1. Opening Sequence Script
‘Introduced with Scott and Harry running into a clearance in a forest until they stop in the clearing,
breathing heavily.’
Harry: That maniac, he just killed them, our friends, where did he go, did you see?
‘Scott looks around until he notices a tree that can be climbed and looks up at it’
Scott: Wait here.
‘Scott begins to walk towards the tree’
Harry: Where are you going?
‘Scott ignores the question and begins to climb up the tree until he gets to the top and looks slowly
around’
Scott: I can’t see him, he could be anywhere. I’m coming down.
‘Scott begins to climb back down the tree’
Harry: What should we do?
‘Scott goes to answer but is interrupted by the snapping of sticks’
Harry *startled*: What was that?
‘Scott and Harry search frantically around for the source of the noises, trying to search through the thick
brush and trees around them’
Harry: Over there, we can hide there. ‘Harry points over to the nearby set of bushes and Scott and Harry
make their way there and hide behind them’
Harry: Are you sure you didn’t see anything?
‘Scott still slowly surveys the area for a few seconds leaving a short pause of silence before answering’
Scott: I’m sure.
Harry: I can’t see anything and we can’t just sit here and wait for whatever it is out there to go away. We
need to call someone and get help; my phone is in the bag. ‘Harry looks over in the direction of the bag
and nods showing acknowledging where it is dropped on the floor’.
Harry: All I need to do is just sneak up and go get the phone out of the bag, easy, wait here.
‘Harry starts approaching the bag slowly whilst searching the gaps in the nearby trees he stops at the bag,
looking down at it he slowly starts to unzip it. He then gets startled by the nearby short noise of footsteps
and snapping of twigs and looks around in the nearby trees for a few seconds then continues to look
down to notice a large shadow of a hooded man holding a small axe in his hand. The tomahawk then
slashes down with a loud scream at the end and then transitioning into the title screen.’
