Locations
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The document describes 5 potential filming locations for a music video focusing on a romantic couple. Location #1, Millington Woods, is an ancient ash wood suitable for intimate scenes of 1-2 subjects and walking scenes. Location #2, Fangfoss Jubilee Park, is suitable for playful scenes between two people and has separate areas for varying moods. Location #3, Goodmanham Arms pub, provides an intimate setting suitable for date scenes over food and drink. Location #4, York's Christmas market, allows for romantic and happy scenes of couples attending together. Location #5, fields in Wilberfoss, provide a peaceful setting for solitary or together scenes and nature filming.
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Locations
The document discusses 5 potential locations for filming scenes for a music video about a couple's relationship. Location #1, Millington Woods, is an ancient ash wood suitable for intimate scenes of 1-2 subjects. Location #2, Fangfoss Jubilee Park, could show playful scenes between two people and has different areas for variety. Location #3, Goodmanham Arms pub, provides a cosy setting for date scenes or conversations over food and drink. Location #4, the York Christmas fair, could feature happier scenes of the couple attending the festive market together. Finally, Location #5, fields in Wilberfoss, would work for peaceful or lonely scenes featuring nature and sunsets.
Locations
The document describes three potential locations for filming scenes for a music video:
Location 1: Millington Woods - A 52 acre ancient ash wood suitable for intimate scenes of 1-2 subjects, such as a couple on a date, representing intimacy, romance, and new beginnings.
Location 2: Fangfoss Jubilee Park - A community park suitable for playful walking scenes of two people, signifying fun, joy, and family in separate sections allowing various shots for the video.
Location 3: Goodmanham Arms pub - A traditional country pub suitable for intimate date scenes or conversations over food/drink, signifying intimacy, romance, cosiness and happier times between the couple against a backdrop of a
Mise en scene
This document provides production details for filming two scenes for an indie pop music video. The first scene will be filmed on a rural road surrounded by fields to depict freedom and nature. The singer will walk along the road wearing casual, fashionable clothing. The second scene will take place in the countryside at dusk and feature a campfire, extras, props to create a fun, joyous party atmosphere. Natural lighting and colors will be used to suit the outdoor settings in both scenes.
The importance of being earnest collaboration group 82
This document provides information about the production of Oscar Wilde's play "The Importance of Being Earnest". It includes sections on the set design by Jessica Mullen, which aims to establish the late 1800s London setting of a luxurious flat. It also covers the light design by Guy Robertson, which will use various lighting techniques to set the mood and enhance visibility on stage. Finally, it discusses the directorial concept by Jonathan Saade, who plans to portray the play's themes of secret double lives and superficial Victorian society using a realistic style reflective of the elite social class.
The importance of being earnest
This document provides details for designing and producing a theatrical adaptation of Oscar Wilde's play "The Importance of Being Earnest". It discusses the plot, themes, characters, settings, costumes, lighting, and other production elements. The play is a satire of Victorian era social norms and values, using humor and farce. Production elements like the set design, costumes, and lighting should reflect the time period while enhancing the themes of deception and maintaining social appearances over truth and sincerity.
OTBT: Shoes for the In-Between Season
Are you ready to switch out your heavy winter attire for something lighter? With the weather awkwardly teetering between seasons, we have the perfect styles to transition winter into spring. Check out these travel essentials for women. From mid-shaft boots to women's ballet flats, you will fall in love with these shoes.
The Woman In Black: Trailer Analysis
The document provides a summary of shots from a film trailer that set up tension and mystery. It describes shots showing the main character traveling by carriage through isolated wetlands to reach the derelict Eel Marsh house surrounded by overgrown plants and mist. Dialogue reveals unsettling details about the house and why no one wants to buy it. The trailer then shows disturbing old photographs from the house with scratched out faces and a faded face in the window to further unsettle the audience before the character enters the feared house.
1331
The lighting design recommendations for the play Bus Stop are:
1) Areas where action occurs on stage should be consistently lit to show the characters' confinement in the diner due to harsh weather.
2) Lighting should gravitate towards the center stage to create a sense of being bound by the weather, with dimmer lighting around the edges.
3) A blue hue and soft lighting should be used to recreate the feeling of a snowstorm and match the somber moods conveyed by some characters in Act 1.
4) Soft lighting is most appropriate for the 1950s rural setting in Kansas City, Missouri rather than bright modern lighting.
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Locations
The document discusses 5 potential locations for filming scenes for a music video about a couple's relationship. Location #1, Millington Woods, is an ancient ash wood suitable for intimate scenes of 1-2 subjects. Location #2, Fangfoss Jubilee Park, could show playful scenes between two people and has different areas for variety. Location #3, Goodmanham Arms pub, provides a cosy setting for date scenes or conversations over food and drink. Location #4, the York Christmas fair, could feature happier scenes of the couple attending the festive market together. Finally, Location #5, fields in Wilberfoss, would work for peaceful or lonely scenes featuring nature and sunsets.
Locations
The document describes three potential locations for filming scenes for a music video:
Location 1: Millington Woods - A 52 acre ancient ash wood suitable for intimate scenes of 1-2 subjects, such as a couple on a date, representing intimacy, romance, and new beginnings.
Location 2: Fangfoss Jubilee Park - A community park suitable for playful walking scenes of two people, signifying fun, joy, and family in separate sections allowing various shots for the video.
Location 3: Goodmanham Arms pub - A traditional country pub suitable for intimate date scenes or conversations over food/drink, signifying intimacy, romance, cosiness and happier times between the couple against a backdrop of a
Mise en scene
This document provides production details for filming two scenes for an indie pop music video. The first scene will be filmed on a rural road surrounded by fields to depict freedom and nature. The singer will walk along the road wearing casual, fashionable clothing. The second scene will take place in the countryside at dusk and feature a campfire, extras, props to create a fun, joyous party atmosphere. Natural lighting and colors will be used to suit the outdoor settings in both scenes.
The importance of being earnest collaboration group 82
This document provides information about the production of Oscar Wilde's play "The Importance of Being Earnest". It includes sections on the set design by Jessica Mullen, which aims to establish the late 1800s London setting of a luxurious flat. It also covers the light design by Guy Robertson, which will use various lighting techniques to set the mood and enhance visibility on stage. Finally, it discusses the directorial concept by Jonathan Saade, who plans to portray the play's themes of secret double lives and superficial Victorian society using a realistic style reflective of the elite social class.
The importance of being earnest
This document provides details for designing and producing a theatrical adaptation of Oscar Wilde's play "The Importance of Being Earnest". It discusses the plot, themes, characters, settings, costumes, lighting, and other production elements. The play is a satire of Victorian era social norms and values, using humor and farce. Production elements like the set design, costumes, and lighting should reflect the time period while enhancing the themes of deception and maintaining social appearances over truth and sincerity.
OTBT: Shoes for the In-Between Season
Are you ready to switch out your heavy winter attire for something lighter? With the weather awkwardly teetering between seasons, we have the perfect styles to transition winter into spring. Check out these travel essentials for women. From mid-shaft boots to women's ballet flats, you will fall in love with these shoes.
The Woman In Black: Trailer Analysis
The document provides a summary of shots from a film trailer that set up tension and mystery. It describes shots showing the main character traveling by carriage through isolated wetlands to reach the derelict Eel Marsh house surrounded by overgrown plants and mist. Dialogue reveals unsettling details about the house and why no one wants to buy it. The trailer then shows disturbing old photographs from the house with scratched out faces and a faded face in the window to further unsettle the audience before the character enters the feared house.
1331
The lighting design recommendations for the play Bus Stop are:
1) Areas where action occurs on stage should be consistently lit to show the characters' confinement in the diner due to harsh weather.
2) Lighting should gravitate towards the center stage to create a sense of being bound by the weather, with dimmer lighting around the edges.
3) A blue hue and soft lighting should be used to recreate the feeling of a snowstorm and match the somber moods conveyed by some characters in Act 1.
4) Soft lighting is most appropriate for the 1950s rural setting in Kansas City, Missouri rather than bright modern lighting.
Textual Analysis
The music video features a female character who seems tired of waiting for a man at a bar. Throughout the video, the main singer watches her. At the end, when the man finally shows up at the bar, she has a moment of realization and decides to move on from him to avoid further hurt. The video uses techniques like voyeurism and the male gaze to tell this story from both the female character's and singer's perspectives.
Evaluation of Contacts Sheets
This document assesses various hazards for a production and assigns each a risk factor. Alcohol/drugs and animals/insects pose a moderate and low risk respectively, but are unlikely. Heat/cold, laser/strobe effects, materials, night operation, and public/crowds also present a low risk but are very unlikely. No other hazards were identified.
Interview Analysis
The interviewee provided insights into expectations for an indie music video. They suggested indie videos feature a wide range of intense emotions, often sadness. When thinking of the band The Script, the interviewee said their songs are emotional. For the song "The Man Who Can't Be Moved", the meaning was interpreted as about a breaking relationship. Other bands valued included The Wombats, The Blossoms, and The Foals. If recreating the video, the interviewee would expect to see the band featured and for it to include sad emotions, as these are common conventions for indie music videos.
Risk Assessment
This document summarizes 7 potential hazards for a student film project shooting scenes in rural and urban locations in Yorkshire, England. The hazards identified include animals/insects due to filming in woodland areas, alcohol/drugs from filming in a pub setting, extreme weather conditions, strobe lighting effects in a live performance scene, fire risks from materials used, risks associated with night filming, and risks from public crowds in locations like a Christmas market and pub. For each hazard, the document outlines who may be exposed, recommended actions to mitigate risks, and responsibilities for ensuring safety precautions are followed.
Shooting Schedual
This document outlines a shooting schedule for a film project taking place in and around York, UK. It lists various filming locations, dates, times, cast and crew members, and the shot numbers planned for each session. Key dates and locations include filming chorus scenes in York City Centre on November 28th, flashback scenes in countryside locations on November 29th, market and city scenes in York on December 1st, photoshoot sessions at York College on January 5th and 12th, and final city scenes wrapped on January 12th. The schedule involves Karis Hays as crew contact and lists several cast members including Eleanor Waring, Lucy Pywell, and Callum Burbidge.
Textual Analysis 2
This document provides an in-depth analysis of the music video for the song "How to Save a Life" by The Fray. It summarizes the key details of the video, including that it uses intimate close-up shots of various characters to tell a storyline and show their emotional development throughout the video. It also analyzes how the video creates a relationship between the music and visuals to enhance both and draw in viewers, such as by using a jump cut when the word "LISTEN" appears on screen to coincide with lyrics. Technical aspects like editing, camera work, and textual effects are discussed in detail to immerse viewers in the emotions of the song.
Evalution - Question One
The document discusses how the student's music video project uses, develops, and challenges conventions of real music videos. It follows conventions like including live band performances and members as characters, as well as using dark colors. However, it also challenges conventions by not showing all band members together due to space limitations, and using bright paint splatter colors in some shots. The video uses camera techniques, editing, effects and a nonlinear narrative to both adhere to and experiment with conventions of the alternative rock/pop genre. Overall, the project strives to balance conventions with some unconventional elements to engage audiences.
Props and Costumes
Props needed for the video include flowers for a memorial scene, musical instruments like a microphone and guitar for a live performance scene, Christmas items for a flashback scene at a market, and drinks for a pub scene. Costumes will include casual winter clothes throughout to depict different days, and dark clothes for the female character to wear when visiting the memorial to symbolize grief.
Textual analysis 3
The document provides an analysis of the music video for the song "The Man Who Can't Be Moved" by the band The Script. It discusses several aspects of the music video including:
- Genre characteristics including inclusion of live performance clips and band member costumes that fit rock genre conventions.
- Strong connections between the lyrics and visuals, such as a character asking where he is when that line is sung.
- Use of natural lighting and pace of shots matching the tempo of the music.
- Close-ups of the lead singer showing emotion and connecting with the audience during both narrative and performance parts.
- Elements of the album packaging including photos of the band and design that continue themes and
Group Idea
The document proposes ideas for a music video, album, and digipak for a fictional band. For the music video, it suggests following a man who has recently lost his girlfriend in an accident and showing flashbacks of their relationship through the song. For the album, it recommends taking artistic elements from The Script album covers but making the band name more prominent. For the digipak, it outlines using images of the band and information about their careers and songs on the inside panels with a plain background.
The Script Research
The Script is an Irish rock band formed in Dublin in 2004. They have released 4 studio albums between 2008-2014. Their most successful single, "Hall of Fame" featuring will.i.am, reached #1 in the UK and Ireland. The band has a total of 16 music videos and follows a marketing strategy of releasing 2-3 singles from each album to promote arena tours. The Script performs indie/alternative rock and has a worldwide fanbase as evidenced by their international tour map. They are signed to Sony Music Entertainment, one of the largest record labels, and are featured on Billboard, indicating their mainstream popularity beyond just rock genres. The core band members are Danny O'Donoghue on vocals/keyboard, Mark
Survey Analysis
This document contains 10 questions from an online survey about music videos and preferences for receiving music content. The questions include multiple choice, checkbox selections, and open-ended text responses. The purpose is to gather audience feedback to help design a music video and accompanying online content for a band coursework project that will appeal to potential viewers.
Evaluation - Question four
The student used various media technologies throughout the construction, research, planning, and evaluation stages of their coursework. Blogger was used to publish work and show development. Survey Monkey was used to conduct audience research during planning and evaluate the final product. YouTube was utilized for uploading the final video, researching conventions, and planning. Photoshop and Premiere Pro aided construction. SlideShare, Facebook Messenger, Google, email, PowerPoint, Word, and a camera also supported various stages.
Evaluation – Question Two
The document evaluates the effectiveness of combining a band's main album product with ancillary texts such as a music video, magazine ad, and digipak design. It finds that the combination is generally effective due to a consistent paint splatter theme and color scheme across materials. However, it notes that the music video could better link to the album by incorporating its orange, black, and white colors. Some improvements mentioned are adding band images and relating the song choice more closely to the paint theme.
Locations, props and costumes
The document discusses five potential filming locations, props, and costumes for a music video. The locations include woods, parks, a pub, and Christmas markets that would work for scenes focusing on a couple as well as more somber solo scenes. Props include flowers for a memorial, musical instruments, and Christmas items. Costumes will be casual winter clothes to depict everyday scenes and the passage of time through flashbacks, as well as dark clothes for scenes of visiting a memorial after a character's death.
Ideas for Locations
The document discusses potential locations for shooting a music video to accompany the song "Gather and Run". It proposes six locations that would help tell the story of a blossoming and deteriorating relationship through symbolic natural backdrops. The locations are: 1) A private bench representing the start of the relationship. 2) An open field representing the couple falling in love. 3) A stunning garden setting for an early date. 4) An enclosed forest reflecting their feeling trapped. 5) A flowing river symbolizing a increasingly turbulent relationship. 6) A beach linking to lyrics about drowning and conveying darker connotations.
Locations
The document discusses the locations that will be used in a music video to tell the story of a blossoming and falling relationship. It proposes six locations: 1) a private bench where the couple's relationship begins; 2) an open field representing their love and comfort with each other; 3) a stunning garden setting for dates; 4) an enclosed forest as their relationship becomes strained; 5) a flowing river symbolic of their increasingly turbulent relationship; and 6) a beach linking to lyrics about drowning and unsettling darker connotations. The natural settings aim to explore themes of youth and freedom common to folk music.
Location
This document outlines location plans for an upcoming music video. It proposes five locations: 1) A blacked out room with neon lights to create a surreal rock concert atmosphere. 2) Holly's Diner to establish an 1950/60s aesthetic through its bright blue walls. 3) Bradwell Beach to convey images of fun and romance as seen in Grease. 4) A forest/park to add natural imagery and texture without distracting from the narrative of young love. 5) Southend-On-Sea pier and arcades as the setting for a third date, using the location's romantic connotations found in other iconic romance films.
Location recognition
This document discusses three potential locations for filming a music video:
1) A black box studio at Windsor Girls' School that provides flexibility but may make achieving a completely white setting difficult.
2) A private home in Maidenhead with a pool, allowing unique outdoor shots and control over filming schedule. Weather could impact natural lighting.
3) Windsor Great Park for scenic sunset shots, though limited timeframe requires advance planning. Public areas require finding secluded spots.
Each location is evaluated for access, filming advantages and challenges, and symbolic relation to portraying the character's deteriorating mental state in the video.
Recce shots
This document provides location information for a film shoot in Crowthorne, England. Location A is a farmhouse off Wellingtonia Avenue that will be used for interior house scenes. Location B, called Simons Wood, is a 10 minute walk from the farmhouse and will be used for forest and country lane scenes. Specific details are given about how each location can be used, including rooms in the farmhouse and different landscape areas in the forest. Both locations may experience mud and wet weather that need to be considered in planning.
Digipak and Advert Drafts
We initially considered a lightning bolt theme for an album design but felt it was too simplistic and predictable. We instead changed the album name to "Paint This Town" and opted for a paint theme, featuring a simple design that complemented the new name while still giving a sense of style. The final paint-themed design was preferred over the initial lightning bolt concept and chosen for the album packaging and advertising.
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Textual Analysis
The music video features a female character who seems tired of waiting for a man at a bar. Throughout the video, the main singer watches her. At the end, when the man finally shows up at the bar, she has a moment of realization and decides to move on from him to avoid further hurt. The video uses techniques like voyeurism and the male gaze to tell this story from both the female character's and singer's perspectives.
Evaluation of Contacts Sheets
This document assesses various hazards for a production and assigns each a risk factor. Alcohol/drugs and animals/insects pose a moderate and low risk respectively, but are unlikely. Heat/cold, laser/strobe effects, materials, night operation, and public/crowds also present a low risk but are very unlikely. No other hazards were identified.
Interview Analysis
The interviewee provided insights into expectations for an indie music video. They suggested indie videos feature a wide range of intense emotions, often sadness. When thinking of the band The Script, the interviewee said their songs are emotional. For the song "The Man Who Can't Be Moved", the meaning was interpreted as about a breaking relationship. Other bands valued included The Wombats, The Blossoms, and The Foals. If recreating the video, the interviewee would expect to see the band featured and for it to include sad emotions, as these are common conventions for indie music videos.
Risk Assessment
This document summarizes 7 potential hazards for a student film project shooting scenes in rural and urban locations in Yorkshire, England. The hazards identified include animals/insects due to filming in woodland areas, alcohol/drugs from filming in a pub setting, extreme weather conditions, strobe lighting effects in a live performance scene, fire risks from materials used, risks associated with night filming, and risks from public crowds in locations like a Christmas market and pub. For each hazard, the document outlines who may be exposed, recommended actions to mitigate risks, and responsibilities for ensuring safety precautions are followed.
Shooting Schedual
This document outlines a shooting schedule for a film project taking place in and around York, UK. It lists various filming locations, dates, times, cast and crew members, and the shot numbers planned for each session. Key dates and locations include filming chorus scenes in York City Centre on November 28th, flashback scenes in countryside locations on November 29th, market and city scenes in York on December 1st, photoshoot sessions at York College on January 5th and 12th, and final city scenes wrapped on January 12th. The schedule involves Karis Hays as crew contact and lists several cast members including Eleanor Waring, Lucy Pywell, and Callum Burbidge.
Textual Analysis 2
This document provides an in-depth analysis of the music video for the song "How to Save a Life" by The Fray. It summarizes the key details of the video, including that it uses intimate close-up shots of various characters to tell a storyline and show their emotional development throughout the video. It also analyzes how the video creates a relationship between the music and visuals to enhance both and draw in viewers, such as by using a jump cut when the word "LISTEN" appears on screen to coincide with lyrics. Technical aspects like editing, camera work, and textual effects are discussed in detail to immerse viewers in the emotions of the song.
Evalution - Question One
The document discusses how the student's music video project uses, develops, and challenges conventions of real music videos. It follows conventions like including live band performances and members as characters, as well as using dark colors. However, it also challenges conventions by not showing all band members together due to space limitations, and using bright paint splatter colors in some shots. The video uses camera techniques, editing, effects and a nonlinear narrative to both adhere to and experiment with conventions of the alternative rock/pop genre. Overall, the project strives to balance conventions with some unconventional elements to engage audiences.
Props and Costumes
Props needed for the video include flowers for a memorial scene, musical instruments like a microphone and guitar for a live performance scene, Christmas items for a flashback scene at a market, and drinks for a pub scene. Costumes will include casual winter clothes throughout to depict different days, and dark clothes for the female character to wear when visiting the memorial to symbolize grief.
Textual analysis 3
The document provides an analysis of the music video for the song "The Man Who Can't Be Moved" by the band The Script. It discusses several aspects of the music video including:
- Genre characteristics including inclusion of live performance clips and band member costumes that fit rock genre conventions.
- Strong connections between the lyrics and visuals, such as a character asking where he is when that line is sung.
- Use of natural lighting and pace of shots matching the tempo of the music.
- Close-ups of the lead singer showing emotion and connecting with the audience during both narrative and performance parts.
- Elements of the album packaging including photos of the band and design that continue themes and
Group Idea
The document proposes ideas for a music video, album, and digipak for a fictional band. For the music video, it suggests following a man who has recently lost his girlfriend in an accident and showing flashbacks of their relationship through the song. For the album, it recommends taking artistic elements from The Script album covers but making the band name more prominent. For the digipak, it outlines using images of the band and information about their careers and songs on the inside panels with a plain background.
The Script Research
The Script is an Irish rock band formed in Dublin in 2004. They have released 4 studio albums between 2008-2014. Their most successful single, "Hall of Fame" featuring will.i.am, reached #1 in the UK and Ireland. The band has a total of 16 music videos and follows a marketing strategy of releasing 2-3 singles from each album to promote arena tours. The Script performs indie/alternative rock and has a worldwide fanbase as evidenced by their international tour map. They are signed to Sony Music Entertainment, one of the largest record labels, and are featured on Billboard, indicating their mainstream popularity beyond just rock genres. The core band members are Danny O'Donoghue on vocals/keyboard, Mark
Survey Analysis
This document contains 10 questions from an online survey about music videos and preferences for receiving music content. The questions include multiple choice, checkbox selections, and open-ended text responses. The purpose is to gather audience feedback to help design a music video and accompanying online content for a band coursework project that will appeal to potential viewers.
Evaluation - Question four
The student used various media technologies throughout the construction, research, planning, and evaluation stages of their coursework. Blogger was used to publish work and show development. Survey Monkey was used to conduct audience research during planning and evaluate the final product. YouTube was utilized for uploading the final video, researching conventions, and planning. Photoshop and Premiere Pro aided construction. SlideShare, Facebook Messenger, Google, email, PowerPoint, Word, and a camera also supported various stages.
Evaluation – Question Two
The document evaluates the effectiveness of combining a band's main album product with ancillary texts such as a music video, magazine ad, and digipak design. It finds that the combination is generally effective due to a consistent paint splatter theme and color scheme across materials. However, it notes that the music video could better link to the album by incorporating its orange, black, and white colors. Some improvements mentioned are adding band images and relating the song choice more closely to the paint theme.
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Similar to Locations
Locations, props and costumes
The document discusses five potential filming locations, props, and costumes for a music video. The locations include woods, parks, a pub, and Christmas markets that would work for scenes focusing on a couple as well as more somber solo scenes. Props include flowers for a memorial, musical instruments, and Christmas items. Costumes will be casual winter clothes to depict everyday scenes and the passage of time through flashbacks, as well as dark clothes for scenes of visiting a memorial after a character's death.
Ideas for Locations
The document discusses potential locations for shooting a music video to accompany the song "Gather and Run". It proposes six locations that would help tell the story of a blossoming and deteriorating relationship through symbolic natural backdrops. The locations are: 1) A private bench representing the start of the relationship. 2) An open field representing the couple falling in love. 3) A stunning garden setting for an early date. 4) An enclosed forest reflecting their feeling trapped. 5) A flowing river symbolizing a increasingly turbulent relationship. 6) A beach linking to lyrics about drowning and conveying darker connotations.
Locations
The document discusses the locations that will be used in a music video to tell the story of a blossoming and falling relationship. It proposes six locations: 1) a private bench where the couple's relationship begins; 2) an open field representing their love and comfort with each other; 3) a stunning garden setting for dates; 4) an enclosed forest as their relationship becomes strained; 5) a flowing river symbolic of their increasingly turbulent relationship; and 6) a beach linking to lyrics about drowning and unsettling darker connotations. The natural settings aim to explore themes of youth and freedom common to folk music.
Location
This document outlines location plans for an upcoming music video. It proposes five locations: 1) A blacked out room with neon lights to create a surreal rock concert atmosphere. 2) Holly's Diner to establish an 1950/60s aesthetic through its bright blue walls. 3) Bradwell Beach to convey images of fun and romance as seen in Grease. 4) A forest/park to add natural imagery and texture without distracting from the narrative of young love. 5) Southend-On-Sea pier and arcades as the setting for a third date, using the location's romantic connotations found in other iconic romance films.
Location recognition
This document discusses three potential locations for filming a music video:
1) A black box studio at Windsor Girls' School that provides flexibility but may make achieving a completely white setting difficult.
2) A private home in Maidenhead with a pool, allowing unique outdoor shots and control over filming schedule. Weather could impact natural lighting.
3) Windsor Great Park for scenic sunset shots, though limited timeframe requires advance planning. Public areas require finding secluded spots.
Each location is evaluated for access, filming advantages and challenges, and symbolic relation to portraying the character's deteriorating mental state in the video.
Recce shots
This document provides location information for a film shoot in Crowthorne, England. Location A is a farmhouse off Wellingtonia Avenue that will be used for interior house scenes. Location B, called Simons Wood, is a 10 minute walk from the farmhouse and will be used for forest and country lane scenes. Specific details are given about how each location can be used, including rooms in the farmhouse and different landscape areas in the forest. Both locations may experience mud and wet weather that need to be considered in planning.
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Digipak and Advert Drafts
We initially considered a lightning bolt theme for an album design but felt it was too simplistic and predictable. We instead changed the album name to "Paint This Town" and opted for a paint theme, featuring a simple design that complemented the new name while still giving a sense of style. The final paint-themed design was preferred over the initial lightning bolt concept and chosen for the album packaging and advertising.
Digipak and Advert Drafts
This document discusses early draft designs for the cover of a digipak and advert for an album potentially called "Bolt". The first draft consisted of the name "BOLT" inside a glowing circle with a lightning bolt cloud at the top. While this initial Photoshop design received positive feedback, the group felt something was missing from the font and colors. Further developing the lightning bolt theme did not help, and the more they worked on it, the more they disliked the design and found it lacked purpose. They were unable to find a font or color combination that complemented the design.
Evaluation – Question Three
The document discusses feedback received from audiences on media created to promote a band called The Script. Feedback was gathered through surveys and text messages. For the music video, audiences felt the narrative fit well with the song lyrics but noted some issues with lip syncing. Feedback on the album digipak was positive about the design and colors used. Suggestions to improve included reducing text and adding band images. Feedback on advertisements was that they were simple but effective, though one person felt they lacked elements like social media links. Lighting in one band poster was seen as too dark.
Shooting Schedule
This shooting schedule outlines the filming plans for a music project over several dates in November, December, and January. It lists the locations, cast, crew, and resources needed for shots of a chorus in York City Centre, flashback scenes in the countryside around Wilberfoss and Millington Woods, Christmas market and additional city scenes in York, a photoshoot at York College, filming a live band performance with greenscreen at York College, and final city scenes in York. Karis Hays is listed as the crew contact.
Shooting Schedule
This document outlines the shooting schedule for a project, including dates and times for filming various scenes and activities in York City Centre, Wilberfoss, Millington Woods, and York College between November 28th and December 2nd. The schedule details which cast and crew members will be involved in each shoot and what camera equipment will be used to capture the various shots.
Textual Analysis 3
The document provides an analysis of genre characteristics, lyrics and visuals, and music and visuals in the music videos for "The Man Who Can't Be Moved" by The Script and "Juliet" by Lawson. Some key points made:
- Both videos include conventions of live performance but incorporate elements of both pop and rock genres.
- Visuals in both videos closely connect to and illustrate the lyrics being sung.
- Lighting, costumes, and close-ups of instruments follow conventions more of the rock genre.
Textual Analysis 2
The document provides analysis of the music video for the song "How to Save a Life" by The Fray. It summarizes the key elements of the video including the use of intimate close-up shots to tell the storylines of various characters and how their emotions change throughout. Technical aspects like editing are discussed, noting the use of jump cuts and cutaways to create an unsettling feeling. Camera work focuses heavily on close-ups and extreme close-ups of faces and objects to enhance intimacy and draw attention. Text is also featured throughout on top of shots to represent characters' internal thoughts. Overall, the video uses visuals and editing techniques to enhance the emotions conveyed in the song.
The Pitch
This document provides details for pitching a new music magazine, including potential titles, target genre, publication frequency, price, and reader profile. Several title options are suggested: "Musica", "Rhythmix", and "Vibe". The proposed target genre is chart music, which research showed is popular among younger audiences. The magazine would publish monthly, priced at £3-£3.99, targeting 16-19 year old readers still in education. Sample magazine elements include a mission statement, front cover layout with featured article and contents listing, and sample reader profile of 18 year old music fan Sarah.
Evaluation of my Final Product
The document is an evaluation of a music magazine media product created by the author. It summarizes how the media product used conventions of real music magazines, such as including a masthead, logo, color scheme, pull quotes, and writing style. It also discusses how the media product represented certain social groups. While attempting to represent young adults, the product disproportionately featured females and only the upper class. It both challenged and supported stereotypes around various social groups. Overall, the evaluation examines the conventions utilized and representations within the created media product.
Textual Analysis
The document provides an analysis of the front covers of two magazines: Q magazine and Mixmag.
For Q magazine, the summary discusses the feature photo of Cheryl Cole looking straight at the camera to create a connection with audiences. It also notes the unusual styling of Cheryl in the photo that suggests a different side to her persona.
For Mixmag, the summary discusses the feature photo of David Guetta, noting that he is well-known for dance/club music and his sunglasses imply an international audience. It also mentions the colorful design appeals to those who enjoy dance/club culture.
In both summaries, the key elements of the magazine covers are hit upon in under 3 sentences to give a
Evaluation
The document evaluates how the media product uses, develops, and challenges conventions of real media. It discusses how the product incorporates conventions like mastheads, logos, color schemes, fonts, and freebies seen in magazines like Mixmag and NME. It also challenges some conventions, like offering a festival ticket discount rather than a free CD. The evaluation reflects on how the product represents groups, both supporting and challenging stereotypes. It features mostly young, successful artists and a female-centered narrative while avoiding overly sexualized portrayals. However, it could still portray women in stereotypical ways through clothing choices and emotional expressions.
The pitch
This document provides details for the proposed music magazine "Rhythmix", including genre, target audience, publication details, and design elements. Some key points:
- The magazine will focus on chart/mainstream music and target 16-19 year olds, as this genre was the second most popular in the author's survey.
- It will be published monthly, as most respondents to the survey preferred monthly magazines.
- The cover price will be £3-3.99 to match competitors and the preferred price of the target audience.
- The magazine style will be stylish yet informal to appeal to young adults. Color scheme will use black, red, and white. Fonts were chosen for
Survey analysis
- The survey showed that most respondents were between 16-19 years old, so the magazine should target that age range.
- There was a near even split between male and female respondents, so the magazine should appeal to both genders.
- Indie music was the most popular music genre, but many genres were cited as favorites, so the magazine could focus on either indie music or multiple genres.
- Most respondents said they hardly ever or never buy magazines currently available, so the new magazine should differentiate itself from existing options.
- Interviews were the most popular type of content, so the magazine should feature artist interviews.
- Respondents were interested in both downloading music online and buying albums, so the
Magazine research really official [recovered]
The document provides an analysis of the front covers of two magazines: Q magazine and Mixmag.
For Q magazine, the summary discusses the feature photo of Cheryl Cole looking straight at the camera to create a connection with audiences. It also notes the unusual styling of Cheryl in the photo that suggests a different side to her persona.
For Mixmag, the summary discusses the feature photo of David Guetta, noting that he would appeal to the target audience interested in dance/club music. It also comments on the bright, summery color scheme despite it being a winter issue, implying an international audience.
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Locations
- 1. LOCATION NO.1 MILLINGTON WOODS A 52 ACRE ANCIENT ASH WOOD SET WITHIN A VALLEY OF THE YORKSHIRE WOLDS, A LOCAL NATURE RESERVE Ease of Location Easy to travel to for group members. Only a 10 minute short drive from our homes. Easy to transport equipment to without hassle Suitable for Intimate scenes with focus on 1 or 2 subjects. For walking scenes, particularly with a lot of establishing wide shots as well as close ups Signifies Intimacy, romance, warmth with the autumnal/winter season also representing letting go of the past and representing the new beginnings Millington Woods would be perfect for scenes focusing on a couple, perhaps on a date. This is perfect for our music video as the basis of the storyline is focused around a couple therefore a date scene which could be filmed in such a focused manner would contribute to the delivery of a storyline for the viewers
- 2. LOCATION NO.2 FANGFOSS JUBILEE PARK Ease of Location Easy to travel to for group members. Only a 5 minute short drive from our homes. Easy to transport equipment to however the trek from a parked vehicle to the park itself could be hard with equipment Suitable for Scenes showing the relationship between two people, playful and walking scenes available to be shot Signifies Fun, playfulness, Joy, Family, A slightly less intimate feel than Location #1 at Millington Woods Fangfoss Jubilee Park is also perfect for a date scene. The park has separate sections and locations which makes filming easy due to the variety of shots and the number of different parts of the video I could film all within the same locations e.g. laughter can be shown in the park with slightly sadder times being shown in the walking green area. A COMMUNITY GREEN SPACE, FITTED WITH A WOODEN PARK, A ZIPWIRE AND A LONG ROUND SHAPED SRETCH OF WALKING GREEN
- 3. LOCATION NO.3 GOODMANHAM ARMS TRADITIONAL EAST RIDING OF YORKSHIRE COUNTRY PUB LOCATED IN THE SMALL VILLAGE OF GOODMANHAM Ease of Location Easy to travel to for group members. Only a 15/20 minute short drive. Could be hard to transport equipment and gain consent Suitable for Intimate scenes with focus on 1 or 2 subjects. For date scenes or dialect heavy, conversation scenes over a local pub meal or drink Signifies Intimacy, romance, cosiness, warmth, homeliness and a local community feeling. Happier times between the couple as oppose to more negative aspects of the relationship. Good for portraying their relationship Goodmanham Arms pub is the perfect location for a setting for the 2 main characters due to the cosiness and warmth the interior of the location has. The large coal fire ties into the theme of Location #1 with the autumnal/winter feel and the winter representation the pub gives
- 4. LOCATION NO.4 YORK PARLIAMENT ST. & ST. SAMPSON’S SQUARE THE ‘ST NICHOLAS CHRISTMAS FAIR’ & CHRISTMAS MARKET IN THE CITY CENTRE Ease of Location Easy to travel to for all group members. Could be difficult to transport equipment due to the city centre location, especially in the busier Christmas periods. Suitable for Lighter, romantic and happy scenes. A couple attending the market together as oppose to them being filmed alone there. Signifies Intimacy, cosiness, the winter season, Christmas, festive times, happiness, a communal feeling due to the busy location. Happier times between the couple as oppose to more negative aspects of the relationship. Good for portraying their relationship The York St. Nicholas Christmas fair/market is the perfect location to show the happier, more fun times of the couples relationship. The Christmas theme to the location will tie in with the previous locations which will be showcasing the autumn/winter season.
- 5. LOCATION NO. 5 WILBERFOSS, FIELD HEAD & BIRKER LANE FIELDS FIELDS, GREENERY & A QUIET WALKING LANE OVERLOOKING THE SUNSET Ease of Location On the doorstep for group members. Easy to transport and set up equipment due to the spatial location Suitable for Peaceful scenes, characters alone or together. Signifies Tranquillity, peacefulness, nature, romance, autumnal/winter season, loneliness, homeliness, comforting Wilberfoss Field head & Birker lane fields are perfect for scenes showing the loneliness or quality time spent alone. The fields are perfect to film any nature scenes, whether that is of a rising and falling sunrise and sunset or to simply record nature sounds