Published by Juliana Koranteng, one of the best media journalists in the business. Check out www.mediatainmentfinance.com. David Grover is featured in the Billion Dollar Blast
The Boat that Rocked Case Study SummaryNaamah Hill
1) The Boat That Rocked is a 2009 film directed by Richard Curtis about pirate radio stations in the UK in the 1960s.
2) It was inspired by Curtis's childhood memories of listening to stations like Radio Caroline that operated offshore before the 1967 Marine Broadcasting Offences Act.
3) The film had a budget of £30 million but only grossed £6.1 million in its first 12 weeks in UK theaters, with critics saying it was too long.
Discuss the issues raised by media ownership inSarahC22
The document discusses issues related to media ownership and the production and distribution of media texts in different media areas. It notes that the film industry has a competitive relationship between America and Britain, with Hollywood dominating the global market due to its ability to produce bigger, more successful films. The size of the domestic British film market makes it difficult for British films to achieve the same level of commercial success as Hollywood films without involvement from American studios. It also discusses strategies used in the distribution and promotion of the successful British film "Slumdog Millionaire", including social media sharing, quick release to DVD/Blu-Ray, viral marketing techniques, and deals with international distributors.
The document discusses the criteria for what qualifies as a "British film" for the BAFTA awards. It explains that 12 Years a Slave, despite having a British director and lead actor, was not considered for best British film because its producers did not select the box indicating it was a British film. Meanwhile, films like Gravity and Mandela: Long Walk to Freedom were considered British films even though they do not take place in Britain or have predominantly British casts, because they involved significant British creative involvement in areas like visual effects, crew roles, and production companies. The criteria for British films considers factors like the director, cast, crew, and location of filming and production, and the definitions have become more complex as the
Stradella Road provided social media marketing support for several film clients at Comic-Con 2012. For Django Unchained, activities included a Twitter contest to meet Quentin Tarantino and live tweeting signings. For H+, a new web series, there was a panel, screening, fan signing and exclusive bracelets. Support for The Hobbit included managing Facebook/YouTube pages and coordinating with fan sites. Branded garnered a Hall H panel slot through an online campaign and QR codes. All four Stradella Road clients received press coverage.
This document provides information about the production and reception of the 1994 British romantic comedy film Four Weddings and a Funeral. It details that the film follows a group of friends through various weddings and a funeral, and was directed by Mike Newell with a screenplay by Richard Curtis. Though it was made on a modest budget of under £3 million, it became a major commercial success, grossing over $245.7 million worldwide. The film received positive reviews from critics and an Academy Award nomination for Best Picture.
Nina Tassler is the president of CBS Entertainment, the highest ranking Latina in network television. She oversees primetime, late night, and daytime programming at CBS, keeping the network at the top of ratings. The document profiles 5 influential Hispanic women in the media industry, including Tassler, Belinda Menendez of NBC Universal International Television Distribution, actress and producer Salma Hayek, Lucia Ballas-Traynor of MTV Tr3s, and Alina Falcon of Univision. It discusses their accomplishments over the past year and their goals for the future.
Quantum of Solace (2008) is the 22nd James Bond film starring Daniel Craig as 007. The film follows Bond as he seeks revenge on those responsible for the death of his lover Vesper from the previous film, Casino Royale. The film was a box office success, breaking numerous opening weekend records in the UK and earning over $546 million worldwide. It was filmed on location in six countries and had numerous brand tie-ins to promote the film.
This document discusses several films produced by Working Title Films and compares British and American films. It provides details on the budgets, box office performances, directors, and target audiences for films like Rush, Thunderbirds, Paul, '71, Four Lions, and This Is England. Overall, it finds that British films focus more on realism and portraying everyday life accurately, while American films emphasize fantasy, humor, and visual effects to broaden their appeal.
The Boat that Rocked Case Study SummaryNaamah Hill
1) The Boat That Rocked is a 2009 film directed by Richard Curtis about pirate radio stations in the UK in the 1960s.
2) It was inspired by Curtis's childhood memories of listening to stations like Radio Caroline that operated offshore before the 1967 Marine Broadcasting Offences Act.
3) The film had a budget of £30 million but only grossed £6.1 million in its first 12 weeks in UK theaters, with critics saying it was too long.
Discuss the issues raised by media ownership inSarahC22
The document discusses issues related to media ownership and the production and distribution of media texts in different media areas. It notes that the film industry has a competitive relationship between America and Britain, with Hollywood dominating the global market due to its ability to produce bigger, more successful films. The size of the domestic British film market makes it difficult for British films to achieve the same level of commercial success as Hollywood films without involvement from American studios. It also discusses strategies used in the distribution and promotion of the successful British film "Slumdog Millionaire", including social media sharing, quick release to DVD/Blu-Ray, viral marketing techniques, and deals with international distributors.
The document discusses the criteria for what qualifies as a "British film" for the BAFTA awards. It explains that 12 Years a Slave, despite having a British director and lead actor, was not considered for best British film because its producers did not select the box indicating it was a British film. Meanwhile, films like Gravity and Mandela: Long Walk to Freedom were considered British films even though they do not take place in Britain or have predominantly British casts, because they involved significant British creative involvement in areas like visual effects, crew roles, and production companies. The criteria for British films considers factors like the director, cast, crew, and location of filming and production, and the definitions have become more complex as the
Stradella Road provided social media marketing support for several film clients at Comic-Con 2012. For Django Unchained, activities included a Twitter contest to meet Quentin Tarantino and live tweeting signings. For H+, a new web series, there was a panel, screening, fan signing and exclusive bracelets. Support for The Hobbit included managing Facebook/YouTube pages and coordinating with fan sites. Branded garnered a Hall H panel slot through an online campaign and QR codes. All four Stradella Road clients received press coverage.
This document provides information about the production and reception of the 1994 British romantic comedy film Four Weddings and a Funeral. It details that the film follows a group of friends through various weddings and a funeral, and was directed by Mike Newell with a screenplay by Richard Curtis. Though it was made on a modest budget of under £3 million, it became a major commercial success, grossing over $245.7 million worldwide. The film received positive reviews from critics and an Academy Award nomination for Best Picture.
Nina Tassler is the president of CBS Entertainment, the highest ranking Latina in network television. She oversees primetime, late night, and daytime programming at CBS, keeping the network at the top of ratings. The document profiles 5 influential Hispanic women in the media industry, including Tassler, Belinda Menendez of NBC Universal International Television Distribution, actress and producer Salma Hayek, Lucia Ballas-Traynor of MTV Tr3s, and Alina Falcon of Univision. It discusses their accomplishments over the past year and their goals for the future.
Quantum of Solace (2008) is the 22nd James Bond film starring Daniel Craig as 007. The film follows Bond as he seeks revenge on those responsible for the death of his lover Vesper from the previous film, Casino Royale. The film was a box office success, breaking numerous opening weekend records in the UK and earning over $546 million worldwide. It was filmed on location in six countries and had numerous brand tie-ins to promote the film.
This document discusses several films produced by Working Title Films and compares British and American films. It provides details on the budgets, box office performances, directors, and target audiences for films like Rush, Thunderbirds, Paul, '71, Four Lions, and This Is England. Overall, it finds that British films focus more on realism and portraying everyday life accurately, while American films emphasize fantasy, humor, and visual effects to broaden their appeal.
This document provides production details for several films, including Fish Tank, Ill Manors, Kidulthood, and Skyfall. Fish Tank is an independent British film from 2009 that was filmed on a low budget of $3 million near London over six weeks. Ill Manors is a 2012 British crime drama filmed in Manor Park, London on a budget of £100,000. Kidulthood is a 2006 British film about London teenagers produced by three companies with a budget of £600,000.
AS Britsih Film Research (working title films)jessicasquires
Working Title Films is a British film production company founded in 1984 in London. It produces feature films and television shows across a variety of genres from comedy to drama. Some of Working Title Films' most successful productions include Four Weddings and a Funeral, Pride & Prejudice, Shaun of the Dead, Love Actually, and Atonement, with worldwide box office earnings totaling over $500 million collectively.
The document discusses several key aspects of the British film industry in 2013:
1) The UK film industry generated over £4 billion in revenues and contributed £2.9 billion to the British economy. UK films earned 11.4% of the global box office, down from 15% the prior year.
2) Data showed UK films had an 8% market share in China and 12% in Russia, earning $266 million and $164 million respectively in these growing markets.
3) Animation was the highest earning genre in the UK in 2013, accounting for 21% of box office receipts despite being only 5% of releases.
4) Tax relief plays a major role in attracting international productions
Summit entertainment, film4, icon, fox warpharryhazell4
This document summarizes information about several film production and distribution companies: Fox Searchlight Pictures distributes independent and British films in the US and owns non-English language films; Summit Entertainment is a subsidiary of Lions Gate Entertainment that has produced films like the Twilight series and Divergent; Film4 is a British digital television channel that has produced films like Slumdog Millionaire and The Iron Lady; Icon Films is an independent production company founded by Mel Gibson that generates over £150 million at the box office; Warp Films is an independent UK-based film and television production company that has produced films like 71 and For Those in Peril.
The document discusses several film production companies including Fox Searchlight Pictures, which was established in 1994 and has produced successful films like Slumdog Millionaire and Black Swan. It also mentions Warp Films, an independent UK company known for films like This is England, Summit Entertainment, a US company subsidiary of Lions Gate Entertainment that produced the Twilight and Divergent franchises, and Film 4, a British channel that backed films like The Inbetweeners and High-Rise. The document also briefly outlines Icon Productions, an American company founded in 1989 that has produced films like Hamlet, Braveheart and Maverick internationally.
This document defines low and high budget films. A micro-budget film can be made for as little as a few thousand dollars, such as El Mariachi which was made for $7,000. High budget films are considered $200-400 million, like Spider-Man 3 which cost $258 million. The film Colin was made by directors Marc Price and Justin Hayles for an incredibly low budget of just £45, making it the lowest budgeted film released in the UK. It played at festivals and received a DVD release in the UK, but did not earn any money as the filmmakers were satisfied just to see their film distributed.
The document discusses the British film industry and Working Title Films. It provides background on Working Title, noting it was founded in the late 1980s and produces feature films and television. It discusses some of Working Title's successful films, including Four Weddings and a Funeral and films written by Richard Curtis. It also summarizes Curtis' role and some characteristics of his films for Working Title. Finally, it discusses how Working Title promotes British talent and portrays London in its films.
Working Title Films is a leading British film production company founded in 1984 by Tim Bevan and Sarah Radclyffe. It is now owned by Universal Studios. Working Title is known for producing romantic comedies written by Richard Curtis and films from the Coen Brothers. Their most commercially successful film is Four Weddings and a Funeral. While initially independent, Working Title benefited from partnerships with PolyGram and Universal that provided funding and access to international markets. This allowed Working Title to take risks on smaller films while also producing larger-scale movies. Working Title balances artistic freedom with commercial considerations to sustain the British film industry.
Lionsgate UK would be an ideal company to distribute my media project. As a highly established distribution and production company, Lionsgate UK has released many successful films, including the Hunger Games franchise, which grossed $2.9 billion globally. They also have a track record of releasing award-winning films. Lionsgate UK would help reach a wide audience through their connections to television networks like Pop and CBS Productions.
Working Title Films is a British film production company founded in the late 1980s by Tim Bevan and Sarah Radclyffe. It is based in London and produces both feature films and television shows. One of their breakthrough successes was the 1994 romantic comedy Four Weddings and a Funeral, directed by Mike Newell and written by Richard Curtis. Curtis has written several other popular romantic comedies for Working Title Films and is known for his portrayals of middle-class lives in London. Working Title Films has helped promote British talent both in front of and behind the camera on many of their films.
The document discusses three kaiju films - Kong: Skull Island, Colossal, and Attack the Block. It summarizes the key details of each film's production budgets, box office performances, and notable cast members. It also analyzes common themes around monsters representing social issues that are prominent in the kaiju genre. Finally, it provides a brief overview of the ITV television network in the UK and its ownership structure.
History warner brothers and belstone pictures Katie Emily
Warner Brothers began in 1918 and opened their first studio in Hollywood in 1923. Some of their most successful films include the Harry Potter franchise and The Dark Knight Rises. In 2018, Warner Brothers became a subsidiary of AT&T-Time Warner. Wonder Woman was a financial success for Warner Brothers, making $700 million after a $150 million production budget and $150 million marketing campaign. Belstone Pictures is an independent film company founded in 2012 that produces films such as Tank 432, distributed in over 10 countries.
The film Fish Tank had a budget of £2 million pounds and was shot in 30 days, with partial funding of £70,000 from the UK Film Council. It was directed by Andrea Arnold and starred Katie Jarvis, who won a BAFTA Award for her breakthrough role. The film received critical acclaim and awards after being screened at numerous film festivals internationally. It had a limited arthouse release in UK theaters, grossing over £400,000 in its first few weeks.
- Working Title Films is a UK film production company founded in 1983 that is now owned by Universal. It established an independent arm called WT2 in 1999.
- Before being acquired by Universal, Working Title only produced UK films, but now also produces American films. It receives funding from various sources like the BFI and Film4 and helps fund films in exchange for distribution rights.
- Marketing is important for a film's success and involves activities like trailers, posters, websites, talk show appearances, and red carpet events. However, films are generally more successful in America due to its larger market and higher marketing budgets.
This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
Paramount Pictures is a major film studio founded in 1912 that has distributed successful films like Mean Girls, Star Trek, and Paranormal Activity. It is distributing the comedy film Jackass Presents: Bad Grandpa, directed by Jeff Tremaine and Johnny Knoxville, which stars Knoxville and Jackson Nicoll and follows two men on a crazy road trip. Entertainment Film Distributors is a British film distributor founded in 1978 that is distributing the Coen Brothers film Inside Llewyn Davis, starring Oscar Isaac and Carey Mulligan, which depicts a week in the life of a folk singer in 1961 Greenwich Village.
The document provides an overview of key developments in the media industry from July 2006 to June 2007. It discusses industry transactions, major tech company acquisitions, layoffs, the rise of user-generated content, new distribution channels, shifting advertising trends, intellectual property issues, and censorship. Graphs show increasing global advertising spending, the fast growth of online advertising and video advertising, and television's fragmentation into many channels. International comparisons illustrate differences in social networks, blogging, and online classifieds ownership across countries.
The document lists and provides brief details about the "Big Six" major film studios: Warner Brothers, Paramount Pictures, Walt Disney, Columbia Pictures, Universal Pictures, and 20th Century Fox. It outlines some of the major film franchises, revenue figures, and subsidiaries of each studio. For example, it notes that Warner Brothers owns companies like New Line Cinema and HBO Films and has produced films like Harry Potter, Superman, and Batman. It provides revenue and operating income numbers for some of the studios from 2007 and 2011.
The document summarizes information about several film production and distribution companies: Fox Searchlight Pictures distributes independent and British films in the US and is owned by Rupert Murdoch; Summit Entertainment is a subsidiary of Lions Gate Entertainment that has produced films like the Twilight series and Divergent; Film4 is a British digital television channel that has produced films like Slumdog Millionaire and The Iron Lady; Icon Films is an independent production company founded by Mel Gibson that owns a library of over 250 film titles; Warp Films is an independent UK-based film and television production company founded by Rob Mitchell and Steve Beckett.
This document provides information about Duke University, including its leadership, schools and colleges, student enrollment numbers, athletics programs, student affairs departments, housing and dining services, student activities and clubs, campus centers, new athletic and arts facilities, and principles of good practice for student affairs.
Franklin Parrish is introducing himself as a creative director with experience across various industries and disciplines. He provides examples of integrated marketing campaigns he has worked on, including branding transitions, awareness campaigns, website redesigns, and digital/video projects. Parrish emphasizes his skills in strategy, execution, and achieving results for clients across marketing channels.
This document provides production details for several films, including Fish Tank, Ill Manors, Kidulthood, and Skyfall. Fish Tank is an independent British film from 2009 that was filmed on a low budget of $3 million near London over six weeks. Ill Manors is a 2012 British crime drama filmed in Manor Park, London on a budget of £100,000. Kidulthood is a 2006 British film about London teenagers produced by three companies with a budget of £600,000.
AS Britsih Film Research (working title films)jessicasquires
Working Title Films is a British film production company founded in 1984 in London. It produces feature films and television shows across a variety of genres from comedy to drama. Some of Working Title Films' most successful productions include Four Weddings and a Funeral, Pride & Prejudice, Shaun of the Dead, Love Actually, and Atonement, with worldwide box office earnings totaling over $500 million collectively.
The document discusses several key aspects of the British film industry in 2013:
1) The UK film industry generated over £4 billion in revenues and contributed £2.9 billion to the British economy. UK films earned 11.4% of the global box office, down from 15% the prior year.
2) Data showed UK films had an 8% market share in China and 12% in Russia, earning $266 million and $164 million respectively in these growing markets.
3) Animation was the highest earning genre in the UK in 2013, accounting for 21% of box office receipts despite being only 5% of releases.
4) Tax relief plays a major role in attracting international productions
Summit entertainment, film4, icon, fox warpharryhazell4
This document summarizes information about several film production and distribution companies: Fox Searchlight Pictures distributes independent and British films in the US and owns non-English language films; Summit Entertainment is a subsidiary of Lions Gate Entertainment that has produced films like the Twilight series and Divergent; Film4 is a British digital television channel that has produced films like Slumdog Millionaire and The Iron Lady; Icon Films is an independent production company founded by Mel Gibson that generates over £150 million at the box office; Warp Films is an independent UK-based film and television production company that has produced films like 71 and For Those in Peril.
The document discusses several film production companies including Fox Searchlight Pictures, which was established in 1994 and has produced successful films like Slumdog Millionaire and Black Swan. It also mentions Warp Films, an independent UK company known for films like This is England, Summit Entertainment, a US company subsidiary of Lions Gate Entertainment that produced the Twilight and Divergent franchises, and Film 4, a British channel that backed films like The Inbetweeners and High-Rise. The document also briefly outlines Icon Productions, an American company founded in 1989 that has produced films like Hamlet, Braveheart and Maverick internationally.
This document defines low and high budget films. A micro-budget film can be made for as little as a few thousand dollars, such as El Mariachi which was made for $7,000. High budget films are considered $200-400 million, like Spider-Man 3 which cost $258 million. The film Colin was made by directors Marc Price and Justin Hayles for an incredibly low budget of just £45, making it the lowest budgeted film released in the UK. It played at festivals and received a DVD release in the UK, but did not earn any money as the filmmakers were satisfied just to see their film distributed.
The document discusses the British film industry and Working Title Films. It provides background on Working Title, noting it was founded in the late 1980s and produces feature films and television. It discusses some of Working Title's successful films, including Four Weddings and a Funeral and films written by Richard Curtis. It also summarizes Curtis' role and some characteristics of his films for Working Title. Finally, it discusses how Working Title promotes British talent and portrays London in its films.
Working Title Films is a leading British film production company founded in 1984 by Tim Bevan and Sarah Radclyffe. It is now owned by Universal Studios. Working Title is known for producing romantic comedies written by Richard Curtis and films from the Coen Brothers. Their most commercially successful film is Four Weddings and a Funeral. While initially independent, Working Title benefited from partnerships with PolyGram and Universal that provided funding and access to international markets. This allowed Working Title to take risks on smaller films while also producing larger-scale movies. Working Title balances artistic freedom with commercial considerations to sustain the British film industry.
Lionsgate UK would be an ideal company to distribute my media project. As a highly established distribution and production company, Lionsgate UK has released many successful films, including the Hunger Games franchise, which grossed $2.9 billion globally. They also have a track record of releasing award-winning films. Lionsgate UK would help reach a wide audience through their connections to television networks like Pop and CBS Productions.
Working Title Films is a British film production company founded in the late 1980s by Tim Bevan and Sarah Radclyffe. It is based in London and produces both feature films and television shows. One of their breakthrough successes was the 1994 romantic comedy Four Weddings and a Funeral, directed by Mike Newell and written by Richard Curtis. Curtis has written several other popular romantic comedies for Working Title Films and is known for his portrayals of middle-class lives in London. Working Title Films has helped promote British talent both in front of and behind the camera on many of their films.
The document discusses three kaiju films - Kong: Skull Island, Colossal, and Attack the Block. It summarizes the key details of each film's production budgets, box office performances, and notable cast members. It also analyzes common themes around monsters representing social issues that are prominent in the kaiju genre. Finally, it provides a brief overview of the ITV television network in the UK and its ownership structure.
History warner brothers and belstone pictures Katie Emily
Warner Brothers began in 1918 and opened their first studio in Hollywood in 1923. Some of their most successful films include the Harry Potter franchise and The Dark Knight Rises. In 2018, Warner Brothers became a subsidiary of AT&T-Time Warner. Wonder Woman was a financial success for Warner Brothers, making $700 million after a $150 million production budget and $150 million marketing campaign. Belstone Pictures is an independent film company founded in 2012 that produces films such as Tank 432, distributed in over 10 countries.
The film Fish Tank had a budget of £2 million pounds and was shot in 30 days, with partial funding of £70,000 from the UK Film Council. It was directed by Andrea Arnold and starred Katie Jarvis, who won a BAFTA Award for her breakthrough role. The film received critical acclaim and awards after being screened at numerous film festivals internationally. It had a limited arthouse release in UK theaters, grossing over £400,000 in its first few weeks.
- Working Title Films is a UK film production company founded in 1983 that is now owned by Universal. It established an independent arm called WT2 in 1999.
- Before being acquired by Universal, Working Title only produced UK films, but now also produces American films. It receives funding from various sources like the BFI and Film4 and helps fund films in exchange for distribution rights.
- Marketing is important for a film's success and involves activities like trailers, posters, websites, talk show appearances, and red carpet events. However, films are generally more successful in America due to its larger market and higher marketing budgets.
This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
Paramount Pictures is a major film studio founded in 1912 that has distributed successful films like Mean Girls, Star Trek, and Paranormal Activity. It is distributing the comedy film Jackass Presents: Bad Grandpa, directed by Jeff Tremaine and Johnny Knoxville, which stars Knoxville and Jackson Nicoll and follows two men on a crazy road trip. Entertainment Film Distributors is a British film distributor founded in 1978 that is distributing the Coen Brothers film Inside Llewyn Davis, starring Oscar Isaac and Carey Mulligan, which depicts a week in the life of a folk singer in 1961 Greenwich Village.
The document provides an overview of key developments in the media industry from July 2006 to June 2007. It discusses industry transactions, major tech company acquisitions, layoffs, the rise of user-generated content, new distribution channels, shifting advertising trends, intellectual property issues, and censorship. Graphs show increasing global advertising spending, the fast growth of online advertising and video advertising, and television's fragmentation into many channels. International comparisons illustrate differences in social networks, blogging, and online classifieds ownership across countries.
The document lists and provides brief details about the "Big Six" major film studios: Warner Brothers, Paramount Pictures, Walt Disney, Columbia Pictures, Universal Pictures, and 20th Century Fox. It outlines some of the major film franchises, revenue figures, and subsidiaries of each studio. For example, it notes that Warner Brothers owns companies like New Line Cinema and HBO Films and has produced films like Harry Potter, Superman, and Batman. It provides revenue and operating income numbers for some of the studios from 2007 and 2011.
The document summarizes information about several film production and distribution companies: Fox Searchlight Pictures distributes independent and British films in the US and is owned by Rupert Murdoch; Summit Entertainment is a subsidiary of Lions Gate Entertainment that has produced films like the Twilight series and Divergent; Film4 is a British digital television channel that has produced films like Slumdog Millionaire and The Iron Lady; Icon Films is an independent production company founded by Mel Gibson that owns a library of over 250 film titles; Warp Films is an independent UK-based film and television production company founded by Rob Mitchell and Steve Beckett.
This document provides information about Duke University, including its leadership, schools and colleges, student enrollment numbers, athletics programs, student affairs departments, housing and dining services, student activities and clubs, campus centers, new athletic and arts facilities, and principles of good practice for student affairs.
Franklin Parrish is introducing himself as a creative director with experience across various industries and disciplines. He provides examples of integrated marketing campaigns he has worked on, including branding transitions, awareness campaigns, website redesigns, and digital/video projects. Parrish emphasizes his skills in strategy, execution, and achieving results for clients across marketing channels.
Employee referral schemes are an important way for companies to find qualified talent. Many companies offer innovative gifts through these schemes like iPads, iPhones, and paid vacations to attract referrals. However, some question if the schemes promote inappropriate behaviors or truly increase employee loyalty. Younger employees tend to view referral schemes more positively than older employees. Startups in particular encourage referrals as a recruitment method.
This newsletter provides information about the recent activities of the Speech, Language, and Hearing Sciences department at Purdue University:
- A group of 9 students and faculty from the department provided hearing screenings, speech and language consultations, and training to over 600 people across several organizations in Zambia over two weeks.
- A class was held for middle school students about careers in speech language pathology and audiology.
- Faculty member Oliver Wendt received the 2015 Autism Society of America Research Award for his work on digital interventions to assist language development in individuals with autism.
- Information is provided about the upcoming Crossroads Conference on Communicative Disorders in October, encouraging students and faculty to
El documento habla sobre la ética profesional para reparadores de computadoras. Explica que la ética se refiere al estudio de los valores morales que guían la conducta humana, mientras que la moral son las normas establecidas por una sociedad. Luego describe los principios básicos de la ética profesional como la integridad, objetividad, responsabilidad, confidencialidad, competencia, difusión, respeto y conducta ética.
Apoyo a las Mujeres indígenas artesanas de tejidos ancestrales guámbianosFundación CODESPA
Este documento describe un proyecto para apoyar a 74 mujeres indígenas guámbianas en Colombia a través del fortalecimiento de 5 asociaciones de artesanas. El objetivo es mejorar los ingresos de las mujeres al mejorar la producción y venta de sus tejidos ancestrales. El proyecto fortalecerá las habilidades técnicas y comerciales de las mujeres y sus asociaciones.
El documento define la dirección como la etapa del proceso administrativo en la que el dirigente guía a sus colaboradores hacia el logro de los objetivos de la institución. Explica que la dirección es importante para poner en marcha la planificación y organización y mejorar la productividad. Además, presenta algunos principios de la dirección como la coordinación de intereses y el respeto de la jerarquía, e introduce conceptos como el liderazgo, tipos de liderazgo, comunicación y motivación.
This document provides an overview of Peter J. Zantal's professional experience and qualifications. He has over 15 years of experience in international business development, marketing, analysis and planning for the port, terminal, intermodal transportation and logistics industries. Currently, he is the principal of Port & Intermodal Rail Consultancy LLC, where he has conducted research and projects for ports on the US East Coast. Previously, he was employed by the Port Authority of New York & New Jersey, where he held several positions related to strategic analysis, business development, marketing and planning.
El Lehendakari da la bienvenida a los historiadores que han venido de diferentes partes del mundo para el XV Congreso de Americanistas. Resalta la larga relación entre Euskadi y América, con vascos participando en la exploración y colonización temprana y la emigración posterior. Afirma que Euskadi necesita abrirse al mundo y aprovechar su relación con América para mejorar su presencia global y convertirse en una puerta de entrada para América en Europa. Concluye agradeciendo a los asistentes y reconociendo los
Mr. Mark Watson, a consultant ENT surgeon, discusses how he uses Peptest to diagnose laryngopharyngeal reflux, a type of silent reflux. Peptest is a non-invasive test that involves patients spitting into tubes at home when symptoms occur, which are then sent to a lab for analysis of pepsin levels within 48 hours. This is preferable to more invasive tests that require nasal catheters. Peptest helps confirm diagnoses so appropriate treatment can be provided when initial treatments don't work or if considering anti-reflux surgery. He recommends Peptest for being non-invasive, simple, relatively cheap, and easy to use.
El bosque del CEIP San Miguel de PedrezuelaIsabel Elvira
Padres del CEIP San Miguel crearon un bosque diurno y uno nocturno para sus hijos. El proyecto incluyó árboles, plantas y animales hechos a mano que representan los bosques por el día y la noche, con el objetivo de enseñar a los niños sobre los ciclos naturales. El trabajo fue un éxito gracias a la pasión, tiempo y esfuerzo de los padres voluntarios.
Cada vez más personas y empresas invierten sus esfuerzos en tener presencia en dispositivos móviles. Pero a la hora de abordar esta figura surge siempre la misma pregunta: ¿Versión web móvil o aplicación nativa? ¿Cuáles son sus ventajas? ¿Y sus inconvenientes? ¿Te interesaría conocer las consideraciones que son necesarias a tener en cuenta para tomar estas decisiones?
Este documento discute a história da apropriação do setor público de radiodifusão pelo setor privado no Brasil. Desde a década de 1960, a legislação brasileira tem facilitado os interesses privados de empresas e políticos nas concessões de rádio e TV, em detrimento dos interesses públicos. Ao longo das décadas, apesar de algumas mudanças, o critério que prevaleceu foi sempre a supremacia dos interesses privados sobre o caráter público das concessões.
El documento describe diferentes enfoques del currículo escolar, incluyendo el currículo como estructura de conocimientos, conjunto de experiencias de aprendizaje, construcción del conocimiento, plan de instrucción, proyecto social y praxis. También discute los antecedentes de la Escuela Nueva y la Pedagogía Activa, características de la educación tradicional, y cómo la Pedagogía Activa enfatiza la autoactividad del estudiante y su desarrollo integral.
Este documento proporciona información sobre la ciudad de Lima y la provincia de Callao en Perú. Presenta breves descripciones de la historia, gastronomía, danzas y ubicación de Lima y Callao. También incluye una lista de los distritos de Callao junto con sus poblaciones respectivas, así como detalles sobre el distrito de Ventanilla e información sobre su escudo.
ohdigital | Optimizamos tus canales de venta onlineHector Merodio
Este documento resume los servicios de externalización de eCommerce ofrecidos por ohdigital para optimizar los canales de venta online de una empresa. ohdigital proporciona un plan estratégico de 90 días, gestiona todos los aspectos del eCommerce como contenido, stock, pedidos y atención al cliente, y utiliza un enfoque basado en datos para mejorar continuamente el tráfico, la interacción, la conversión y la fidelización. Incluyen casos de éxito con empresas como Wolters Kluwer España.
OCR MEDIA - G322 Section B Revision Guide ppttessiemedia
The document discusses the British film Trainspotting, describing it as a gritty and realistic portrayal of heroin addiction in Scotland that was both critically acclaimed and commercially successful. It explores themes of urban poverty and the dark side of drug culture while also being fascinating to audiences. While some accused it of glamorizing drug use, it was praised for its social realism in representing British youth subcultures of the time. The film was a hit in both Britain and the United States.
The document discusses News Corporation's production and promotion of the 2009 film Avatar. It details how News Corp used its cross-media platforms and convergence across video games, toys, books and television promotions to market the film globally. Specifically in the UK, News Corp targeted British audiences through an IMAX trailer premiere and partnerships with Coca-Cola for an augmented reality marketing campaign. The film was a major commercial success and broke several box office records.
Working Titles is a British film production company founded in 1983 and currently owned by Universal Studios. Some key points:
- It was founded by Tim Bevan and Sarah Radclyffe and later joined by Eric Fellner.
- They produce a variety of genres including comedy, romance, and drama. Popular actors like Hugh Grant and Colin Firth regularly appear in their films.
- While owned by Universal, they maintain independence with a £35 million budget limit per film. This allows them to develop British stories and talent while benefitting from Universal's global distribution network.
- Successful films include Four Weddings and a Funeral, Love Actually, and the Bridget Jones series. They continue producing both small
British film funding and fifth estate case studyKStockwell
The document discusses the British Film Industry and provides context on key organizations, funds, and tax incentives that support the industry. It also examines several successful British films like Harry Potter and The King's Speech that received backing from these national supports. Challenges facing British films like achieving profitability and appealing to international audiences are also addressed. Questions are posed about strategies to strengthen the industry and importance of British talent and internationally-known stars.
This document is a 2009 MPAA report detailing the findings of an economic impact study of the motion picture and television industry on the United States.
Working Title Film is a British film company founded in 1983 and owned by Universal Studios. It has produced over 100 films that have grossed over $6 billion worldwide and won 11 Academy Awards. Currently, the UK office develops projects for UK and US broadcasters. In 2004, it made a profit of £17.8 million.
Walt Disney Company is an American media conglomerate founded in 1923 and headquartered in California. It is the second largest media conglomerate and is known for animated films like Snow White, Pinocchio, Aladdin and Frozen. Disney mainly targets children and families with its films and uses a multi-segment strategy across Disney Channel, Radio Disney, and its live
Vertigo Films was founded in 2002 by film producers and a director to create and distribute commercially successful independent films. The company was formed to produce and distribute two films per year, with a current goal of four films in production and four in distribution annually. Vertigo Films represents a vision of England that some argue is more realistic than other UK production companies. They have used new technologies and careful budgeting to produce and distribute 30 films to date with consistent commercial success.
Working Title Films was founded by Tim Bevan and Eric Fellner. It helped finance films like "My Beautiful Laundrette" independently but later partnered with Universal Studios. It remains based in London while producing films for Universal. Universal Studios is owned by NBC Universal, which is majority owned by General Electric with a minority stake held by Vivendi. Working Title had successes with films like "Pride and Prejudice" and the Cornetto Trilogy that established Simon Pegg and Nick Frost. It also produced the hit "Four Weddings and a Funeral" that made Hugh Grant a big star.
The document discusses the British film industry, including the organizations that oversee its production and promotion, major production companies, and how British films compete globally. It provides statistics on box office performance of various films in the UK and discusses how genres and movie stars are used to appeal to audiences and ensure box office success. It highlights the critical and commercial success of Slumdog Millionaire as an example of an internationally successful British film.
Vertigo Films is a UK media company founded in 2002 that produces and distributes independent films. Some of their successes include Street Dance 3D (2010), their first 3D live-action film, and Monsters (2010), which received critical acclaim. They have several films in production, including adaptations of The Sweeney and the Pusher films. Vertigo also owns a post-production company and has partnerships in international film sales and 3D facilities.
Coffee Films started as an underground film collective in 1996 and is now an established UK independent film production company. They are currently producing documentaries on music and wildlife, as well as feature films including The Death and Resurrection Show about the band Killing
Here are detailed notes on cinematography:
Cinematography is the art or process of motion-picture photography. It involves the work of the cinematographer who selects the camera, lenses, film stock, lighting, and angles to realize the artistic and technical vision of the director.
Key factors of cinematography include:
- Camera movement - pans, tilts, tracks, handheld, steadycam etc. Movement adds dynamism.
- Lenses - wide angle, telephoto, macro etc. Different focal lengths change perspective and depth of field.
- Lighting - natural, artificial, hard, soft, high key, low key etc. Lighting shapes mood and draws attention.
This document provides a timeline of key events and developments in the film industry from the 1890s to the present. Some of the major milestones include the establishment of Hollywood studios in the 1920s, the introduction of talking pictures and color film in the late 1920s, the Golden Age of Hollywood in the 1930s-40s, the rise of television in the 1950s which challenged movie attendance, and more recent developments like the growth of streaming services and video on demand in the 2000s-2010s which have transformed film distribution and consumption. The timeline tracks innovations in film production, distribution, and evolving consumer habits over the past century.
This document provides a summary of changes in the Hollywood film industry since 1960. It describes how the industry transitioned from a studio system to a blockbuster model in the 1970s as films like Jaws and Star Wars broke box office records. This led studios to focus on big-budget films targeted for wide summer or holiday releases. It also discusses the growth of conglomerates that acquired film studios to leverage intellectual property across different business lines. By the 2000s, the industry was highly profitable but also faced challenges from piracy as digital formats like DVDs and online downloads made it easier to copy and distribute films illegally.
Working Title is a British film production company founded in 1983 by Tim Bevan and Eric Fellner. They achieved success with films like My Beautiful Laundrette in the 1980s and established the romantic comedy genre with Four Weddings and a Funeral in 1994. While once known for addressing British issues and outsiders, they now produce over 100 films across genres. They collaborate with other studios like Universal and employ strategies like co-productions and targeting both domestic and international audiences. However, some more recent films have been box office flops despite familiar talent, requiring Working Title to find new strategies to succeed again.
The document discusses the British film industry and its relationship with Hollywood. It notes that British films have traditionally been reliant on Hollywood for funding and distribution, forcing filmmakers to sell intellectual property rights. More recently, British television and digital technologies are playing a larger role in the production and distribution of British films. The rise of social media and digital exhibition may allow British films more independence and autonomy in the future.
The document discusses several aspects of the British film industry, including its reliance on co-productions with Hollywood studios for funding and distribution. It notes that while British films can find an audience abroad, films focusing too narrowly on domestic themes may struggle. Successful British films like Trainspotting, Four Weddings and a Funeral, and Slumdog Millionaire have utilized marketing strategies and universal storylines to appeal to both UK and international audiences. FilmFour is highlighted as an important producer of lower-budget British films that explore social and cultural issues.
Submarine - Audiences and InstitutionsBelinda Raji
This document provides production details and box office figures for the 2010 British film Submarine. It was directed by Richard Ayoade and produced by Warp Films with a budget of £1.2 million. Through collaboration between several production companies and distribution by The Weinstein Company in the US and Optimum Releasing in the UK, the film was able to reach a wider audience and earned £2.03 million at the box office.
The ownership of media is separated into high-end conglomerate companies like the "Big Six" that dominate the market financially, and smaller independent British productions that rely on donations for original content. The American film industry is dominated by the Big Six studios that spend heavily on marketing internationally. In contrast, British films like This Is England have much smaller budgets and rely on techniques like viral marketing through social media. While conglomerate films have larger scale, independent films can have greater originality and cultural specificity.
This document provides information about two film production companies: 20th Century Fox and Bwark Productions. It discusses key details about 20th Century Fox, including its founding in 1915 and notable films produced. It also summarizes the 1990 film Home Alone, including its budget, gross, director, and cast. Similarly, it outlines details about the UK production company Bwark Productions and their 2011 film The Inbetweeners Movie. Key financial and crew details are given for both films. The document also discusses marketing and distribution for The Inbetweeners Movie.
The Universal Account Number (UAN) by EPFO centralizes multiple PF accounts, simplifying management for Indian employees. It streamlines PF transfers, withdrawals, and KYC updates, providing transparency and reducing employer dependency. Despite challenges like digital literacy and internet access, UAN is vital for financial empowerment and efficient provident fund management in today's digital age.
A toxic combination of 15 years of low growth, and four decades of high inequality, has left Britain poorer and falling behind its peers. Productivity growth is weak and public investment is low, while wages today are no higher than they were before the financial crisis. Britain needs a new economic strategy to lift itself out of stagnation.
Scotland is in many ways a microcosm of this challenge. It has become a hub for creative industries, is home to several world-class universities and a thriving community of businesses – strengths that need to be harness and leveraged. But it also has high levels of deprivation, with homelessness reaching a record high and nearly half a million people living in very deep poverty last year. Scotland won’t be truly thriving unless it finds ways to ensure that all its inhabitants benefit from growth and investment. This is the central challenge facing policy makers both in Holyrood and Westminster.
What should a new national economic strategy for Scotland include? What would the pursuit of stronger economic growth mean for local, national and UK-wide policy makers? How will economic change affect the jobs we do, the places we live and the businesses we work for? And what are the prospects for cities like Glasgow, and nations like Scotland, in rising to these challenges?
Discover the Future of Dogecoin with Our Comprehensive Guidance36 Crypto
Learn in-depth about Dogecoin's trajectory and stay informed with 36crypto's essential and up-to-date information about the crypto space.
Our presentation delves into Dogecoin's potential future, exploring whether it's destined to skyrocket to the moon or face a downward spiral. In addition, it highlights invaluable insights. Don't miss out on this opportunity to enhance your crypto understanding!
https://36crypto.com/the-future-of-dogecoin-how-high-can-this-cryptocurrency-reach/
Optimizing Net Interest Margin (NIM) in the Financial Sector (With Examples).pdfshruti1menon2
NIM is calculated as the difference between interest income earned and interest expenses paid, divided by interest-earning assets.
Importance: NIM serves as a critical measure of a financial institution's profitability and operational efficiency. It reflects how effectively the institution is utilizing its interest-earning assets to generate income while managing interest costs.
Solution Manual For Financial Accounting, 8th Canadian Edition 2024, by Libby...Donc Test
Solution Manual For Financial Accounting, 8th Canadian Edition 2024, by Libby, Hodge, Verified Chapters 1 - 13, Complete Newest Version Solution Manual For Financial Accounting, 8th Canadian Edition by Libby, Hodge, Verified Chapters 1 - 13, Complete Newest Version Solution Manual For Financial Accounting 8th Canadian Edition Pdf Chapters Download Stuvia Solution Manual For Financial Accounting 8th Canadian Edition Ebook Download Stuvia Solution Manual For Financial Accounting 8th Canadian Edition Pdf Solution Manual For Financial Accounting 8th Canadian Edition Pdf Download Stuvia Financial Accounting 8th Canadian Edition Pdf Chapters Download Stuvia Financial Accounting 8th Canadian Edition Ebook Download Stuvia Financial Accounting 8th Canadian Edition Pdf Financial Accounting 8th Canadian Edition Pdf Download Stuvia
Enhancing Asset Quality: Strategies for Financial Institutionsshruti1menon2
Ensuring robust asset quality is not just a mere aspect but a critical cornerstone for the stability and success of financial institutions worldwide. It serves as the bedrock upon which profitability is built and investor confidence is sustained. Therefore, in this presentation, we delve into a comprehensive exploration of strategies that can aid financial institutions in achieving and maintaining superior asset quality.
[4:55 p.m.] Bryan Oates
OJPs are becoming a critical resource for policy-makers and researchers who study the labour market. LMIC continues to work with Vicinity Jobs’ data on OJPs, which can be explored in our Canadian Job Trends Dashboard. Valuable insights have been gained through our analysis of OJP data, including LMIC research lead
Suzanne Spiteri’s recent report on improving the quality and accessibility of job postings to reduce employment barriers for neurodivergent people.
Decoding job postings: Improving accessibility for neurodivergent job seekers
Improving the quality and accessibility of job postings is one way to reduce employment barriers for neurodivergent people.
5 Tips for Creating Standard Financial ReportsEasyReports
Well-crafted financial reports serve as vital tools for decision-making and transparency within an organization. By following the undermentioned tips, you can create standardized financial reports that effectively communicate your company's financial health and performance to stakeholders.
In a tight labour market, job-seekers gain bargaining power and leverage it into greater job quality—at least, that’s the conventional wisdom.
Michael, LMIC Economist, presented findings that reveal a weakened relationship between labour market tightness and job quality indicators following the pandemic. Labour market tightness coincided with growth in real wages for only a portion of workers: those in low-wage jobs requiring little education. Several factors—including labour market composition, worker and employer behaviour, and labour market practices—have contributed to the absence of worker benefits. These will be investigated further in future work.
^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Duba...mayaclinic18
Whatsapp (+971581248768) Buy Abortion Pills In Dubai/ Qatar/Kuwait/Doha/Abu Dhabi/Alain/RAK City/Satwa/Al Ain/Abortion Pills For Sale In Qatar, Doha. Abu az Zuluf. Abu Thaylah. Ad Dawhah al Jadidah. Al Arish, Al Bida ash Sharqiyah, Al Ghanim, Al Ghuwariyah, Qatari, Abu Dhabi, Dubai.. WHATSAPP +971)581248768 Abortion Pills / Cytotec Tablets Available in Dubai, Sharjah, Abudhabi, Ajman, Alain, Fujeira, Ras Al Khaima, Umm Al Quwain., UAE, buy cytotec in Dubai– Where I can buy abortion pills in Dubai,+971582071918where I can buy abortion pills in Abudhabi +971)581248768 , where I can buy abortion pills in Sharjah,+97158207191 8where I can buy abortion pills in Ajman, +971)581248768 where I can buy abortion pills in Umm al Quwain +971)581248768 , where I can buy abortion pills in Fujairah +971)581248768 , where I can buy abortion pills in Ras al Khaimah +971)581248768 , where I can buy abortion pills in Alain+971)581248768 , where I can buy abortion pills in UAE +971)581248768 we are providing cytotec 200mg abortion pill in dubai, uae.Medication abortion offers an alternative to Surgical Abortion for women in the early weeks of pregnancy. Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman Fujairah Ras Al Khaimah%^^%$Zone1:+971)581248768’][* Legit & Safe #Abortion #Pills #For #Sale In #Dubai Abu Dhabi Sharjah Deira Ajman
Falcon stands out as a top-tier P2P Invoice Discounting platform in India, bridging esteemed blue-chip companies and eager investors. Our goal is to transform the investment landscape in India by establishing a comprehensive destination for borrowers and investors with diverse profiles and needs, all while minimizing risk. What sets Falcon apart is the elimination of intermediaries such as commercial banks and depository institutions, allowing investors to enjoy higher yields.
STREETONOMICS: Exploring the Uncharted Territories of Informal Markets throug...sameer shah
Delve into the world of STREETONOMICS, where a team of 7 enthusiasts embarks on a journey to understand unorganized markets. By engaging with a coffee street vendor and crafting questionnaires, this project uncovers valuable insights into consumer behavior and market dynamics in informal settings."
STREETONOMICS: Exploring the Uncharted Territories of Informal Markets throug...
Mediatainment Finance Issue no 12
1. MediaTainment
FINANCE
Issue No. 12
For Decision-Makers and Strategists
Who Value Creativity and Appreciate the Value
Creativity Brings to Business
www.mediatainmentfinance.com
Facebook: MediaTainment Finance;
Twitter: @MediatainmentMT; @JayKayMed
In this edition - NEWS: Apple, Google save Kodak; crowdsourcing Bruce Springsteen;
Nokia commissions films; Qatar invests in Chernin Media; Hollywood studios buy into
games; Net-a-Porter to rival Vogue; new owner for Faberge jewels; live music’s MAMA
Group finds new saviour; Chinese-theme Australian park; electric cars drive new Formula E
sport; plagiarism tests Hollywood; Metallica make copyright history ...pages 3-14
NEW ZEALAND: The Hobbit, The Lord of the Rings and Avatar are Hollywood box-
office hits made in New Zealand. The economy’s small size prompted some of its best
minds to emigrate in the past. Now, the nation’s international ambition in movies, TV,
music, games and sport is luring in talent at home and abroad ...page 15
RIDLEY SCOTT ASSOCIATES: This UK production powerhouse co-founded by
and named after the Hollywood filmmaker has worked with the best in global entertainment
and brands, including Daniel Craig, Lady Gaga, Kathryn Bigelow, BMW and Sony. Head of
sales Damiano Vukotic discusses filmmaking’s future in digital media ...page 25
BERTELSMANN: Europe’s biggest media conglomerate is nearly two centuries old,
and continues to rely mostly on old media for its revenues. But it declared war in the digital
space when it recently agreed for subsidiary Random House, the world’s biggest consumer-
book publisher, to merge with the iconic Penguin Books. Its ethos: to win in the age of e-
books, tablets, smartphones and anything else, you need the best creative content. …page 29
THE BILLION DOLLAR BLAST: David Grover is the kind of money man the
international media industry loves. ING Bank’s head of media finance handles media-
investment opportunities for the billion-dollar financial group. In MTF’s fantasy game, see
why his imaginary no-expenses spared dinner guests would include Eric Clapton, Mark
Knopfler, Vincent van Gogh, Bob Woodward, Carl Bernstein and Elon Musk ...page 35
2. Content
December 2012
NEWS NEWS
Page3: Film Page 13: Photography/Art
Page4: Television Page 14: Copyright
Page5: Music REPORT
Page15: Country Profile
- NEW ZEALAND
Page6: Architecture/Design FEATURES
Page25: The Q&A Sessions
- RIDLEY SCOTT ASSOCIATES
Page7: Out-Of-Home Page 29: Creative Corporate
- BERTELSMANN
Page35: Billion Dollar Blast
Page8: Books/Print - DAVID GROVER, ING BANK
Page33-34: MTF DIARY
listing of international
Page9: Ads & Marketing conferences and events
Back Page: ABOUT MTF
Page10: Sport
Page11: Games SUBSCRIPTION:
To subscribe to the most enriching
and enlightening aide to your media
and entertainment business
strategies, contact
Page12: Fashion/Luxury info@jaykaymediainc.com
3. FILM
Springsteen rocks a crowdsourcing film
US rock star Bruce Springsteen and British actor Damien Lewis, star of the Emmy award-winning
Homelands TV thriller, are fronting two high-profile feature films by Ridley Scott Associates (RSA)
that illustrate how digital media is impacting filmmaking. In the feature documentary Springsteen & I,
RSA director Baillie Walsh is crowdsourcing film footage, video clips, photographs and audio record-
ings from Springsteen fans worldwide. Their contributions will be turned into an homage to the Born
in the USA star. It is scheduled for release in cinema theatres worldwide next year. Fans and other
contributors can upload content, including videos shot with smartphones, to the website
www.springsteenandi.com. Online submissions have to be five minutes long at the most. Springsteen
fans’ content on old media, such as 16mm film, VHS tape or Hi8 tape, will be digitised. The format is
influenced by Life in a Day, the award-winning documentary directed by Oscar-winner Kevin Mac-
donald and produced by RSA co-founder Ridley Scott in 2011. RSA has also bagged Lewis to star in
Desire, a high-end online branded-entertainment short feature film about passion, betrayal and
greed, for car manufacturer Jaguar. Shot in Chile’s Atacama Desert, the music is by Lana del Rey.
Nokia to screen six original Disney already on Star Wars
shorts on Sundance TV trail after Lucasfilm buy
Nokia Music, the free streaming music The Walt Disney Company has apparently
service from the Finnish mobile-phone manu- already commissioned the creators of the next
facturing group, has commissioned six short Star Wars trilogy following its mind-blowing
films by independent directors (including US$4.05bn deal to acquire George Lucas’
Abteen Bagheri and Tyrone Le Bron) to Lucasfilm in October. The Hollywood Reporter
promote its range of Lumia smartphones. The says Oscar-winning screenwriter Michael
10-minute films will premiere on US TV net- Arndt will write episode VII of the now legend-
work Sundance Channel in January. The ary film franchise. Lawrence Kasdan, who co-
themes will include New Orleans with its sissy wrote The Empire Strikes Back and Return of
bounce culture; underground rap in Brooklyn, the Jedi, and Simon Kinberg are reportedly on
New York; and Detroit’s famous warehouse board as scriptwriters/producers of episode
gigs. The films will be screened on the VIII or IX. Kathleen Kennedy, Lucasfilm’s new
sundancechannel.com after airing on TV. president, will also produce.
Juliette Binoche stars in €€5.4m Two screenplays collide for
Nordic/Irish war-theme movie biopic of INXS’’ Hutchence
Norwegian independent production compa- Robert Galinsky, the US acting coach fa-
ny Paradox, Sweden’s Zentropa International mous for his work with hip-hop star 50 Cent
and Ireland-based Newgrange Pictures are co and Hollywood actor Willem deFoe, is execu-
-producing A Thousand Times Goodnight, a tive producer/screenwriter for a movie based
€5.4m feature film for theatrical distribution. on Michael Hutchence, the late lead singer of
Scheduled to premiere in the autumn of 2013, super rock group INXS. It will be called Two
the movie stars French Oscar winner Juliette Worlds Colliding and be based on Just a Man:
Binoche. She plays a war photographer whose The Real Michael Hutchence, the biography
work takes its toll on herself and her family. co-written by his sister Tina Hutchence.
Binoche’s co-stars include Larry Mullen Jr, ichard Lowenstein, who directed INXS music
drummer of rock band U2. The shooting loca- videos, is also said to be planning another
tions include Ireland, Kabul in Afghanistan, Hutchence biopic.
Morocco and Kenya.
4. TELEVISION
Qatar capital takes Chernin’’s TV global
Investors’ faith in TV-media content was given a major boost in November when Qatar Holding
agreed to commit a reported US$100m to The Chernin Group (TCG), the media vehicle owned by
former News Corp executive Peter Chernin. Expenditure on media properties is said to be rare for
Qatar Holding, the Arab state’s sovereign fund that is more famous for its stakes in the UK’s Barclays
Bank, German car brand Volkswagen and London’s luxury department store Harrods. The deal gives
TCG an opportunity to grow into an international media conglomerate, from the boutique operation
that Chernin started with after leaving News Corp in 2009. The US$100m will be added to the
US$200m invested in TCG by US-based international private-equity firm Providence Equity Partners.
The goal is to develop media-and-entertainment intellectual properties in the US and Asia. To date,
TCG content have come from its US-based Chernin Entertainment subsidiary, which co-produced
Hollywood movie Rise of the Planet of the Apes and comedy TV series New Girl. In Asia, TCG
majority owns CA Media, a Hong Kong-based media company. New York investment company
Apollo Global Management is reportedly in talks to merge TCG with Endemol, the Netherlands-based
reality-TV production group famous for the Big Brother franchise, and Core Media, which owns
American Idol producer 19 Entertainment. TCG also has interests in Tumblr and Pandora.
UK government commits £6m Time Warner invests in
to train film/TV talent YouTube via Maker Studios
The UK government is investing £6m in Time Warner Investments (TWI), part of the
training up to 3,000 entry-level and profession- US media conglomerate, is the lead partner in
al talent in the film and TV industries during a group of investors spending US$40m on
the next two years. This comes after cable and Maker Studios, a US start-up specialising in
satellite-delivered multi-channel broadcasters creating video content for Google’s video-
like BSkyB and Discovery Network, Turner sharing website YouTube. Maker Studios has
Broadcasting and NBCUniversal spent £623m produced 1,000-plus YouTube channels that
in UK-made content in 2011, a 31% increase have 80 million subscribers combined. The
from 2010, says a report for the UK’s move will give Maker Studios a potential value
Commercial Broadcasters Association. UKTV, of US$200m. This year, TWI has invested in a
the BBC Worldwide and US-based Scripps series of social-media start-ups, including
Networks Interactive network, is investing Bluefin Labs, Adaptly and CrowdStar.
£100m annually in new content.
Discovery acquires Takhayal BBC thrilled with new thriller
for Arab media market share from UK producer Red Planet
Discovery Communications, owner of the UK independent production firm Red Plan-
Discovery TV networks, is expanding into the et Pictures has clinched a commission from
Middle East and North Africa with the acquisi- BBC One, the UK public broadcaster’s flag-
tion of Dubai-based Takhayal Entertainment. ship channel, for By Any Means, a six-part,
Takhayal has a movie-production business in one-hour thriller created by a team led by
Egypt, operates the pan-Arab TV-food channel Tony Jordan, Red Planet Pictures’ founder.
Fatafeat, publishes books and magazines. The plot centres on a clandestine police squad
With a catalogue of 700 hours of programmes, with a mission to bring down criminals that
which is boosted by up to 200 hours annually, escape the official judiciary system. It is
the five-year-old Fatafeat reaches more than scheduled to premiere next year.
55 million homes. Discovery’s networks,
including the female-oriented TLC, are in more
than 217 markets.
5. MUSIC
Heavy Metallica regains its music rights
Metallica, one the most successful heavy-metal bands of all time, has formed a new label called
Blackened Recordings. The move comes after they concluded a deal to reclaim ownership of all their
master audio and videos recordings from Warner Music Group (WMG). Blackened’s first release will
be a DVD recording of the band’s 2009 World Magnetic live gigs at Quebec City, Canada. The US
band’s 10th studio album will also be on Blackened and is scheduled for a 2014 release. WMG label
Rhino Entertainment will manufacture and distribute Blackened’s recordings. Warner Music Interna-
tional will be licensed to handle distribution outside the US. Gaining control of their masters is the
result of WMG honouring a 1994 joint-venture agreement between the two. *Warner Bros, another
WMG label, has signed a label-distribution deal with October’s Very Own (OVO), an entertainment
enterprise headed by Drake, the Canadian hip-hop star and actor. Drake, who has sold more than 5
million albums internationally, is signed to Cash Money Records and Young Money Entertainment,
both subsidiaries of WMG rival Universal Music Group. But the OVO company has been a vehicle for
Drake’s personal projects, including the OVO annual music festival in Toronto, a clothing brand, blog
and the new label.
Forbes’’ 2012 top 10 musicians Vevo video channel has paid
earn less than last year $200m to music rights owners
Income earned by the Forbes world’s 10 Vevo, the global online music-video
highest-paid musicians fell to US$712m in channel, discloses it has paid out US$200m in
2012 compared to US$872m in 2011, repre- royalties to rights owners since its 2009
senting an 18% drop. Whether that reflects launch. Co-owned by major labels Universal
recorded music’s declining value is hard to Music Group, Sony Music Entertainment and
say. But the highest earner during May 2011- Middle East media group Abu Dhabi Media,
May 2012 was US uber-producer Dr Dre, who Vevo wants to be to the digital generation
amassed most of his US$110m from selling a what music-TV network MTV was to the cable-
stake in the Beats by Dr Dre headphones ven- TV generation. It is free on the Vevo.com web-
ture to Taiwanese smartphone maker HTC. site and YouTube. Google, YouTube’s owner,
Irish rock band U2 were No.1 in 2010- is renegotiating Vevo’s distribution deal, which
2011with US$175m, mostly from touring. . is scheduled to expire early 2013.
UK music manager grows into Canada’’s Linus seeks to shine
next phase with BMG Chrysalis with Solid Gold acquisition
BMG Chrysalis UK, a subsidiary of Berlin- Canadian independent label Linus
based BMG Rights Management, has formed Entertainment is expanding its portfolio by
a couple of music-publishing joint ventures taking over Solid Gold Records, another inde-
with Sam Eldridge, British manager of urban- pendent known for its 1980s hits with bands
music star Plan B. The first joint venture is like Toronto, Chilliwack and Headpins. The
with Urok Management, which Eldridge co- Solid Gold package includes the publishing
owns with his father Roy Eldridge. The second rights to Toronto songs. Although Solid Gold
is with Merok Records, which Sam Eldridge co stopped signing up new acts in the late 1980s,
-owns with electronic-rock artist Milo Cordell. its catalogue of songs has been actively
BMG Rights Management is a joint venture of marketed for secondary use.
German media group Bertelsmann and US
private-equity giant KKR.
6. OUT-OF-HOME
Live Nation occupies emerging markets
Live Nation, the global live-music promotion group, has stepped up its activities in the emerging
markets. It is taking its concerts business into Russia and Ukraine, starting with the launch of an of-
fice in Moscow in January. The increasing presence of cities in Russia and Ukraine, with a combined
population of 200 million-plus, on artists’ international tours, has made the two territories vital to fu-
ture growth. Among the global artists that have performed there are Madonna, U2, Shakira, Sting
and Lady Gaga. It remains unclear whether the company will use its presence in Moscow to organise
international tours for local acts such as Russian singer-songwriter Vitas and Ukraine rock band
Okean Elzy. China is another important emerging market in Live Nation’s repertoire. Chinese singing
star Chris Lee, also known as Li Yuchun, has embarked on her first global tour and Live Nation is
bringing her to London for the first time to perform at Wembley Arena in January. Her show will fea-
ture dance, 3D high-tech displays and costumes by French haute-couture designer Jean Paul Gau-
tier. Lee found fame as the winner of the 2005 edition of Super Girl, the Chinese singing-talent TV
show that could command an audience of more than 200 million viewers.
Private equity helps MAMA to Australian theme park to
cut tough HMV umbilical cord rebuild China for A$500m
Juno Newco, a subsidiary of the UK-based A New South Wales local authority has
mid-market private-equity firm LDC, has agreed to sell 15.7 hectares (38.8 acres) of
bought live-music company MAMA Group for land to a private company with ambitions to
£7.3m from HMV, the struggling music-and- build a A$500m Chinese-culture theme park in
entertainment retailer. HMV took over the Australia. The Wyong Shire Council is selling
MAMA Group for £46m in 2009. The now the real estate to the privately held Australian
privately owned MAMA Group will use the new Chinese Theme Park company, which wants
cash to expand globally. Its current assets to tap into the country’s A$3.8bn tourism busi-
include London music venues The Borderline ness. Scheduled to open in 2020, the park will
and The Jazz Café, plus the festival Global feature a real-life replica of the gates to the
Gathering. MAMA Group says the separation mythical imperial palace Forbidden City.
from HMV has been a “difficult process”.
US theme park Cedar Fair bets West Ham still favoured tenant
$60m on content and comfort at £590m UK Olympic stadium
US theme-park operator Cedar Fair is to West Ham United, the London-based soccer
invest in more night-time attractions at its flag- club, has been named the preferred bidder to
ship park Cedar Point in Sadunsky, Ohio, after occupy the now empty London 2012 Summer
a US$60m three-year revamp of the park’s Olympics stadium. But the club must fulfil
historic hotels and seaside properties. The specific financial conditions to win the 99-year
overhaul aims to modernise the 106-year-old tenancy. LOCOG, the games’ organising
park’s hospitality services, encourage visitors committee, and the London mayor office’s
to extend their stays and hence justify invest- London Legacy Development Corporation are
ments in more entertainment. The park has urging the club to improve its £15m contribu-
more than 72 rides and attractions and tion to the more than £160m required to covert
receives more than 3 million visitors annually. the £429m 60,000-capacity stadium into an
athletics and soccer field with retractable seats
and roof.
7. BOOKS/PRINT
Simon & Schuster tries self-publishing
Simon & Schuster (S&S) is investing in online self-publishing via a joint venture called Archway
Publishing. It was formed with US-based self-publishing specialist Author Solutions, itself a subsidi-
ary of S&S rival Pearson, which owns the Penguin Books and the Financial Times. S&S wants to lure
authors who have found success and a fan-base by avoiding the traditional route and publishing their
own books. Archway Publishing will offer its authors assistance to promote their brand and access to
retailers. Pearson bought Authors Solution, which has 150,000 authors on its roster and 190,000
titles in print and e-books, for US$116m in July. Meanwhile, online-retail giant Amazon.com (see
MTF Issue10) is injecting an extra US$1.5m into Kindle Direct Publishing (KDP), its self-publishing
business to encourage the participating authors to make their books available for its Kindle Lending
Service. Currently, Amazon sets up a monthly fund of US$700,000 to share among KDP authors for
works sold. The extra US$1.5m added to the fund over the Christmas period aims to make more self-
published titles available to customers buying Amazon’s Kindle e-reading devices for Christmas gifts.
Fashion e-tailer challenging UK media groups bet millions
Vogue with new magazine on local newspaper venture
Net-a-Porter, the popular high-end fashion David Montgomery, the former CEO of the
e-tailer, is to launch a print magazine of the UK’s Mirror Group Newspapers, remains
same name. The news emerged during an committed to the struggling print media. He
industry conference where CEO Mark Sebba has launched Local World to acquire 110
disclosed plans for the publication, which is British local newspapers and about 60 local-
scheduled to launch next year. Its frequency news websites published by Northcliffe Media,
remains unknown, but it is expected to be a subsidiary of Daily Mail & General Trust
similar to the online store’s weekly online/app (DMGT), and Iliffe News & Media. DMGT
magazine, plus the one-off limited print edition received £50m for Northcliffe and about 40%
last year. Plans for the magazine include the of Local World. In 2006, DMGT declined a
recent appointment of Lucy Yeomans, former £1bn offer for Northcliffe. Its rival Trinity Mirror
editor of Harper’s Bazaar. has a 20% stake.
HarperCollins ends 10-year UK newspapers attacked for
partnership to go solo in India low ethics by Leveson Report
HarperCollins has ended its 10-year part- Self-regulation within the UK press is being
nership with Living Media India by taking over challenged for the first time ever by the
their joint venture in India. HarperCollins India Leveson Report, the result of a judicial inquiry
is now a fully owned subsidiary of HarperCol- into the culture that encouraged the illegal
lins Worldwide. It will continue to publish titles phone-hacking by reporters at the Rupert
in the English language and Hindi dialect. Its Murdoch-controlled company News Interna-
award-winning authors include Siddhartha tional. The inquiry, led by UK judge Lord Brian
Mukherjee and Aravind Adiga. The move will Henry Leveson, concluded that the press’
enable the publisher to exploit the new responsibilities “have simply been ignored” on
HarperCollins 360 initiative. This allows any “too many occasions”. It recommends, among
book published in one market to be available others, that an independent regulatory body
globally in all the English-speaking markets. backed by legislation be set up to ensure the
press maintains its own ethical standards.
8. ADS & MARKETING
US TV host grabs major content agency
Ryan Seacrest, the US TV host of reality-TV talent show American Idol, is boosting his ambitions
to be a media mogul buy acquiring the majority of Civic Entertainment Group (CEG), a US experien-
tial-marketing agency and brand-entertainment producer. The acquisition is for an undisclosed sum.
CEG-created campaigns include several for US TV networks, such as HBO, ESPN and Lifetime. The
acquisition is via Seacrest Global Group, Seacrest’s investment company. But it is separate from the
US$300m fund launched this year by private-equity firms Bain Capital (co-founded by US presiden-
tial candidate Mitt Romney) and Thomas H Lee (THL) Partners to develop content for Ryan Seacrest
Productions, which makes the hit reality-TV series Keeping Up with the Kardashians and Jamie
Oliver’s Food Revolution. Bain and THL are the majority owners of Clear Channel Communications,
which makes Seacrest-hosted radio shows such as American Top 40. Seacrest’s other interests
include a partnership in AXS, the cable-TV channel co-owned by Mark Cuban, owner of the NBA
basketball team Dallas Mavericks; talent agency Creative Artists Agency; and live-events giant AEG.
Seacrest is expected to use these ventures plus his personal deals with global marketers Procter &
Gamble, Ford Motor and Coca-Cola to boost CEG’s access to talent for its branded content.
China’’s CCTV network breaks US agency McGarryBowen
record in airtime sales breaks ground in China
The one-day auction of prime-time airtime US advertising agency McGarryBowen is
on CCTV, China’s national free-to-air TV net- setting up an office in Shanghai, its first foray
work, in 2013 raised a record US$2.5bn, an into Asia. McGarryBowen Shanghai will serve
11% increase from last year, Adage.com Chinese marketers seeking global expansion
reports. The three top bidders, alcohol-drink for their brands and global advertisers with
brands Jiannanchun and Wuliangue, and ambitions in China. US banking group JP
beverage manufacturer Huiyuan Juice, spent Morgan is among its first global clients.
US$231.5m combined. The national auction, *Meanwhile, China is the only major market
which sells the most popular TV spots to that has not given its regulatory approval to
advertisers, is big news as it reflects the state the planned US$4.9bn global acquisition of UK
of the national economy. -based media agency Aegis Group by Dentsu,
Japan’s biggest agency and McGarryBowen’s
owner.
Chinese digital agency OMP Coke’’s creativity pays off with
joins the Aegis network Cannes Lions top accolade
Giant UK media agency Aegis Group is to Coca-Cola, the carbonated soft-drinks
buy OMP, one of China’s few remaining inde- behemoth with presence in more than 200
pendent digital agencies. The news, unveiled countries, is to be named Creative Marketer of
by online video network Thoughtful China, the Year at the 2013 Cannes Lions Interna-
indicated that OMP will become part of Isobar, tional Festival of Creativity. Famous for its
Aegis’ international network of digital agencies global- campaign slogans like “Things go
and will be renamed OMP -Linked by Isobar. better with Coke” and “It’s the real thing”, Coke
OMP’s existing clients include global brand has snapped up more than 100 Cannes Lions
owners like L’Oreal, Microsoft and awards over the years. The event, which takes
Volkswagen. Local clients with an international place at Cannes, south of France, is the
reach include China Eastern Airlines. biggest gathering for the international
advertising community.
9. ARCHITECTURE/DESIGN
Hadid wins Japanese futuristic stadium
The globally acclaimed Zaha Hadid, the British architect who became the first woman to win the
prestigious Pritzker Award, is ending 2012 with a growing portfolio of new assignments. London-
based Zaha Hadid Architects, which includes the 2012 Summer Olympic Games’ London Aquatics
Centre among its achievements, has snapped up the covetous contract to redesign the national
Kasumigaoka Stadium in Tokyo. The Yen130bn (US$1.56bn) project will expand the stadium from its
current 54,000-capacity to 80,000. It will have a retractable roof. Construction should be completed in
March 2019, in time for the Rugby World Cup competition in September and October that year. The
new stadium is also expected to be suitable for the 2020 Summer Olympic Games in Tokyo, should
the city win its bid to host the event. The Japan Sport Council selected Zaha Hadid from 46 original
applicants for the job. The Kasumigaoka Stadium news came shortly after the Eli and Edythe Broad
Art Museum, a Zaha Hadid design at the Michigan State University, opened for business in Novem-
ber. The exhibition space will be devoted to photography, modern art, video art, new media and
graphic art. Also on Hadid’s books is the new Beko complex on 94,000sqm of a disused textile
factory in Belgrade, Serbia. Part of a £168m regeneration project, the complex will be near the city
centre and will feature a five-star hotel, galleries, retail outlets and a congress centre.
Norman Foster opens his first Pioneering recycled-paper
door in US residential market building grounded in Germany
UK star architect Sir Norman Foster and his Dratz & Dratz Architekten, the Berlin-based
Foster + Partners company have won an firm operated by the brothers Ben and Daniel
assignment for their first US residential tower. Dratz, has built what is believed to be the
Called 50 UN Plaza, the US$500m 44-storey world’s first building made out of compressed
tower of luxury apartments is being developed recycled paper. Called Paper House, the
by Zeckendorf Development and Global Essen-based structure is built on a former
Holdings. It is located near the United Nations’ mining site, now a designated UNESCO World
headquarters and Trump Tower, and should Heritage Site. The 2,045sqft building is also
be completed in 2014. Until now, Foster + rain-resistant. The Dratz brothers won the
Partners’ US work has focused on office and US$200,000 commission in a competition co-
public buildings, such as the new World Trade sponsored by Essen’s Zollverein School of
Center Tower 2. Management & Design.
Apple’’s space-age HQ delayed; Facebook hikes size of design
opening scheduled for 2016 team in New York office
The completion of the new futuristic head- Leading social-media network Facebook
quarters for computer and technology giant plans to increase its dedicated-design team
Apple looks set to be delayed until 2016. The in New York to help advertisers and marketers
company had hoped to move in a year earlier. improve the visuals of their campaign on the
The 176-acre campus in Cupertino, California, Facebook website. The company stated that
will cater for 14,200 employees. The designer advertising is key to its business model when
is UK-based Foster + Partners. Plans for the it applied to float on NASDAQ in May. Current-
new circular spaceship-like building, expected ly, most of the employees in the New York
to be one of the world’s biggest, were submit- office are in the software engineering and
ted by Apple co-founder Steve Job, four advertising sales division, while designers
months before his death last year. have so far been at the California office.
9
10. SPORT
Electric cars fuel new Formula E race
International motorsports sponsors will have another event to consider investing in when the new
Formula E competition opens for business in 2014. The Formula E Championship set up by the
sport’s governing body FIA will showcase the future of motor cars powered by sustainable energy
fuel in urban environments. Ten teams, 20 drivers will race in electric-powered cars around urban
landmarks in 10 city centres that consider clean environments a top priority. Rome and Rio de Janei-
ro are the first two cities to confirm their participation. The first Formula E test runs take place next
year. The competition will be organised by Hong Kong-based Formula E Holdings, a company led by
CEO Alejandro Agag, who is involved in the Barwa Addax teams participating in GP2 and GP3 motor
races. The Formula E vehicles will be supplied by French company Formulec. Another hefty invest-
ment in motorsports comes in the form of Motorsports City, a new 109-hectare city development and
entertainment hub for motor enthusiasts in Johor, Malaysia. The US$1.15bn venture will be financed
by Singapore billionaire Peter Lim’s FASTrack Autosports company, which will have a 70% stake in a
joint venture called Crimson Carnival. The remainder belongs to local developer UEM Land Holdings.
Lim has a stake in McLaren Automotive, which includes the McLaren F1 team among its assets.
Fox TV backs global branding Euro Championship kicks the
for top-level Dutch football event’’s host cities Euro-wide
Fox International Channels (FIC), the non- The quadrennial European Championships
US pay-TV networks operated by media giant soccer competition is to be held in several
News Corp, has bought 51% of Eredivisie cities across Europe from 2020, instead of
Media & Marketing (EMM). EMM, which is the traditional location of one or two host
jointly owned by TV-production group En- countries. The 2016 Championships will be in
demol, manages the corporate media and only France. Governing body UEFA says the
sponsorship rights of the 18 soccer clubs new pan-European structure aims to share
belonging to the Eredivisie (Dutch soccer’s costs among several countries instead of
premier league). The national football associa- placing the onus on up to only two countries.
tion KNVB and the Dutch Competition Authori- *Meanwhile, a new under-19 UEFA Youth
ty have given their approval. EMM hopes League competition, similar to the prestigious
FIC’s international reach will provide more Champions League tournament, starts in the
exposure to the Eredivisie brand. 2013-14 season.
Scottish Premier League Muhammad Ali gloves knock
soccer strikes expansion plans out buyer for $770,000
A working party has been set up to examine Two pairs of boxing gloves used by the
how the UK’s Scottish Premier League (SPL), legendary Muhammad Ali in landmark fights
Scotland’s top-level soccer league, can be have been sold at auction for more than
expanded to boost media revenues and share US$770,000. An unidentified buyer got both
the spoils more fairly with the lower-division for US$385,848 each. The first pair, a Sammy
Scottish Football League (SFL). The working Frager brand, was used in the 1964 fight
party, including executives from the SPL, the against Sonny Listen. The second, an Everlast
SFL and governing body Scottish Football As- pair, were for the 1971 Joe Frazier bout. They
sociation, will consider increasing the number were sold by the estate of the late Angelo
of SPL clubs to 24 from the current 12, before Dundee, Ali’s trainer. The sale was organised
splitting the 24 into three eight-club leagues. by California-based SCP Auctions.
11. GAMES
Social media make bets with real cash
Two major digital-media owners have made the controversial decision to enter the real-money
online gambling business, raising the question whether digital-only monetisation is a viable business
model. Facebook has formed a gambling joint venture with 888 Holdings, the London Stock Ex-
change-quoted gaming company, aimed at users over 18 years old. Players have the opportunity to
win tens of thousands of pounds by gambling up to £500 on bingo, casino or slot games. Starting
next year, the new deal kicks off with Bingo Appy, a real-money game, followed by other versions for
casino and other games. Critics claim Facebook is exploiting minors, who might lie about their age or
use adult relatives’ account to gamble illegally. Facebook insists there are safeguards in place. In
business terms, however, it provides the social-media company with another revenue stream and
888’s shares rose when the news broke. The financially troubled Zynga, the social-games pioneer
(see MTF Issue1) that has relied on its Facebook integration for its audience, is betting on real-
money gambling as a solution to its money woes. It has applied for a licence for the Preliminary
Finding of Suitability from the Nevada Gaming Control Board, which would enable the state’s
residents to gamble on Zynga’s website. It has also joined forces with UK-based online gambling
company bwin.party to offer real-cash gambling in Britain next year.
Hollywood studios like Kabam Film director explores new
so much they bought shares outlet using games engine
Hollywood giants Warner Bros Entertain- US movie director Albert Hughes, famous
ment (WBE) and Metro-Goldwyn-Mayer for Menace II Society with Samuel L Jackson,
Studios (MGM) have bought a stake in San has jacked in immediate plans for his next
Francisco-based social-games company movie MotorCity to enter the video-games
Kabam for an undisclosed sum. As reported in business. He is working with Electronic Arts
MTF Issue.11, Kabam is developing games to and Germany’s Crytek to make The 7 Won-
accompany The Hobbit, the new trilogy of epic ders of Crysis 3. It is a series of cinematic
movies based on JRR Tolkien’s fantasy novel. shorts made with Crytek games-technology
WBE and MGM, the Hobbit’s movie distribu- CryEngine 3 and is scheduled for a February
tors, wanted to extend the relationship with 2013 release for the Xbox 360, PlayStation 3
Kabam, which has garnered more than and PCs. The shorts will be used to promote
US$125m in investments since it was Crytek’s new Crysis 3 sandbox-shooter game.
launched in 2006.
Microsoft pay-to-play game in Black Ops II breaks billion-
tune with Karaoke Channel dollar entertainment record
Microsoft has joined forces with The Call of Duty: Black Ops II, the latest game
Karaoke Channel, the digital music-service by from the popular first and third-shooter video
Canada’s The Stingray Digital Group (SDG), games from US publishing giant Activision
to offer its first pay-to-play console game. (and Aspyr Media for Apple devices), has
Called Karaoke for Xbox 360, players can been declared the fastest-selling entertain-
access 8,000 streamed tracks to sing along to ment product ever. Sales generated US$1bn-
by downloading the app via Microsoft’s Xbox plus in 15 days, faster than it took the highest-
LIVE network to the Xbox 360 console. Play- grossing film of all time, the Oscar-winning 3D
ers can pay for blocks of two, six or 24 hours movie Avatar, to reach the billion-dollar mark.
with the Microsoft Points virtual currency that The Call of Duty series, developed by various
can be purchased with credit cards. SDG studios, including US-based Treyarch, has
supplies the licensed music. sold more than 100 million units to date.
12. FASHION/LUXURY
Russian Faberge jewels change hands
Gemfields, the UK-based precious-stones miner, has agreed to buy out 170-year-old Russian
jewellery maker Faberge in a deal valued at £89m. The price, in the form of shares, represents an
estimated 40% of the diluted but enlarged group. Faberge, famous for the Russian tsars’ bejewelled
eggs, is 49.1% owned by UK/South African investment venture Pallinghurst Resources, which also
owns 33% of Gemfields. The plan for the restructured company is to sell Gemfields’ stones under the
Faberge brand name, enabling the company to compete against giant diamonds retailer/distributor
De Beers. Both are competing within the competitive luxury-goods business, valued at €212bn in
revenues this year, international research group Bain & Co says. *Meanwhile, PPR, the French luxu-
ry group that owns the Gucci and Yves Saint Laurent brands, is reported to be selling OneStopPlus,
its online store for plus-size fashion items, for US$525m to Charlesbank Capital Partners and Web-
ster Capital, the US private-equity companies. OneStopPlus is part of Redcats, the mail-order divi-
sion that PPR tried to sell last year. Instead, it has decided to sell the different units within Redcats,
including its sports and leisure business (The Sportman’s Guide and The Golf Warehouse), which
was bought by US online power-tools retailer Northern Tool + Equipment for US$215m.
Apax pays $570m to take Cole Uniqlo owner expands in US
Haan off Nike’’s hands with majority buy of J Brand
Sports-apparel giant Nike is selling Cole Fast Retailing, the Japanese group famous
Haan, its luxury shoes and bags units, to for the Uniqlo brand, is growing its presence in
International private-equity group Apax the US by purchasing 80.1% of US-based
Partners for US$570m. The deal follows denim-jeans maker J Brand Holdings for
Nike’s recent sale of soccer brand Umbro to US$290m. The sellers were J Brand’s manag-
Iconix Brand Group for US$225m. According ers and US middle-market investment firm
to Dowjones.com, Nike bought Cole Haan for Star Avenue Capital. *Meanwhile, Katy Perry,
US$80m plus US$15m of debts in 1988, while US pop sweetheart, will have her future
Umbro was bought for US$565m in 2008. perfume brands, developed, marketed and
Nike, with a brand value of US$18.6bn, has distributed by US fragrance manufacturer
been selling subsidiaries it feels are not core Coty, which will also distribute her existing
to its business. brands Meow and Purr.
Courageous UK bank supports Alain Mikli says aye to private
street-wear firm with £1.6m equity takeover by Luxottica
Emerging UK street-wear fashion firm A special agreement formed by London
Jackson Distribution has clinched a loan of investment firm Neo Capital Private Equity in
£1.6m from retail bank HSBC to launch its November will enable Luxottica Group, the
own apparel and footwear brand. Called Italy-based global luxury-eyewear designer, to
Brakeburn, the new brand is scheduled to take over Alain Mikli International Group, the
launch next March in the UK and on continen- French company that includes Jean Paul
tal Europe. Targeted at 16 to 35-year-olds, Gautier eyewear among its brands. Neo Capi-
Brakeburn will expand Jackson Distribution’s tal has shares in Alain Mikli, which is valued at
portfolio, which already includes Abbey Dawn, €60m. Giorgio Armani has a minority stake in
Canadian rock star Avril Lavigne’s fashion the privately owned Luxottica, which includes
venture. The new cash will be used to eyewear by Gucci, Prada and Ray-Ban among
manufacture Brakeburn items in the Far East. its range.
13. PHOTOGRAPHY/ART
Apple, Google shelve rivalry for Kodak
Apple and Google, two bitter rivals in the consumer-technology business, have joined forces in a
US$500m deal to save the financially troubled US photography pioneer Eastman Kodak Company.
They have formed an alliance to acquire Kodak’s technology patents. In so doing, they bail out the
near-bankrupt Kodak. The sale enables Kodak to fulfil conditions required by its creditors to secure
the estimated US$800m required for its overall rescue (MTF Issue No.11). The 1,000-plus patents for
digital imaging, capture, image manipulation, photo frames, among others, are said to be actually
worth more than US$2bn. But Kodak needs a quick sale and Apple and Google could not afford to
have them fall into the hands of a potentially hostile owner or competitor. Kodak’s technologies are
vital to Apple, Google and rival makers (eg, Samsung, Nokia Microsoft) of smartphones and tablets
with pre-installed cameras. By joining forces, Apple and Google reduce what each would have had to
pay on its own. And they can reap the rewards of licensing the patents to their competitors.
*Meanwhile, the University of Oxford’s Bodleian Library is making a £2.25m bid to keep the archive
of William Fox Henry Talbot, the British photography pioneer and pioneering photographer, in the
UK. An unidentified New York dealer has so far made the best bid to the Talbot-family estate.
Roman Abramovich in $400m Legendary Leica camera sells
spend on new Russian museum for record €€1.68m at auction
Roman Abramovich, the Russian billionaire A custom-made Leica M3D-2 camera, one
owner of London soccer team Chelsea Foot- of only four ever manufactured, set a world-
ball Club, has commissioned the construction record price for a commercially produced
of a US$400m museum complex in St Peters- camera, when it fetched €1.68m at the West-
burg. The centre is being designed by New licht photography gallery auction in Vienna in
York architect WORKac and will be located on November. It was made in 1955 for 96-year-
the Russian city’s New Holland Island, an old former Life magazine photojournalist David
artificial island. It will feature galleries, a hotel, Douglas Duncan, who is famous for his photos
retail outlets and an outside hot tub. Abramo- of Picasso. And a 1929 gold-plated Leica
vich’s life partner Dasha Zhukova is extending Luxus, one of only 95 made during that period,
Moscow-based Garage Center for Contempo- was bought for €1.02m at the same auction.
rary Culture (MTF Issue No.8) to the island.
Man gets prison term for van- Revered Turkish painter raises
dalising Rothko painting profile at major NYC gallery
Wlodzimierz Umaniec, the 26-year-old who The erotically charged works of Taner
pleaded guilty to causing £5,000 worth of Ceylan, the Turkish-born painter based in
criminal damage to a mural by legendary Germany, are to be exhibited at the prestig-
abstract painter Rothko at London’s Tate ious Paul Kasmin Gallery in New York. The
Modern museum, was sentenced to two years gallery’s roster of artists includes Andy
in prison in December. Experts say the cost of Warhol. Ceylan’s works, famous for their
repairs could add up to £200,000. Umaniec photo-realism, have been exhibited mostly in
drew graffiti and smeared paint on the mural, Istanbul galleries. Some of his paintings, such
which is called Black on Maroon and is valued as the Esma Sultan portrait, can fetch up to
between £5m-£9m, in October. It belongs to a US$200,000 each. The November 2012 cover
series of works Rothko was commissioned to of the Turkish edition of fashion bible Vogue
paint in 1958. magazine used a Ceylan painting.
14. COPYRIGHT
Plagiarism tested in two celebrity cases
Two US plagiarism court cases involving high-profile entertainment names concluded that proof is
required to show defendants had access to plaintiffs’ original works to make a strikingly or substan-
tially similar copy. In November, the US Ninth District appeal court confirmed The Big C, the hit US
TV drama series on pay-TV channel Showtime, did not infringe plaintiff Nancy Radin’s copyrighted
screenplay Quality of Life. Radin had alleged Showtime and screenwriter Darlene Hunt of plagiaris-
ing her story. But the plaintiff showed no evidence that Radin and Showtime had access to her
screenplay to copy the concept. The appeal court thus reaffirmed an earlier decision by the lower US
District Court for the Central District of California. The Radin v. Hunt ruling was followed in December
by a New York District judge’s dismissal of plagiarism allegations by US screenwriter Eve Pomer-
ance against UK film star and Oscar winner Emma Thompson. Pomerance had reportedly accused
Thompson of stealing ideas from two screenplays about the 19th-century scandalous love triangle
involving art critic John Ruskin, his young wife Effie Gray and Ruskin’s protégé painter John Millais.
The accusation had prevented Thompson from releasing Effie, a historical film she co-wrote and is
producing about the scandal. The New York court’s ruling questioned evidence of copyright infringe-
ment and the originality of creative works based on historical facts.
Disney companies ordered to Tolkien estate sues Hobbit
pay $319m to Millionaire firm producers over merchandise
Walt Disney Company subsidiaries ABC The estate of JRR Tolkien, author of fantasy
Television, Buena Vista Television and classics The Hobbit and The Lord of the
Valleycrest Productions have been ordered to Rings, is suing Hollywood studio Warner Bros,
pay US$319.4m to UK-based Celador Interna- production company New Line, and the Saul
tional following an eight-year dispute over Zaentz Company, for US$80m copyright in-
unpaid royalties. Celador had sold the US fringement. The estate alleges the defendants,
rights to the reality-quiz show Who Wants To who financed the award-winning Rings movies
Be a Millionaire? to the Disney companies. and new The Hobbit trilogy, have exceeded
The US District Court for the Central District of the limits to their merchandise rights. The
California, however, has upheld the plaintiffs claim in the Los Angeles US District
US$269.4m awarded to Celador in 2010 for Court that the defendants should be producing
not receiving all profits due. The extra only physical merchandise, such as toys, not
US$50m is for interests accrued. digital ones, like digital games.
FACT help police convict UK Canada toughens rules
football copyright pirate protecting mobile app users
UK anti-piracy organisation FACT has Canada’s federal and regional lawmakers
helped the Thames Valley Police Economic have unveiled rules for local mobile-app devel-
Crime Unit nab a pirate who illegally sold opers. The guidelines are designed to ensure
streamed live footage of top-level English the apps’ users are aware of how developers
Premier League soccer matches. Gary will use their personal data. Canada’s national
Goodger set up the freelivefooty website at his government and the local authorities at British
home to retransmit unauthorised live games Columbia and Alberta insist all developers
for commercial purposes. He was found guilty should have a privacy policy, encrypt any data
of infringing the UK’s 1988 Copyright, Design they store or transmit, set up systems that
& Patent Act. *Meanwhile, Italian anti-piracy guarantee the policies are being effective, and
group FAPAV has signed a Memorandum of offer users the option not to accept updates to
Understanding with local cinema chain Odeon- the policies.
UCI to fight cinema-movie piracy.
15. REPORT
A Country Profile
New Zealand
The Hobbit, The Lord of the Rings and Avatar are Hollywood
box-office hits made in New Zealand. The economy’’s small size prompted
some of its best minds to emigrate in the past. Now, the nation’’s
international ambition in movies, TV, music, games and sport is luring
in talent at home and abroad
With a population of about 4.5 million, New favourite among tourists and an investment
Zealand is one of the world’s smallest devel- haven for the wealthy. The capital is Welling-
oped countries. The country’s populace is half ton while Auckland is its biggest metropolis.
the size of a major capital city such as London Both cities are located on the North Island.
and a metropolitan destination like New York The UK used to be New Zealand’s biggest
City. source of foreign visitors. These days, the
Yet, like its nearby English-speaking former majority of its tourists come from Asia-Pacific
colony Australia, this cluster of islands has countries, such as China, Japan, and Austral-
carved out its own identity on a cultural level. ia. In 2008, New Zealand became the first
It has done so by being a global player in country in the West to sign a free-trade pact
the creative businesses and attracting interna- with China. There are also strong trading links
tional investors. with the US and Australia.
The country’s rapid recovery from the tragic Efforts to improve and tighten trading
2011 Christchurch earthquake said a great activities between New Zealand and Australia
deal about its industries’ determination to have taken place under the Closer Economics
thrive. That year, the All Blacks national rugby Relations initiative, which celebrates its 30th
team won the international Rugby World Cup. anniversary in 2013. During that period,
The production of The Hobbit, one of this however, the two governments have been
year’s hotly anticipated Hollywood block- expressing a desire to replicate the single-
busters, maintained jobs by continuing to use market structure established by the European
the admired film locations and filmmaking Union. The goal is to reduce trade barriers and
facilities. Singer-songwriter Kimbra conquered encourage freedom of movement between the
the US music-sales charts. two markets.
Celebrity Kiwis, by birth or descent, include And the historical commonwealth links with
actors Russell Crowe, Lucy Lawless, Anna the UK have made those two countries strong
Paquin, Sam Neill, Sir Peter Jackson, Jane allies. New Zealand is considered one of the
Campion; rock bands Crowded House and world’s least corrupt countries, a status that
Split Enz, opera star Dame Kiri Te Kanawa, encourages significant investments by foreign
and country star Keith Urban; comedy duo tycoons from Australia, the US and UK.
Flight of the Conchords. An article in the New Zealand Herald news-
At this year’s London Olympic Games, Kiwi paper pointed out that billionaires that have
medallists included Valerie Adams (shot put), invested in New Zealand include PayPal co-
Jo Aleh and Olivia Powrie (sailing); Mahe founder/Facebook investor Peter Thiel, Empire
Drysdale (rowing); and Sarah Walker State Building owner Tony Malkin, US vine-
(women’s BMX). yard king William Foley, Australian tycoon
As in several developed markets, its tradition- Gina Rinehart, Russian mogul Alexander
al media businesses are feeling the brunt of an Abramov, the Sultan of Brunei and UK entre-
unforgiving advertising industry that has been preneur Sir Richard Branson.
hurt by the chronic economic slump. However, Among the prominent local media moguls is
New Zealand’s small stature has equally made Sir Peter Jackson, director of The Hobbit and
it nimble in the race to adopt the digital media. The Lord of the Rings, who was valued at
NZ$560m by the National Business Review
The country Rich List in 2011.
New Zealand’s renowned clean environment, The Kiwi culture is influenced by the domi-
dramatic landscapes, friendly climate and nant citizens of European descent, who repre-
relaxed lifestyle have made the country a sent about 78% of the population, followed by
15
16. REPORT
the indigenous Maoris (15%) plus immigrants telecommunications sector, international
from mainly the nearby Asian countries and carrier Vodafone New Zealand is the local
the Pacific Islands. market leader with 2.5 million subscribers. The
New Zealand’s head of state is England’s next big player is Telecom New Zealand
Queen Elizabeth II. But as a parliamentary (TNZ), which is the biggest telecommunica-
democracy, its current government is led by tions group when its fixed-line telephony
Prime Minister John Key, whose centre-right business and Internet services are added to
National Party came into power in 2008 and the picture.
was re-elected in 2011 as part of a minority TNZ is a former state-owned venture that
government. Recently, the international eco- was bought by private companies and then
nomic-ratings agency Fitch Ratings declared sold to the public via the New Zealand
New Zealand’s economy is on the right track Exchange (NZX) as well as stock exchanges
to surviving the global economic slump. in New York and Australia. With 2011 reve-
nues reaching NZ$112bn, TNZ is one of the
Media and entertainment biggest corporations on the NZX. It has about
Revenues generated by the media and 4 million consumer and business customers.
entertainment sectors are expected to reach The third largest mobile communications
NZ$6.66bn by 2016 from NZ$5.5bn in 2012, company is 2degrees, a UK/US newcomer
according to forecast data compiled by Price- that already has 1 million subscribers since its
waterhouseCoopers (PwC), the international launch in 2009.
accountancy giant, and consultancy Wilkofsky Consolidation in the competitive market
Gruen Associates. escalated when Vodafone paid NZ$850m for
This is based on a compound annual growth TelstraClear, a subsidiary of Australia-based
rate of about 5% on revenues earned from TV, telecoms group Telstra. With its digital-TV,
filmed entertainment, games, print media, Internet service and mobile communications
advertising, out-of-home entertainment and businesses, TelstraClear will enable new own-
marketing, and recorded music in the tradition- er Vodafone to expand its presence in the
al and digital media space. This has not entertainment and media space. TelstraClear
stopped the country from feeling the effects of carries the Sky TV pay-TV service on its digital
the still uncertain global advertising market. -cable TV platform, InHome TV, to its sub-
Screen-based media, including TV, film, scribers.
video and computers, continue to thrive. More than half of New Zealand’s 1.6 million
According to the government’s Statistics New TV homes subscribe to Freeview, the digital
Zealand, the “screen industry” was worth terrestrial TV platform.
NZ$3bn in the year ending March 2012. New Zealand’s broadcast-TV analogue
The sector’s production and post-production switch-off is expected to be completed by the
elements generated NZ$1.4bn in revenues end of 2013. The spare analogue spectrums
from directly employing more than 8,500 will be licensed as mega-speed 4G (fourth
people. The WETA Workshop is famous for generation) wireless communications that
the award-winning special effects, props and telecommunication operators can bid for in
designs created for movies such as District 9, auctions. 4G wireless signals would enable
The Hobbit, The Lord of the Rings trilogy, New Zealand’s smartphone owners to down-
Avatar, and The Adventures of Tintin. load and stream movies, TV shows, music and
PwC’s positive prediction in terms of future games with high-quality images on the move
revenues is based on New Zealand’s enthusi- anytime and anywhere in the country.
astic embrace of digital media and technology. The country’s telecommunications’ infrastruc-
ture caught the attention of investors after TNZ
Digital infrastructure split into two and its infrastructure business
Just as the small size of emerging digital- was spun off into a separate company called
media companies is said to make them more Chorus. After the demerger, Chorus was
nimble in innovative creativity compared to floated on the NZX stock exchange and is one
their conglomerate counterparts, small of the country’s largest corporations.
countries like New Zealand are equally swift to Submarine cables are being installed in New
adopt digital media. Zealand to ensure high-speed telecommunica-
According to Statistics New Zealand, more tions with other countries. The biggest
than 2.5 million New Zealanders are using investors in this field include Southern Cross
smartphones to subscribe to mobile Internet Cables, which connects a trans-Pacific under-
services; they represent more than half of the water cable network from New Zealand to
country’s population. In the wireless Australia and US. Southern Cross’ sharehold-
ers are led by TNZ (50%), Singapore’s SingTel
16
17. REPORT
Optus (40%) and the US-based Verizon Busi- A$2.33bn. The drastic state of the finances is
ness. Ambitions by Pacific Fibre to launch a due to “significant impairments” caused mostly
rival international fibre-optic cable network on by the slump in value of its assets and the cost
the seabed collapsed in 2012 when the com- of job cuts and restructurings.
pany failed to find the required investment. According to local media reports, the value of
Another telecoms-infrastructure service Fairfax’ New Zealand newspapers fell to
provider is Kordia, the state-owned broadcast NZ$175.2m in June 2012 from NZ$950m 12
and telecommunications company that months earlier. Going public with such
enables New Zealand TV and telephone com- negative figures also indicated how the parent
panies like Sky TV, Vodafone, 2degrees, company felt about the future prospects of its
MediaWorks, Telecoms New Zealand and traditional media assets. During the same
Freeview to provide nationwide services to period, Fairfax’ total New Zealand operation
their customers. Kordia had once wanted to reported a loss of NZ$709.1m.
join forces with China-based Axin to launch a The New Zealand business has been focus-
pan-regional submarine fibre-optic cable to ing on digital media, a strategy also being
rival Southern Cross. But that ambition followed by parent company Fairfax Media,
appears to have faded. Industry observers which bought Australian technology-
believe Southern Cross’ monopoly on that investment firm Netus in December.
business will be facing potential new rivals Ironically, in New Zealand, the company
in the coming years. chose to reduce debts by selling its most
The enthusiasm to build a first-rate digital valuable digital-media asset Trade Me, New
communications infrastructure is encouraging Zealand’s equivalent to pioneering auction
the established leaders in the local traditional website eBay (see Digital infrastructure
media to invest in digital media. above). Fairfax New Zealand’s rival APN is
At this stage, the results are mixed. Leading equally feeling the heat of the increasingly
media group Fairfax New Zealand, which is competitive media market. APN is majority
experiencing massive losses in its newspaper owned by Ireland-based newspaper group
business, sold its auction website Trade Me Independent News & Media, which has almost
for a significant profit. 30% of the company via subsidiaries INM Aus-
It bought Trade Me for NZ$625m in 2006. It tralia and News & Media NZ.
started selling parts of Trade Me via the New APN and Fairfax have to contend with the
Zealand Exchange, in 2011. It got rid of Trade fact that News Corp, the media conglomerate
Me for a total of NZ$1bn-plus by the time it controlled by the highly aggressive Australian
sold the remaining 51% in December, making mogul Rupert Murdoch, is boosting its Austral-
a 70% profit. ia-based media business. It has acquired
Critics could not understand why a company Australia-based Consolidated Media Holdings
that is hiking its digital-media interests should to strengthen Murdoch’s regional power base.
then sell its most valuable digital-media opera- That would empower News Corp enough to
tion. Fairfax has responded by noting the need expand into the New Zealand market.
to slash its debts in order to move forward. In response, APN has also been cutting
costs. It is selling its print-publishing business.
Print media In September, it reduced the size of its week-
New Zealand’s media industries are closely day flagship broadsheet newspaper New
tied with those of the nearby Australia. Fairfax Zealand Herald to a compact tabloid.
Media and APN News & Media, two of the big- The Herald’s daily circulation of 169,555, six
gest media conglomerates, are positioned as days a week, is concentrated in the Auckland
New Zealand and Australian operations. region and is the largest-circulated daily in the
But the state of the ailing print industry country. Weekday circulation used to be about
reflects the sector’s condition on a global 200,000 in 2006. Its sister publication Herald
scale. Fairfax New Zealand Holdings owns the on Sunday, still a broadsheet, has a circulation
following print titles: the Wellington-based of about 100,000.
daily newspaper The Dominion Post; The Other APN New Zealand print titles are in
Christchurch Press; Auckland’s The Sunday women’s and lifestyle magazines. They
Star-Times; TV Guide magazine and NZ include NZ Woman’s Weekly, the current
House & Garden, plus a host of niche agricul- affairs and entertainment magazine NZ Listen-
tural and lifestyle magazines. er, the real-life stories weekly That’s Life and
In the financial year ending 24 June 2012, the bi-annual fashion magazine Simply You.
the Fairfax Media group reported a net loss of Additionally, it controls a host of regional and
A$2.73bn from its combined Australian and community newspapers, and printing presses.
New Zealand businesses, on revenues of But investment firm Allan Cont ...page 19
17
18. REPORT
NEW ZEALAND — FACTS & FIGURES
POPULATION: 4.5 million
GDP PER CAPITA: US$35,880
INTERNET USERS (2011): 3.8 million
FIXED BROADBAND USERS (2012): 1.1 million
TV HOMES 1.6 million
MOBILE PHONE SUBSCRIBERS (2012): 5 million
SMARTPHONE USERS (2012): 2.5 million
FACEBOOK USERS (2012): 2.25 million
TWITTER (ACTIVE) USERS (2012): 120,000
VALUE OF MUSIC INDUSTRY (2011): NZ$71.6m
VALUE OF ADVERTISING SPEND (2011): NZ$2.18bn
CURRENCY EXCHANGE RATE:
NZ$100 = £51.18; US$83.36; €62.98
ORGANISATIONS TO KNOW:-
Association of New Zealand Advertisers
Australasian Performing Right Society
Commerce Commission
Copyright Council of New Zealand
Creative New Zealand
Film New Zealand
Interactive Games & Entertainment Association
Ministry of Business, Innovation and Employment
Ministry of Science and Innovation
New Zealand Film Commission
New Zealand Game Developers Association
New Zealand Music Commission
New Zealand On Air
New Zealand Open Source Society
Newspaper Publishers’ Association of New Zealand
NZ on Air
Overseas Investment Office
PPNZ Music Licensing
Recording Industry Association of New Zealand
SOUNZ
Source: The Economist; Internet World Stats; Point Topic; TNS New Zealand;
ZenithOptimedia; CASBAA; Socialbaker; Statistics New Zealand; Advertising
Standards Authority; New Zealand Music Industry Commission
18
19. REPORT
Gray, which has a 19.8% stake in APN and previous year. Revenues from advertising
just over 10% in Fairfax, has been urging both jumped NZ$9m to more than NZ$313m, giving
companies to do whatever it takes to reduce the network a 62.2% share of TV advertising.
their vulnerability to the declining print- Revenue from other sources fell more than
advertising market. 12% to NZ$28m. This was caused largely by
APN and Fairfax are not the only media the increased cost in buying international pro-
groups cutting costs. ACP Media, another grammes, the broadcaster says.
Australian-New Zealand media group, was a TVNZ revenue was also spent on igloo, a low
subsidiary of Australia-based APC Magazine, -cost digital terrestrial pay-TV service jointly
which belonged to the financially embattled launched with Sky TV in 2012. Sky owns 51%.
broadcast group Nine Entertainment TVNZ is selling Avalon Studio, its production
Company. Nine recently sold ACP to German facility, to a consortium comprising local busi-
company Bauer Media Group for a reported nesses and Avalon executives who plan to
A$500m. ACP is the largest magazine- retain it as a production house. The sale is
dedicated publisher in New Zealand. Its titles expected to be finalised in March 2013.
include the local editions of its Australian sister Major niche communities have their own TV
magazines such as The Australian Women’s services. Te Reo is the state-funded Maori-
Weekly, the local lifestyle monthly Metro, and language channel available on digital-
North & South, the current affairs monthly. terrestrial, satellite and cable platforms. It
complements the government backed free-to-
Television air Maori Television, which is in English and
Of the old-media platforms, TV continues to Maori. Another player targeting a niche audi-
generate the most income. But in a market like ence is World TV, which operates a host of
New Zealand and its small population, expan- regional TV channels, including CTV8 and
sion has its limits and consolidation and joint TV9 for New Zealand’s Chinese community.
ventures among rivals are common.
The three major players in TV are the state- The Ironbridge investment
owned terrestrial broadcaster Television New Australian investment group Ironbridge Capital
Zealand (TVNZ), the privately owned free-to- is the biggest player in the privately owned
air MediaWorks and the biggest pay-TV free-to-air TV sector. In 2007, it took over the
platform Sky TV. company that eventually became Media-
TVNZ’ is the nation’s biggest broadcaster Works, which is Ironbridge’s largest asset.
with a 40%-plus audience share. Its general MediaWorks operates TV3 (New Zealand’s
entertainment flagship channel TV One first private TV channel); the youth TV channel
launched in 1960. It is a commercially funded FOUR; the time-shifting catch-up TV service
public broadcasting service. It is followed by TV3 Plus 1; and the music-TV channel C4.
TV2, which is aimed at youths and young MediaWorks also owns a large portfolio of
adults and is described as “semi-commercial”. national and regional radio stations under
TVNZ U is a youth and music digital- several locally established brands, such as
terrestrial network, which replaced the now Kiwi FM and MORE FM. MediaWorks’ TV and
defunct TVNZ 6. TVNZ Plus 1 is a kind of radio services are supported by nearly 20
catch –up TV service. It is an exact replica of branded websites.
TV One, but transmitted one hour later. It However, Ironbridge has been stemming
replaced the now shuttered TVNZ 7. The losses at MediaWorks with a complex series
government also funds TVNZ Heartland, a of loans, including NZ$70m from US private-
network based on classic TVNZ shows but equity firm TPG (which bought out debts owed
available on only the subscription-funded Sky to Commonwealth Bank of Australia).
TV platform, as is TVNZ Kidzone 24. MediaWorks’ debts are also with international
TVNZ ondemand is the broadband online banks such as the Australian/New Zealand
service launched in 2007. It used to be sub- bank Westpac, the US-based JP Morgan,
scription funded but is now ad-financed and Dutch finance group Rabobank, and the UK’s
free to consumers. It can also be accessed via Lloyd Banking Group.
the PlayStation 3 video-games console and Additionally, Goldman Sachs has some debt-
digital-mobile devices. related interests in MediaWorks, which owes
Advertising, licensing, merchandising and NZ$43m to the New Zealand government. The
other commercial activities account for about government made the loan to help Media-
90% of TVNZ’ funding; the remainder is sup- Works renew its radio licences until 2031.
plied by the government. Analysts fear the creditors might choose to
TVNZ’ net profit soared to NZ$14.1m in the take control of MediaWorks unless its financial
year ending 30 June 2012, from NZ$2.1m the stability improves.
19
20. REPORT
MediaWorks has attempted to stem the In addition, the bouquet of Sky Sport net-
economic hurt to its traditional media proper- works has cornered live transmissions of
ties by diversifying. In 2011, it launched a deal English Premier League soccer games, New
-of-the-day e-commerce website called Cudo Zealand national golf, tennis, hockey and
New Zealand. This is a joint venture with Cudo basketball games, plus Indian Premier League
Australia, itself a joint venture owned by cricket taking place in New Zealand. Sky Sport
Microsoft and the struggling Nine Entertain- 3 carries Sky Sport News and Australia’s Fox
ment Company. By mid-2012, however, Cudo Sports News, which is part of Premier Media
New Zealand was reporting losses, New Zea- Group, a News Corp joint venture.
land employees were laid off and the site’s With iSky, the online TV and movie stream-
operations took place from Australia. ing service free to all Sky TV customers, view-
However, some debt restructuring has taken ers are increasingly gaining access to foreign
place and MediaWorks’ debts are now with shows shortly after they have aired in their
three private-equity firms: Ironbridge, TPG home markets.
and, the newest entrant, US-based Oaktree
Capital Management, which happens to be Pay-TV: Quickflix
restructuring its investment terms with Nine Despite the financial struggles of the media
Entertainment. companies serving a small market like New
Despite its financial woes, MediaWorks Zealand, Quickflix believes there is always
charges ahead with its commercial duties to room for more competition.
provide audience-grabbing entertainment. TV3 Quickflix’ entered the New Zealand market
has clinched the rights to broadcast the first last March but its prospects in New Zealand
localised version of The X Factor, the popular rely on the fate of the parent company in
international reality-TV singing contest. It goes Australia. Quickflix is Australia’s answer to
on air in 2013. Until now, New Zealand Netflix, the pioneering US online DVD rental
viewers watched only the US and Australian and streaming-TV and movies platform. It
editions of The X Factor. originally launched in 2003 and was listed on
the Australian Stock Exchange (ASX) two
Pay-TV: Sky years later. It has licensed more than 55,000
Sky TV is in 50% of New Zealand TV homes. film and TV titles. It reported a A$14m loss for
It is the country’s largest pay-TV platform. It the fiscal year ending 30 June 2012.
carries more than 100 channels and had about Recent media rumours stated that US-based
847,000 subscribers by the middle of 2012. As HBO, the Time Warner cable-delivered
well as its subscription revenues, it generates subscription-TV giant, wanted its A$10m loan
advertising income, which brought in back. Quickflix has denied the HBO rumour. It
NZ$62.7m in the year to 30 June 2012. did not help, however, when trading on the
By law, Sky has to carry the country’s free-to- ASX was suspended in November after the
air networks. It also offers a live mobile-TV company apparently could not verify the pro-
service via 3G signals or mobile apps. portion of its 129,000-plus subscribers paying
Sky TV, controlled by Rupert Murdoch’s for the service. There have been job cuts and
News Corp conglomerate, has used its own- senior executives have resigned.
ers’ financial clout to snap up the most popular But rescue arrived in December when US-
sports events. The 2012 London Olympic based investment firm BluePrint Partners
Games, transmitted on Sky TV, were the first committed A$5m in funding. BluePrint is
not to be broadcast on TVNZ. Sky also has fronted by billionaire Greek shipping heir and
the rights to the popular Commonwealth digital-media entrepreneur Alki David.
Games competition. The number of Quickflix’ Kiwi subscribers
Inevitably competitors have complained has not been disclosed. The number of pro-
about this stranglehold as Sky TV was also grammes and films licensed for the New
allowed to buy terrestrial free-to-air channel Zealand market also remains unknown. How-
Prime for NZ$30m in 2005. It uses it to broad- ever, the company is chasing more investment
cast delayed footage of the most popular to grow the DVD and streaming subscription
shows on Sky, especially of sports events. numbers in New Zealand and Australia.
Between them, the three Sky Sport channels
have the live rights to domestic professional Advertising
rugby union’s ITM Cup games, the Super Rug- New Zealand’s Advertising Standards Authori-
by international games with Australia and New ty (ASA) calculated that advertising spend
Zealand, plus the home and away games by reached NZ$2.18bn in 2011, a NZ$42m
the national All Blacks rugby team, and games increase from 2010. Although the increase is
featuring the national cricket team. slight, it represented a positive picture
20
21. REPORT
considering the NZ$250m slump between 2011, WPP’s public relations company Burson
2008 and 2009. -Marsteller appointed Auckland-based Profes-
Television accounted for the biggest single sional Public Relations New Zealand as its
share at 28.4%, followed by newspapers official local affiliate.
(26.7%), which however continued to BC2G, formed in 2010 by the merger of local
decrease in revenues, from NZ$627m to agency Blackwood Communications Group
NZ$582m. Digital advertising reported the and the local arm of WPP’s Grey ad agency, is
fastest growth, to NZ$328m from NZ$257m. a fully integrated agency. Other WPP subsidi-
It also means digital advertising has pushed aries in New Zealand include ad agencies
radio advertising into fourth place with an 11% JWT, Grey, research firm Millward Brown,
share of ad spend, followed by magazines media-investment agencies Mediacom and
(9.6%) and outdoor (3.8%). Yet, digital repre- MEC, consumer-research operation Idea-
sents only 15% of total ad spend. Works, and branding agency DesignWorks.
Experts estimate that total advertising spend Publicis, on the other hand, decided to shut
will grow at an average rate of 6% in the next down its Publicis Mojo agency. Graeme Wills,
five years. The catalyst for growth will be CEO/chairman of Publicis Mojo Australia/New
digital interactive media via the Internet, Zealand is launching a new venture called
mobile devices and connected TV. Joy. Publicis still owns Saatchi & Saatchi NZ
Advertisers’ expenditure on TV, newspapers, in Auckland. M&C Saatchi, launched by
print and radio will continue to decline. But the Saatchi & Saatchi’s original founders, also has
deceleration will not be as quick as the growth a branch in Auckland.
rate of digital media. The decline will take IPG, the fourth major multinational advertis-
place more slowly compared to other major ing group, got a boost in December when
economies. Draftfcb Auckland was acknowledged by
New Zealand’s small size means the old Kenexa Best Workplaces survey as one of the
ways of consuming media decrease slowly best places to work in the country. Draftfcb
because the competition does not get the time has also won praise for the SPCA (Royal New
to become too heated to cause radical disrup- Zealand Society for the Prevention of Cruelty
tions rapidly. to Animals) campaign, which involved teach-
ing real-life rescue dogs to drive the MINI
The agencies Countryman car for the commercial.
The Big Four advertising conglomerates (UK-
based WPP, US-based Omnicom Media Filmed entertainment
Group, France’s Publicis Group and the US’ New Zealand’s reputation as a hub for
Interpublic Group of Companies) have inter- filmmaking and post-production is among the
ests in New Zealand. best globally. Compared to Hollywood,
Omnicom’s OMD New Zealand is considered Bollywood and the growing Chinese filmmak-
the country’s largest media agency. Omni- ing industry, the size of New Zealand’s movie-
com’s DDB Australia/New Zealand was hailed making business is minuscule. But, adding
Creative Agency of the Year at the 2012 US$4.2bn-plus to the national economy in
awards for the Campaign Asia Pacific and 2011 is no mean achievement. It represented
Greater China Agency of the Year. a 4% jump from 2010.
DDB New Zealand was voted the world’s Size, however, is all relative. As the Guardian
leading ad agency in 2011. The ranking is newspaper noted, Hollywood contributed more
based on the annual Bestads Rankings, which than US$40bn to the much larger US econo-
examine the standard of the agencies’ creative my. Yet, New Zealand has been home to the
work worldwide. Omnicom’s other award production of international blockbusters such
winners from New Zealand include digital as The Last Samurai; Once Were Warriors;
agency RAPP Tribal, Colenso BBDO (New X-Men Origin: Wolverine; The Chronicles of
Zealand agency of the year). Whybin/TBWA/ Narnia: The Lion, The Witch and the Ward-
Digital Arts Network created the much lauded robe; and the Oscar-winning Lord of the Rings
Tourism New Zealand campaign, using The trilogy and Avatar.
Middle-Earth theme and content from The Director Sir Peter Jackson also directed and
Hobbit, the blockbuster fantasy movie co-produced the first of The Hobbit trilogy, the
released globally in December. Lord of the Rings’ prequel, in New Zealand.
WPP continues to expand. Subsidiary Ogilvy The country’s determination to hold on to its
New Zealand recently launched a local office reputation as a reliable source of filmmaking
for OgilvyAction, the ad agency’s shopper- facilities could be seen when the government
marketing and retail-activation division, which went out of its way to quell setbacks that
aims to boost consumer purchasing. In July threatened to derail the shoot.
21
22. REPORT
It overturned legislation that would have The commission is allocated about NZ$8m a
allowed union members to boycott the produc- year to co-fund up to five feature films. To
tion, a setback that would have forced Holly- qualify, each movie must have a budget of at
wood studio Warner Brothers, production least NZ$1m or NZ$5m at the most.
company New Line and Jackson to consider For co-productions, at least the writer or
taking the production elsewhere, such as director must be a Kiwi. And if, for example,
Eastern Europe. The government also agreed 50% of the budget is to be spent in New Zea-
to offer financial assistance to the production. land, then at least 50% of the crew and the
While the legislative move has been criticised key creative personnel must be New
internationally, New Zealand had much to lose Zealanders. The commission also likes to see
if the strike had disrupted The Hobbit’s filming. some kind of collateral in the form of advance
The international success of The Lord of the sales to distributors or guaranteed distribution
Rings had triggered a massive tourism busi- from them.
ness for the country. With tourism being a key For its Large Budget Screen Production
revenue source, The Hobbit’s potential Grant, the commission offers 15% of the
success would have ensured continuity of production’s qualifying expenditure, which
attracting overseas visitors. Not filming it in must be at least NZ$15m for a feature film,
New Zealand did not seem to be an option. and at least NZ$500,000 per commercial
The move has paid off. The Hobbit: An episode of a TV series. There is also a grant
Unexpected Journey was released globally in for Post, Digital and Visual Effects. All facilities
December 2012 to both critical acclaim and and locations must be in New Zealand.
box-office success. From a budget of about NZ On Air has access to an annual budget of
US$150m, the first of the Hobbit trilogy pulled NZ$80m to invest in TV shows that reflect the
in nearly US$700m in box-office receipts less local culture, including Maori traditions and
than a month after its release. The Hobbit also language. If NZ On Air provides more than
made cinematic history as the first movie to be NZ$200,000 to the production budget, it is en-
shot in 48 frames per second, as opposed to titled to a share of the profits. Every month,
the standard 24 frames per second. This is the agency’s decision and the amount award-
said to give the image quality a higher resolu- ed are published on its website. Kids’ pro-
tion. grammes and programmes of “special inter-
New Zealand’s cinema chains can expect ests” are among the most successful genres.
competition against the growing number of
mobile screens in the form of smartphones Games
and tablets. But the average number of admis- Like other small countries, such as Finland,
sions per year is expected to stay about 16 New Zealand’s creative industries have had to
million annually for the next few years. be productive exporters of their talent. And the
games sector in both countries has used the
Film: government funds more cost-effective Internet as a platform to
The New Zealand Film Commission and its TV sell and distribute social and mobile games
-broadcast (plus music and radio) counterpart globally. The New Zealand Game Developers
NZ On Air provide most of the funding for Association calculated that the nation’s games
indigenous productions, as private funding is sector almost doubled in size in the two years
extremely rare. to 31 March 2012. In the last year alone, New
For example, NZ On Air is co-funding The X Zealand developers released 73 games.
Factor NZ, the local version of the internation- What was noteworthy was that the majority of
al reality-TV music contest, which is going to the games were for online or (iOS and An-
New Zealand for the first time. droid) smartphone consumption.
The two agencies work with the Ministry of Because of the low distribution cost of using
Business, Innovation and Employment, the the Internet, as opposed to physical consoles,
Ministry of Culture and Heritage, and the the profit margins are decent. Most (99%) of
Ministry of Foreign Affairs and Trade. They are the revenues came from exports to Europe
regulated by the Broadcasting Act. and the US.
Their mission is to provide financial support Recent figures from the Interactive Games &
to film development and productions to en- Entertainment Association (iGEA) show that
courage local producers to make their films sales from New Zealand generated
and TV programmes at home. Another objec- NZ$179.6m in the 2011 calendar year com-
tive is to attract foreign producers to use New pared to NZ$158m in 2010. An estimated 13%
Zealand’s facilities either on their own or as co of the revenues are from royalties. The iGEA
-production partners. In co-productions, the quotes the forecasts of global consultancy
finance is for the New Zealand elements. group PwC, which state that revenues from
22