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#SocMed FTW: Contemporary 
Social Media and Web 2.0 
Jonathon Hutchinson 
@dhutchman 
Week 2, Online Media
Brief internet history to understand the ‘social’ in media 
Political economy of social media 
Cultures of SocMed 
Co-creation 
Cultural intermediation 
TODAY... 
Send most interesting online thing this 
week to #meco3602
https://www.youtube.com/watch?v=9t8kZYU6mdM
I. 
Brief internet history to understand the 
‘social’ in media
Originally published by www.highteck.net
HTTP: Hypertext Transfer Protocol
II. 
Political economy of social media
Internet domains for governance... 
Internet & business 
Internet & health 
Internet & equity 
Internet & education 
Freedom of speech 
Intellectual property issues 
Privacy issues 
Security issues 
Flew, 2014, p. 179
http://www.youtube.com/watch?v=gn9-80ObGA8
III. 
Cultural uses of SocMed: Why Web 2.0?
“radical decentralization, radical trust, participation instead 
of publishing, users as contributors, rich user experience, 
the long tail, the web as a platform, control over one’s own 
data, remixing data, collective intelligence, attitudes, better 
software by more users, play, undetermined user 
behaviour” 
(Fuchs, 2014: 32)
exploitation of free labour (Terranova, 2004), 
blogging as a practice is cynical and narcissistic (Lovink, 2008) 
Web 2.0 users are more passive users 
than active creators 
(van Dijck, 2009) social media 
manipulates and 
constructs social 
connections (van Dijck, 
2013)
programmability 
popularity 
connectivity 
datafication 
SOCIAL 
MEDIA LOGIC
Social media as empowerment 
Social media as control 
Hinton& Hjorth, 2014
http://www.youtube.com/watch?v=Nn-dD-QKYN4
IV. 
Co-creation
Co-creation is... 
“a descriptive term that highlights the 
ways that users or consumers, within 
the constraints and affordances of 
platforms provided by others, 
collectively contribute to the social, 
cultural and economic value of the 
media products and experiences 
associated with those platforms; and 
likewise, it indicates the ways in which 
platform providers (however 
imperfectly) integrate user-participation 
into their own models of production” 
Burgess and Banks (2010: 298)
#7DaysLater is a program 
“…taking comedy to the scary 
arena of interactive storytelling 
where the audience gets to write 
the brief via social media for 
each weekly episode that will air 
just seven days later on ABC2” 
(ABC, 2013).
V. 
Cultural intermediation
Potential areas for investigation 
for Assingment 2 
The tension between social media as empowering 
and social media as control 
The role of the organisation and participatory media 
Internet governance 
What happens to user data/what is its value?

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MECO3602 2014 Week 2 Lecture, #SocMed FTW: Contemporary Social Media and Web 2.0

  • 1. #SocMed FTW: Contemporary Social Media and Web 2.0 Jonathon Hutchinson @dhutchman Week 2, Online Media
  • 2. Brief internet history to understand the ‘social’ in media Political economy of social media Cultures of SocMed Co-creation Cultural intermediation TODAY... Send most interesting online thing this week to #meco3602
  • 4. I. Brief internet history to understand the ‘social’ in media
  • 5.
  • 6. Originally published by www.highteck.net
  • 8.
  • 9. II. Political economy of social media
  • 10. Internet domains for governance... Internet & business Internet & health Internet & equity Internet & education Freedom of speech Intellectual property issues Privacy issues Security issues Flew, 2014, p. 179
  • 11.
  • 13. III. Cultural uses of SocMed: Why Web 2.0?
  • 14. “radical decentralization, radical trust, participation instead of publishing, users as contributors, rich user experience, the long tail, the web as a platform, control over one’s own data, remixing data, collective intelligence, attitudes, better software by more users, play, undetermined user behaviour” (Fuchs, 2014: 32)
  • 15. exploitation of free labour (Terranova, 2004), blogging as a practice is cynical and narcissistic (Lovink, 2008) Web 2.0 users are more passive users than active creators (van Dijck, 2009) social media manipulates and constructs social connections (van Dijck, 2013)
  • 16. programmability popularity connectivity datafication SOCIAL MEDIA LOGIC
  • 17. Social media as empowerment Social media as control Hinton& Hjorth, 2014
  • 20. Co-creation is... “a descriptive term that highlights the ways that users or consumers, within the constraints and affordances of platforms provided by others, collectively contribute to the social, cultural and economic value of the media products and experiences associated with those platforms; and likewise, it indicates the ways in which platform providers (however imperfectly) integrate user-participation into their own models of production” Burgess and Banks (2010: 298)
  • 21. #7DaysLater is a program “…taking comedy to the scary arena of interactive storytelling where the audience gets to write the brief via social media for each weekly episode that will air just seven days later on ABC2” (ABC, 2013).
  • 23.
  • 24. Potential areas for investigation for Assingment 2 The tension between social media as empowering and social media as control The role of the organisation and participatory media Internet governance What happens to user data/what is its value?