The document provides a detailed breakdown and description of the shots and visual narrative that would accompany the song "I Wanna Be Adored" by The Stone Roses. It describes the locations, shots of the band playing, and close-ups of the singer that would be used throughout the song. It also describes narrative shots of the main character wandering rural areas and a forest while struggling with drug abuse and loneliness.

1. I Wanna Be Adored
Lyrics Breakdown
Intro: 0:00 - 1:45 The intro to this song is quite lengthy,
finishing at 1:45. The intro will consist of
Verse 1 the beginning of the narrative, consisting
of mostly establishing shots overlaying the
I don't have to sell my soul (1:45 - 1:50) bass line when it is finally introduced into
the intro.
He's already in me (1:50 - 1:54) The first half of verse one will show the
band playing and close ups of the lead
I don't need to sell my soul (1:54 - 1:59) singer singing. The second half of the
verse will show the narrative expanding as
He's already in me (1:59 - 2:04) we see the character walking aimlessly
across rural areas.
At this part of the song, a close up of the
lead singer singing “I wanna be adored”
I Wanna be adored (2:04 - 2.12)
will overlay a shot of the character
walking.
I Wanna be adored (2:12 - 2.19)
At the interlude, I will mix footage
(INTERLUDE) (2.20 - 2.27) consisting of close up of the band playing
and the character still walking along.
Verse 2
For the next verse, the location will change
I don't have to sell my soul (2.27 - 2.33) to a forest to form the narrative. Various
shots ranging from close ups to longshots
He's already in me (2:33 - 2.36) will show the character moving through
the forest, still wandering. The lyrics “I
I don't need to sell my soul (2.36 - 2:42) don’t have to sell my soul” will link into a
close up of the characters face and the
He's already in me (2:42 - 2:47) next line “He’s already in me” will be
shown in a medium close up.
The next lines that say “I Wanna be
adored” will be shown similarly as of them
I Wanna be adored (2:47 - 2.55) in Verse 1. I have taken the whole laying
one shot over another idea from the
I Wanna be adored (2.55 - 3:02) original video for the song “I Wanna Be
Adored”.

2. (INTERLUDE) (3:02 - 3.22)
At this interlude, the camera will concentrate
mostly on the band but switching to the
character just before the next lyric comes in.
“Adored” will be another shot over lay of the
Adored (3:22 - 3.33) character and the lead singer. The lyric “I
Wanna Be adored” Will show the character
I Wanna be adored (3:33 - 3:38) advancing towards an abandoned car lot.
You adore me (3:38 - 3:42) These three lyrics will consist of shots of
the band, switching between varied angles
You adore me (3:42 - 3:47) and showing appropriate instruments when
they are dominant in this part of the song.
You adore me (3:47 - 3:49)
At this part of the song, I will overlay
I Wanna (3:49 - 3:50)
a various shots of the character in his
I Wanna (3:51 - 3:52) caravan with a shot of the drums as
they enter this part of the song.
I Wanna be adored (3:50 - 3:56)
Here, various shots of the band will be
I Wanna I Wanna (3:57 - 3:59) shown, mostly concentrated on the lead
singer and on the drummer. As the tempo
I Wanna be adored (3:54 -4:01) builds towards the end of “I Wanna” the
character will be shown in his caravan,
stressing and pondering and when “I gotta
be adored” is sang, the character will
I Wanna (4:01 - 4:02) swipe his drugs off the table in anger to
show the audience the whole situation of
I Wanna (4:02 - 4:03) his drug abuse.
I gotta be adored (4:03 - 4:06)
This interlude will show the character
storming around his caravan in anger and
(INTERLUDE) - (4:06 - 4:24) texting an unknown person telling them he
misses them. Towards the end of the
interlude, the character will be awoken
from this sleep to a car pulling up.
I Wanna be adored (4:24 - 4.34) To finish,a medium close up and close up
will be used to show the singer
emphasising the last lyric and slowly face
into a long shot showing a girl looking
towards the character at the caravan door
and eventually fading into an establishing
shot of them walking together.