Nasik city with its rich cultural and historical background has experienced numerous transformations through the several dynasties that reined the city.
Each one of these dynasties and rulers has left an unmistakable imprint on the art, architecture and culture of the place. The transition of the place from a kingdom of Satwahanas to an Industrial town is fascinating
Its rich Architectural heritage includes the preserved caves from Satvahana and various other dynasties; the Hemadpanthi style temples, the famous Wadas from Maratha and Peshwa rulers and last but not least, the magnificent forts protecting the boundaries of the city from enemies.
Even the succeeding periods of British rule and Post Independence era has observed remarkable structures coming up.
This History along with geographical location and geology of the place demonstrates a profound influence on the growth of the townscape.
With Sahyadris in vicinity many forts have been erected during the different empires with their distinctive modes of construction.
River Godavari plays a major role in its development as a religious center; the town has observed the emergence of some beautiful temples with Ghats along its banks.
The rich Architectural style of the structures has been changing as per the eras pertaining to their social, religious and cultural beliefs.
Various rituals and religious philosophies have been evolved due to the development of the society towards the religion, which reveal a grave influence on designs of the structures.
The Post Independence era has perceived a gradual transformation of this dreamlike town into a hybrid-cultured entity.
This paper overviews the time duration of the changed vocabulary of Aesthetics while recording the transformation of an inherently beautiful space into a comparatively characterless townscape.
Bharat Bhavan is an autonomous multi-arts complex and museum in Bhopal, India, established and funded by the Government of Madhya Pradesh. The architect of Bhavan is Charles Correa.
Nasik city with its rich cultural and historical background has experienced numerous transformations through the several dynasties that reined the city.
Each one of these dynasties and rulers has left an unmistakable imprint on the art, architecture and culture of the place. The transition of the place from a kingdom of Satwahanas to an Industrial town is fascinating
Its rich Architectural heritage includes the preserved caves from Satvahana and various other dynasties; the Hemadpanthi style temples, the famous Wadas from Maratha and Peshwa rulers and last but not least, the magnificent forts protecting the boundaries of the city from enemies.
Even the succeeding periods of British rule and Post Independence era has observed remarkable structures coming up.
This History along with geographical location and geology of the place demonstrates a profound influence on the growth of the townscape.
With Sahyadris in vicinity many forts have been erected during the different empires with their distinctive modes of construction.
River Godavari plays a major role in its development as a religious center; the town has observed the emergence of some beautiful temples with Ghats along its banks.
The rich Architectural style of the structures has been changing as per the eras pertaining to their social, religious and cultural beliefs.
Various rituals and religious philosophies have been evolved due to the development of the society towards the religion, which reveal a grave influence on designs of the structures.
The Post Independence era has perceived a gradual transformation of this dreamlike town into a hybrid-cultured entity.
This paper overviews the time duration of the changed vocabulary of Aesthetics while recording the transformation of an inherently beautiful space into a comparatively characterless townscape.
Bharat Bhavan is an autonomous multi-arts complex and museum in Bhopal, India, established and funded by the Government of Madhya Pradesh. The architect of Bhavan is Charles Correa.
Find Information about top Delhi Attractions on Career Bodh blog web page. Enjoy Delhi flights from london on https://www.careerbodh.in/post/flights-to-delhi-from-london-uk-info
Delhi, India’s capital and heartland, is a union territory bordered by Haryana on three sides and Uttar Pradesh on four. Even in mythological Indian stories, Delhi appears as Indraprastha, the capital city of the Pandavas.
Located on the banks of the river Yamuna, it offers a great deal to visitors and residents alike. As a result of past rulers such as the Mughals and British, Delhi proudly promotes the theme of Indian culture, “Unity in Diversity”.
Analysis insight about a Flyball dog competition team's performanceroli9797
Insight of my analysis about a Flyball dog competition team's last year performance. Find more: https://github.com/rolandnagy-ds/flyball_race_analysis/tree/main
06-04-2024 - NYC Tech Week - Discussion on Vector Databases, Unstructured Data and AI
Round table discussion of vector databases, unstructured data, ai, big data, real-time, robots and Milvus.
A lively discussion with NJ Gen AI Meetup Lead, Prasad and Procure.FYI's Co-Found
Adjusting primitives for graph : SHORT REPORT / NOTESSubhajit Sahu
Graph algorithms, like PageRank Compressed Sparse Row (CSR) is an adjacency-list based graph representation that is
Multiply with different modes (map)
1. Performance of sequential execution based vs OpenMP based vector multiply.
2. Comparing various launch configs for CUDA based vector multiply.
Sum with different storage types (reduce)
1. Performance of vector element sum using float vs bfloat16 as the storage type.
Sum with different modes (reduce)
1. Performance of sequential execution based vs OpenMP based vector element sum.
2. Performance of memcpy vs in-place based CUDA based vector element sum.
3. Comparing various launch configs for CUDA based vector element sum (memcpy).
4. Comparing various launch configs for CUDA based vector element sum (in-place).
Sum with in-place strategies of CUDA mode (reduce)
1. Comparing various launch configs for CUDA based vector element sum (in-place).
The Building Blocks of QuestDB, a Time Series Databasejavier ramirez
Talk Delivered at Valencia Codes Meetup 2024-06.
Traditionally, databases have treated timestamps just as another data type. However, when performing real-time analytics, timestamps should be first class citizens and we need rich time semantics to get the most out of our data. We also need to deal with ever growing datasets while keeping performant, which is as fun as it sounds.
It is no wonder time-series databases are now more popular than ever before. Join me in this session to learn about the internal architecture and building blocks of QuestDB, an open source time-series database designed for speed. We will also review a history of some of the changes we have gone over the past two years to deal with late and unordered data, non-blocking writes, read-replicas, or faster batch ingestion.
Unleashing the Power of Data_ Choosing a Trusted Analytics Platform.pdfEnterprise Wired
In this guide, we'll explore the key considerations and features to look for when choosing a Trusted analytics platform that meets your organization's needs and delivers actionable intelligence you can trust.
Enhanced Enterprise Intelligence with your personal AI Data Copilot.pdfGetInData
Recently we have observed the rise of open-source Large Language Models (LLMs) that are community-driven or developed by the AI market leaders, such as Meta (Llama3), Databricks (DBRX) and Snowflake (Arctic). On the other hand, there is a growth in interest in specialized, carefully fine-tuned yet relatively small models that can efficiently assist programmers in day-to-day tasks. Finally, Retrieval-Augmented Generation (RAG) architectures have gained a lot of traction as the preferred approach for LLMs context and prompt augmentation for building conversational SQL data copilots, code copilots and chatbots.
In this presentation, we will show how we built upon these three concepts a robust Data Copilot that can help to democratize access to company data assets and boost performance of everyone working with data platforms.
Why do we need yet another (open-source ) Copilot?
How can we build one?
Architecture and evaluation
Levelwise PageRank with Loop-Based Dead End Handling Strategy : SHORT REPORT ...Subhajit Sahu
Abstract — Levelwise PageRank is an alternative method of PageRank computation which decomposes the input graph into a directed acyclic block-graph of strongly connected components, and processes them in topological order, one level at a time. This enables calculation for ranks in a distributed fashion without per-iteration communication, unlike the standard method where all vertices are processed in each iteration. It however comes with a precondition of the absence of dead ends in the input graph. Here, the native non-distributed performance of Levelwise PageRank was compared against Monolithic PageRank on a CPU as well as a GPU. To ensure a fair comparison, Monolithic PageRank was also performed on a graph where vertices were split by components. Results indicate that Levelwise PageRank is about as fast as Monolithic PageRank on the CPU, but quite a bit slower on the GPU. Slowdown on the GPU is likely caused by a large submission of small workloads, and expected to be non-issue when the computation is performed on massive graphs.
2. Mandvi Pavilion
About the Pavilion
The central pavilion of the city, the Mandvi pavilion is locally also known as the
Mandvi Gate. This structure is placed on the junction of the city, making it the
center of attraction of the city as well. 'Mandvi comes from the hindi word
'Mandapa' meaning 'pillared hall'.
During the old days people, traders used to come here to pay their taxes hence
it is known as Mandvi.
The Gate is currently used as multiple shrines of different religions. Every
morning there are people and priests who appear to pray to the gods,
goddesses here.
There are speculations of the central arch being used earlier only for the
movement of the royal family and their processions. The Gate sees a lot of
movement within and around it at all times of the day. Being present in the
center of the city gave it the advantage of being ever bustling. It is also used
during festivals.
The gate is surrounded by many commercial and residential complexes from all
four sides. There is a temple, a library, the ASI office, Jamnabai Hospital and
many more buildings surrounding the gate.
Pani gateway rd
Champaner
gateway
rd
Lehripura gateway rd
Gendi
gateway
rd
3. Contextual study
The Mandvi Pavilion lies on the junction of the city area, this makes it a very important landmark, a vantage point for all gates and also it has many important structures
in close vicinity.
Circulation
The movement happens currently not through the gate but around the gate. There is pedestrian movement from both in and around the pavilion whereas the
vehicular movement is strictly navigated from around the structure.
Human Movement
The human movement is not fluid but is restricted using temporary barricades present around the structure often used by the Vadodara city police and traffic police to
control and navigate traffic. The southern and eastern side of the pavilion is open for in and outward movement of the public.
Vehicular Movement
The vehicular movement is strictly from around the structure. Initially the central arch of the pavilion was strictly used for the movement of the King and his entourage.
Other vehicles such as bullock carts, horse carts used to have their movement from other arches or from around the Pavilion.
4. Exploded View
of Mandvi Pavillion
Use of spaces
Mandvi is a pavilion, it was built for the same purpose. The lower spaces were for
collecting octroi tax from the civilians, agrarians and passerby. The upper floors were
used during celebrations and festivals.
Elevations
Spatial study
5. Plans of Mandvi Pavilion
Source: Sumesh Modi, People for Heritage Concern (PHC)
Second Floor
Ground Floor
Typologies of spaces
Since Mandvi is not a Gate the spaces vary in comparison to the Gates we've seen. There are no mezzanine
floors, instead there are smaller rooms and these grow smaller as we climb the structure.
Ground floor: The space is purely arches, there are no doors, windows or walls. There are only columns and
the spaces created by these spaces are very open in nature.
Second floor: Here there is no terrace like open space.
6. First Floor
Third Floor Fourth Floor
First floor: There is a large terrace like space on the first floor and there is a room
centrally placed.
Third floor: The third floor is smaller and is similar to the second floor. and the top
most floor has the
Chhatri : The topmost level has a 'chhatri' or 'umbrella'. Here there is also a clock
that was installed later.
7. Elemental study
Openings
Doors
There are no doors in the lower level of the pavilion, it has 18 arches through which movement is done, currently this movement is strictly pedestrian
movement and no vehicular movement through the structure is allowed. The upper floors have multiple doors but access to them is limited.
Windows
There are no windows, there are only doors on the upper floors.
Arches
There are three arches that are used to pass from the gate but only pedestrian movement through those are allowed.
Inside the gate no visual connection to the mezzanine floor is visible .
Additional ornamentation
There is no other ornamentation when the renovation of the structure had happened during the era of the Marathas.
Elements near
The elements present near the pavilion are railings- simple and efficient to restrict pedestrian movement from the western and northern side of the
structure.