LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
JMeter webinar - integration with InfluxDB and GrafanaRTTS
Watch this recorded webinar about real-time monitoring of application performance. See how to integrate Apache JMeter, the open-source leader in performance testing, with InfluxDB, the open-source time-series database, and Grafana, the open-source analytics and visualization application.
In this webinar, we will review the benefits of leveraging InfluxDB and Grafana when executing load tests and demonstrate how these tools are used to visualize performance metrics.
Length: 30 minutes
Session Overview
-------------------------------------------
During this webinar, we will cover the following topics while demonstrating the integrations of JMeter, InfluxDB and Grafana:
- What out-of-the-box solutions are available for real-time monitoring JMeter tests?
- What are the benefits of integrating InfluxDB and Grafana into the load testing stack?
- Which features are provided by Grafana?
- Demonstration of InfluxDB and Grafana using a practice web application
To view the webinar recording, go to:
https://www.rttsweb.com/jmeter-integration-webinar
Smart TV Buyer Insights Survey 2024 by 91mobiles.pdf91mobiles
91mobiles recently conducted a Smart TV Buyer Insights Survey in which we asked over 3,000 respondents about the TV they own, aspects they look at on a new TV, and their TV buying preferences.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
Encryption in Microsoft 365 - ExpertsLive Netherlands 2024Albert Hoitingh
In this session I delve into the encryption technology used in Microsoft 365 and Microsoft Purview. Including the concepts of Customer Key and Double Key Encryption.
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on the notifications, alerts, and approval requests using Slack for Bonterra Impact Management. The solutions covered in this webinar can also be deployed for Microsoft Teams.
Interested in deploying notification automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
Generating a custom Ruby SDK for your web service or Rails API using Smithyg2nightmarescribd
Have you ever wanted a Ruby client API to communicate with your web service? Smithy is a protocol-agnostic language for defining services and SDKs. Smithy Ruby is an implementation of Smithy that generates a Ruby SDK using a Smithy model. In this talk, we will explore Smithy and Smithy Ruby to learn how to generate custom feature-rich SDKs that can communicate with any web service, such as a Rails JSON API.
Connector Corner: Automate dynamic content and events by pushing a buttonDianaGray10
Here is something new! In our next Connector Corner webinar, we will demonstrate how you can use a single workflow to:
Create a campaign using Mailchimp with merge tags/fields
Send an interactive Slack channel message (using buttons)
Have the message received by managers and peers along with a test email for review
But there’s more:
In a second workflow supporting the same use case, you’ll see:
Your campaign sent to target colleagues for approval
If the “Approve” button is clicked, a Jira/Zendesk ticket is created for the marketing design team
But—if the “Reject” button is pushed, colleagues will be alerted via Slack message
Join us to learn more about this new, human-in-the-loop capability, brought to you by Integration Service connectors.
And...
Speakers:
Akshay Agnihotri, Product Manager
Charlie Greenberg, Host
2. IN WHAT WAYS DOES YOUR MEDIA
PRODUCT USE, DEVELOP OR CHALLENGE
FORMS AN CONVENTION?
- I tried to stick to the conventions of real products to make it seem realistic. I
researched some of the popular pop magazines such as ‘Billboard’ in which I tried to
interpret the structured features for example the sell line and anchorage text. The
conventional red, white and black colour scheme on my magazine was used to add the
professional look which would grab the audiences attention to read it.
- When choosing my image I felt that it was important to edit it so that it would attract my
target audience’ attention. The use of props for example the guitar helped add to the
professional look like you would find on certain magazines like ‘Billboard’ for example.
- The masthead I used was big, bold and clear so that it would be easily recognisable on
the shelves in the shop.
- With the colour scheme I stuck to the conventional red, white and black because this
was the best choice of colours to use for highlighting the different aspects of pop music
and the majority of other pop magazines out there also use this colour scheme.
- The font I used stood out because it was bold and clear. I used basic fonts for the main
text on the double page spread. ‘Billboard’ for example, used these types of fonts in
their magazine which looked to a professional standard and were also easily readable.
3. HOW DOES YOUR MEDIA PRODUCT
REPRESENT PARTICULAR SOCIAL
GROUPS?
As a whole our media product represents young girls aged 15-18 in a number of ways:
- The images used are effective and appeal to the age group because they involve
young teenage girls which they would stereotypically idolise. We also edited the images
to make them catch the attention of the audience by making them brighter so that the
colours became more vibrant. This also tends to make our featured artists more
glamorous.
- The colours scheme we used stuck to the conventional red, white and black theme,
used by the majority of other magazines. The name of our magazine, Music Mania,
stuck with the consistency of the colour scheme throughout and contained alliteration
which made this more eye-catchy for our intended audience. This also linked closely
with the house style which we used because the text we had, we structured in an
interesting way making sure it was still easily readable.
4. WHAT KIND OF MEDIA INSTITUTION
MIGHT DISTRIBUTE YOUR MEDIA
PRODUCT AND WHY?
- An institution which may be suitable for our music magazine is ‘EMAP’, this is because
they are successful in the distribution of music magazines, such as ‘Kerrang’ and
‘Smash Hits!’ these are both similar to our product as they’re both aimed at young
people. Having EMAP distribute our product would enable it to be easily sold around the
UIKL and maybe into Europe.
- However, we wouldn’t have as much control over the context we put in because EMAP
isn’t independent but they have lots of experience of distributing magazines like ours so
we could put all of our trust into them to make our product as successful as possible.
5. WHO WOULD BE THE AUDIENCE FOR
YOUR MEDIA PRODUCT?
- The audience for our magazine would be girls aged between 15 and 18 who are
interested in the genre. They would keep up to date with what's in the top 40 and would
idolise popular pop stars such as Katy Perry, Rihanna and Lady Gaga.
- In their spare time, they would download pop music and go to many of the concerts,
they would also be interested in all the pop gossip such as the latest celebrity scandal.
They may also be quite fashionable and would b interested in the latest pop star
fashions, hair and make-up trends so they may also buy our product and copy the
artists styles.
- They would also read music magazines for escapism, reading the double page spread
interview provides escapism for young people; it’s a way for them to relax by reading
what an artist is up to.
6. HOW DO YOU ATTRACT/ADDRESS
YOUR AUDIENCE?
- Together, we made the title as eye-catchy and appealing to our audience as possible.
We made the house style consistent throughout so it looked to a professional standard
using the red, white and black colour scheme. The fonts we intended to use were also
to this standard without making them look difficult to read.
- The image I used was the stereotypical girl you’d tend to see on the front of any pop
magazine aimed towards the teen female generation. To add to the theme of the
magazine being aimed at girls our conventional colour scheme was changed slightly on
the main title as we added a small pink coloured strip underneath which helped add to
the effect.
- At the bottom of the contents page in my magazine I added an email address to the
website so that the readers could easily access it and read/find out more information
and stories on the featured artists of the particular issue and give them a chance to
subscribe to get the magazine monthly.
7. WHAT HAVE YOU LEARNT ABOUT
TECHNOLOGIES FROM THE PROCESS OF
CONSTRUCTING THIS PRODUCT?
- By using ‘Blogger’ it helped me how to present my work in a more formal but artistic
way, I also figured the importance of using YouTube and adding videos on there for
example the audience research as its easily referable.
- I was also able to increase and develop my learning ability of how to edit photos
professionally in Photoshop. The internet was another source which helped dramatically
because it enabled me to analyse examples of real media products in detail and allowed
me to download fonts from other websites to use on my magazine.
- Slide share was another programme I used via the internet, I gained a better
understanding of this when presenting my double page spread for example as it allowed
me to display the presentation easier and much quicker.
8. WHAT DO YOU FEEL YOU HAVE LEARNT IN
THE PROGRESSION FROM IT TO THE FULL
PRODUCT? – PRELIMINARY TASK
- When creating my preliminary task at the start of the project I feel that my progression
has increased in a sense that I changed a lot of it around to help fit my purpose and suit
the target audience.
- The final product looks completely different due to the amount of changes that had
been made, for example; the sell lines and other text on the front cover had moved to
the other side making the image sit in the middle of the page overpowering the title.