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The document discusses plans for a music video for the song "Black Mambo" by Glass Animals. It will tell a narrative of a teenage mental patient whose safe space of a room is invaded by the devil (Lucifer) attempting to influence him to kill himself. Religious symbols and references from Van Gogh's art will be incorporated subtly into the deteriorating walls as the video progresses. The goal is to bring awareness to society's poor understanding of teenage mental health issues.
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Turkey film《Honey》or 《bal》
This document provides summaries and reviews of the Turkish film "HONEY(BAL)". It is described as being centered around a 6-year old boy named Joseph and his perspective against the adult world. While people's specific motivations in the film are unclear, the director achieved their purpose in how events were handled behind the scenes. The film is praised for being a silent and natural work that provides an original glimpse into a real lifestyle and ecological honey production through perfect acting and a primitive sense of mystery.
Individual Film Pitch
This document provides an overview of an individual film pitch about a drug called eZ that turns people into zombies. The film is set in several locations in Chelmsford and aims to convey the message to be careful about unknown substances. The target audience of 15-39 year olds would find the innovative zombie concept in a party setting to be entertaining and thought-provoking. The opening scene would show people arriving at a party after obtaining and ingesting what they believe is ecstasy, but is actually the new drug eZ, which causes them to transform into zombies.
Question 1
The student's film opening sequence uses conventions from crime thriller films by transitioning from calm to energetic music to build tension. It begins with the calm "Future People" by Alabama Shakes as the protagonist walks, then switches to the fast-paced "Ready, Steady, Go!" by Paul Oakenfold when the running starts. Though the film is set in the nice town of Ringwood, the student uses a dark alleyway to place the antagonist character, drawing on conventions of crime films being set in rough areas. Overall, the student tried to develop conventions from films like Pulp Fiction and Se7en while also introducing some challenges.
Music video analysis 3
The music video follows a man who dies in the hospital and roams the streets as a ghost wearing a costume. It uses mainly midshots and longshots to capture all the chaotic action as the ghost dances and scares people in the city at night. The narrative style is concept-based to fit the surreal and comedic story of the ghost's adventures. Quick cuts are used in the editing to keep up with the fast-paced, horror-inspired tone as it fits the short song length by packing in many scenes.
Unforeseen Consequences Keynote
Two students, Brodie Pirovich and Bill Stubbs, are creating a live action short film called "Unforeseen Consequences" about two robbers who get sent to hell. In hell, they must reflect on their past actions or be stuck there forever, but they don't understand the concept of reflection. The film will include parody scenes from the movie Heat and depictions of reflections in hell, though the robbers fail to grasp why they are reflecting. Ultimately, Satan explains reflection to them like they are children, allowing them to return to Earth to potentially rob again.
Group 50 'Final Target'
Zac is a college student who moonlights as an assassin. He is ordered to kill his love, Rose, but decides to save her instead. The filmmakers intend to create a teen thriller/drama set in college and home settings using flashbacks and montages. The target audience is teenagers and young adults. The budget will cover casting, costumes, props, marketing including TV ads, posters and radio spots. Scenes will be filmed on location at a home and college using soundtrack music to create tension. Distribution plans include cinema release in the UK and US followed by DVD worldwide, with cast promoting the film on TV and radio.
Music analysis in a thriller
The music in the opening credits of the film Seven is a remixed version of "Closer" by Nine Inch Nails. It uses scratching and high pitched sounds to make the audience feel uncomfortable. A constant low pitched note makes it sound like everything is underwater, implying the film's dark tone. The piece ends with the lyrics "you've got me closer to God", providing a compelling conclusion that questions if a character will seek God or face death by ending up closer to heaven.
Moodboard
This document discusses the artistic inspirations for a music video project. It summarizes several music videos and films that influenced the creator's concepts and shooting style. The Arctic Monkeys' "R U Mine?" video inspired the use of handheld camerawork and a quirky performance aspect. Scenes from "Scott Pilgrim vs The World" provided ideas for comic book-style subtitles and close instrument shots. The black and white cinematography and one-shot style of "Control" were also influential. Green Day's "Basket Case" inspired the addition of filters and dreamlike crossfades. Finally, the children and soft focus of The Black Keys' "Tighten Up" informed the planned introduction. Overall, the
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Turkey film《Honey》or 《bal》
This document provides summaries and reviews of the Turkish film "HONEY(BAL)". It is described as being centered around a 6-year old boy named Joseph and his perspective against the adult world. While people's specific motivations in the film are unclear, the director achieved their purpose in how events were handled behind the scenes. The film is praised for being a silent and natural work that provides an original glimpse into a real lifestyle and ecological honey production through perfect acting and a primitive sense of mystery.
Individual Film Pitch
This document provides an overview of an individual film pitch about a drug called eZ that turns people into zombies. The film is set in several locations in Chelmsford and aims to convey the message to be careful about unknown substances. The target audience of 15-39 year olds would find the innovative zombie concept in a party setting to be entertaining and thought-provoking. The opening scene would show people arriving at a party after obtaining and ingesting what they believe is ecstasy, but is actually the new drug eZ, which causes them to transform into zombies.
Question 1
The student's film opening sequence uses conventions from crime thriller films by transitioning from calm to energetic music to build tension. It begins with the calm "Future People" by Alabama Shakes as the protagonist walks, then switches to the fast-paced "Ready, Steady, Go!" by Paul Oakenfold when the running starts. Though the film is set in the nice town of Ringwood, the student uses a dark alleyway to place the antagonist character, drawing on conventions of crime films being set in rough areas. Overall, the student tried to develop conventions from films like Pulp Fiction and Se7en while also introducing some challenges.
Music video analysis 3
The music video follows a man who dies in the hospital and roams the streets as a ghost wearing a costume. It uses mainly midshots and longshots to capture all the chaotic action as the ghost dances and scares people in the city at night. The narrative style is concept-based to fit the surreal and comedic story of the ghost's adventures. Quick cuts are used in the editing to keep up with the fast-paced, horror-inspired tone as it fits the short song length by packing in many scenes.
Unforeseen Consequences Keynote
Two students, Brodie Pirovich and Bill Stubbs, are creating a live action short film called "Unforeseen Consequences" about two robbers who get sent to hell. In hell, they must reflect on their past actions or be stuck there forever, but they don't understand the concept of reflection. The film will include parody scenes from the movie Heat and depictions of reflections in hell, though the robbers fail to grasp why they are reflecting. Ultimately, Satan explains reflection to them like they are children, allowing them to return to Earth to potentially rob again.
Group 50 'Final Target'
Zac is a college student who moonlights as an assassin. He is ordered to kill his love, Rose, but decides to save her instead. The filmmakers intend to create a teen thriller/drama set in college and home settings using flashbacks and montages. The target audience is teenagers and young adults. The budget will cover casting, costumes, props, marketing including TV ads, posters and radio spots. Scenes will be filmed on location at a home and college using soundtrack music to create tension. Distribution plans include cinema release in the UK and US followed by DVD worldwide, with cast promoting the film on TV and radio.
Music analysis in a thriller
The music in the opening credits of the film Seven is a remixed version of "Closer" by Nine Inch Nails. It uses scratching and high pitched sounds to make the audience feel uncomfortable. A constant low pitched note makes it sound like everything is underwater, implying the film's dark tone. The piece ends with the lyrics "you've got me closer to God", providing a compelling conclusion that questions if a character will seek God or face death by ending up closer to heaven.
Moodboard
This document discusses the artistic inspirations for a music video project. It summarizes several music videos and films that influenced the creator's concepts and shooting style. The Arctic Monkeys' "R U Mine?" video inspired the use of handheld camerawork and a quirky performance aspect. Scenes from "Scott Pilgrim vs The World" provided ideas for comic book-style subtitles and close instrument shots. The black and white cinematography and one-shot style of "Control" were also influential. Green Day's "Basket Case" inspired the addition of filters and dreamlike crossfades. Finally, the children and soft focus of The Black Keys' "Tighten Up" informed the planned introduction. Overall, the
Real film title and openings we compare our
The document compares the film "Days of Darkness" to other apocalyptic films and television shows that also depict a spreading infection or disease, destruction of humanity, or a similar opening credit sequence showing global infection. Specifically mentioned are similarities to The Walking Dead in its depiction of a worldwide infection, This is the End in its original title of "The End of Days", Hills Have Eyes in its use of black and white jump cuts in the opening, and Rise of the Planet of the Apes in its ending credits showing infection spreading globally.
Life is the Way You See It
Life is just the way you see it.
A 101 seconds visual poem of my invaluable personal 6 months exchange program experience
in Birmingham, England, United Kingdom.
The aim of the short film is to inspire other
people to see and feel the subtle details in
everyday life and its culture. Being all there
wherever you are is the key, because I believe it’s
not where you are but how you feel at that
moment that matters the most.
One can’t control the initial reactions for what
one thinks and feels, but if one can stop oneself
sooner and prevent outward reactions and
actions by practicing putting oneself on pause at
that split second, one can always choose how to
feel in that very moment.
Film Openings
The film openings are the most important part of creating a film as they establish the atmosphere for the audience and provide context about the type of film. Horror films often begin with a murder or psychological background of the killer. Openings need to catch the audience's attention and intrigue them about what will happen later. The openings of The Pacific, Grease, and Scre4m are all effective examples that immerse the audience and provide clues about the overall film.
RESEARCH PORTFOLIO
This document discusses a student's research into how sound influences films in the thriller genre. The student chose to analyze three films - Psycho (1960), Red Dragon (2002), and Taken (2008) - to see how the use of sound has changed over time while still conforming to thriller conventions. Key sources discussed include research on genre theory, the importance of music in films, and analyses of sound clips from the three focal films. The student aims to show that sound plays a substantial role in gripping audiences and creating tension, as emphasized by Alfred Hitchcock's comments about the influential score in Psycho.
Foley sounds
Foley sounds are everyday sound effects added to films to enhance audio quality. They are produced by Foley artists on a Foley stage where they synchronize sounds with footage cues. Common Foley sounds include footsteps, doors, and breaking glass. The technique is named after Jack Foley, who established modern Foley techniques. In horror films, Foley artists creatively use materials like leather and blades to reproduce sounds of killers' weapons and splattering blood, helping set an eerie atmosphere for viewers.
JM
This document summarizes a student's media studies production portfolio containing two video briefs: a music promo with storyboard and an opening sequence from a thriller with storyboard. It describes working in a group of three on a thriller film opening and music video. It also includes research on similar films and openings, the target audience, forms and conventions used, and plans to gather audience feedback and evaluate how well the project meets the brief.
Target audience research
The survey results showed that the target audience was mostly female aged 16-18. Most participants watched music videos for entertainment and to understand the artist's vision. Favorite music videos included "Let Forever Be" for its originality, "No Handlebars" for its animation and message, and "Bad Romance" for its unusual style. Most participants preferred music videos with a balance of effects, colors, and lighting over those that were too simple or excessive.
This is how Hollywood copy posters from other movies
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we are going to list some of the picture where concept of the picture is either same or they are rip off of each other
Interview with penélope cruz
The document contains an interview with Spanish actress Penélope Cruz. It asks her questions about her birthplace, age, when she won an Academy Award, movies she's been in, and her favorite director. It also asks additional questions about what her father bought her as a child, what city and movie she mentions in the video, how old she was when called by Pedro Almodóvar, where she was at the time, her favorite movie, and what the ballet gave her.
CJME’s Music Video Pitch
The document outlines a music video pitch for Coldplay's song "The Scientist". It details the song background, codes and conventions that will be used, main actors and why they were chosen, locations, props, flashbacks, illusions, target audience, and two ancillary tasks - a CD cover and magazine advertisement that will be produced.
Music video analysis work sheet (2)
The target audience for Aphex Twin's "Come To Daddy" music video is teenagers and young adults who enjoy dark, scary horror elements. The lyrics imply religious themes of evil and the devil possessing a television set. The tempo is fast and aggressive, changing to a calming nursery rhyme style before returning to the intense pace. Camera techniques like close-ups, medium shots, and establishing shots are used along with editing cuts and jump cuts between characters. Digital effects give the video a dark, cold look through color correction and distortion when the demon appears on the television screen.
Conceptual automaton power point
The document lists the names of various artists and artworks including Chris Burden, Shoot; Roxy Paine's SKUMAK machine; Sol Lewitt's Arcs in Four Directions in Four Colors; Jim Lambie's Zopob; Lawrence Weiner's Come What May; Adrian Piper's self portrait as a Nice White Lady; Gillian Wearing's Signs that say what you want them to say, not signs that say what they want you to say; Helio Oiticia; Janine Antoni's Chocolate and Lard; EV DAY's G Force and Black Bombshell artworks; Mona Hatoum's Light Sentence; Alexis Rockman's Prarie and
Are audiences impacted more by sound or visuals in film?
The document discusses how silent films relied solely on visuals to convey meaning and emotion, using techniques like expressionist sets, lighting, and camera angles. The introduction of sound in films in the 1920s allowed filmmakers to use music and other sounds to further set mood and atmosphere. While visuals were still important, sound provided elements that actors and visuals alone could not convey. The document examines examples from films like The Cabinet of Dr. Caligari to show how visual and auditory techniques worked together to impact audiences.
Job and reegan work
This document provides examples of different visual motifs seen in music videos including: 1) A close up of an artist's eye, exaggerated in size to seem impossible; 2) A post-apocalyptic scene depicting a lone survivor in a destroyed world; 3) Horror imagery used to appeal to fans of a band known for monster masks; 4) Intertextuality shown through an artist seeing their own reflection as art; 5) A ritual celebration party on a beach, typically depicting racial stereotypes.
Title Sequence Analysis
The document analyzes and compares the opening credits sequences of three horror films: Zombieland, Final Destination 5, and Dolls. The opening of Zombieland is very gory and sets the scene by showing zombies chasing humans, while using rock music that adds humor. Final Destination 5's opening is shocking as objects smash through glass while names appear, startling the audience. Though not very creative, Dolls' opening works for the 1987 film by having a creepy doll's face next to names on a black background, conveying the film's subject matter and creepy genre.
Target audience research
The survey results showed that the target audience was mostly female aged 16-18 years old. Most participants said they watch music videos for entertainment and to understand the artist's vision. When asked about music video preferences, responses indicated a liking for original concepts and those with narratives or social messages. Fast-paced music videos were generally preferred over slow ones. YouTube was cited as the primary platform for viewing music videos.
Music video concept thing
The music video concept will use stop motion animation with Lego pieces as the main characters to recreate scenes from the Men in Black film in a comedic parody style. It will feature the agents entering in a black car and appearing in their base, as well as interpreting lyrics like a mysterious appearance and disappearance. Shooting will require a video camera, steady cam, editing software, outdoor/indoor audio kit, lighting setup and indoor studio space, along with Lego props like suits, spaceships and weapons. Potential concerns include staffing, locations, timing, equipment and correct use of the kit.
Treatment
The proposed music video would tell the story of a mentally disturbed teenage boy in an institution who thinks the devil is trying to possess his mind. It would alternate between shots of the bare white institution room, the boy's illusion of the room with a devil character, and performers in a dark room with red lights. The video aims to portray what is going inside the boy's head as he tries to fight the devil's attempts to take over his mind through drawings on the walls and strange behavior.
What star image do you want to produce?
The document discusses different theories for constructing the image of an artist or band in a music video. It examines how the band Glass Animals presents an organic image based on Negas' theory by not drawing attention to themselves in videos and using candid photos. For the song "Dyers Eve", the band projects an abstract, quirky, and mysterious image using colorful visuals per Dyer's Star Theory. To follow these themes, the proposed video would portray the band mysteriously with smoke and red lights partially obscuring their faces to seem intriguingly absent yet present. Their image would be promoted as organic by dressing them casually and having them in only one setting.
Hugo's presentation
The document discusses plans for a music video for the song "Black Mambo" by Glass Animals. It will tell a narrative of a teenage mental patient whose safe space - the room with four white walls - is infiltrated by the devil, represented through drawings on the walls. Elements from Van Gogh's art and Latin phrases carved into the walls will show the growing influence of Lucifer. The video aims to bring awareness to society's poor understanding of teenage mental health issues by having viewers witness the struggles of someone experiencing mental illness.
Artist image
Female cheerleader characters will be represented in an American high school setting and initially shown with a sports car to emphasize their sexy image and gain more attention. Two male nerd characters will be the girlfriends' boyfriends. To fit the dark stereotypical style, a shot on a football field will include a character covered in blood.
Eval task 1p
Hugo Field compares his crime thriller to 24, GTA V, and Casino Royale. For 24, he notes similarities in the aggressive male interrogators screaming at resistant females. For GTA V, he highlights a mission where the player interrogates someone for information, similar to his film's plot. For Casino Royale, he describes similarities in the dark, limited lighting interrogation room layout and shots of a torturer circling the victim.
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What's hot
Real film title and openings we compare our
The document compares the film "Days of Darkness" to other apocalyptic films and television shows that also depict a spreading infection or disease, destruction of humanity, or a similar opening credit sequence showing global infection. Specifically mentioned are similarities to The Walking Dead in its depiction of a worldwide infection, This is the End in its original title of "The End of Days", Hills Have Eyes in its use of black and white jump cuts in the opening, and Rise of the Planet of the Apes in its ending credits showing infection spreading globally.
Life is the Way You See It
Life is just the way you see it.
A 101 seconds visual poem of my invaluable personal 6 months exchange program experience
in Birmingham, England, United Kingdom.
The aim of the short film is to inspire other
people to see and feel the subtle details in
everyday life and its culture. Being all there
wherever you are is the key, because I believe it’s
not where you are but how you feel at that
moment that matters the most.
One can’t control the initial reactions for what
one thinks and feels, but if one can stop oneself
sooner and prevent outward reactions and
actions by practicing putting oneself on pause at
that split second, one can always choose how to
feel in that very moment.
Film Openings
The film openings are the most important part of creating a film as they establish the atmosphere for the audience and provide context about the type of film. Horror films often begin with a murder or psychological background of the killer. Openings need to catch the audience's attention and intrigue them about what will happen later. The openings of The Pacific, Grease, and Scre4m are all effective examples that immerse the audience and provide clues about the overall film.
RESEARCH PORTFOLIO
This document discusses a student's research into how sound influences films in the thriller genre. The student chose to analyze three films - Psycho (1960), Red Dragon (2002), and Taken (2008) - to see how the use of sound has changed over time while still conforming to thriller conventions. Key sources discussed include research on genre theory, the importance of music in films, and analyses of sound clips from the three focal films. The student aims to show that sound plays a substantial role in gripping audiences and creating tension, as emphasized by Alfred Hitchcock's comments about the influential score in Psycho.
Foley sounds
Foley sounds are everyday sound effects added to films to enhance audio quality. They are produced by Foley artists on a Foley stage where they synchronize sounds with footage cues. Common Foley sounds include footsteps, doors, and breaking glass. The technique is named after Jack Foley, who established modern Foley techniques. In horror films, Foley artists creatively use materials like leather and blades to reproduce sounds of killers' weapons and splattering blood, helping set an eerie atmosphere for viewers.
JM
This document summarizes a student's media studies production portfolio containing two video briefs: a music promo with storyboard and an opening sequence from a thriller with storyboard. It describes working in a group of three on a thriller film opening and music video. It also includes research on similar films and openings, the target audience, forms and conventions used, and plans to gather audience feedback and evaluate how well the project meets the brief.
Target audience research
The survey results showed that the target audience was mostly female aged 16-18. Most participants watched music videos for entertainment and to understand the artist's vision. Favorite music videos included "Let Forever Be" for its originality, "No Handlebars" for its animation and message, and "Bad Romance" for its unusual style. Most participants preferred music videos with a balance of effects, colors, and lighting over those that were too simple or excessive.
This is how Hollywood copy posters from other movies
Hollywood is known for its creativity and originality but sometime they copy ( Or Rip Off) things from others movie,
we are going to list some of the picture where concept of the picture is either same or they are rip off of each other
Interview with penélope cruz
The document contains an interview with Spanish actress Penélope Cruz. It asks her questions about her birthplace, age, when she won an Academy Award, movies she's been in, and her favorite director. It also asks additional questions about what her father bought her as a child, what city and movie she mentions in the video, how old she was when called by Pedro Almodóvar, where she was at the time, her favorite movie, and what the ballet gave her.
CJME’s Music Video Pitch
The document outlines a music video pitch for Coldplay's song "The Scientist". It details the song background, codes and conventions that will be used, main actors and why they were chosen, locations, props, flashbacks, illusions, target audience, and two ancillary tasks - a CD cover and magazine advertisement that will be produced.
Music video analysis work sheet (2)
The target audience for Aphex Twin's "Come To Daddy" music video is teenagers and young adults who enjoy dark, scary horror elements. The lyrics imply religious themes of evil and the devil possessing a television set. The tempo is fast and aggressive, changing to a calming nursery rhyme style before returning to the intense pace. Camera techniques like close-ups, medium shots, and establishing shots are used along with editing cuts and jump cuts between characters. Digital effects give the video a dark, cold look through color correction and distortion when the demon appears on the television screen.
Conceptual automaton power point
The document lists the names of various artists and artworks including Chris Burden, Shoot; Roxy Paine's SKUMAK machine; Sol Lewitt's Arcs in Four Directions in Four Colors; Jim Lambie's Zopob; Lawrence Weiner's Come What May; Adrian Piper's self portrait as a Nice White Lady; Gillian Wearing's Signs that say what you want them to say, not signs that say what they want you to say; Helio Oiticia; Janine Antoni's Chocolate and Lard; EV DAY's G Force and Black Bombshell artworks; Mona Hatoum's Light Sentence; Alexis Rockman's Prarie and
Are audiences impacted more by sound or visuals in film?
The document discusses how silent films relied solely on visuals to convey meaning and emotion, using techniques like expressionist sets, lighting, and camera angles. The introduction of sound in films in the 1920s allowed filmmakers to use music and other sounds to further set mood and atmosphere. While visuals were still important, sound provided elements that actors and visuals alone could not convey. The document examines examples from films like The Cabinet of Dr. Caligari to show how visual and auditory techniques worked together to impact audiences.
Job and reegan work
This document provides examples of different visual motifs seen in music videos including: 1) A close up of an artist's eye, exaggerated in size to seem impossible; 2) A post-apocalyptic scene depicting a lone survivor in a destroyed world; 3) Horror imagery used to appeal to fans of a band known for monster masks; 4) Intertextuality shown through an artist seeing their own reflection as art; 5) A ritual celebration party on a beach, typically depicting racial stereotypes.
Title Sequence Analysis
The document analyzes and compares the opening credits sequences of three horror films: Zombieland, Final Destination 5, and Dolls. The opening of Zombieland is very gory and sets the scene by showing zombies chasing humans, while using rock music that adds humor. Final Destination 5's opening is shocking as objects smash through glass while names appear, startling the audience. Though not very creative, Dolls' opening works for the 1987 film by having a creepy doll's face next to names on a black background, conveying the film's subject matter and creepy genre.
Target audience research
The survey results showed that the target audience was mostly female aged 16-18 years old. Most participants said they watch music videos for entertainment and to understand the artist's vision. When asked about music video preferences, responses indicated a liking for original concepts and those with narratives or social messages. Fast-paced music videos were generally preferred over slow ones. YouTube was cited as the primary platform for viewing music videos.
Music video concept thing
The music video concept will use stop motion animation with Lego pieces as the main characters to recreate scenes from the Men in Black film in a comedic parody style. It will feature the agents entering in a black car and appearing in their base, as well as interpreting lyrics like a mysterious appearance and disappearance. Shooting will require a video camera, steady cam, editing software, outdoor/indoor audio kit, lighting setup and indoor studio space, along with Lego props like suits, spaceships and weapons. Potential concerns include staffing, locations, timing, equipment and correct use of the kit.
What's hot (17)
This is how Hollywood copy posters from other movies
This is how Hollywood copy posters from other movies
Are audiences impacted more by sound or visuals in film?
Are audiences impacted more by sound or visuals in film?
Viewers also liked
Treatment
The proposed music video would tell the story of a mentally disturbed teenage boy in an institution who thinks the devil is trying to possess his mind. It would alternate between shots of the bare white institution room, the boy's illusion of the room with a devil character, and performers in a dark room with red lights. The video aims to portray what is going inside the boy's head as he tries to fight the devil's attempts to take over his mind through drawings on the walls and strange behavior.
What star image do you want to produce?
The document discusses different theories for constructing the image of an artist or band in a music video. It examines how the band Glass Animals presents an organic image based on Negas' theory by not drawing attention to themselves in videos and using candid photos. For the song "Dyers Eve", the band projects an abstract, quirky, and mysterious image using colorful visuals per Dyer's Star Theory. To follow these themes, the proposed video would portray the band mysteriously with smoke and red lights partially obscuring their faces to seem intriguingly absent yet present. Their image would be promoted as organic by dressing them casually and having them in only one setting.
Hugo's presentation
The document discusses plans for a music video for the song "Black Mambo" by Glass Animals. It will tell a narrative of a teenage mental patient whose safe space - the room with four white walls - is infiltrated by the devil, represented through drawings on the walls. Elements from Van Gogh's art and Latin phrases carved into the walls will show the growing influence of Lucifer. The video aims to bring awareness to society's poor understanding of teenage mental health issues by having viewers witness the struggles of someone experiencing mental illness.
Artist image
Female cheerleader characters will be represented in an American high school setting and initially shown with a sports car to emphasize their sexy image and gain more attention. Two male nerd characters will be the girlfriends' boyfriends. To fit the dark stereotypical style, a shot on a football field will include a character covered in blood.
Eval task 1p
Hugo Field compares his crime thriller to 24, GTA V, and Casino Royale. For 24, he notes similarities in the aggressive male interrogators screaming at resistant females. For GTA V, he highlights a mission where the player interrogates someone for information, similar to his film's plot. For Casino Royale, he describes similarities in the dark, limited lighting interrogation room layout and shots of a torturer circling the victim.
Mumford
Mumford and Sons are an alternative rock/folk band known for their fast-paced banjo playing, which is considered their unique selling point. Their target audience is typically those in their early teens to late twenties who enjoy folk rock, as the fast pace of many of their songs appeals to younger generations. Their website and digipacks are examples of how music campaigns are used to market bands.
Star image
Star represents a young female artist in her 20s. She uses her sexuality and attractiveness as her trademark, exuding confidence. The document discusses how stars like her both reinforce and sometimes challenge social norms and conceptions of gender and sexuality. The marketing campaign will focus on promoting her beauty and sex appeal across different mediums like the website and album packaging. Red will be used as the main color to tie the campaign together and represent her sex appeal.
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Smiths Presentation
Our music video will focus on performance and conceptual elements, including stop motion animation. It will feature close-ups of the female performer wearing an oversized mismatched suit to convey her awkwardness. Shots will experiment with composition, lighting, and camera movements. The video may initially conceal the performer's gender before revealing she is lip-syncing to a man's voice, highlighting the disconnection between her performance and the audience's perception. Conceptual elements will develop the performer's character and backstory through shots of objects representing her isolated childhood. Stop motion animation will further the conceptual side by depicting objects moving independently.
Jump out of your car
The video analyzes a music video created by the authors. It uses various cinematography techniques like close-ups and mid-shots to introduce characters. Effects like ghosting were used to match movements to the beat. Costumes reference hip hop but also include non-conforming elements. The locations contrast what is typical for the genre. Only diegetic sound from the track is included. The narrative follows the band's introduction and performance. While having some genre elements, the video does not fully conform to predictability. It aims to represent today's youth culture. The intended teenage audience may be restricted by parents due to mature content.
Representation Theory Evaluation
This document discusses how the music video draws from several influences in its narrative and visual elements:
1) It references the documentary "The Duct Tape Messiah" and the song "Reverend" through its use of duct tape.
2) Scenes were inspired by the music video for "Take Me To Church" by Hozier, including close-ups of a church fence and bars representing confinement.
3) Walking scenes reference the protagonist's journey, as seen in the music video for "Daydreaming" by Radiohead.
4) The portrayal of the reverend challenges stereotypes as seen in the film "Ted" by subverting expectations of religious figures.
Music video key concepts analysis
This music video has a simplistic linear narrative where the actress's actions have consequences that transport her to new locations. It has elements of science fiction due to scenes in a science lab and the actress's supernatural abilities. The video also contains elements of romance shown through pink lighting and scenes of intimacy. It can be considered a hybrid genre that innovatively merges sci-fi and romance. The target audience includes both male and female viewers as well as fans of the actress, Gigi Hadid. Semiotics like the setting and colors are used to convey meaning and shift the mood. The video represents the actress in a highly objectified manner through close-ups and revealing clothing that portray her as innocent yet seductive.
Evaluation Question 1
In this document, the author discusses how their music video uses and challenges conventions of real media products. They summarize:
They used common music video conventions like focusing on relationships and incorporating themes of self-acceptance, mental health, and LGBT+ issues. However, they challenged conventions by not including lip syncing to focus on the narrative. They used symbolic mise-en-scene with lighting, clothing, and locations to represent the protagonist's journey. A variety of editing techniques like jump cuts, cross fades, slow motion were used to demonstrate changes in mood, with influences from other music videos. Overall, the video took inspiration from real music videos while also aiming to challenge some conventions.
Horror title sequence analysis
The document analyzes and compares the opening title sequences of three horror/zombie films - Zombieland, Warm Bodies, and World War Z - to the opening title sequence created by the author. All three films establish tone and genre through their use of visuals, music, and other cinematic techniques. The author's sequence draws similarities in its use of non-diegetic music and visual elements to set an eerie yet exciting mood, though it differs in other ways like not including a voiceover. Comparing to these film sequences helps analyze how effectively the author's own work establishes expectations for the intended horror genre and target teenage audience.
Evaluation 1
The document provides an evaluation of a media product (a music video). It summarizes:
1) The music video uses conventions of the indie pop genre through its upbeat music, outdoor locations, use of high street fashion, and narrative structure involving flashbacks. However, it also challenges conventions by using ambiguity and representing both genders equally.
2) The print materials like the digipak follow conventions like a 4 panel design but also challenge conventions through its use of different colors on each panel.
3) The magazine advertisement features both the male and female leads smiling together, challenging gender representation conventions. It also includes release date, availability on iTunes, and a Facebook link, following advertising conventions.
Pitch
Sub Focus is an electronic artist who blends elements of genres like house, drum & bass, and electro in his music. The document proposes a music video, digipack, and magazine ad to promote Sub Focus' song "Endorphins". The music video would tell a surreal story about a man chased by masked people in a wood, representing outsiders and society. Research found the target audience is mostly 16-24 year old fans of indie, house, and electro who watch videos online. The proposed locations for filming are Knavesmire Wood in York. Reasons for choosing Sub Focus include appealing to the target age and successfully combining elements from different genres and formats in a cohesive promotional package.
Reserach of the band
Olivver the Kid is a 24-year-old indie pop artist from Los Angeles. He was influenced by punk and hardcore music growing up. His album "The Boy Who Cried Wolf" tells a metaphorical story through its lyrics that is open to interpretation. Characteristics of indie pop music videos include natural settings, live performances, filters and lighting effects that tie into the narrative lyrics. Olivver the Kid's videos feature masks and changing colors of lighting in live shows to enhance the atmosphere and rhythm of his songs.
Music video ideas report
The music video proposal is for the song "So Far (it's alright)" by the 1975. It will tell the story of a teenage girl crying in her bedroom after a breakup with her boyfriend, using flashbacks to show what led to this. Flashbacks will show them previously happy together and her boyfriend's drug use negatively impacting their relationship. Iconography and locations around Manchester will be incorporated to represent themes of love, drugs, and pain. The video will be shot in black and white to intensify emotion and the feeling that color is gone from her world.
Evaluation question 1
The media product challenges conventions of real music videos in its genre in the following ways:
1. It creates "star iconography" by representing the artist as having two sides and a dysfunctional mentality due to drug use through opposing concepts and imagery of a mask and skull.
2. It does not include voyeurism which is rarely used in real music videos of this genre, in order to depict the artist as intoxicated and paranoid.
3. As lyrics are less important than electronica sound, it includes visuals synchronized to music to involve the audience, rather than visual lyrics.
AS level thriller opening Evaluation
The student learned valuable lessons about filmmaking from their preliminary task that helped improve their full product. They gained experience with cameras, directing, and editing. Feedback on their first draft highlighted the importance of shot choice and timing. They also learned how to achieve match-on-action and not break the 180 degree rule. While they considered breaking conventions for effect, they ultimately stuck to proper technique to earn a high mark. The preliminary task prepared them well for the challenges of the full film project.
(Evaluation) last three questions
The student learned valuable lessons about filmmaking from their preliminary task that helped improve their full product. They gained experience with cameras, directing, and editing. Feedback on their first draft highlighted the importance of shot choice and timing, which they applied to their final project. They also learned techniques like match-on-action and following the 180 degree rule. While they considered breaking conventions for effect, they ultimately stuck to standard practices to ensure a high grade. Overall, the preliminary task helped enhance their skills and understanding of film production.
Music Videos Analysis
The document analyzes conventions found in chillwave music videos. It discusses several videos including M83 - Wait, Giraffage & XXYYXX – Even Though, Bondax – Giving It All, XXYYXX – Never Leave, and Bonobo - Cirrus. Key conventions discussed include the use of surreal/psychedelic elements, a minimal or confusing narrative, bright colors, nature scenes, and visuals that relate to the music. The document notes several techniques that will be incorporated into the author's own music video.
Question 1
This document discusses conventions of music videos and how the author's media product conforms to or challenges these conventions. Some key conventions discussed include:
- Music video lengths generally being 2-5 minutes
- Including narrative elements beyond just the song
- Using bright, eye-catching imagery in marketing
The author's music video incorporates dreaming/reality dichotomies seen in other videos. It references other works through intertextuality and uses various locations tied to the narrative. The digipack design draws from album covers, with panels representing themes of reality/dreams and the performer's journey. Overall, the document examines how the author's work engages with mainstream music video conventions.
Video content analysis
The video analysis found several key conventions of indie rock music videos. The video tells a narrative story through fast-paced editing between shots of a man, his mother, a church, and police sirens. It is filmed in the main character's house and shows his unhappy family life after the death of his mother. The character uses marijuana to cope, remembering happier times with his mother. The video features the artists during the chorus to emphasize those parts. It relies on editing, camera work, and mise-en-scene to convey the narrative and link to the song's lyrics, consistent with conventions of indie music videos.
Analysis of music video- lady gaga ft beyonce "telephone"
This document analyzes the music video for "Telephone" by Lady Gaga and Beyonce. It identifies several techniques used in the video including camera shots, editing, mise-en-scene, genre conventions, and intertextuality. It also discusses how audiences may interpret the video differently based on their own experiences and perspectives. Finally, it explains how Andrew Goodwin's theory of key features in music videos can be applied to analyze the techniques and styles used in "Telephone."
Music video analysis 2
Olivver the Kid is a 24-year-old indie pop artist from Los Angeles. He was first in the band The Neighborhood but is now solo. His music has meaningful lyrics and tells stories through his albums. "In the Woods" is about escaping an addiction or toxic relationship. Low-budget, natural settings are common in indie pop videos to create mystery. Live performances show passion for music. Filters add retro feels. Lighting uses natural and artificial sources. Videos often tie lyrics to plots to connect viewers to the music. Masks are distinctive to Olivver's style and add mystery to what songs represent.
Question 2 evaluation
This document summarizes and analyzes the marketing materials created for a psychological thriller film titled "Unhinged." The film's poster uses a distorted image of the main character's daughter to pique viewers' curiosity without revealing details. The radio trailer provides key information about the plot while hinting at more, following industry standards. Overall, the document concludes that the poster and trailer effectively market the film and target the intended audience.
Music video analysis 2
Olivver the Kid is a 24-year-old indie pop artist from Los Angeles. His music is influenced by punk and hardcore genres and features meaningful lyrics that allow for interpretation. His album "The Boy Who Cried Wolf" tells a metaphorical story through its songs about addiction and escaping something controlling. To create a music video for his song "In the Woods," the document analyzes Olivver's style and common indie pop music video techniques like natural settings, live performances, filters, lighting, and tying lyrics to a narrative plot. Masks, which add mystery, are also frequently used in Olivver's own videos.
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Lynxp
- 1. Black Mambo Eloise, Coco, and Hugo
- 2. The song Black Mambo- They are an organic band and almost never appear in their videos. Here is the link to the song.https://www.youtu be.com/watch?v=H7bq ZIpC3Pg • It is by glass Animals. The album is called Zaba. it was released 2014. It was their debut album. They are similar to Alt J and Bastille. • They have reached about 6.35 million views.
- 3. Influence of Video- The Hour of the Lynx. https://www.youtube.com/watch?v=1pMBGL7w6qQ We hope to film most of the video in a room with 4 basic walls maybe white walls (as the video goes on the walls will deteriorate). The main character will be a skin head mental patient (teenage). The video at the moment will be narrative. The video will consist of the devil attempting to enter the patients room, his safe heaven, and try to influence the teenage boy to kill himself.
- 4. Lucifer. The basis of the video will be different to the ,ove though because instead of God trying to kill the patient, the devil “Lucifer” is trying to get into the room and into the patient. Lucifer will be represented in the video through various wall drawing and potentially some sort of medication as well as a self portrait the patient may draw.
- 5. Van Gough Van Gough’s art will also be an influence in parts of the video. Van Gough also ended upon a mental asylum and killed himself just like the movie. Potentially we will use his art in terms of religion.
- 6. How we represent religion We hope to add subtlety to our video when we use religious references. We will use a lot of Latin carved into the wall as the Lucifer infection grows deeper. Symbols and red lighting/ smoke can also be used.
- 7. Society’s relationship with teenage mental health. In society today we still don’t understand mental health illnesses, especially in teenagers. This video we hope will kind of dress that matter and force the viewers to witness someone with a mental illness.