The document discusses feedback received on various projects from an audience. It includes feedback on initial edits, a teaser trailer, magazine covers, and posters. The feedback touched on elements that worked well like special effects as well as areas for improvement such as revealing too much content in the teaser trailer. The document also reflects on what was learned from the feedback and analyses one person's particularly detailed feedback. It aims to understand different perspectives and how elements could be improved for future projects.
The student conducted audience feedback on their film trailer, poster, and magazine cover to improve the projects. They surveyed people of different ages, genders and interests to get diverse perspectives. Feedback suggested changes like altering the trailer ending, font styles, and character portrayal. The student found feedback invaluable for finalizing the projects and learning how to make more effective promotional materials. Key lessons included reducing confusion in the trailer and improving consistency across materials.
The document describes the student's crime thriller short film and several ancillary tasks created to accompany it, including a film poster, sound design, cinematography, typography, and film review. For the short film, the student took inspiration from crime thrillers but introduced characters in an unconventional way inspired by Sergio Leone films. Ancillary tasks also drew from crime thriller conventions while hybridizing elements from other genres like Westerns. The student aimed to maintain consistency across tasks in tone, colors, and fonts, though notes some imperfections in character depictions. Overall, the combination of tasks is assessed as effective at reinforcing the film's ideas despite some missed opportunities for tighter integration.
The document analyzes the trailer for the film Divergent. It discusses how the trailer establishes the setting, characters, and their relationships. Sound effects and shots are used to build tension and intrigue audiences. The trailer targets audiences by allowing them to identify with characters and their struggles, while also leaving questions unanswered to encourage viewership.
The document provides the results of a questionnaire given to an audience after viewing the opening sequence for a thriller film called "Blind Corner". The results showed that the audience found the opening creepy and thrilling, felt tension was built up well, and wanted to know what happened next. They responded positively to the actors, setting, and soundtrack. Most said they would want to watch the full film. The document discusses what was learned from constructing the opening sequence, including skills with camera equipment, editing software, sourcing music, and improving overall planning and confidence.
The document discusses audience research conducted on a student horror film. A questionnaire was administered after a screening to gauge audience understanding, opinions and reactions. While most understood the basic plot, some were confused about specific details like the identity of the murderer and the reason for questioning a character. However, the audience generally enjoyed the film and rated it as tense, with most saying they would recommend it. The research showed the film was mostly successful in engaging the target audience, but could have provided more clarity on some plot points.
The document discusses research conducted on the target audience for a horror film project. It found that the core audience is 15-24 year old males who enjoy gaming and viral marketing. They prefer genres like thriller, gangster and horror films with gory elements. Research was conducted through questionnaires during production and a screening after to assess how well the audience understood the plot. The screening showed overall understanding was good, though some details like the murderer's identity could have been clearer. Most said they would recommend the film.
The document discusses conventions used in the thriller opening sequence "Resentment". It describes how conventions like delaying the reveal of a character's face and using flashbacks were employed. It also discusses how using a realistic bathroom setting combined with unsettling elements breaks expectations. The opening establishes the female protagonist in a state of vulnerability and uses a twist at the end to further unsettle the audience.
The document summarizes research conducted around audience and existing products to inform the development of a film trailer. A survey of 23 people found that most respondents were 16-21 years old, female, and interested in genres like action, sci-fi, and fantasy. Respondents said trailers should tease the plot, have good music, characters, and familiar actors. Existing trailers for films like The Hunger Games and Divergent were analyzed for techniques to build tension without spoiling the plot. Videos on title design, color grading, filming action, and recording sound provided production techniques to consider.
The student conducted audience feedback on their film trailer, poster, and magazine cover to improve the projects. They surveyed people of different ages, genders and interests to get diverse perspectives. Feedback suggested changes like altering the trailer ending, font styles, and character portrayal. The student found feedback invaluable for finalizing the projects and learning how to make more effective promotional materials. Key lessons included reducing confusion in the trailer and improving consistency across materials.
The document describes the student's crime thriller short film and several ancillary tasks created to accompany it, including a film poster, sound design, cinematography, typography, and film review. For the short film, the student took inspiration from crime thrillers but introduced characters in an unconventional way inspired by Sergio Leone films. Ancillary tasks also drew from crime thriller conventions while hybridizing elements from other genres like Westerns. The student aimed to maintain consistency across tasks in tone, colors, and fonts, though notes some imperfections in character depictions. Overall, the combination of tasks is assessed as effective at reinforcing the film's ideas despite some missed opportunities for tighter integration.
The document analyzes the trailer for the film Divergent. It discusses how the trailer establishes the setting, characters, and their relationships. Sound effects and shots are used to build tension and intrigue audiences. The trailer targets audiences by allowing them to identify with characters and their struggles, while also leaving questions unanswered to encourage viewership.
The document provides the results of a questionnaire given to an audience after viewing the opening sequence for a thriller film called "Blind Corner". The results showed that the audience found the opening creepy and thrilling, felt tension was built up well, and wanted to know what happened next. They responded positively to the actors, setting, and soundtrack. Most said they would want to watch the full film. The document discusses what was learned from constructing the opening sequence, including skills with camera equipment, editing software, sourcing music, and improving overall planning and confidence.
The document discusses audience research conducted on a student horror film. A questionnaire was administered after a screening to gauge audience understanding, opinions and reactions. While most understood the basic plot, some were confused about specific details like the identity of the murderer and the reason for questioning a character. However, the audience generally enjoyed the film and rated it as tense, with most saying they would recommend it. The research showed the film was mostly successful in engaging the target audience, but could have provided more clarity on some plot points.
The document discusses research conducted on the target audience for a horror film project. It found that the core audience is 15-24 year old males who enjoy gaming and viral marketing. They prefer genres like thriller, gangster and horror films with gory elements. Research was conducted through questionnaires during production and a screening after to assess how well the audience understood the plot. The screening showed overall understanding was good, though some details like the murderer's identity could have been clearer. Most said they would recommend the film.
The document discusses conventions used in the thriller opening sequence "Resentment". It describes how conventions like delaying the reveal of a character's face and using flashbacks were employed. It also discusses how using a realistic bathroom setting combined with unsettling elements breaks expectations. The opening establishes the female protagonist in a state of vulnerability and uses a twist at the end to further unsettle the audience.
The document summarizes research conducted around audience and existing products to inform the development of a film trailer. A survey of 23 people found that most respondents were 16-21 years old, female, and interested in genres like action, sci-fi, and fantasy. Respondents said trailers should tease the plot, have good music, characters, and familiar actors. Existing trailers for films like The Hunger Games and Divergent were analyzed for techniques to build tension without spoiling the plot. Videos on title design, color grading, filming action, and recording sound provided production techniques to consider.
The document discusses research on the intended audience and existing films in the genre of a dystopian sci-fi film trailer that the author is creating. It analyzes audience surveys that provided feedback on popular genres, what draws people to trailers, and suggestions for the author's trailer. It also summarizes existing film trailers like The Hunger Games, Divergent, and The Maze Runner to see how they effectively set up their worlds and hint at conflicts without revealing too much. Production techniques for titles, color grading, and scene composition are also considered.
The document provides an analysis of a student film project that was created to follow the conventions of a psychological thriller genre. It discusses how the opening scene establishes suspense through a woman running in distress set to dramatic music. While some conventions were followed, the film also challenged expectations by portraying the female protagonist as strong and independent. The document examines the influences of films like The Blair Witch Project and Halloween 5 and how technologies like cameras and editing software were used to construct the film product.
The teaser trailer follows conventions of the horror genre but with some twists, showing characters in danger rather than revealing the killer. Audience feedback was positive, though some wanted more context. While technology helped with production and evaluation, some software had learning curves or limitations for the timeline. Overall the project achieved its goals of representing and challenging horror genre tropes.
The document summarizes feedback from a focus group of the target audience (young horror fans aged 15-18) on promotional materials created for a slasher film. The focus group preferred the original film poster over Friday the 13th's due to its clearer antagonist image and brighter colors. They also preferred the original magazine cover design over Fangoria's for having a cleaner focus on the antagonist. Finally, they thought the film trailer was effective at building tension but the ending montage could be faster-paced. The target audience feedback validated that the promotional pieces would attract and intrigue horror fans.
Foundation production portfolio - EvaluationMayesV1
The student learned a great deal from creating a short thriller film from start to finish. Through extensive research into the genre and industry, they improved their planning process and adapted their original idea. Filming skills like camerawork and editing improved over time. While the production process wasn't perfect, the student feels they created a good film considering the challenges, and learned valuable lessons to apply to future projects.
The document discusses conventions used in film thrillers and how the student's group incorporated some of these conventions into their thriller film opening. It describes typical conventions like close-ups, sound, music, and location. The student's group used close-ups to convey emotion, voiceovers to elicit sympathy, and set their film in a school to make the audience feel unsafe. They also used montage shots and copyright-free music. Looking back, the student learned about techniques like the 180-degree rule and how to work effectively in a group.
The document provides an evaluation of a 2-minute media film opening. It discusses several ways the opening uses and develops conventions of real media products. It examines how the characters represent various social groups in terms of gender, age, race, class, and sexuality. Finally, it considers what type of media institution might distribute the product and who the target audience would be. The opening challenges conventions by not including dialogue to emphasize mood, and uses camera shots and editing techniques typical of horror films to attract audiences.
The document provides an evaluation of a 2-minute media film opening. It discusses several ways the opening uses and develops conventions of real media products. It discusses the use of soundtracks to build tension, as well as challenging conventions by not including dialogue. It also discusses the use of various camera shots and movements that both conform to and challenge conventions. The editing and costumes/props are also described as conforming to horror film conventions. The document evaluates how the characters represent social groups such as gender, age and race. It discusses what type of media institution would be suitable for distributing the product. Finally, it discusses the intended audience and how they were attracted and addressed.
The document discusses how the media product uses and challenges conventions of real horror films and trailers. It summarizes how the trailer, film poster, and magazine cover were designed to look professional while subverting some expectations. Audience feedback was positive and suggested the trailer maintain suspense. New technologies like Photoshop, Premiere Pro, and social media were used to construct, research, plan, and evaluate the project.
The trailer summarizes the key points of the Maze Runner film in under 3 minutes. It shows intense action scenes and frightening creatures to generate excitement and anticipation among its target audience of teenagers and young adults. Persuasive techniques like compelling phrases and adrenaline-pumping music and imagery are used to convince viewers that this is a film worth watching. The trailer provides just a taste of the mysteries and dangers that will be explored in the full movie.
The document provides an evaluation of a 2 minute media film opening. It discusses how the opening uses conventions from real media products such as sound and camera shots to build tension. It challenges one convention by not including dialogue. The document also discusses how the opening represents social groups through the main characters and why a horror institution would be suited to distribute the product. The intended audience is described as well as how the opening aims to attract them through relatable characters and tension-building techniques. The document reflects on the technologies used such as editing software and what was learned from creating the preliminary task and developing the full opening.
The document discusses the evaluation of a short film called "Social Enemy" and its ancillary texts (poster and double page spread). It analyzes how the narrative, genre, music, and editing of the film develop conventions. Feedback from audiences is discussed, and how it influenced changes to the film. The effectiveness of combining the film, poster, and spread is analyzed. Lastly, the use of technologies like YouTube, Facebook, Photoshop, and editing software in creating and researching the project is described.
Each of the six magazine front covers from Total Film, Empire, and Fangoria follow similar conventions to successfully promote films. They each feature a dominant main image of a male character, masthead at the top, and selling points around the image. While they have a similar layout, Fangoria has a more amateur, horror-focused style compared to the polished look of Total Film and Empire. The magazines also tailor aspects like colors and images to match the genre and tone of the featured film. Overall, maintaining a consistent brand identity while adapting to different films allows each magazine to attract and engage their target audience.
This featurette explores the set of the film adaptation of The Maze Runner novel. It features interviews with the novel's author James Dashner and director Wes Ball as they tour the filming location in Louisiana. The video aims to entertain, persuade, and promote the upcoming film through glimpses of the set, interviews discussing the filmmaking process, and clips from the movie. It primarily targets fans of the novel but also aims to intrigue broader audiences and encourage them to see the film.
The document summarizes how the film opening uses and develops conventions of the thriller genre. It introduces the protagonist, an innocent girl, and antagonist, a mysterious man stalking her, in typical thriller ways. Various elements of the opening, like the isolated setting, camera work, and music, emulate conventions seen in other thrillers. While adhering to many genre norms, some aspects, like the credit font, challenge conventions to create intrigue and suspense for the audience.
The document provides a detailed summary and analysis of the film "The Maze Runner". It discusses the key purposes of entertainment, persuasion and promotion. It describes the plot, characters, target audiences, representation of social groups, narrative structure, themes and technical codes used. The film follows teenage boys trapped in a giant maze who must work together to escape while grappling with issues of memory, identity and coming of age.
The document outlines a film idea that combines the romance and thriller genres. It involves a female protagonist who witnesses a murder committed by the male antagonist in the woods. They later meet in school and fall in love. However, the antagonist later confesses to the murder, creating conflict. The document discusses plans for the trailer, including establishing the characters' meeting and building suspense through fragmented scenes. It also provides research on target audiences for romance and thriller films.
The document discusses how the opening of a horror film challenges conventions through various technical and stylistic choices. Some unconventional elements include having a female antagonist, using dialogue over quick cuts to build tension, and altering color/lighting. More conventional elements are also discussed, such as using isolated locations, red/black colors, and exaggerated sound. The social representations in the opening are explored, noting how the female antagonist challenges gender norms. The discussion concludes that the film is well-suited to the independent British distributor Vertigo Films, which could employ strategies like festival screenings and viral marketing campaigns.
Machine Learning for Images - what's specific, various implementation of image recognition, what can be build using image recognition via machine learning. Image recognition frameworks, CNN, cuda-convnet2, coffee, torch7, theano, etc.
H2O World - Migrating from Proprietary Analytics Software - Fonda IngramSri Ambati
This document discusses strategies for moving an organization from proprietary software to open source software. It notes that open source provides freedom from vendor control and can reduce costs through evaluating the total cost of ownership. Open source also allows organizations to innovate in real time and regain internal expertise. The document recommends starting small with a proof of concept, gaining user buy-in through education and support, and realizing that open source may not be identical but can coexist with previous proprietary software during a transition. It also acknowledges that security issues can exist with both open source and commercial software.
The document discusses the history and future of SAS and business analytics. It covers SAS's origins and evolution over time, from the early days of business intelligence to modern areas like big data, cloud computing, and social media analytics. The presentation also outlines SAS's business analytics framework and provides case studies on how SAS has helped organizations in various industries gain insights from their data. Finally, it addresses emerging trends and technologies that SAS is pursuing, such as software as a service delivery models and analytics in the cloud.
H2O World - A Look Under Progressive's Big Data Hood - Pawan Divakarla & Bria...Sri Ambati
Progressive has built a big data infrastructure with multiple layers including data storage using Hadoop and SQL Server, a data access and modeling layer using tools like R and SAS, and a data presentation layer applying machine learning algorithms like random forests. An example use case is analyzing driving behavior data to better understand risk and improve customer experience. Progressive aims to leverage its large trove of customer data through an emphasis on data-driven decision making.
The document discusses research on the intended audience and existing films in the genre of a dystopian sci-fi film trailer that the author is creating. It analyzes audience surveys that provided feedback on popular genres, what draws people to trailers, and suggestions for the author's trailer. It also summarizes existing film trailers like The Hunger Games, Divergent, and The Maze Runner to see how they effectively set up their worlds and hint at conflicts without revealing too much. Production techniques for titles, color grading, and scene composition are also considered.
The document provides an analysis of a student film project that was created to follow the conventions of a psychological thriller genre. It discusses how the opening scene establishes suspense through a woman running in distress set to dramatic music. While some conventions were followed, the film also challenged expectations by portraying the female protagonist as strong and independent. The document examines the influences of films like The Blair Witch Project and Halloween 5 and how technologies like cameras and editing software were used to construct the film product.
The teaser trailer follows conventions of the horror genre but with some twists, showing characters in danger rather than revealing the killer. Audience feedback was positive, though some wanted more context. While technology helped with production and evaluation, some software had learning curves or limitations for the timeline. Overall the project achieved its goals of representing and challenging horror genre tropes.
The document summarizes feedback from a focus group of the target audience (young horror fans aged 15-18) on promotional materials created for a slasher film. The focus group preferred the original film poster over Friday the 13th's due to its clearer antagonist image and brighter colors. They also preferred the original magazine cover design over Fangoria's for having a cleaner focus on the antagonist. Finally, they thought the film trailer was effective at building tension but the ending montage could be faster-paced. The target audience feedback validated that the promotional pieces would attract and intrigue horror fans.
Foundation production portfolio - EvaluationMayesV1
The student learned a great deal from creating a short thriller film from start to finish. Through extensive research into the genre and industry, they improved their planning process and adapted their original idea. Filming skills like camerawork and editing improved over time. While the production process wasn't perfect, the student feels they created a good film considering the challenges, and learned valuable lessons to apply to future projects.
The document discusses conventions used in film thrillers and how the student's group incorporated some of these conventions into their thriller film opening. It describes typical conventions like close-ups, sound, music, and location. The student's group used close-ups to convey emotion, voiceovers to elicit sympathy, and set their film in a school to make the audience feel unsafe. They also used montage shots and copyright-free music. Looking back, the student learned about techniques like the 180-degree rule and how to work effectively in a group.
The document provides an evaluation of a 2-minute media film opening. It discusses several ways the opening uses and develops conventions of real media products. It examines how the characters represent various social groups in terms of gender, age, race, class, and sexuality. Finally, it considers what type of media institution might distribute the product and who the target audience would be. The opening challenges conventions by not including dialogue to emphasize mood, and uses camera shots and editing techniques typical of horror films to attract audiences.
The document provides an evaluation of a 2-minute media film opening. It discusses several ways the opening uses and develops conventions of real media products. It discusses the use of soundtracks to build tension, as well as challenging conventions by not including dialogue. It also discusses the use of various camera shots and movements that both conform to and challenge conventions. The editing and costumes/props are also described as conforming to horror film conventions. The document evaluates how the characters represent social groups such as gender, age and race. It discusses what type of media institution would be suitable for distributing the product. Finally, it discusses the intended audience and how they were attracted and addressed.
The document discusses how the media product uses and challenges conventions of real horror films and trailers. It summarizes how the trailer, film poster, and magazine cover were designed to look professional while subverting some expectations. Audience feedback was positive and suggested the trailer maintain suspense. New technologies like Photoshop, Premiere Pro, and social media were used to construct, research, plan, and evaluate the project.
The trailer summarizes the key points of the Maze Runner film in under 3 minutes. It shows intense action scenes and frightening creatures to generate excitement and anticipation among its target audience of teenagers and young adults. Persuasive techniques like compelling phrases and adrenaline-pumping music and imagery are used to convince viewers that this is a film worth watching. The trailer provides just a taste of the mysteries and dangers that will be explored in the full movie.
The document provides an evaluation of a 2 minute media film opening. It discusses how the opening uses conventions from real media products such as sound and camera shots to build tension. It challenges one convention by not including dialogue. The document also discusses how the opening represents social groups through the main characters and why a horror institution would be suited to distribute the product. The intended audience is described as well as how the opening aims to attract them through relatable characters and tension-building techniques. The document reflects on the technologies used such as editing software and what was learned from creating the preliminary task and developing the full opening.
The document discusses the evaluation of a short film called "Social Enemy" and its ancillary texts (poster and double page spread). It analyzes how the narrative, genre, music, and editing of the film develop conventions. Feedback from audiences is discussed, and how it influenced changes to the film. The effectiveness of combining the film, poster, and spread is analyzed. Lastly, the use of technologies like YouTube, Facebook, Photoshop, and editing software in creating and researching the project is described.
Each of the six magazine front covers from Total Film, Empire, and Fangoria follow similar conventions to successfully promote films. They each feature a dominant main image of a male character, masthead at the top, and selling points around the image. While they have a similar layout, Fangoria has a more amateur, horror-focused style compared to the polished look of Total Film and Empire. The magazines also tailor aspects like colors and images to match the genre and tone of the featured film. Overall, maintaining a consistent brand identity while adapting to different films allows each magazine to attract and engage their target audience.
This featurette explores the set of the film adaptation of The Maze Runner novel. It features interviews with the novel's author James Dashner and director Wes Ball as they tour the filming location in Louisiana. The video aims to entertain, persuade, and promote the upcoming film through glimpses of the set, interviews discussing the filmmaking process, and clips from the movie. It primarily targets fans of the novel but also aims to intrigue broader audiences and encourage them to see the film.
The document summarizes how the film opening uses and develops conventions of the thriller genre. It introduces the protagonist, an innocent girl, and antagonist, a mysterious man stalking her, in typical thriller ways. Various elements of the opening, like the isolated setting, camera work, and music, emulate conventions seen in other thrillers. While adhering to many genre norms, some aspects, like the credit font, challenge conventions to create intrigue and suspense for the audience.
The document provides a detailed summary and analysis of the film "The Maze Runner". It discusses the key purposes of entertainment, persuasion and promotion. It describes the plot, characters, target audiences, representation of social groups, narrative structure, themes and technical codes used. The film follows teenage boys trapped in a giant maze who must work together to escape while grappling with issues of memory, identity and coming of age.
The document outlines a film idea that combines the romance and thriller genres. It involves a female protagonist who witnesses a murder committed by the male antagonist in the woods. They later meet in school and fall in love. However, the antagonist later confesses to the murder, creating conflict. The document discusses plans for the trailer, including establishing the characters' meeting and building suspense through fragmented scenes. It also provides research on target audiences for romance and thriller films.
The document discusses how the opening of a horror film challenges conventions through various technical and stylistic choices. Some unconventional elements include having a female antagonist, using dialogue over quick cuts to build tension, and altering color/lighting. More conventional elements are also discussed, such as using isolated locations, red/black colors, and exaggerated sound. The social representations in the opening are explored, noting how the female antagonist challenges gender norms. The discussion concludes that the film is well-suited to the independent British distributor Vertigo Films, which could employ strategies like festival screenings and viral marketing campaigns.
Machine Learning for Images - what's specific, various implementation of image recognition, what can be build using image recognition via machine learning. Image recognition frameworks, CNN, cuda-convnet2, coffee, torch7, theano, etc.
H2O World - Migrating from Proprietary Analytics Software - Fonda IngramSri Ambati
This document discusses strategies for moving an organization from proprietary software to open source software. It notes that open source provides freedom from vendor control and can reduce costs through evaluating the total cost of ownership. Open source also allows organizations to innovate in real time and regain internal expertise. The document recommends starting small with a proof of concept, gaining user buy-in through education and support, and realizing that open source may not be identical but can coexist with previous proprietary software during a transition. It also acknowledges that security issues can exist with both open source and commercial software.
The document discusses the history and future of SAS and business analytics. It covers SAS's origins and evolution over time, from the early days of business intelligence to modern areas like big data, cloud computing, and social media analytics. The presentation also outlines SAS's business analytics framework and provides case studies on how SAS has helped organizations in various industries gain insights from their data. Finally, it addresses emerging trends and technologies that SAS is pursuing, such as software as a service delivery models and analytics in the cloud.
H2O World - A Look Under Progressive's Big Data Hood - Pawan Divakarla & Bria...Sri Ambati
Progressive has built a big data infrastructure with multiple layers including data storage using Hadoop and SQL Server, a data access and modeling layer using tools like R and SAS, and a data presentation layer applying machine learning algorithms like random forests. An example use case is analyzing driving behavior data to better understand risk and improve customer experience. Progressive aims to leverage its large trove of customer data through an emphasis on data-driven decision making.
Sparkling Water Webinar October 29th, 2014Sri Ambati
Sparkling Water is the newest application on the Apache Spark in-memory platform to extend Machine Learning for better predictions and to quickly deploy models into production. H2O is proud to partner with Cloudera and Databricks to bring this capability to a wide audience.
H2O is for data scientists and business analysts who need scalable and fast machine learning. H2O is an open source predictive analytics platform. Unlike traditional analytics tools, H2O provides a combination of extraordinary math and high performance parallel processing with unrivaled ease of use. H2O speaks the language of data science with support for R, Python, Scala, Java and a robust REST API. Smart business applications are powered by H2O’s NanoFast¬TM Scoring Engine. Learn more by going to http://www.h2o.ai and contact us for more information.
- Powered by the open source machine learning software H2O.ai. Contributors welcome at: https://github.com/h2oai
- To view videos on H2O open source machine learning software, go to: https://www.youtube.com/user/0xdata
SAS is the largest private software company in the world that has been doing machine learning for 39 years. It is serious about Hadoop, as demonstrated by its joint R&D with Hadoop vendors and being a certified workload engine on YARN. SAS accelerates the analytical life cycle with its tools for data preparation, exploration, modeling, and deployment in Hadoop. It is currently delivering big data analytics solutions for customers like Rogers Media.
Michal Malohlava's presentation on Building Your Own Recommendation Engine 03.17.16
- Powered by the open source machine learning software H2O.ai. Contributors welcome at: https://github.com/h2oai
- To view videos on H2O open source machine learning software, go to: https://www.youtube.com/user/0xdata
DeepLearning4J: Open Source Neural Net PlatformTuri, Inc.
The document discusses neural networks and deep learning. It describes how neural networks can be used for tasks like natural language processing, computer vision, and recommender systems. It also discusses how platforms like Skymind's DeepLearning4J provide tools for building and training neural networks using Java and Scala. DeepLearning4J is open source and can run neural networks across CPUs and GPUs for large scale deep learning.
Intro to Machine Learning with H2O and Python - DenverSri Ambati
This document provides an overview of H2O.ai, an open-source in-memory predictive analytics platform. It was founded in 2011 and has 50+ core developers. H2O supports many machine learning algorithms like generalized linear models, random forest, gradient boosting, and deep learning. It can handle large datasets across various environments and programming interfaces like R, Python, and REST APIs. H2O provides scalable supervised and unsupervised learning algorithms for tasks like classification, regression, clustering, and dimensionality reduction.
Learn about SAS and Cloudera technical integration, how SAS builds on the enterprise data hub, and SAS In-Memory Statistics for Hadoop, machine learning capabilities.
Scalable Data Science and Deep Learning with H2O
In this session, we introduce the H2O data science platform. We will explain its scalable in-memory architecture and design principles and focus on the implementation of distributed deep learning in H2O. Advanced features such as adaptive learning rates, various forms of regularization, automatic data transformations, checkpointing, grid-search, cross-validation and auto-tuning turn multi-layer neural networks of the past into powerful, easy-to-use predictive analytics tools accessible to everyone. We will present a broad range of use cases and live demos that include world-record deep learning models, anomaly detection tools and approaches for Kaggle data science competitions. We also demonstrate the applicability of H2O in enterprise environments for real-world customer production use cases.
By the end of the hands-on-session, attendees will have learned to perform end-to-end data science workflows with H2O using both the easy-to-use web interface and the flexible R interface. We will cover data ingest, basic feature engineering, feature selection, hyperparameter optimization with N-fold cross-validation, multi-model scoring and taking models into production. We will train supervised and unsupervised methods on realistic datasets. With best-of-breed machine learning algorithms such as elastic net, random forest, gradient boosting and deep learning, you will be able to create your own smart applications.
A local installation of RStudio is recommended for this session.
- Powered by the open source machine learning software H2O.ai. Contributors welcome at: https://github.com/h2oai
- To view videos on H2O open source machine learning software, go to: https://www.youtube.com/user/0xdata
The document compares and contrasts the SAS and Spark frameworks. It provides an overview of their programming models, with SAS using data steps and procedures while Spark uses Scala and distributed datasets. Examples are shown of common tasks like loading data, sorting, grouping, and regression in both SAS Proc SQL and Spark SQL. Spark MLlib is described as Spark's machine learning library, in contrast to SAS Stats. Finally, Spark Streaming is demonstrated for loading and querying streaming data from Kafka. The key takeaways recommend trying Spark for large data, distributed computing, better control of code, open source licensing, or leveraging Hadoop data.
The document discusses Spark job failures and Spark/YARN architecture. It describes a Spark job failure due to a task failing 4 times with a NumberFormatException when parsing a string. It then explains that Spark jobs are divided into stages made up of tasks, and the entire job fails if a stage fails. The document also provides an overview of the Spark and YARN architectures, showing how Spark jobs are submitted to and run via the YARN resource manager.
The document provides an introduction and overview of Apache Kafka presented by Jeff Holoman. It begins with an agenda and background on the presenter. It then covers basic Kafka concepts like topics, partitions, producers, consumers and consumer groups. It discusses efficiency and delivery guarantees. Finally, it presents some use cases for Kafka and positioning around when it may or may not be a good fit compared to other technologies.
Real time Analytics with Apache Kafka and Apache SparkRahul Jain
A presentation cum workshop on Real time Analytics with Apache Kafka and Apache Spark. Apache Kafka is a distributed publish-subscribe messaging while other side Spark Streaming brings Spark's language-integrated API to stream processing, allows to write streaming applications very quickly and easily. It supports both Java and Scala. In this workshop we are going to explore Apache Kafka, Zookeeper and Spark with a Web click streaming example using Spark Streaming. A clickstream is the recording of the parts of the screen a computer user clicks on while web browsing.
Introduction and Overview of Apache Kafka, TriHUG July 23, 2013mumrah
Apache Kafka is a distributed publish-subscribe messaging system that allows both publishing and subscribing to streams of records. It uses a distributed commit log that provides low latency and high throughput for handling real-time data feeds. Key features include persistence, replication, partitioning, and clustering.
Developing Real-Time Data Pipelines with Apache KafkaJoe Stein
Apache Kafka is a distributed streaming platform that allows for building real-time data pipelines and streaming apps. It provides a publish-subscribe messaging system with persistence that allows for building real-time streaming applications. Producers publish data to topics which are divided into partitions. Consumers subscribe to topics and process the streaming data. The system handles scaling and data distribution to allow for high throughput and fault tolerance.
Apache Kafka 0.8 basic training - VerisignMichael Noll
Apache Kafka 0.8 basic training (120 slides) covering:
1. Introducing Kafka: history, Kafka at LinkedIn, Kafka adoption in the industry, why Kafka
2. Kafka core concepts: topics, partitions, replicas, producers, consumers, brokers
3. Operating Kafka: architecture, hardware specs, deploying, monitoring, P&S tuning
4. Developing Kafka apps: writing to Kafka, reading from Kafka, testing, serialization, compression, example apps
5. Playing with Kafka using Wirbelsturm
Audience: developers, operations, architects
Created by Michael G. Noll, Data Architect, Verisign, https://www.verisigninc.com/
Verisign is a global leader in domain names and internet security.
Tools mentioned:
- Wirbelsturm (https://github.com/miguno/wirbelsturm)
- kafka-storm-starter (https://github.com/miguno/kafka-storm-starter)
Blog post at:
http://www.michael-noll.com/blog/2014/08/18/apache-kafka-training-deck-and-tutorial/
Many thanks to the LinkedIn Engineering team (the creators of Kafka) and the Apache Kafka open source community!
In what ways does your media product use, develop or challenge forms and conv...ellievigors
The document summarizes the process of creating a film trailer for a course assignment. The student and a partner chose to create a sci-fi thriller trailer. They researched the codes and conventions of the genre, including tension, action, and leaving viewers on a cliffhanger. Through iterations and feedback, they improved the trailer by adding subtle action, varying the editing pace to build tension, and leaving the final shot ambiguous. They aimed to attract female viewers by having a female protagonist, challenging a common convention. The final trailer successfully employed genre conventions while developing original characters.
Q3. What have you learned from your audience feedback?Maria Browne
This document discusses the filmmaker's process of gathering audience feedback to inform their horror film trailer project. Some key findings from their research included that the target audience preferred teenage characters and supernatural horror genres. During production, early test screenings revealed that the roles of protagonist and antagonist were unclear. In response, the filmmaker added scenes to better establish the main character as the victim being haunted. They also changed the villain's appearance and added a voiceover to clarify the antagonistic role. Based on feedback that the original title was too similar to a recent James Bond film, they changed the title to better reflect the plot of haunting revenge.
In what ways does your media product use, develop or challenge forms and conv...Thomas Hannett
The document discusses how the media product analyzes and challenges conventions of real media. It analyzed existing horror trailers and films to understand conventions like isolated rural settings, fast-paced editing, dark lighting, and revealing the villain. The media product challenges some conventions by having a female villain target male victims rather than the typical vulnerable female victim. It also challenges conventions through the plot and by having the villain wear white instead of typical dark clothing for villains.
1) Working in a team on the preliminary project taught the importance of collaboration and incorporating different skills and ideas from group members.
2) Experience with filming techniques like camera angles and tracking shots in the preliminary helped improve those skills for the thriller film.
3) Researching genre conventions from thriller films helped establish techniques to include, such as lighting, locations, and cliffhangers, to make their film recognizable as a thriller.
In what ways does your media product use, develop or challenge forms or conve...lswiftbsg
This document discusses how the media product uses and develops conventions of real thriller films. It begins by explaining how the title "The Killer's Identity" gives clues about the genre and mystery plot that is common for thriller titles. The location was initially planned to be scary places but was changed to more normal places like the beach that a couple would visit to create unexpected suspense. Flashback scenes were edited to look pleasant rather than scary to build tension without being too horrific. The opening sequence establishes the plot through a shortened version of the film rather than a continuous tense sequence, challenging conventions. The poster and mis-en-scene are also designed based on psychological thriller conventions to interest the viewer without being overtly alarming.
The focus group of 20 teenagers provided largely positive feedback on the trailer, praising the suspenseful buildup, cliffhanger ending, and music choice. They also responded well to the poster and TV listing, noting the bold images, fonts, and framing of content matched conventions. Minor criticisms of the trailer included a slow initial pace and lack of dialogue or additional characters. The creators analyzed the results to better understand audience reception of the soap opera and make minor adjustments.
The document discusses receiving feedback at various stages of creating a teaser trailer, magazine cover, and posters. Feedback was gathered through questionnaires and suggestions. For the initial ideas, feedback indicated the supernatural storyline was most interesting. Revisions were made to the magazine covers and posters based on feedback. The final versions - a magazine cover, poster, and teaser trailer - incorporated feedback received. People generally responded positively to the final products.
The document provides feedback and analysis on a film trailer project. It summarizes the positive and constructive feedback received on different elements of the trailer, including the camerawork, sound design, typography, locations, and narrative. It acknowledges that the narrative and inclusion of horror elements could have been clearer. Overall, the document analyzes each element that worked well or could be improved and identifies lessons learned for future projects.
1) The trailer uses found footage of London to establish the setting of modern society and introduces the KKK members.
2) It shows the KKK planning meetings and their leader speaking to build intrigue before depicting violent scenes of characters being murdered.
3) The final scene mysteriously shows a woman hanging from a tree to leave the audience questioning how the filmmakers pulled it off.
Media evaluation - Trailer presentationFahmiNassir
1) The document discusses the production of a film trailer for a student film project about a revolution in society. Various elements of the trailer are discussed including the title "Vive La Révolution", fonts, locations, costumes, camerawork, genre, characters, and special effects.
2) Locations included shots of London to represent society, a backyard to represent headquarters, fields to depict shootings, and hallways for stabbings. Special effects included making fake blood and using harnesses for hanging scenes.
3) The trailer was structured in three parts - an introduction, escalating violence, and a mysterious ending. It utilizes common thriller conventions like vulnerable women and innocent casualties. Transitions were mostly f
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and allowing them to interpret events and decide if they want to see the full film.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions like an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist instead of the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and leaving interpretation up to them.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The created trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The trailer aims to fulfill the uses and gratifications theory by engaging audiences to interpret events and decide if they want to see the full film.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and allowing them to interpret events.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document analyzes how the trailer fulfills the uses and gratifications theory by engaging audiences to interpret events and decide if they want to see the full film.
In what ways does your media products use, develop and challenge conventions ...chloeedwards
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and allowing them to interpret events.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions like an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist instead of the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and leaving interpretation up to them.
1) The document discusses the creation of a crime thriller trailer and magazine for a student project. Research was conducted on films like The Equalizer, The A-Team, and Limitless to identify genre conventions.
2) Both the created trailer and magazine were found to generally conform to crime thriller conventions through elements like dark color schemes, but also challenged some conventions through certain stylistic choices.
3) Feedback indicated that while the overall concept and style was generally well-received, some specific shots and acting aspects in the trailer could have been improved to better match audience expectations.
1. The document discusses the filmmakers' process in developing the opening scene of their thriller film to engage audiences. They aimed to include exciting, memorable conventions like unexpected events early on that were inspired by successful films.
2. Through research and audience feedback, the filmmakers incorporated some conventions like a female in distress but avoided cliches. They used camera techniques like close-ups and over-the-shoulder shots to build mystery, suspense and engage emotions as seen in films like Psycho and Halloween.
3. The opening scene and titles underwent several revisions based on test audiences and comparisons to similar films to create intrigue, fit the genre better and appeal more to their target demographic. Music choices also evolved
In what ways does your media product use, develop or challenge forms and conv...Thomas Hannett
The document discusses conventions in horror media products and how the student's trailer challenges some conventions. Specifically:
- Most horror trailers feature women as vulnerable victims and men as villains, but the student's trailer features male victims being tortured by a female villain.
- Villains are usually shown in dark clothing, but the student's trailer features the female villain in white to challenge expectations.
- The order of narrative sections in the trailer is distorted from conventions to create confusion, in line with the horror genre.
- The shifting roles of villain and victim in different sections of the trailer make applying Propp's character theory difficult.
21. Feedback
After we completed our teaser trailer, we found it a little difficult to get some
negative feedback. So to overcome this, we went out searching for it. We wrote
down a question for a few of our classmates to answer: “Looking through our
teaser trailer, what could have been improved or what would you have done
differently if you were directing the trailer?”
“The head exploding on the teaser trailer could be seen as too graphic and explicit.”
– from Laila Shenair and Rachel Gande
“The theme and message of the film can be seen as too offensive or too
controversial.” – from Daniella Agathangelou and Sophie Barker.
“You may have revealed too much in your teaser trailer.” – from Tyler Gilbert, Kelsie
Mackinnon and Georgie Walker.
“You may have exposed too much content in the trailer by showing too many
deaths. You could have exposed one death scene and saved the others.” – from
Rhiannah McKenzie La Rose, Amy Holt and Tiffany Coker.
“The explicit content shown in the trailer could put an age restriction on who can
watch it” – from Mr Farnsworth.
22. Feedback – What we gained
We had some really positive feedback; mostly speaking about the professionalism
we managed to pull off and how strong our special effects were. We generally did
have these factors in mind and did aim to perfect these things so witnessing these
comments in our feedback was refreshing and made us feel like our mission was
accomplished.
The negative feedback did make us look at our trailer in a different light; not
necessarily decrease our appreciation for our trailer, but see things in it we didn’t
see before. For example, we hadn’t really noticed how much content we revealed
in our trailer until some of our classmates mentioned this. At first, we thought that
it could contain this content because the actual film could just be heavily filled with
more murder scenes which balances out how much has been revealed to how
much can be revealed. However, a good point was made… The amount of explicit
content in this teaser trailer means that the trailer would have to be restricted to
probably night time play; or advertised before a movie in the cinema that is rated
an 18 or a 15. As a director that would want to put no restrictions on their adverts
and allow it be played more freely, we would have to cut this teaser trailer so that
no explicitness is shown. From then, the appropriate audience that see it on TV
could go on YouTube to gain access to the explicit teaser trailer after verifying their
age.
23. Feedback – What we agree with
From the feedback, we gathered that most of the target audience would rather our
magazine cover be simple then complex. We personally preferred “Poster 3” out of
them all because we liked the message we was trying to get across in that poster. It
was first difficult to pick which poster to go through with because “Poster 1” and
“Poster 3” were both getting good reception.
We joined Fahmi and the KKK character’s body together to symbolize they are one
and that they’re connected. We joined them together by the burning thread of the
material to firstly reveal that there is an ethnic minority underneath the mask but
then to also show the contrast between the two characters. We also liked the
contrast between the backgrounds behind the characters. The reason why we
decided to include carnage behind Fahmi is to show that in order for him to achieve
his aim he is going to have to cause a lot of destruction. The fire built up in this
background is to resemble rage and power. We decided to make the background of
the KKK character forest-like as when you imagine an area burning, you would
imagine a forest like area to burn the most effective due to the amount of wood
and oxygen.
However, clearly our messages weren’t portrayed in full effect for this poster as the
audience seemed to have liked poster 1 the most; so we decided to go through
with it.
24. Feedback – What we learned
From the feedback, we gathered that most of the target audience would rather our
magazine cover be simple then complex. We personally preferred “Poster 3” out of
them all because we liked the message we was trying to get across in that poster. It
was first difficult to pick which poster to go through with because “Poster 1” and
“Poster 3” were both getting good reception.
We joined Fahmi and the KKK character’s body together to symbolize they are one
and that they’re connected. We joined them together by the burning thread of the
material to firstly reveal that there is an ethnic minority underneath the mask but
then to also show the contrast between the two characters. We also liked the
contrast between the backgrounds behind the characters. The reason why we
decided to include carnage behind Fahmi is to show that in order for him to achieve
his aim he is going to have to cause a lot of destruction. The fire built up in this
background is to resemble rage and power. We decided to make the background of
the KKK character forest-like as when you imagine an area burning, you would
imagine a forest like area to burn the most effective due to the amount of wood
and oxygen.
However, clearly our messages weren’t portrayed in full effect for this poster as the
audience seemed to have liked poster 1 the most; so we decided to go through
with it.
25. Feedback
One particular person had a lot of interesting points to make about our trailer so
we tried to note it down and this is what we managed to get: “In a trailer, especially
a teaser one, you don't necessarily see the actual killings. Unless its an action
combat scene or a couple of seconds before, and the time it spent on the screen.
The killings seemed to be in isolated areas, and when that generally happens in
trailers, there’s a scary build up; suspense. The end scene of the hanging and the
flashing cuts of the KKK dude was out of this world. But when you're watching
someone run during a trailer, it never usually is long enough to take 2 seconds of
the screen. Since yours was like 7 seconds, there's elements in it that made it
predictable. I.e I knew he was going to either trip up or die. So for me
personally, the suspense was killed. Teaser trailers shock the audience, and I’m sure
if that was made into a film, that death scene would run on pretty much the same
time. The structure of the opening sequence too. It was running smooth like a film
intro or something. Trailers usually bounce scenes in between it, so it doesn't look
too structured. E.g. The unveiling of Fahmi, makes the audience think he's a major
part of the film, like the focus is on one character. There was a lot of shots of
different angles that had him in it. Moving the deaths into that sequence would
have made a little bit of a difference.” – From Naomisha Phillips.
26. Feedback - Analysis
This was the most feedback we had received from one person so we felt that, as
good directors, we should analyse this feedback and comment on it. The comment
she made on us exposing our killings was fairly reasonable. To an extent, someone
could say that we did expose these killings a lot more than they needed to be as it
is a teaser trailer. However, that can only be accurately judged by the amount of
killings and violence that would be in the actual film. For example, “The Bourne
Supremacy” had quite a few violent scenes in it’s teaser trailer but the film itself
has many more. So in regards to this point, we felt as if it depends on the ratio of
violence used in the teaser trailer to the violence used in the film. Although, you
could say that we took this too far by actually including a killing.
She made a statement about the length of Luke’s running scenes and how the
length of the scenes make what happens (him getting shot) predictable. We felt as
if this was just a personal opinion and we disagree with this point because when we
were showing our teaser trailer to different people, a majority of the audience
would always jump when Luke gets shot; which tells us otherwise. Also, the tension
wasn’t killed because of the use of different shots during the running scene and the
way he looked back at the camera.
27. Feedback - Analysis
The comment about the headshot scene being run for the same amount of time in
the actual film didn’t seem like a problem in our eyes. In the “Skyfall” teaser
trailer, the interviewing scene was done the same way our headshot scene was
done and was still very effective in both the teaser trailer and the film.
She also made a comment about Fahmi being exposed for too long and it is too
obvious that he is a main character. Quite frankly, this was our aim as we needed a
“trademark” for our teaser trailer; someone or something that gets remembered.
You could argue that the KKK costumes could have that role but we felt as if there
had to be a leader. Someone taking control of this revolution and leading it “the
right direction”; just like the main character in the film: “American History X”.
Also, when it comes to producing teaser posters and magazine posters, the film
needs to have a visual representation; usually a main character or a distinct object
that is displayed in the movie many times to show it’s importance. We included
both; the KKK character and Fahmi. They both resemble a powerful message in our
teaser trailer and we believe that they compliment each other; so getting rid (or
decreasing attention) of one or the other would have made the trailer less
effective. So yes, we did make sure that the audience know Fahmi is an important
character; however, we did not see this as a problem.
30. Feedback
“I can see a strong link between all of the products in your campaign!” – from
Mason Stanley.
“I like the blurry vision effect you used on the characters in the background photo
of the magazine. I imagine a ‘lost identity’” – from Billy Bass.
“I couldn’t tell the difference between this magazine cover and an official Sight and
Sound copy” – from Sam Adamson.
“I’m not sure why it’s in black and white if every other part of your campaign is in
colour. It seems like unnecessarily breaking out of your house style.” – from Ali
Alvandi.
“I like the way you have incorporated the colours: red, white and black” – from Mr
Lall.
“I like the style of the font you have used for your film title but I feel like you could
have manipulated it a little more for it to look more professional.” – from Gabriel
Chukwu.
“The colours used in the background photo are very powerful and emphasise the
expressions on Fahmi’s face.” – from Mohammed Kirefu.
33. Feedback
“I like the raw environment that the photo was taken in, it makes the characters
look reckless” – from Sophie Barker.
“I’m confused as to why the KKK guy has blood on him” – from Corey Collins.
“I can’t see this getting advertised in public as it almost looks like it’s promoting the
Ku Klux Klan” – from Steven English.
“Very powerful use of imagery” – from Isabella Cuttill.
“Fahmi and the KKK character look like they have been through a war and back. The
KKK character is bleeding so I’m guessing this is some kind of metaphor as to who
wins in the movie?” – from Laila Shenair.
“The environment and the characters go really well together” – from Billy Bass.
“I like how the KKK symbol looks like it’s been engraved onto the poster through
blood. Very effective!” – from Charlie Taylor.
“The characters look really tough and bold; like they’re ready to send a message” –
from Rachel Gande.
“I think it’s a bit too simple to portray any kind of message. It looks attractive
though.” – from Rhiannah Mckenzie La Rose.