Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
Focused television virtuality crime, novel.
The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Meet Crazyjamjam - A TikTok Sensation | Blog Eternal
Media evaluation2
1. Danielle Bridge
Media Evaluation
In what ways does your media product use, develop or challenge forms and conventions of a real
media product? (Question 1)
The title of the song I used for my music video was Adele’s ‘Turning Tables’, which is based around
the pop genre. The lyrics suggest love and heartbreak, which is a very common, conventional,
meaning behind many pop songs. As a group, we decided to set the music video predominantly on a
beach, with some shots also being on the road side. We gained inspiration from Coldplay’s video
‘Yellow’, as that was also set on a beach. As the lyrical meaning of our chosen song is love,
heartbreak and fighting back, we decided that filming our music video on a deserted beach
overlooked by dull, grey, skies would be a good way to use Stuart Halls theory and encode
conventional features of a pop song for the audience to decode, as it creates a vibe of sadness and
heartbreak. However, the bareness of the beach and the aggressiveness of the waves could also
represent a battlefield, enhancing the fact that the female artist is fighting back against her
heartbreak and not giving up. This challenges the stereotype of the pop genre and the female
gender, as it represents the female as strong and independent, which is not usually encoded within
the pop genre, as women are usually represented as weak and vulnerable. We decided to challenge
these conventions to make the music video an instance of difference, rather than repetition (Neale).
We also gained a small amount of inspiration for the location of our filming from Girls Aloud’s video
‘Call The Shots’, as there are shots of the females on a ‘battleground’ setting.
The female artist in the video is wearing a deep red coloured dress, in which we have encoded to
represent femininity and also love, which are conventional connotations of the pop genre. However,
the majority of the red dress is covered by a karki coloured, military-like, parka coat. This choice in
costume amplifies the idea that the female is fighting back, and shows that she is strong and is
battling against heartbreak, again challenging the conventional elements of the pop genre and the
representation of the female character. We have also purposely encoded this to enhance the battle
ground like setting, as it creates a war-like atmosphere.
Throughout our music video, there are several props that have deliberately been used to create
meaning. Towards the beginning of the video, we used a close up of a mobile phone prop, showing a
message that talks about love and the couple reuniting. Mobile phones are conventional props seen
in pop music videos, as they represent communication, usually between two individuals. We
encoded this conventional feature for the audience to decode and also to reassure them that our
music video is based around the pop genre. This would create a preferred reading for pop genre
fans, as it is following the conventions. Also, towards the middle of our video, there is a close up shot
of a photo of the female artist and a male, showing the couple when they were happy. Using
photographs to show a relationship is very conventional of many genres, especially pop, which is
why we encoded this feature, as the audience are then able to decode it and understand the
meaning behind the song’s lyrics. There are also shots of the female engraving heart shapes into the
sand on the beach, which again, represents the theme of love, following the stereotypical
conventions of the pop genre. There is a car used in the final sequence of the music video, showing
the female driving away and leaving the burning photograph behind, highlighting the fact that she
has moved on, which is a convention of a love song and also the pop genre. Through the use of these
2. Danielle Bridge
props and costumes, the audience may be able to identify with the female character or the situation,
creating a use and gratification.
The music video my group and I have created begins with a close up shot of the female artists face,
looking sad and depressed, and the camera then zooms out to reveal her body and location of the
stormy beach. This creates a contrast between the conventional and unconventional features we
have encoded of the pop genre; showing a facial expression representing heart break, which is
conventional, and then revealing a battlefield-like setting, which is unconventional. This shot also
introduces the artist, informing the audience as to whom she is, and, along with the piano riff,
announces that this song is a love ballad.We chose to use mainly close up shots of the props we
used, as it highlights their significance within the video and the narrative of the video. For the
camera shots of the artist performing parts of the song, we used a range of shot types such as; long
shots, medium shots, close ups and extreme close ups. This was done because we felt that by using
different shots, it would anchor the audience more, and intrigue them into watching the video.
Towards the end of the video, there is a close up shot of the text message being deleted.Similar to
this, at the very end of the video, there is an extreme close up shot of the previous photograph prop
burning on the ground. These shots highlight the significance of the props, and also show that the
artist has overcome her heartbreak, which is seen as a conventional feature of the pop genre.
As a group, we decided to use a black and white filter and also slowed the speed down on a few
shots to emphasise the sadness of the song, and the lyrical meaning. Slow motion is used widely
throughout many music videos, so this can be seen as a conventional feature of any genre, as it
enhances certain messages and meanings within the song or video. To allow the conventional linear
narrative and the different shots flow smoothly, we used cross dissolve transitions to link some
shots. This also enhances the slowness of the song, and reassures the audience that it is a slow long
pop song. Along with this, we also used continuity editing to help the narrative continue and
progress. At the end of the music video, as the piano riff is fading out, we decided to use a fade to
black to finish the video, which represents the end of the narrative, and it informs the audience that
the artist has overcome her heartbreak and moved on; which is also shown by the car driving away
from the beach scene. Even though the narrative is conventional, there are also some challenges
that we made to this. The shots of the text message being deleted, and the burning photograph,
show that the artist has got over her relationship, which represents the artist as strong and
independent. The female is usually seen as the weak, vulnerable character in music videos, and the
video does not usually conclude the heartbreak, however ours does; therefore challenging the
conventions of a pop video.
For my ancillary tasks, I created a CD front cover, back cover and disk label, and also a magazine
advertisement using adobe Photoshop. There are many ways in which the pop genre is reflected
within my ancillary tasks; however there are also challenges to these conventions and stereotypes.
Whilst researching three similar products to my ancillary tasks, I found that most album covers of
the pop genre, such as Jessie J’s album ‘Who You Are’, use a sans serif font in order to appeal to
their younger target audience. So, using this research, I decided to use a sans serif font that almost
looks handwritten. I used this as I felt it would appeal to a wider audience, and also follows the
conventions of the pop genre. The name of my artist ‘Ivy’ is printed in a red colour, similar to the
colour of her dress in my music video. This is representing love and also femininity, again, following
the conventions of this genre. However the album name of ‘turning tables’ is printed in a black
3. Danielle Bridge
colour, which is not stereotypical of the pop genre, as it contrasts with the red colour, and
represents rebellion, and is usually seen within the rock genre.
How did you use media technologies in the construction and research, planning and evaluation
stages? (Question 4)
Whilst completing my A2 media coursework, I used a range of media technologies to construct and
present my final pieces such as; Panasonic cameras, adobe Photoshop, adobe premiere, iPhone 5,
facebook, slideshare, blogger and many more.
The software ‘adobe Photoshop’ has helped me create many pieces of coursework to support my
final music video. To begin with, I had to use the internet to research CD covers, back covers and disk
labels and then use this research to create my two ancillary tasks, which were a CD front and back
cover and the disk label, and also a magazine advertisement. Whilst using Photoshop to create these
pieces of work, my skills have developed greatly, and I have learned many new ways to edit and
manipulate a photograph. Some of the techniques I used included the brightness/contrast of an
image, the clone tool, Gaussian blur and the saturation of the image. I now know how to use these
tools and techniques to the best of my editing ability. I also had to alter the size of the page within
Photoshop to get it at a CD cover size, and I had to import my own images, and text from
‘dafont.com’, in order to construct my ancillary tasks.
Adobe premiere has also been a huge part of my A2 coursework, as this is the software my group
and I used to edit and complete our music video of ‘turning tables’. This software is quite complex
and difficult to use to begin with, however after adjusting to it and learning how to control it, it
became easier the more we began to edit. There a many functions involved with adobe premiere
and certain adjustments that must be made before even beginning to edit. To begin with, we had to
set up a project on premiere, which involved changing the quality to standard and the size to
widescreen, as this is what our video footage required. We then had to import all of our video
footage into premiere in order to begin editing. On each shot we filmed, we had to choose a start
point and an end point before dragging the clip onto the video timeline, to ensure that we were only
working with the sections that we wanted in our final music video. This was quite difficult, as we
frequently found ourselves adjusting the start and end point after we had dragged it onto the
timeline, in order to make the shot the best it could be, however this got easier once we had gotten
familiar with it. For our final shot, we needed to film more footage, so we used an iPhone 5, as this
was more convenient and easier to upload the footage onto the computer. However, we then
realised that in order to make this shot fit with the rest of the shots, we had to scale of all of our
other footage to width: 133 under the motion tab. Once we had altered the framing, we overcome
this barrier and continued to edit as usual. My group and I used many techniques to edit out footage
in adobe premiere which included transitions such as ‘cross dissolve’; video effects such as ‘black
and white’; and we also slowed down and sped some footage up. As a group, we felt that the other
types of dissolves and transitions did not fit well with our type of music video or the audio track,
therefore this was a huge limitation whilst editing. We also used the ‘razor’ tool to cut a few shots,
and also to cut our audio track, which I found extremely helpful and easy to use.
To present all of my work, I had to use google blogger, in which I then had to create 6 separate tags
to display my work in the correct stages of production. In order to put word documents onto my
blog, I had to first upload these documents onto a website called slideshare, and then copy and
4. Danielle Bridge
place the embedded code onto the HTML tab on blogger. I found this process quite simple, and I was
able to understand how to work both websites quite quickly.
During the process of completing my coursework, I have used technological convergence, as media
technologies have come together to help me in the production, distribution and consumption
stages. In the production stage, I used both an apple iPhone 5 and a Panasonic video camera to
capture video footage, in which I then uploaded, using a USB cable, onto the computer. My group
and I then used the same computer machine to edit this footage using adobe premiere to create our
final music video. To distribute our final outcome, we used the same computer to upload our video
onto YouTube, and then onto our blogs using blogger, to share with other people. An audience
would then be able to use web 2.0 and watch our music video using YouTube.