1. As the music starts, the guitar player (Matthew) sings
Lyric Breakdown into the microphone energetically, close up. The
0.02 – 0.34 microphone placement will be close to the camera. In
I believe it's time for me to be famous, this shot the band will be revealed very basic and (an
and out of place. establishing shot) slowly the front man (Joshua) will be
I believe it's time for me to move forward, in sight only a few times so the audience acknowledges
when I break through. the fact he is there.
0.34 – 0.56
This time I'll make you, This point, the music remains at the same pace but
Proud to see me over, come on daylight. he heavy vocalist (Joshua) Comes into frame, the
Proud of, who you raised. guitar player and heavy vocalist share centre frame,
Your shelter, your peacefulness. with making references to other band members.
0.56 – 1.29
So this time I'll make you proud. This is the point where the main narrative shall be
Proud of who you raised up. introduced. But the centre focus will be of the front
You know that I will man, supporting and following Andrew Goodwin’s
Always be here till' the end. theory of star image. At this point the music quickens
Come back so I can say thank you for this, meaning the camera shots will become faster to
home cooked meals and a place to rest, follow the music beat. Towards the start of the
breakdown the guitar player will be centre framed.
1.29 – 1.56
My troubled head when you're away,
I've passed the test, I've earned an A, The speed of the lyrics pick up, so will the camera following
Not just in school, but in life, the front man from different angles and heights, the
You'll always be right by my side. narrative should take a 50/50 cut in this bit, the drummer
To help me show, hope to all, and guitar player will be giving more recognition. In the
that are lost and sick in this dying world. narrative you see the character growing from a child to a
I'll use the love you left behind, adolescent teenager.
I'll change their minds, and I’ll change
their minds.
Referring to his mother and the main narrative’s
1.59 – 2.15 character as a child, seeing them both smile. Showing
I hope, I hope you smile, argumentation between mother and child.
when you look down on me.
I hope you smile.
2.16 – 2.29
Centre framed the heavy vocalist show the
This can't,
emotion on his face. Close ups and extreme close
we won't know.
ups. Show her illness in letterform, over the
I hope that I make you proud.
shoulder shot.
2.29 – 2.58
This is not what it is; only baby scars. At this point the music pace drops and
I need your love like a boy needs his mother's side. the singer guitar player (Matthew) takes
This is not what it is; only baby scars. over and he becomes centre framed.
I need your love like a boy needs his mother's side. Making slight references to the front
man. They have switched places.
3.27 – 3.34
This is not what it is; only baby scars.
I need your love like a boy needs his mother's side, Yeah.
Between this and the last part is roughly 30 seconds of instrumental.
Referring to the climax of the narrative the child’s mother in bed,
emphasizing her illness and showing her passing away.