The document provides an overview of various artistic movements and forms, including pop art, expressionism, abstract expressionism, environmental art, installation art, painting, sculpture, and theater. It highlights the characteristics and historical significance of these styles, mentioning key figures like Andy Warhol and the influence of the Renaissance on modern art. Additionally, it explores different genres of theater and their narrative styles, emphasizing the role of art in expressing human creativity and emotion.

1. Arts
By: Lenie Mangubat

2. the expression or application of
human creative skill and
imagination, typically in a visual
form such as painting or sculpture,
producing works to be appreciated
primarily for their beauty or
emotional power.

3. MOVEMENT
OF
ART

4. POP ART
was a movement that began in the
united states during the late 1950s. It is
one of the extraordinary innovations of
the 20th century. Pop Art brought back
the material realities of everyday life, to
popular culture in which the ordinary
people derived most of their visual
pleasure from television, magazines, or
comics.

5. The media and advertisement were favorite
subjects for pop arts often witty celebrations
of consumer society. The term “ pop art “
was first used by the English critic in a 1958
issue of Architectural Digest to describe
those paintings that celebrate post war
consumerism.
ANDY WARHOL ( 1928-1987)- was the
greatest American Pop Artist whose
innovations has affected so much
subsequent art.

6. EXPRESSIONISM
applies to any artistic work in
which objective reality is
distorted to represent the
mental condition of the artist.
Expressionism has been applied
to works in fields as desperate
as literature, music, and the
cinema.

7. Expressionism is an imaginative style in which
the artist attempts to portray not objective
reality but rather the subjective emotions and
responses that objects and events arouse in
him. He accomplishes his aim through
distortion, exaggeration, primitivism, and
fantasy and through the vivid, jarring violent,
or dynamic application of formal elements. In a
broader sense, Expressionism is one of the
main currents of art in the later 19th and 20th
centuries, and its qualities of highly subjective,
personal, spontaneous self expression are
typical of a wide range of modern artist and art
movements.

8. ABSTRACT EXPRESSIONISM depicts
form not drawn from the visible world. They
emphasize free, spontaneous, and personal
emotional expression, and they exercise
considerable freedom of technique and
execution to attain this goal, with a
particular emphasis laid on the exploitation
of the variable physical character of paint to
evoke expressive qualities.
Abstract Expressionism is influenced by
existentialist ideas, which emphasized the
importance of the act of creating, not of the
finished object.

9. ENVIRONMENTAL ART
refers to avant-garde works that are
consciously designed to surround or
include the viewer as participant,
thereby fostering a direct emotional and
sensory experienced. The term relates
specifically to those works created since
that late 50s which attempts to cloud
the distinctions between art and life.

10. Also known as the earth art, it is the art
which involves the creation and
manipulation of a large and enclosed
space.
Architectural (including landscape and
architectural) design must be said to
qualify as environmental art, although
the term usually refers to artworks
which do not function as either of these
kinds of environmental design typically
do.

11. INSTALLATION ART
is site-specific and usually consists
of an ensemble of objects or effects
that work together to create a
whole. An artist takes over an
installation space like a temporary
squatter whose clutter of
possessions challenges boundaries
and sparks dialogue between the
space itself and its contents.

12. Installation art is art uses sculptural materials
and other forms of media to modify the way we
experience a particular space. Installation art
is not necessarily confined to gallery spaces
and can refer to any material intervention in
everyday public or private spaces.
Installation art incorporates almost any media
to create a visceral and or conceptual
experience in a particular environment.
Materials used in contemporary installation art
range from everyday and natural materials to
new media such as video, sound, performance,
computers and internet.

13. Elements
of
art

14. PAINTING is one of the oldest and most important art.
Since prehistoric times, artists have arranged paint on
surfaces in ways that express their ideas about people and
the world.
Painting is a way in which people communicate their
vision of life, joy, anxiety, sorrow and beliefs.
PAINTING is the practice of applying color to a
surface such as glass, paper, wood and canvas. In an
artistic point of view the term painting means the
amalgamation with drawing, composition and other
aesthetic considerations in order to manifest the expressive
and conceptual intention of the artist.
Painting is used as a vehicle of expressing,
documenting and representing all the varied intents and
subjects of an artist. Paintings can be naturalistic and
representational (as I a still life or landscape painting),
photographic, abstract, be loaded with narrative content,
symbolism, emotion or be political in nature.

15. STYLES IN PAINTING:
Fauvism—a style of painting that flourished in France
from 1898 to 1908. It is pure, brilliant colors, applied straight
from the paint tubes in an aggressive, direct manner to create a
sense of an explosion on the canvas. The FAUVIST painted
directly from the nature as the IMPRESSIONIST had before them,
but their works were invested with a strong expressive reaction
to the subject they painted.
Cubism—is a highly influential visual arts style of the 20th
century that was created principally by the painters Pablo
Picasso and George Braque in Paris between 1907and 1914.This
style emphasizes the flat, two dimensional surface of the picture
plane, the traditional techniques of perspective and refuting
time-honored theories of art as the imitation of nature.
CUBIST PAINTERS were not bound to copying form,
texture, color, and space; instead, they presented a new reality in
paintings that depicted radically fragmented objects, whose
several sides were seen simultaneously.

16. La Barca
de Aqueronte
Félix Resurrección
Hidalgo

17. Leonardo
Da Vinci
Mona Lisa

18. ARCHITECTURE—is the oldest of the fine
arts. It is the most useful and a prerequisite
for the other arts. The history of
architecture concerns buildings substantial
enough to survive.
Definitions:
 It is the art and method of erecting
structures.
It is planned entity; the result of a
conscious act.
It is a body or corpus of work.
It is a way to build.

19. Rizal Monument Robert Kissling

20. Eiffel Tower Alexandre-Gustave
Eiffel

21. PHOTOGRAPHY- the name of which we owe from
Sir John Herschel who was first used the term in 1839,
the year the photographic process became public. This
word is derived from the Greek words for “light” and
“writing”.
It is the process of making pictures by means of the
action of light. Light patterns reflected or emitted from
objects are recorded onto a sensitive medium or storage
chip through a timed exposure. The process is done
through mechanical, chemical or digital devices known
as cameras.
Traditionally the product of photography has been
called a photograph. The term photo is an abbreviation;
many people also call them pictures. In digital
photography, the term image has begun to replace
photograph.

22. TWO DISTINCT SCIENTIFIC PROCESS TO
MAKE PHOTOGRAPHY POSSIBLE:
•Optical- The camera Obscura (dark room) by
Leonardo da Vinci. It is used as an aid to drawing
was being advocated.
•Chemical- before the photography was invented,
people had been aware, that some colours are
bleached in the sun, but they had made little
distinction between heat, air and light.

23. SCULPTURE—portrayed
figures of gods, goddesses, and
human beings. Over the
centuries it became increasingly
life-like and showed figures in
more active poses.

24. Up
Oblation
Guillermo E.
Tolentino

25. Statue of
Liberty
Frédéric Auguste
Bartholdi

26. Period
of
art

27. RENAISSANCE PERIOD

28. During the Renaissance, many European
scholars and artists, especially in Italy, studied the
learning and art of ancient Greece and Rome.
They wanted to recapture the spirit of the Greek
and Roman cultures in their own artistic literary,
and philosophic works. The Renaissance thus
represented a rebirth of this cultures and is
therefore also known as the “revival of antiquity or
the revival of learning”. The influenced of the
Renaissance on future generations was to prove
immense in many fields-from art and literature to
education, political, science and history. Because
of this fact, most scholars have for hundreds of
years agreed that the modern era of human history
began with the Renaissance.

29. The influence of Renaissance
painters, sculptors, and architects has
been particularly strong.
Renaissance Architects
designed buildings on a smaller scale to
help make people aware of their own
powers and dignity.

30. BRUNELLESCHI—was the first
Renaissance achitect to revive the
ancient Roman Style of architecture.
He incorporated arches, columns, and
other elements of classical architecture
into his designs. He was Also the first
Renaissance artists to use linear
perspective, a mathematical systen in
which painters could show space and
depth on a flat surface.

31. MIDDLE AGES PERIOD

32. During the middle ages, painters and
sculptors tried to give their works a spiritual
quality. They wanted viewers to concentrate
on the deep religious meaning of their
paintings and sculpture. They were not
concerned with making their subjects
appear natural or life –like. But
Renaissance painters and sculptures. Like
Renaissance writers, wanted to portray
people and nature realistically.
Architects of the Middle Ages designed
huge cathedrals to emphasize the majesty
and grandeur of God.

33. THEATER—From the French word
“theatre”, from Greek “theatron”, meaning
“place of seeing”. Is the branch of the
performing arts concerned with acting out
stories in front of an audience using
combinations of speech, gesture, mime,
music, dance, sounds, and spectacle--- indeed
any one or more elements of the other
performing arts.
In addition to the standard narrative
dialogue style, theater takes such forms as
opera, ballet, mime, kabuki play of Japan,
classical Indian dance, Chinese opera,
mummers’ play and pantomime.

34. BERNARD BECKERMAN
A respected scholar of Hofstra
University’s department of drama,
define theater as what “occurs
when one or more human beings
isolated in time and /or space,
present themselves to another or
others.

35. GENRES OF THEATER
MUSICAL THEATER: A theatrical genre in which
a story is told through the performance of singing
with (instrumental music), spoken dialogue and
often dance.
ROCK OPERA: Same style as opera, except
that the musical form is rock music.
THEATER FOR SOCIAL CHANGE: Theater
that addresses a social issue and uses
performance as a way of illustrating injustice to the
audience.

36. COMEDY: Comes from the Greek word
“komos” which means celebration, revel of
merrymaking. It does not necessarily mean
funny, but it focuses more on a problem that
leads to some form of catastrophe which in the
end has a happy and joyful outcome.
FARCE: A comic dramatic piece that uses
highly improbable situations, stereotyped
characters, extravagant exaggeration, fast
pacing and violent horseplay.

37. PANTOMINE: A form of musical drama in which
elements of dance, mime, puppetry, slaptick, and
melodrama are combined to produce an entertaining
and comic theatrical experience, often designed for
children. These are often presented around the
holidays.
ROMANTIC COMEDY: A medley of clever scheming,
calculated coincidence, and wondrous discovery, all of
which contribute ultimately to making the events
answer precisely to the hero’s or heroine’s wishes, with
focus on love.
COMEDY OF SITUATION: A comedy that grows out of
a character’s attempt to solve a problem created by a
situation. The attempt is often bumbling but ends up
happily.

38. COMEDY OF MANNERS: Witty, cerebral form of
dramatic comedy that depicts and often satirizes
the manners and affectations of a contemporary
society. A comedy of manners is concerned with
social usage and the question of whether or not
characters meet certain social standards.
COMMEDIA DELL’ARTE: Very physical form of
comedy which was created and originally
performed in Italy. Commedia uses a series of
stock characters and a list of events to improvise
an entire play.

39. BLACK COMEDY: Comedy that tests the
boundaries of good taste and moral
acceptability by juxtaposing morbid or
ghastly elements with comical ones.
TRAGEDY: A drama that treats in a serious
and dignified style the sorrowful or terrible
events encountered or caused by a heroic
individual. The word “tragedy” comes from
the Greek word “tragos” which is translated
to “goat”.

40. MELODRAMA: Originally, a sentimental drama
with a musical underscoring. Often with an
unlikely plot that concerns the suffering of the
good at the hands of the villains but ends happily
with good triumphant. Featuring stock characters
such as the noble hero, the long suffering heroine,
and the cold-blooded villain.
FANTASY: The creation of a unique landscape on
which a hero goes on a quest to find something
that will defeat the powers of evil.
MORALITY PLAY: A morality play is an allegory
in which the characters are abstractions of moral
ideas.

41. TRAGICOMEDY: A drama that has a
bitter/sweet quality, containing elements of
tragedy and comedy.
DOMESTIC DRAMA: Drama in which the focus
is on the everyday domestic lives of people and
their relationships in the community that they
live in.
OPERA: A theatrical genre in which a story is
told and emotion is conveyed primarily through
singing (with instrumental singing).

42. Thank You
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