2. Origins
Mande: ethnic group (Mandinka, Maninka and
Bamana)
Mali
Jeli (griot)
Performed on TV, radio or life-cycle events
3.
4. Variations
Hunters
Commonly 2 voices
Improv
ABA
Call and response
Ternary to binary rhythm shift
Short melodies repeated
Stories and epics
5. Jeliya
Speaking voice or singing voice
Improv
Loose form
Call and response (only with more than one jeli)
Compound meter
Scales (ascending/descending)
Repertoire piece texts
6. Drumming
Improv voices (chant)
Improv
Circle music
Lead drummer (usually djembe)
Call and response on drums (leaders calls)
Compound meter (few in duple meter)
Tuning of drums create interweaved melodies
No text
http://www.jessenolan.com/mandemusic.pdf
7. Modern Mande
Some improv
Strict form
Call and response (ballet: drums and dancers)
Triple meter more often used than duple
No text for ballets
French, Bamana, English, Spanish, Portuguese
8. Jeli
Class of artisans
Hereditary
Preserve the history and culture
Girls tend to specialize as singers
Boys tend to specialize in the instruments of the
jelis
9. Instruments
Kora : played in the Eastern tradition (more vocally
dominated)
Ngoni
Balafon
Tamani (talking drum)
Djembe
Dunun
Vocals are the dominant instrument