Location report 2
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Harold Wood Park was chosen as the filming location because it is a typical public space frequented by 16-25 year olds. The open area will allow filming in different sections of the park. Transportation includes bus, walking, and car to access the site. Precautions such as avoiding focusing the camera on the general public without consent will be taken. Catering, toilets, and telephones will not be provided on location. Filming will end by sunset at 8pm and only family members need to be contacted.
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Location report 3
Covent Garden was chosen as the location for a music video shoot due to its brightly colored areas like Neal's Yard that would suit the project. The site can be accessed on foot from surrounding transportation links and filming would not focus on the general public without permission. Catering, toilets and phones would be available from local cafes and restaurants while ensuring only a 70 pace space is used and artists work directly in front of the camera.
Location report 1
Oxford Street is suitable for the music video project because it is in central London surrounded by large buildings that will allow for the needed shots. The location is accessible by train, tube, bus, taxi, or car, and can be walked to from different areas. Precautions will be taken to not focus the camera on members of the public and only film the artists, using a space of 30 paces, while cafes can provide catering and toilets during filming until sunset at 8pm.
Location Recce
The document provides location details for filming a music video at Hartlepool Sixth Form College's photography/media studio. The studio space is suitable for the project due to its size and warehouse-like appearance stereotypical for rock/punk music videos. Equipment in the studio can be used to achieve the desired look. Access is via bus and walking, and precautions like booking both studio time slots will be taken to minimize impact on other students. Power sources and on-site amenities are available. Hazards include tripping over wires and equipment in the small space, requiring care. The crew will work setting lighting and camera positioning, while the band performs in front.
Location Recce 4
This location recce document summarizes the Thames Road in Billingham as a suitable filming location for a project involving two characters running into each other on a residential street. The location is a public road close to the homes of cast and crew with walking access. Filming may affect local residents and pedestrians, but precautions like camera settings and minimizing filming time will be taken to reduce impacts. Daylight is available from 7:56 to 16:25.
Location Recce 3
The document summarizes a location recce for a theatre stage at Hartlepool Sixth Form College. The location is suitable because it has sufficient lighting and space to create a concert-like feel. It can be easily accessed by bus and on foot. Recording would need to be done in one day to minimize impact on students who use the facility. Power is available for additional lighting. Hazards include tripping on wires and equipment. The crew will work in front of the band to set lighting and camera positioning, while the cast/band will perform in front of the camera.
Location Recce 5
This location summary provides details for filming at "The Rock", an isolated rural area surrounded by greenery just off Cranstock Road in Billingham. It is suitable for a phone call scene as it is publicly accessible yet unfamiliar, with foot and vehicle traffic from walkers, runners, and dog walkers making an actor's presence believable. The filming can be accessed on foot or by car and will minimise disruption by using camera settings, keeping sessions brief, and pausing when others are present to avoid discomfort between 7:56-16:25 hours of daylight. No power, catering, toilets or local authorities need be contacted for the shoot.
Location recce 1
The document provides location information for filming on the green area outside Reigate College. It notes that filming should take place in the morning during lessons to minimize people being around. Catering and toilets are available on site, though there is only one telephone. The green is a suitable location as it is a communal area where characters could interact, is close to the studio, and likely won't be crowded during filming. Access is by bus or car, and the location itself can be accessed by walking.
Music video preperation
The document outlines the filming plan for a music video to be shot over two days in April 2018. It details the daytime and nighttime locations that will be used, including Hyde Park, Covent Garden, and landmarks like the London Eye and London Bridge. It provides a breakdown of shots planned between various time stamps, such as introducing characters, shots of the locations, and scenes of the lead characters interacting and lip syncing to the song at different spots around London.
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Location report 3
Covent Garden was chosen as the location for a music video shoot due to its brightly colored areas like Neal's Yard that would suit the project. The site can be accessed on foot from surrounding transportation links and filming would not focus on the general public without permission. Catering, toilets and phones would be available from local cafes and restaurants while ensuring only a 70 pace space is used and artists work directly in front of the camera.
Location report 1
Oxford Street is suitable for the music video project because it is in central London surrounded by large buildings that will allow for the needed shots. The location is accessible by train, tube, bus, taxi, or car, and can be walked to from different areas. Precautions will be taken to not focus the camera on members of the public and only film the artists, using a space of 30 paces, while cafes can provide catering and toilets during filming until sunset at 8pm.
Location Recce
The document provides location details for filming a music video at Hartlepool Sixth Form College's photography/media studio. The studio space is suitable for the project due to its size and warehouse-like appearance stereotypical for rock/punk music videos. Equipment in the studio can be used to achieve the desired look. Access is via bus and walking, and precautions like booking both studio time slots will be taken to minimize impact on other students. Power sources and on-site amenities are available. Hazards include tripping over wires and equipment in the small space, requiring care. The crew will work setting lighting and camera positioning, while the band performs in front.
Location Recce 4
This location recce document summarizes the Thames Road in Billingham as a suitable filming location for a project involving two characters running into each other on a residential street. The location is a public road close to the homes of cast and crew with walking access. Filming may affect local residents and pedestrians, but precautions like camera settings and minimizing filming time will be taken to reduce impacts. Daylight is available from 7:56 to 16:25.
Location Recce 3
The document summarizes a location recce for a theatre stage at Hartlepool Sixth Form College. The location is suitable because it has sufficient lighting and space to create a concert-like feel. It can be easily accessed by bus and on foot. Recording would need to be done in one day to minimize impact on students who use the facility. Power is available for additional lighting. Hazards include tripping on wires and equipment. The crew will work in front of the band to set lighting and camera positioning, while the cast/band will perform in front of the camera.
Location Recce 5
This location summary provides details for filming at "The Rock", an isolated rural area surrounded by greenery just off Cranstock Road in Billingham. It is suitable for a phone call scene as it is publicly accessible yet unfamiliar, with foot and vehicle traffic from walkers, runners, and dog walkers making an actor's presence believable. The filming can be accessed on foot or by car and will minimise disruption by using camera settings, keeping sessions brief, and pausing when others are present to avoid discomfort between 7:56-16:25 hours of daylight. No power, catering, toilets or local authorities need be contacted for the shoot.
Location recce 1
The document provides location information for filming on the green area outside Reigate College. It notes that filming should take place in the morning during lessons to minimize people being around. Catering and toilets are available on site, though there is only one telephone. The green is a suitable location as it is a communal area where characters could interact, is close to the studio, and likely won't be crowded during filming. Access is by bus or car, and the location itself can be accessed by walking.
Music video preperation
The document outlines the filming plan for a music video to be shot over two days in April 2018. It details the daytime and nighttime locations that will be used, including Hyde Park, Covent Garden, and landmarks like the London Eye and London Bridge. It provides a breakdown of shots planned between various time stamps, such as introducing characters, shots of the locations, and scenes of the lead characters interacting and lip syncing to the song at different spots around London.
Shooting schedule 3
The document outlines a music video shoot that will take place on April 25th from 4:30-6:00pm. It will feature one character in locations around London including Camden, Covent Garden, Southbank and Brick Lane. Only two people will be involved - the subject and the photographer who will use an iPhone. Issues like other people in shots, weather and transportation will require planning indoor locations and checking train schedules to ensure a smooth shoot.
Shooting schedule 2
This document outlines the production schedule and logistics for a music video shoot taking place on April 24th, 2018 from 4:30pm to 6:00pm at Harold Wood Park. The shoot will involve filming two characters walking through the woods using an iPhone camera. Care must be taken to ensure no members of the public interfere with shots and some indoor locations are used in case of poor weather.
Shooting schedule 1
The shooting schedule outlines filming for a music video on Monday April 9th from 11am to 6pm in various London locations including Oxford Street, Hyde Park, Harold Wood Park and Covent Garden. It will involve the director and two other people and will be filmed using an iPhone camera. Contingency plans are noted for dealing with potential problems from bad weather by also filming indoor locations, and from cast not showing up by ensuring reliable people are cast.
New ideas for filming
The filmmaker initially shot footage for a music video over two days, but found upon editing that the clips did not flow together well and lacked a clear narrative or interesting shots. After feedback suggesting it did not look like a typical dance music video, the filmmaker changed the storyline to focus more on the main girl character. They plan to reshoot with the characters at more unique and colorful locations like God's Own Junkyard and Southbank Skate Park to make the video more interesting and relatable to audiences aged 16 to 25.
Storyboard of original idea 1
The storyboard outlines an original idea for a short film. It introduces the main character John, who is frustrated by traffic on his daily commute. In a moment of road rage, John discovers he can control traffic with his mind. However, John soon realizes his new power is overwhelming and risks exposing his secret if not brought under control.
New locations for filming
The document lists potential new locations for filming that could replace commonly used old locations in London such as Tower Bridge, London Bridge, and Hyde Park. The new locations include areas in Camden, Southbank, a skate park, the Tate Modern art gallery, a junkyard called God's Own Junkyard, Neal's Yard, Soho, and a place called Cyber Dog.
Secondary target audience profile
The target audience for the music video is males and females aged 16-22 from upper/upper middle social classes A and B. They are likely to be studying at university or traveling and spending their time going to clubs at night and studying during the day. Their main interests include going to nightclubs, expensive restaurants, and exploring new places with friends. They may be living away from home while studying or traveling.
Casting and media language
The document discusses plans for a music video. It will feature a boy and girl around ages 16-25 who enjoy dance music. Scenes will be filmed in romantic locations around London, England during the day and night to match the song's theme. Potential filming spots include restaurants, parks, and landmarks like Tower Bridge to appeal to a wide audience beyond typical dance music videos. Reliable actors from upper-middle class backgrounds will be chosen so reshoots are possible if needed.
Finesse music video analysis
The document analyzes the music video for "Finesse (Remix)" by Bruno Mars featuring Cardi B. It discusses the camerawork, editing, mise en scene, and soundtrack of the video. The camerawork uses a variety of shots including close-ups and high angles. The editing is fast-paced to match the upbeat song. Mise en scene shows Bruno Mars and Cardi B wearing 1980s-inspired outfits fitting the video's theme of dedicating the song to the band In Living Color. The consistent drum beat and catchy melody of the song work well with the video.
Music video preperation
The document outlines the filming plan for a music video over two days in April 2018. It details the daytime and nighttime locations that will be filmed in and provides a timeline and description of shots planned between two main characters as they explore London landmarks and spend time together. Locations include Hyde Park, the Tate Modern, Covent Garden, Piccadilly Circus, restaurants, the London Eye, and London Bridge.
Risk assessment
This risk assessment document identifies potential hazards for a music video shoot, including traffic, trains, tripping/falling, construction areas, drowning in a nearby river, and food poisoning. It notes who may be harmed by each hazard and measures already in place to reduce risks, such as using an experienced driver, wearing seatbelts, paying attention near trains and construction areas. The document recommends paying close attention during filming and acting responsibly near the river. It lists actions to take, responsible parties, and target dates to further control risks.
Universal records research
Universal Records is a leading global music corporation founded in 1934 and headquartered in Santa Monica, California. It owns many record labels and employs over 7,000 people worldwide. Universal Records was previously known as Decca Records and MCA Records, and it is now one of the "Big Three" music conglomerates, along with Sony Music Entertainment and Warner Music Group.
Target audience profile
The document outlines the target audience for a music video in three parts:
Primary Audience: Upper/upper middle class aged 16-25 living in London suburbs interested in going out with friends and visiting museums.
Secondary Audience: Aged 16-22 living in student housing or abroad interested in nightclubs and traveling with friends.
Both audiences are interested in dance/electronic music and watching music videos on YouTube. The video will need to appeal to both genders and various interests while keeping a sophisticated style.
Swot analysis cw
Hazel Colton conducted a SWOT analysis for an upcoming music video project. Strengths included time management, technology skills with filming on a phone, and organization. Weaknesses were sorting the specific target audience for cast, finding a song without an existing music video, and limited budget. Opportunities involved developing skills and receiving advice. Threats included bad weather disrupting filming, illness, low phone battery, and cast members dropping out.
Year 13 talk
Keep organized, practice editing skills, and choose filming locations that fit the mood of your song. Film more than enough footage across consistent outfits so you have options to edit together neatly. Work diligently during free periods to stay on track and meet mini deadlines. Plan shots intentionally and get varied feedback on footage to improve with criticism.
Year 13 Talk
Keep organized, practice editing efficiently, and choose locations and outfits carefully to film more than enough footage across multiple days. Make sure to work consistently during free periods to complete mini deadlines and avoid overwhelm, plan shots intentionally, get varied feedback on footage, and ensure edits match the track for a polished final product.
Year 13 talk
The document provides tips for creating a Year 13 talk video including keeping organized, practicing editing efficiently, choosing a location that fits the mood, filming extra footage to select from, planning shots, getting varied feedback on edits, and ensuring edits fit the track for a polished, organized appearance. It also lists apps like Webnode, iMovie, Slideshare and Calameo that could help with the project.
Swot analysis
This SWOT analysis of a video project identifies strengths like being a hard worker and organized, weaknesses such as finding committed cast members, opportunities to develop skills in filming and editing, and threats such as bad weather disrupting filming or cast members becoming ill or dropping out requiring refilming.
Analysis of a music video
This document provides an analysis of the music video for "Emperor's New Clothes" by Panic! At The Disco. It examines various elements of the video including the lyrics, music, mise-en-scene, camerawork, editing, intertextuality, narrative/performance, star image/branding, and voyeurism. The lyrics illustrate the singer taking control and power. Stylistically, it is an alternative pop track with dark lighting and costuming to portray a transformation from human to demon. Camerawork focuses closely on the lead singer, and editing maintains a consistent pace without mirroring the music's beat.
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Shooting schedule 3
The document outlines a music video shoot that will take place on April 25th from 4:30-6:00pm. It will feature one character in locations around London including Camden, Covent Garden, Southbank and Brick Lane. Only two people will be involved - the subject and the photographer who will use an iPhone. Issues like other people in shots, weather and transportation will require planning indoor locations and checking train schedules to ensure a smooth shoot.
Shooting schedule 2
This document outlines the production schedule and logistics for a music video shoot taking place on April 24th, 2018 from 4:30pm to 6:00pm at Harold Wood Park. The shoot will involve filming two characters walking through the woods using an iPhone camera. Care must be taken to ensure no members of the public interfere with shots and some indoor locations are used in case of poor weather.
Shooting schedule 1
The shooting schedule outlines filming for a music video on Monday April 9th from 11am to 6pm in various London locations including Oxford Street, Hyde Park, Harold Wood Park and Covent Garden. It will involve the director and two other people and will be filmed using an iPhone camera. Contingency plans are noted for dealing with potential problems from bad weather by also filming indoor locations, and from cast not showing up by ensuring reliable people are cast.
New ideas for filming
The filmmaker initially shot footage for a music video over two days, but found upon editing that the clips did not flow together well and lacked a clear narrative or interesting shots. After feedback suggesting it did not look like a typical dance music video, the filmmaker changed the storyline to focus more on the main girl character. They plan to reshoot with the characters at more unique and colorful locations like God's Own Junkyard and Southbank Skate Park to make the video more interesting and relatable to audiences aged 16 to 25.
Storyboard of original idea 1
The storyboard outlines an original idea for a short film. It introduces the main character John, who is frustrated by traffic on his daily commute. In a moment of road rage, John discovers he can control traffic with his mind. However, John soon realizes his new power is overwhelming and risks exposing his secret if not brought under control.
New locations for filming
The document lists potential new locations for filming that could replace commonly used old locations in London such as Tower Bridge, London Bridge, and Hyde Park. The new locations include areas in Camden, Southbank, a skate park, the Tate Modern art gallery, a junkyard called God's Own Junkyard, Neal's Yard, Soho, and a place called Cyber Dog.
Secondary target audience profile
The target audience for the music video is males and females aged 16-22 from upper/upper middle social classes A and B. They are likely to be studying at university or traveling and spending their time going to clubs at night and studying during the day. Their main interests include going to nightclubs, expensive restaurants, and exploring new places with friends. They may be living away from home while studying or traveling.
Casting and media language
The document discusses plans for a music video. It will feature a boy and girl around ages 16-25 who enjoy dance music. Scenes will be filmed in romantic locations around London, England during the day and night to match the song's theme. Potential filming spots include restaurants, parks, and landmarks like Tower Bridge to appeal to a wide audience beyond typical dance music videos. Reliable actors from upper-middle class backgrounds will be chosen so reshoots are possible if needed.
Finesse music video analysis
The document analyzes the music video for "Finesse (Remix)" by Bruno Mars featuring Cardi B. It discusses the camerawork, editing, mise en scene, and soundtrack of the video. The camerawork uses a variety of shots including close-ups and high angles. The editing is fast-paced to match the upbeat song. Mise en scene shows Bruno Mars and Cardi B wearing 1980s-inspired outfits fitting the video's theme of dedicating the song to the band In Living Color. The consistent drum beat and catchy melody of the song work well with the video.
Music video preperation
The document outlines the filming plan for a music video over two days in April 2018. It details the daytime and nighttime locations that will be filmed in and provides a timeline and description of shots planned between two main characters as they explore London landmarks and spend time together. Locations include Hyde Park, the Tate Modern, Covent Garden, Piccadilly Circus, restaurants, the London Eye, and London Bridge.
Risk assessment
This risk assessment document identifies potential hazards for a music video shoot, including traffic, trains, tripping/falling, construction areas, drowning in a nearby river, and food poisoning. It notes who may be harmed by each hazard and measures already in place to reduce risks, such as using an experienced driver, wearing seatbelts, paying attention near trains and construction areas. The document recommends paying close attention during filming and acting responsibly near the river. It lists actions to take, responsible parties, and target dates to further control risks.
Universal records research
Universal Records is a leading global music corporation founded in 1934 and headquartered in Santa Monica, California. It owns many record labels and employs over 7,000 people worldwide. Universal Records was previously known as Decca Records and MCA Records, and it is now one of the "Big Three" music conglomerates, along with Sony Music Entertainment and Warner Music Group.
Target audience profile
The document outlines the target audience for a music video in three parts:
Primary Audience: Upper/upper middle class aged 16-25 living in London suburbs interested in going out with friends and visiting museums.
Secondary Audience: Aged 16-22 living in student housing or abroad interested in nightclubs and traveling with friends.
Both audiences are interested in dance/electronic music and watching music videos on YouTube. The video will need to appeal to both genders and various interests while keeping a sophisticated style.
Swot analysis cw
Hazel Colton conducted a SWOT analysis for an upcoming music video project. Strengths included time management, technology skills with filming on a phone, and organization. Weaknesses were sorting the specific target audience for cast, finding a song without an existing music video, and limited budget. Opportunities involved developing skills and receiving advice. Threats included bad weather disrupting filming, illness, low phone battery, and cast members dropping out.
Year 13 talk
Keep organized, practice editing skills, and choose filming locations that fit the mood of your song. Film more than enough footage across consistent outfits so you have options to edit together neatly. Work diligently during free periods to stay on track and meet mini deadlines. Plan shots intentionally and get varied feedback on footage to improve with criticism.
Year 13 Talk
Keep organized, practice editing efficiently, and choose locations and outfits carefully to film more than enough footage across multiple days. Make sure to work consistently during free periods to complete mini deadlines and avoid overwhelm, plan shots intentionally, get varied feedback on footage, and ensure edits match the track for a polished final product.
Year 13 talk
The document provides tips for creating a Year 13 talk video including keeping organized, practicing editing efficiently, choosing a location that fits the mood, filming extra footage to select from, planning shots, getting varied feedback on edits, and ensuring edits fit the track for a polished, organized appearance. It also lists apps like Webnode, iMovie, Slideshare and Calameo that could help with the project.
Swot analysis
This SWOT analysis of a video project identifies strengths like being a hard worker and organized, weaknesses such as finding committed cast members, opportunities to develop skills in filming and editing, and threats such as bad weather disrupting filming or cast members becoming ill or dropping out requiring refilming.
Analysis of a music video
This document provides an analysis of the music video for "Emperor's New Clothes" by Panic! At The Disco. It examines various elements of the video including the lyrics, music, mise-en-scene, camerawork, editing, intertextuality, narrative/performance, star image/branding, and voyeurism. The lyrics illustrate the singer taking control and power. Stylistically, it is an alternative pop track with dark lighting and costuming to portray a transformation from human to demon. Camerawork focuses closely on the lead singer, and editing maintains a consistent pace without mirroring the music's beat.
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Location report 2
- 1. Location 1 Location Harold Wood Park Why is this location suitable for this project? I have chosen this location as it is a very normal, stereotypical place that the age of 16-25 year olds may go. Also, as it is a big open space, there will be many different areas in which I can film Access Transportlinks to Location Bus, Walking, Car PhysicalAccess to Site We can walk to the location from different areas. General Information People who may be affected by the filming Members of the general public Precautions to stop this from happening I will ensure that the camera does not focus on anyone that is part of the music video Catering Cafes Toilets My house Telephones Mobiles Daylight Times 8pm sunset Locals/Authorities to be contacted Family Members Measurement of space used on location 100 paces Where will the artists’s work on set Directly in frontof the camera Location Recce