roles in the television industry and provides descriptions of their responsibilities. It describes the location manager, camera operator, audio editor, casting director, script writer, director, financial controller, and producer roles. The location manager researches locations and pitches options to the production manager. The camera operator films all on-set activity. The audio editor edits sound and ensures no mistakes. The casting director auditions and selects actors. The script writer independently writes scripts. The director plans shots and directs actors on set. The financial controller manages finances and ensures no losses. The producer plans filming schedules and ensures projects are on budget and on time.
Job roles in the creative media industriesnonniecox
A producer has overall control of every aspect of film production. They are responsible for developing the premise, securing financing, assembling the creative team, overseeing pre-production, managing day-to-day operations during production, and coordinating post-production and marketing. Producers secure funding, prepare budgets, facilitate communication between departments, and ensure legal and financial responsibilities are met throughout the entire filmmaking process.
The document outlines the key stages in developing a multimedia project: pre-production, production, and post-production. Pre-production involves planning, defining goals and the target audience. Production is where the content is created, such as scripts, art, audio/video. Post-production includes testing, mastering, duplication and distribution of the final product. Successful projects require collaboration between team members with different skills, such as project managers, designers, programmers, and specialists in areas like audio/video. The roles and responsibilities of each team member are also described.
Adani Group's Active Interest In Increasing Its Presence in the Cement Manufa...Adani case
Time and again, the business group has taken up new business ventures, each of which has allowed it to expand its horizons further and reach new heights. Even amidst the Adani CBI Investigation, the firm has always focused on improving its cement business.
SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
Satta matka fixx jodi panna all market dpboss matka guessing fixx panna jodi kalyan and all market game liss cover now 420 matka office mumbai maharashtra india fixx jodi panna
Call me 9040963354
WhatsApp 9040963354
SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
Cover Story - China's Investment Leader - Dr. Alyce SUmsthrill
In World Expo 2010 Shanghai – the most visited Expo in the World History
https://www.britannica.com/event/Expo-Shanghai-2010
China’s official organizer of the Expo, CCPIT (China Council for the Promotion of International Trade https://en.ccpit.org/) has chosen Dr. Alyce Su as the Cover Person with Cover Story, in the Expo’s official magazine distributed throughout the Expo, showcasing China’s New Generation of Leaders to the World.
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SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
L'indice de performance des ports à conteneurs de l'année 2023SPATPortToamasina
Une évaluation comparable de la performance basée sur le temps d'escale des navires
L'objectif de l'ICPP est d'identifier les domaines d'amélioration qui peuvent en fin de compte bénéficier à toutes les parties concernées, des compagnies maritimes aux gouvernements nationaux en passant par les consommateurs. Il est conçu pour servir de point de référence aux principaux acteurs de l'économie mondiale, notamment les autorités et les opérateurs portuaires, les gouvernements nationaux, les organisations supranationales, les agences de développement, les divers intérêts maritimes et d'autres acteurs publics et privés du commerce, de la logistique et des services de la chaîne d'approvisionnement.
Le développement de l'ICPP repose sur le temps total passé par les porte-conteneurs dans les ports, de la manière expliquée dans les sections suivantes du rapport, et comme dans les itérations précédentes de l'ICPP. Cette quatrième itération utilise des données pour l'année civile complète 2023. Elle poursuit le changement introduit l'année dernière en n'incluant que les ports qui ont eu un minimum de 24 escales valides au cours de la période de 12 mois de l'étude. Le nombre de ports inclus dans l'ICPP 2023 est de 405.
Comme dans les éditions précédentes de l'ICPP, la production du classement fait appel à deux approches méthodologiques différentes : une approche administrative, ou technique, une méthodologie pragmatique reflétant les connaissances et le jugement des experts ; et une approche statistique, utilisant l'analyse factorielle (AF), ou plus précisément la factorisation matricielle. L'utilisation de ces deux approches vise à garantir que le classement des performances des ports à conteneurs reflète le plus fidèlement possible les performances réelles des ports, tout en étant statistiquement robuste.
NIMA2024 | De toegevoegde waarde van DEI en ESG in campagnes | Nathalie Lam |...BBPMedia1
Nathalie zal delen hoe DEI en ESG een fundamentele rol kunnen spelen in je merkstrategie en je de juiste aansluiting kan creëren met je doelgroep. Door middel van voorbeelden en simpele handvatten toont ze hoe dit in jouw organisatie toegepast kan worden.
Presentation by Herman Kienhuis (Curiosity VC) on Investing in AI for ABS Alu...Herman Kienhuis
Presentation by Herman Kienhuis (Curiosity VC) on developments in AI, the venture capital investment landscape and Curiosity VC's approach to investing, at the alumni event of Amsterdam Business School (University of Amsterdam) on June 13, 2024 in Amsterdam.
Presentation by Herman Kienhuis (Curiosity VC) on Investing in AI for ABS Alu...
unit 18 task 2
1. Unit 18, Assignment 2a- Task 2
1. Management- production manager
2. Creative- Costume designer
3. Organizational- Stage manager
4. Editorial- Video editor
5. Financial- Accounting assistant
6. Research- Researcher
7. Technical- Camera operator
8.
1. Production manager (Management)
What is the nature of the role?
A production manager prepare production schedules or even script breakdowns, this is to confirm
the sufficient time that has been assigned for all aspects of the production process, this also helps to
verify the producers budgets and schedules. In order to help the production manager keep on track
with what is happening, there are a range of software's which provides help to keep the scheduling
and budget in order.
Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you
know?
A production manager mainly comes under a managerial job, this is because the job of a production
manager is to keep the production within there schedule as well as organizing the business, finance
and employment within the TV industry. In addition to this a production manager can also a an
organisational job, the reason for this is everything has to be organized to make it easier to work
with etc.
2. What are their day to day duties?
One of the main duties for a production manger is to keep the finance and the budget organized, in
order to make sure the budget is not over the price limit that they have for the production, that is one
of the main day to day jobs the production manager would have, as the budget has to be within the
amount they can spend.
What are their responsibilities?
The responsibility a production manager has is to keep the production, the business, the finance as
well as the employees in tact and in order.
2. Costume designer (Creative)
What is the nature of the role?
The process of the costume designing starts working at the beginning of pre-production. The costume
designer is in charger of designing, creating, acquiring and hiring all costume for the actors as well as
the extras. The costumes brought have to be within the strict budget that has been given to them, this
is so there is enough money to buy the costumes they need and not go over the limited amount that
has been given to them. The role of a costume designer requires a great deal of expertise, the reason
for this is there creativity ranges from designing original costumes, to overseeing purchases to ready
made outfits.
Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you
know?
The Job of a costume designer falls under a creative category, the reason for this is costume designing
is all about creating a unique outfit and costume to fit the character they are designing for. As it is a
creative job, the skills needed are very high as the main thing is to be creative for this role.
3. What are their day to day duties?
As a costume designer is usually also the head of the costume department, they are responsible for staffing
and managing the team and there skills. In addition to this costume designers also have to supervise a more
practical issue such as the departments budgets and schedules, the organisation of the wardrobes as well as
the costume continuity. All this is a day to day job the costume designers have to keep on track with.
Within there day to day job, as the filming is in process, the costume designer I expected to work closely
with the production designer, the reason for this is to make sure the costumes fit with the overall vision with
what they want for what they want with the characters costumes, in addition to this the costume designer
would also be working close with hair and make-up to make sure it suits the costume as well as the
character the actor/actress will be playing.
What are their responsibilities?
The responsibility of a costume designer is to make sure all the costumes are ready when the director is
about to film, as well as make sure the costumes are up to the directors standards and it is what they want.
3. Stage manager (Organizational)
What is the nature of the role?
The role of the stage manager is to work with the director throughout the production, also known as the
director’s right hand man. The stage manager keeps track of rehearsal schedules, scripts, props as well as
actors during the rehearsal process. After everything is done with rehearsals, the stage manager is then in
charge and has control over everything that happens backstage or onstage.
Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you know?
A stage manager is a organizational job, the reason for this is as stage manager keeps track of everything
within the set and making sure everything is organized well. By having everything organized neatly, it makes
it easier for the stage manager to keep on track with everything for example having an organized schedule
means it would easier to follow.
4. What are their day to day duties?
The day to day duties for a stage manager is to be in charge and have control over the production during
the performance. The reason why the stage manager has this responsibility as there role is to work with
director. Not only does the stage manager serve assistance to the director, but also provides an
assistance to the designers, technical directors, costumes supervisors etc. Everyone within the
production have to always report back to the stage manager, which then the stage manager reports back
to the director of any of the issues that should be looked into. The stage manager has a number of
duties to perform throughout the entire production process, some of which he might delegate to other
individuals.
What are their responsibilities?
The main responsibilities of the stage manager is to make sure everything is organized well. As the stage
manager is usually ordered by the director, the job of the stage manager is harder as to which they have
to make sure everything is prepared and organized whilst the production is in process.
4. Video editor (Editorial)
What is the nature of the role?
The role of a video editor is to prepare the final edit of the product. By doing this they start by taking
any raw footage at the post production stage and choosing the best shots, they then out the shots they
have chosen in order, as well as the sound, graphics and special effects in which what the director would
want. Video editors would usually use digital technology as well as computer software to edit the
picture and sound. With the help of the software you can edit any type of projects such as feature films,
TV programs, commercials etc.
5. Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you
know?
A video editor would fall under the category of a technical job, the reason for this is firstly, editing is
very technical as most of it is done by using a computer software as well as digital technology. Video
editing takes a long period of time as you have to choose the footage that you think would fit well
together and edit the pieces together. Also with editing you have to think of any other technical aspects
that might need to be considered such as the sound, special effects etc. All of this would also fall under
technical as most of it is very computer based.
What are their day to day duties?
The duty of a video editor is to have the responsibility for assembling recorded raw footage into a
finished product suitable for broadcasting. A video editor starts to edit the footage towards the end of
the production which in this case is the post production. All the video editor does is gathers the footage
that has been given to him/her and start to put the footage together to see what fits well as well as to
create a clean and smooth finish.
What are their responsibilities?
The responsibilities the video editor has is to make sure the final edit meets the directors requirements,
this is a big responsibility as the final edit is a major part throughout out the whole production as
anything could go wrong whilst creating the final edit. When this process is in action, the director is
sometimes needed whilst the editing Is happening the reason for this is to make sure the edit is going
the way the director wants it to as well as the way the director visions the final edit of the production.
6. 5. Accounting assistant (Finance)
What is the nature of the role?
The role of an accounting assistant is to perform clerical work in support of any of the company
accounts as well as utilizes the financial management software. The accounting assistant should be
able to analyse, reconcile, and verify any financial and statistical data in addition to this, they also need
to perform any related work which was assigned to them by their superiors.
Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you
know?
An accounting assistant falls under the financial category, the reason for this is an accounting assistant
manages all the different aspects of finance within the production some of this would consist of
managing the company accounts , keep a record of the productions budget etc. In order to become an
accounting assistant your knowledge in finance has to be high.
What are their day to day duties?
The day to day duties of an accounting assistant is to assist in the running of the accounts office.
Accounting assistants also help the production accounts to maintain records of invoices as well
creditors payments. The accounting assistant keeps all records of any transactions that have
happened, responsible for any preparation's of the accounts, purchase orders as well as petty cash and
payroll calculations etc. In addition to this assistant accountants also process cheques as well as
carrying out other duties which have been assigned to the assistant by the production accountant.
7. What are their responsibilities?
The responsibilities an accounting assistant has is to make sure the jobs that where given from the
production accountant have been completed the way the production accountant wants it to be. In
addition to this another responsibility a accountant assistant has to process any of the cheques that
is in need of being process for the production. This is a very important responsibility to take on as
you have to make sure nothing happens to the cheques.
6. Researcher (Research)
What is the nature of the role?
The role of a researcher is to work over different genres of TV production such as news, sports,
current affairs, documentaries, factual programs, light entertainment, situation comedies, soaps or
serial dramas, one-off dramas etc. Researchers originate and develop ideas for programs. After they
have found a stable knowledge and understanding of the type of program, the researcher then
presents their findings to the decision makers. In addition to this researchers are also fact checkers
as well as brief writers for on screen presenters. The role of a researcher is very important within
the production process.
Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you
know?
The role of a researcher would fall under the category of researching. With researching you have to
find different ways and types of research that would benefit you when you are trying to find certain
types of information for anything, this links with the researcher. As a researcher is the person who
goes out and gathers the information that is needed for the production.
8. What are their day to day duties?
The day to day job of a researcher is to make sure they have done enough research on a particular task
set to them. The role of a researcher on a production is usually gathering true facts and information's
for them to have a successful production, by doing this they gather every piece of information that is
needed and creates a presentation to then show the director with the different types of ideas and
information they have found.
What are their responsibilities?
The responsibilities a researcher has is to make sure the facts and information they gather are true and
real, this is a major responsibility because they can use false information in there production which
viewers then would find disturbing as well as upsetting.
7. Camera operator (Technical)
What is the nature of the role?
The role of a camera operator is someone who works with digitals, this consists of electronic and film
cameras in multi and single camera operational conditions, producing pictures for directors with the use
of complex technology and creative visual skills together etc. The job of the camera operator is usually
either based in a studio which the camera operator follows a camera script or on location which there is
more of a chance of creativity.
Is it a creative, technical, managerial job, financial, administrative or organisation job – how do you
know?
The role of a camera operator would fall under a technical job, the reason for this is most of the work
that a camera operator has to do is computer and software based including the camera use. The camera
operator has more control over the digital side of the camera.
9. What are their day to day duties?
The day to day duties of a camera operator is to make sure any of the camera equipment is working before
the filming is done, this is so there are no complications whilst filming. Another day to day duty is to have
different technical aspects of the camera, so when they are filming the camera operator knows how to use
the camera the way the director would like it to be.
What are their responsibilities?
The responsibilities of a camera operator would be to discuss as well as review different aspects of filming,
determine different technical aspects, before shooting the film camera lenses tests have to be made to
make sure everything is working well ready for shooting etc.
• http://www.media-match.com/usa/jobtypes/job-descriptions.php
•http://www.bscine.com/information/training/the-responsibilities-of-a-camera-operator/
•http://www.prospects.ac.uk/film_video_editor_job_description.htm
•http://www.creativeskillset.org/film/jobs/article_3901_1.asp
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10. What are their day to day duties?
The day to day duties of a camera operator is to make sure any of the camera equipment is working before
the filming is done, this is so there are no complications whilst filming. Another day to day duty is to have
different technical aspects of the camera, so when they are filming the camera operator knows how to use
the camera the way the director would like it to be.
What are their responsibilities?
The responsibilities of a camera operator would be to discuss as well as review different aspects of filming,
determine different technical aspects, before shooting the film camera lenses tests have to be made to
make sure everything is working well ready for shooting etc.
• http://www.media-match.com/usa/jobtypes/job-descriptions.php
•http://www.bscine.com/information/training/the-responsibilities-of-a-camera-operator/
•http://www.prospects.ac.uk/film_video_editor_job_description.htm
•http://www.creativeskillset.org/film/jobs/article_3901_1.asp
•
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