This document summarizes a study of the effectiveness of light shelves in illuminating indoor spaces in different geographic regions. Simulations were performed for spaces in Moscow, Russia and Male, Maldives to analyze illumination levels with and without light shelves under various sky conditions. The study found that light shelves effectively bounce light from the window to the ceiling and illuminate the perimeter zone, but not the back wall. Light shelves work best when windows face the equator and receive direct sunlight for a large portion of occupancy hours. Limitations include interference with sprinkler systems and dependence on time of day, year and sky conditions.
The document describes the development of the DB1 subwoofer by Bowers & Wilkins. Key points include:
- It uses a balanced design with two opposed 300mm drive units to minimize cabinet vibration and coloration.
- The cabinet is constructed of thick MDF with bracing to reduce vibration.
- Advanced digital signal processing and 1000W of amplification allow it to reach high sound levels with low distortion.
- It has a menu-based interface controlled by an OLED display and buttons to adjust settings like presets and volume trim.
- Room compensation filtering and a PC app allow customization of the subwoofer's response to different rooms and applications.
Daylighting systems ( reflector that deflect daylight into the depths of room)ErankajKumar
This document discusses daylighting systems that use reflectors to deflect daylight further into interior spaces. It begins by introducing daylighting and its benefits, such as energy savings. It then describes various daylighting techniques including windows, clerestories, sawtooth roofs, skylights, atriums, translucent walls, and remote distribution methods like light shelves and prisms. Key terms related to daylighting performance are also defined, such as daylight factor, illuminance level, U-value, shading coefficient, and reflectance value. Emerging smart glass and solar lighting technologies are mentioned. The document concludes with considerations for daylighting design and evaluation methods.
This document discusses various types of indirect lighting techniques, including:
1. Cove lighting, which directs light up from fixtures mounted in coves or walls to provide diffuse ceiling illumination. Proper fixture placement and spacing is important to avoid shadows.
2. Valance lighting, which conceals fixtures behind a suspended valance to direct light up or down.
3. Cornice lighting, which mounts fixtures behind decorative cornice molding to uplight walls and ceilings. Purpose-built cornice for lighting must be securely mounted.
4. Soffit lighting, which hides fixtures in corners and edges to indirectly light rooms through reflected light off walls and ceilings.
5. Wall
The document provides information about different types of lighting used in homes, including general, task, decorative, and accent lighting. It discusses the purposes and criteria for each type of lighting and provides examples of how different lighting techniques can be used in specific rooms like the living room, bedroom, kitchen, and bathroom. Key points covered include using general lighting to illuminate overall spaces, task lighting for focused work areas, decorative lighting to add aesthetic appeal and mood, and accent lighting to highlight architectural or interior elements.
Spotlights are used for focusing attention on individuals speaking or performing on stage. Floodlights provide broad, even illumination over a wide area like for sports fields. Fresnel lights can be adjusted to produce either a focused spot or wider flood beam and are used in film, TV, and theater. Profile lights can physically adjust their lens to change the beam angle. Follow spots are controlled by an operator to track performers on stage and are commonly used in concerts and musicals. Par cans project a parallel beam and are used for rock concerts. Stage spots are fixed lights mounted on stage or overhead for theater, dance, and opera. Gels and gobos are inserts that can be placed in front of lights to filter and shape the
This document discusses three types of lighting - ambient, task, and accent lighting. Ambient lighting provides overall illumination for an area. Task lighting is directed lighting used for specific visual tasks. Accent lighting is localized lighting used to draw attention to or highlight specific areas or objects.
The document discusses various aspects of lighting design including:
- Color temperature is measured in Kelvin and affects the appearance of a room, with higher temperatures appearing whiter and cooler.
- Lighting fixtures (luminaires) come in different types like recessed, ceiling mounted, wall mounted, and portable and are classified based on their form and mounting method.
- Different light sources are discussed like incandescent, fluorescent, LED, and high intensity discharge lamps. Each have their own characteristics in terms of efficiency, lifespan, and light output.
- Factors that influence lighting design include color rendering, finishes, lamp type, and distribution of light. Proper lighting is essential for interior spaces.
The document describes the development of the DB1 subwoofer by Bowers & Wilkins. Key points include:
- It uses a balanced design with two opposed 300mm drive units to minimize cabinet vibration and coloration.
- The cabinet is constructed of thick MDF with bracing to reduce vibration.
- Advanced digital signal processing and 1000W of amplification allow it to reach high sound levels with low distortion.
- It has a menu-based interface controlled by an OLED display and buttons to adjust settings like presets and volume trim.
- Room compensation filtering and a PC app allow customization of the subwoofer's response to different rooms and applications.
Daylighting systems ( reflector that deflect daylight into the depths of room)ErankajKumar
This document discusses daylighting systems that use reflectors to deflect daylight further into interior spaces. It begins by introducing daylighting and its benefits, such as energy savings. It then describes various daylighting techniques including windows, clerestories, sawtooth roofs, skylights, atriums, translucent walls, and remote distribution methods like light shelves and prisms. Key terms related to daylighting performance are also defined, such as daylight factor, illuminance level, U-value, shading coefficient, and reflectance value. Emerging smart glass and solar lighting technologies are mentioned. The document concludes with considerations for daylighting design and evaluation methods.
This document discusses various types of indirect lighting techniques, including:
1. Cove lighting, which directs light up from fixtures mounted in coves or walls to provide diffuse ceiling illumination. Proper fixture placement and spacing is important to avoid shadows.
2. Valance lighting, which conceals fixtures behind a suspended valance to direct light up or down.
3. Cornice lighting, which mounts fixtures behind decorative cornice molding to uplight walls and ceilings. Purpose-built cornice for lighting must be securely mounted.
4. Soffit lighting, which hides fixtures in corners and edges to indirectly light rooms through reflected light off walls and ceilings.
5. Wall
The document provides information about different types of lighting used in homes, including general, task, decorative, and accent lighting. It discusses the purposes and criteria for each type of lighting and provides examples of how different lighting techniques can be used in specific rooms like the living room, bedroom, kitchen, and bathroom. Key points covered include using general lighting to illuminate overall spaces, task lighting for focused work areas, decorative lighting to add aesthetic appeal and mood, and accent lighting to highlight architectural or interior elements.
Spotlights are used for focusing attention on individuals speaking or performing on stage. Floodlights provide broad, even illumination over a wide area like for sports fields. Fresnel lights can be adjusted to produce either a focused spot or wider flood beam and are used in film, TV, and theater. Profile lights can physically adjust their lens to change the beam angle. Follow spots are controlled by an operator to track performers on stage and are commonly used in concerts and musicals. Par cans project a parallel beam and are used for rock concerts. Stage spots are fixed lights mounted on stage or overhead for theater, dance, and opera. Gels and gobos are inserts that can be placed in front of lights to filter and shape the
This document discusses three types of lighting - ambient, task, and accent lighting. Ambient lighting provides overall illumination for an area. Task lighting is directed lighting used for specific visual tasks. Accent lighting is localized lighting used to draw attention to or highlight specific areas or objects.
The document discusses various aspects of lighting design including:
- Color temperature is measured in Kelvin and affects the appearance of a room, with higher temperatures appearing whiter and cooler.
- Lighting fixtures (luminaires) come in different types like recessed, ceiling mounted, wall mounted, and portable and are classified based on their form and mounting method.
- Different light sources are discussed like incandescent, fluorescent, LED, and high intensity discharge lamps. Each have their own characteristics in terms of efficiency, lifespan, and light output.
- Factors that influence lighting design include color rendering, finishes, lamp type, and distribution of light. Proper lighting is essential for interior spaces.
FAGERHULT | Architecture of Light - AOLPaulo Chong
Room configuration using lighting.
Light as a building block
Natural light is an obvious component of architecture and one of the main building blocks of a room. Artificial light is a vital complement. Good lighting supports the architect’s vision and enhances a room’s configuration. Luminaires should function as an extension of the building.
This document discusses lighting requirements and considerations for offices and schools. It covers topics such as lighting quality, quantity, room surface reflectances, luminaire brightness, glare zones, light source choices between fluorescent and incandescent, and lighting system types including direct, indirect, and direct-indirect. It also provides guidance on luminaire location, orientation, and suspension heights for different room sizes and types. Maintaining quality lighting while avoiding glare is emphasized.
This document discusses different types of lighting used in photography, including hard light and soft light. Hard light comes from a small light source and creates sharp shadows, while soft light has a larger source or diffusion material and fills shadows. Common lighting fixtures mentioned are fresnels, ellipsoidals, and scoops. Methods for softening hard light include moving the light closer, using reflectors to bounce light, umbrellas, and placing diffusion materials between the light and subject.
The document discusses different types and methods of lighting. It describes natural lighting sources like sunlight and artificial sources like incandescent, fluorescent, and halogen lamps. Different lighting methods are direct, indirect, and diffuse lighting using fixtures that can be architectural like cove lighting or non-architectural like portable lamps. Considerations for good lighting include utilizing daylight, energy efficiency, durability, and maintenance. Lux and lumen are units of measurement where one lux equals one lumen per square meter. The relationship between them determines how many lumens are needed to illuminate a given area.
The document provides information about various types of lighting used in video production. It defines key lighting terms like hard light, soft light, back light, fill light, etc. and describes the purpose and use of different lighting accessories or tools including barn doors, gels, diffusers, reflectors, etc. It also explains color temperature and measurement units used in lighting like lumens, kelvin, kilowatts.
The document discusses different types of lighting used in architecture, including natural lighting from the sun and artificial lighting sources. It describes several types of architectural luminaires - soffits, valances, and coves - that are used to direct light downward or both upward and downward to provide wall washing and general lighting. Precautions for installing different luminaires and options for shielding lighting elements are also covered.
LIGHTING for use in the course INTERIOR DESIGN
This presentation helps to create a beautiful lighting design in Interior Residential project. Hope it helps you to understand about the different types of lighting and its proper placements.
Classification of illumination & luminaireBadar Munir
The document discusses different types of lighting used in photography and film production. It describes the key light, fill light, and backlight, which are the three main lights used to illuminate a subject from different angles and provide depth. The key light acts as the main light, the fill light reduces shadows, and the backlight provides subtle highlighting. Together these lights can make a subject appear three-dimensional. The document also explains other types of lighting like general, task, accent, and street lighting used in different contexts.
This document discusses different types of lighting sources and fixtures. It describes natural light from the sun and artificial lights including incandescent, fluorescent, and LED bulbs. Incandescent bulbs produce light through a heated filament while fluorescent bulbs use gas and phosphors. LEDs are small, efficient, and produce high light intensity. The document also outlines different methods of lighting installation including direct, indirect, and diffused approaches as well as architectural lighting techniques like cove, track, and soffit fixtures. Common portable and non-architectural fixtures like ceiling, wall, and table lamps are also summarized.
This document provides an overview of lighting systems and their design. It discusses the three main types of lighting systems: ambient, accent, and task lighting. Ambient lighting provides overall illumination, accent lighting highlights specific objects, and task lighting is aimed at specific work areas. Proper lighting design considers illumination levels, placement of luminaires, and controls. Key factors in lighting design include distribution, quality and quantity of light, and how lighting impacts spaces and people. The document also outlines techniques for controlling directionality of light and defines lighting design terms.
Light is fundamental for space and essential for human well-being and it is the success of any building.
Light quality affects human behaviour, health, comfort and mood.
"Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep“ -Le Corbusier, August27,1965
Light, space and human they effect and work with each other.
Space needs light to illuminate; light needs space to receive it, light within the space change human experience
This document discusses the basic types of artificial lighting, including general, ambient, task, and accent lighting. General lighting provides uniform illumination of an entire space. Ambient lighting creates a relaxing atmosphere. Task lighting provides concentrated light for focused work tasks. Accent lighting draws attention to specific objects or areas. Examples are given for different lighting fixtures that can be used for each type, such as recessed lights for general illumination, lamps for task lighting, and spotlights or wall lights for accent lighting.
The document provides information on various types of stage lighting instruments, including their accessories, typical uses, and comparisons between different instruments. It describes Pebble Convex Fresnels, CCT Fresnels, Selecon Fresnels, 1K Scena Fresnels, Parcans, LED Parcans, Birdies, Flood Lights, Pin Spots, and Source Four lights. Examples are given for when each type of instrument would be suitable for specific lighting scenarios on stage.
The document provides information on various types of stage lighting instruments, including their accessories, typical uses, and comparisons between different instruments. It describes Pebble Convex Fresnels, CCT Fresnels, Selecon Fresnels, 1K Scena Fresnels, Parcans, LED Parcans, Birdies, Flood Lights, Pin Spots, and Source Four lights. Examples are given for when each type would be suitable to use for different lighting scenarios on stage.
The document discusses light pollution and its three main components: spill light, glare, and sky glow. It defines each component and provides examples. Spill light is light that falls outside the intended area and can bother neighbors. Glare reduces visibility and is caused by high contrast. Sky glow is light reflected up that reduces the visibility of stars. The document recommends ways to minimize each type of light pollution through proper lighting design and use of full cutoff fixtures.
Natural lighting is the primary source of illumination and consists of direct sunlight and sky illumination. For daylighting design, only sky illumination is considered. Good distribution of daylight is achieved through window height, width, and sill height recommendations. Artificial lighting may supplement daylight to meet illumination levels or for visual tasks requiring higher light levels. Different interior lighting concepts like room-related, task area, and work surface lighting provide appropriate illumination for various spaces and visual needs.
This document discusses concepts and methods for daylighting buildings. It begins by stating that daylight is a renewable source of light that can save energy and create a comfortable environment when utilized for interior lighting. It then describes various daylighting design methods like the use of skylights, clerestories, light shelves, and building orientation. The document also notes some challenges of daylighting like increased heat gain and potential for glare. It provides guidance on daylighting design for different climates.
This document discusses natural lighting and daylighting in buildings. It defines daylighting as the controlled admission of natural light to reduce electric lighting and energy usage. An effective daylighting system includes building orientation, windows, skylights, and interior design elements. Daylighting provides benefits like occupant satisfaction and reduced costs but also requires considerations like glare, heat gain, and adequate illumination levels. Principles of effective daylighting design are orientation, building form, glazing specifications, window placement, and daylight redirection devices. Daylight factors are used to calculate interior lighting levels from exterior conditions. Simulation software can model daylighting performance.
FAGERHULT | Architecture of Light - AOLPaulo Chong
Room configuration using lighting.
Light as a building block
Natural light is an obvious component of architecture and one of the main building blocks of a room. Artificial light is a vital complement. Good lighting supports the architect’s vision and enhances a room’s configuration. Luminaires should function as an extension of the building.
This document discusses lighting requirements and considerations for offices and schools. It covers topics such as lighting quality, quantity, room surface reflectances, luminaire brightness, glare zones, light source choices between fluorescent and incandescent, and lighting system types including direct, indirect, and direct-indirect. It also provides guidance on luminaire location, orientation, and suspension heights for different room sizes and types. Maintaining quality lighting while avoiding glare is emphasized.
This document discusses different types of lighting used in photography, including hard light and soft light. Hard light comes from a small light source and creates sharp shadows, while soft light has a larger source or diffusion material and fills shadows. Common lighting fixtures mentioned are fresnels, ellipsoidals, and scoops. Methods for softening hard light include moving the light closer, using reflectors to bounce light, umbrellas, and placing diffusion materials between the light and subject.
The document discusses different types and methods of lighting. It describes natural lighting sources like sunlight and artificial sources like incandescent, fluorescent, and halogen lamps. Different lighting methods are direct, indirect, and diffuse lighting using fixtures that can be architectural like cove lighting or non-architectural like portable lamps. Considerations for good lighting include utilizing daylight, energy efficiency, durability, and maintenance. Lux and lumen are units of measurement where one lux equals one lumen per square meter. The relationship between them determines how many lumens are needed to illuminate a given area.
The document provides information about various types of lighting used in video production. It defines key lighting terms like hard light, soft light, back light, fill light, etc. and describes the purpose and use of different lighting accessories or tools including barn doors, gels, diffusers, reflectors, etc. It also explains color temperature and measurement units used in lighting like lumens, kelvin, kilowatts.
The document discusses different types of lighting used in architecture, including natural lighting from the sun and artificial lighting sources. It describes several types of architectural luminaires - soffits, valances, and coves - that are used to direct light downward or both upward and downward to provide wall washing and general lighting. Precautions for installing different luminaires and options for shielding lighting elements are also covered.
LIGHTING for use in the course INTERIOR DESIGN
This presentation helps to create a beautiful lighting design in Interior Residential project. Hope it helps you to understand about the different types of lighting and its proper placements.
Classification of illumination & luminaireBadar Munir
The document discusses different types of lighting used in photography and film production. It describes the key light, fill light, and backlight, which are the three main lights used to illuminate a subject from different angles and provide depth. The key light acts as the main light, the fill light reduces shadows, and the backlight provides subtle highlighting. Together these lights can make a subject appear three-dimensional. The document also explains other types of lighting like general, task, accent, and street lighting used in different contexts.
This document discusses different types of lighting sources and fixtures. It describes natural light from the sun and artificial lights including incandescent, fluorescent, and LED bulbs. Incandescent bulbs produce light through a heated filament while fluorescent bulbs use gas and phosphors. LEDs are small, efficient, and produce high light intensity. The document also outlines different methods of lighting installation including direct, indirect, and diffused approaches as well as architectural lighting techniques like cove, track, and soffit fixtures. Common portable and non-architectural fixtures like ceiling, wall, and table lamps are also summarized.
This document provides an overview of lighting systems and their design. It discusses the three main types of lighting systems: ambient, accent, and task lighting. Ambient lighting provides overall illumination, accent lighting highlights specific objects, and task lighting is aimed at specific work areas. Proper lighting design considers illumination levels, placement of luminaires, and controls. Key factors in lighting design include distribution, quality and quantity of light, and how lighting impacts spaces and people. The document also outlines techniques for controlling directionality of light and defines lighting design terms.
Light is fundamental for space and essential for human well-being and it is the success of any building.
Light quality affects human behaviour, health, comfort and mood.
"Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep“ -Le Corbusier, August27,1965
Light, space and human they effect and work with each other.
Space needs light to illuminate; light needs space to receive it, light within the space change human experience
This document discusses the basic types of artificial lighting, including general, ambient, task, and accent lighting. General lighting provides uniform illumination of an entire space. Ambient lighting creates a relaxing atmosphere. Task lighting provides concentrated light for focused work tasks. Accent lighting draws attention to specific objects or areas. Examples are given for different lighting fixtures that can be used for each type, such as recessed lights for general illumination, lamps for task lighting, and spotlights or wall lights for accent lighting.
The document provides information on various types of stage lighting instruments, including their accessories, typical uses, and comparisons between different instruments. It describes Pebble Convex Fresnels, CCT Fresnels, Selecon Fresnels, 1K Scena Fresnels, Parcans, LED Parcans, Birdies, Flood Lights, Pin Spots, and Source Four lights. Examples are given for when each type of instrument would be suitable for specific lighting scenarios on stage.
The document provides information on various types of stage lighting instruments, including their accessories, typical uses, and comparisons between different instruments. It describes Pebble Convex Fresnels, CCT Fresnels, Selecon Fresnels, 1K Scena Fresnels, Parcans, LED Parcans, Birdies, Flood Lights, Pin Spots, and Source Four lights. Examples are given for when each type would be suitable to use for different lighting scenarios on stage.
The document discusses light pollution and its three main components: spill light, glare, and sky glow. It defines each component and provides examples. Spill light is light that falls outside the intended area and can bother neighbors. Glare reduces visibility and is caused by high contrast. Sky glow is light reflected up that reduces the visibility of stars. The document recommends ways to minimize each type of light pollution through proper lighting design and use of full cutoff fixtures.
Natural lighting is the primary source of illumination and consists of direct sunlight and sky illumination. For daylighting design, only sky illumination is considered. Good distribution of daylight is achieved through window height, width, and sill height recommendations. Artificial lighting may supplement daylight to meet illumination levels or for visual tasks requiring higher light levels. Different interior lighting concepts like room-related, task area, and work surface lighting provide appropriate illumination for various spaces and visual needs.
This document discusses concepts and methods for daylighting buildings. It begins by stating that daylight is a renewable source of light that can save energy and create a comfortable environment when utilized for interior lighting. It then describes various daylighting design methods like the use of skylights, clerestories, light shelves, and building orientation. The document also notes some challenges of daylighting like increased heat gain and potential for glare. It provides guidance on daylighting design for different climates.
This document discusses natural lighting and daylighting in buildings. It defines daylighting as the controlled admission of natural light to reduce electric lighting and energy usage. An effective daylighting system includes building orientation, windows, skylights, and interior design elements. Daylighting provides benefits like occupant satisfaction and reduced costs but also requires considerations like glare, heat gain, and adequate illumination levels. Principles of effective daylighting design are orientation, building form, glazing specifications, window placement, and daylight redirection devices. Daylight factors are used to calculate interior lighting levels from exterior conditions. Simulation software can model daylighting performance.
The document defines key terminology used in illumination, including luminance, illuminance, lux, lumen, candela, foot-candle, efficacy, efficiency, glare, and luminaires. Luminance refers to the amount of light emitted from a surface, illuminance is the amount of light falling on a surface, and lux is a unit of illuminance or luminous flux per unit area. Glare can be direct from a light source or indirect from reflections, and causes visual discomfort or disability depending on its severity. Luminaires are lighting fixtures or fittings used to hold and distribute light sources.
Natural light and illumination
This document discusses natural lighting and illumination in buildings. It explains that lighting serves three main purposes: to allow safe movement, task performance, and a pleasant interior. Buildings can be lit naturally through daylight or artificially through electric lamps. Daylight comes from sunlight or skylight. Various methods can control daylight penetration including external screens, glazing types, and interior blinds. The document also discusses illumination levels, daylight factor measurements, glare reduction, innovative daylighting technologies, and the advantages of natural lighting.
This document discusses daylighting design in architecture. It describes three components of successful daylighting - aesthetics, human performance, and energy benefits. Daylight has three components - sky, externally reflected, and internally reflected. Daylight factors are used to measure daylight levels indoors. Design considerations include building orientation, openings placement and size, and interior finishes reflectance. Daylighting strategies discussed include windows, skylights, sawtooth roofs, atriums, light shelves, light pipes, and heliostat systems. The goal is to effectively distribute natural light within buildings.
This document provides an introduction to lighting in architecture. It discusses key principles of light including electromagnetic radiation, visible spectrum, units of measurement for light, and the physiology of human vision. It also covers types of light sources, daylighting techniques, factors affecting visual comfort, and methods for calculating natural lighting in buildings. Control elements like screens and filters are described as ways to regulate daylight penetration. Conditions of the sky like luminance are addressed as important pre-existing environmental factors to consider for lighting design.
The document discusses solar control and shading. It begins by explaining that shading is needed to prevent solar radiation from contributing to discomfort when temperatures are within or above the comfort zone, but may be desirable to allow solar heating at cooler times. There are three effects of solar radiation entering a room: heating surfaces, increasing mean radiant temperature, and causing glare. The function of shading is to eliminate these three effects. Shading design must consider factors like air flow, daylight admission, and views. Exterior shading is most effective for solar control while interior shading provides visual comfort and control. The document provides details on types of exterior and interior shading devices and their effectiveness.
This document provides an overview of natural lighting and daylighting design strategies. It begins with introducing the key principles of natural lighting, including the different components of sunlight and how illumination levels vary based on sky conditions. Variables that impact daylight levels like orientation, window size and type, and distance from windows are discussed. The document then covers innovative daylighting technologies that can redirect sunlight and skylight deep into spaces. Methods for controlling daylight like shading devices and glazing choices are presented. The document concludes by outlining several daylighting design strategies like building orientation, form, illuminating ceilings, and protecting against direct sunlight. Standard illumination levels and case studies of successfully implemented daylighting designs are also referenced.
Lighting fixtures are attached parts of a light that hold light bulbs or elements and cannot be easily removed. Fixtures may have switches or rely on wall switches. They require electrical connections, either through wiring or plugs. There are various types of fixtures including ceiling mounts, pendants, recessed, architectural, and more. When planning lighting, factors like location, brightness needs, heat, durability, and cost should be considered. Proper lighting follows principles of balance, unity, variety, emphasis, rhythm, scale, and harmony.
This document discusses lighting design requirements and considerations for residential, commercial, and hospital spaces. For residential lighting, it emphasizes enhancing interior design and reflecting how residents live. For commercial lighting, it covers considerations like space size/shape, task requirements, daylight integration, and efficient technology. Lighting types discussed include fluorescent, LED, and accent. For hospitals, the main objectives are bringing daylight in and enhancing staff well-being and performance. Key areas addressed include exterior, entrances, and interior patient and work spaces.
The document discusses various aspects of electrical lighting design, including:
1. The lighting design process and common design fundamentals.
2. Different types of luminaires (lighting fixtures) and how their distribution characteristics impact lighting quality and efficiency.
3. The six main lighting system types - general, localized, ambient, task, accent, and decorative - and their advantages/disadvantages.
4. Methods for visualizing and understanding light distribution from different sources.
Natural lighting, also called daylighting, is the controlled admission of natural light into buildings to reduce electricity usage. An effective natural lighting system considers building orientation, fenestration design, glazing ratio and specifications, window height and location, overhead lighting like skylights, and daylight redirection devices. Benefits of natural lighting include occupant satisfaction, comfort, health, reduced electricity usage, and decreased internal heat gain. Factors like sun angles, daylight factor, and principles of effective natural lighting help maximize the potential of natural lighting in buildings.
This document discusses lighting in hotels. It defines light and different types of light sources including natural light and artificial light such as incandescent, fluorescent, and halogen bulbs. The document discusses the importance of lighting for both functional and aesthetic purposes in a hotel. Different lighting classifications are covered such as direct, indirect, and diffused lighting. Recommendations are provided for lighting in specific hotel areas like lobbies, restaurants, corridors, guest rooms, and bathrooms. Factors to consider for a good lighting system are also outlined.
This document summarizes a lecture on lighting for interior spaces. It discusses types of natural and artificial light sources, including daylight, incandescent, fluorescent, and high intensity discharge lights. It also covers types of lighting devices such as lamps, architectural fixtures like downlights, and track lighting. The document emphasizes considering light distribution, quality, and human factors when designing lighting for interiors.
Metal halide lamps are commonly used in outdoor lighting such as streetlights, parking lots, and stadiums. They produce very bright white light and have good color rendition. Floodlights are high intensity lights often used to illuminate outdoor sports fields at night. Landscape lighting is used to showcase plants and architectural features. Common types include low voltage halide spotlights, well lights, and linear path lights. Photocells and timers automatically control lighting based on time of day or darkness to save energy. Specialized lighting can enhance landscapes, pools, and outdoor displays through directional and diffuse lighting designs.
World trade center in kerala proposal- AR. DEEKSHITH MAROLI 724519251008 REPORTdeekshithmaroli666
World trade center live proposal in kerala.
Future of our nation is looking towards kerala..?
Yes, because the biggest sludge less port is going to open in kerala soon and also about the hidden massing growth of tourism, it , business sector
Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey ...SirmaDuztepeliler
"Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey Toward Sustainability"
The booklet of my master’s thesis at the Department of Architecture and Civil Engineering at Chalmers University of Technology. (Gothenburg, Sweden)
This thesis explores the transformation of the vacated (2023) IKEA store in Kållered, Sweden, into a "Reuse Hub" addressing various user types. The project aims to create a model for circular and sustainable economic practices that promote resource efficiency, waste reduction, and a shift in societal overconsumption patterns.
Reuse, though crucial in the circular economy, is one of the least studied areas. Most materials with reuse potential, especially in the construction sector, are recycled (downcycled), causing a greater loss of resources and energy. My project addresses barriers to reuse, such as difficult access to materials, storage, and logistics issues.
Aims:
• Enhancing Access to Reclaimed Materials: Creating a hub for reclaimed construction materials for both institutional and individual needs.
• Promoting Circular Economy: Showcasing the potential and variety of reusable materials and how they can drive a circular economy.
• Fostering Community Engagement: Developing spaces for social interaction around reuse-focused stores and workshops.
• Raising Awareness: Transforming a former consumerist symbol into a center for circular practices.
Highlights:
• The project emphasizes cross-sector collaboration with producers and wholesalers to repurpose surplus materials before they enter the recycling phase.
• This project can serve as a prototype for reusing many idle commercial buildings in different scales and sizes.
• The findings indicate that transforming large vacant properties can support sustainable practices and present an economically attractive business model with high social returns at the same time.
• It highlights the potential of how sustainable practices in the construction sector can drive societal change.
1. STUDY OF LIGHT SHELF AND RESULTING ILLUMINATION LEVEL
INSIDE SPACE FOR MALDIVES AND MOSCOW REGION
BACKGROUND INTRODUCTION
The objective of this paper is to understand and highlight the effectiveness of light shelves in different The light shelf is a classical daylighting system, to control and distribute sunlight and skylight, reduce
geographical region and their effect in illuminance level inside the space. Daylight simulations were glare, and improve the interior illuminance in side-lit rooms. (Christoffersen 1995, littlefair 1996). Light
performed for a custom light shelves (plastic material) for a typical space in two different location - 1) shelves are the horizontal devices which help to reflect light from window towards the ceiling and pen-
Moscow, Russia and 2) Male Hulelu, Maldives. Moscow, in Russia, is located at 55.7 degree latitude and etrate little deep in the space. Light shelves are designed to shade and reduce sunlight and skylight
Male Hulelu, in Maldives, is located at 4.2 degree latitude. Simulations were performed using Ecotect near the window, and reflect light from its top onto the ceiling. They have high reflective top surface to
and Radiance and weather data for both the space were taken from U.S Department of Energy website. enhance the reflection of light towards the ceiling. Light shelves are typically used in big bulky buildings
Simulation readings were taken both for sunny as well as overcast sky, during 21st of March, June and where it is difficult for light to penetrate deep inside or places where sky is over casted most of the time.
September. For Maldives, readings are taken at 9 AM, 12 PM and 3 PM of day and for Moscow, readings
were taken at 9 AM, 12 PM and 5 PM. Along with variation in day and time, reading were also taken IMPORTANT: LIGHT SELF BOUNCE LIGHT FROM SHELF TO CEILING WHICH THEN GETS BOUNCE TO THE
having variation in location of light shelf - both side of wall (inside and outside), only exterior side of wall PERIMETER ZONE ONLY AND NOT AT THE BACK WALL.
and only interior side of wall and compared with same situation of day and time without light shelf. The
space taken for study was a small room with dimensions of 4.5 M x 6 M with height of 3 M. The smaller
faced with width of 4.5 M faces south and has a opening and light shelf. No opening are there on other APPLICATION
sides - East, West and North. Height of light shelf is 2.1 M from ground and is 0.6 M in width both inside
and outside the wall. Length of light shelf is 3.9 M and is centrally placed on the facade of 4.5 M leaving • Light shelves require direct sunlight. The windows should face the sun for a larger fraction of time
wall edges of 0.3 M both the sides. Illumination range inside the space is not tried to be maintained in that the space is occupied. As a result, they are more advantages to place on windows facing equa-
specific range of comfort. It is used in pure form as obtained by the conditions available. Analysis grid for tor.
the space is divided into grid of 21 x 17 units with 21 units at facade of 4.5 M width. Analysis of results • They are generally mounted with window having large area of glazing over the height of 2.1 m (7 ft.).
is based only for the central grid and not any other portion of the grid, and hence space. • The glazing that directs light on the light shelves is required to be clear glass, in order to receive suf-
ficient light to reflect. Tinted or Colored glass reduces the intensity of income light. More smoother
KEYWORDS the surface, more will be the reflection.
• Depending on quality of light required, finishing layer of light shelves and the ceiling can either be
Illuminance Level, Light shelves, Sunny Sky, Overcast Sky, With Light Shelf, Without Light Shelf. smooth or rough.
STUDY MODEL LIMITATIONS
• The extension of light shelves inside the room may result in interface with sprinkler system. In Can-
ada, they cannot exceed 1200 mm (4 ft.) in width if sprinklers are present or the design will require
integration with sprinkler system to cover the floor area under the light shelf.
• The illumination range and level inside the space depends both on time of day and year and also on
sky conditions.
• Light shelves needs regular maintenances in terms of cleaning in order to have proper and sufficient
reflection of light off the shelf to the ceiling.
ELEMENTS INVOLVED
• Light Shelf - Reflector
• Window
• Ceiling
• Shading device(s)
ARCHITECTURE 632 006 - DAYLIGHTING SCHOOL OF DESIGN UNIVERSITY OF PENNSYLVANIA
2. LIGHTING PATTERN OF THE LIGHT SHELF SYSTEM CASE STUDY - NREL Campus, Colorado
• The pattern of illumination depends on the reflection characteristics
of the light shelf, and it depends on the geometry and reflection char-
acteristics of the ceiling surface.
• If the reflection by the light shelf is specular, the reflection is con-
trolled by the law of optics where reflection equals the angle of inci-
Light shelf and system
dence.
• If the sun is low in the sky, sunlight penetrates deeply into the space.
If the sun is high, the ceiling is illuminated close to the wall.
• Pure specular reflection creates a sharply defined rectangular bright
spot on the ceiling. This might be bright enough to annoy occupants.
This effect can be reduced by making the reflecting surface of light
shelf more diffuse. Hence light spreads out on the ceiling.
• If the reflection is very diffuse, penetration into the space is sacri-
ficed. A taller ceiling provides deeper light penetration, and it also
distributes the light more widely within the space. High sun angle – Less penetration
• Under overcast sky, the light shelf reduces the illumination level on and more intensity
the working plane because it directly cuts off part of view to the sky.
• The magnitude of reduction at a given point depends on the distance
from the light shelf and the position and depth of the light shelf.
• An interior light shelf at normal height would thus screen off most
of the light from the sky on the working plane in the middle of the
room, while an exterior light shelf would do this mostly in the area
just inside the window.
Low sun angle – More penetra-
tion and less intensity
STUDY REGION
A) COLORADO -
US
LATITUDE - 39.74
B) MOSCOW -
C RUSSIA
A LATITUDE - 55.7
TROPIC OF CANER C) MALE ISLAND -
MALDIVES
EQUATOR B LATITUDE - 4.2
• 100% of the workstations are daylit
TROPIC OF CAPRICORN • No employee is more than 30 feet of the window
• Daylighting controls that works
• Manual on, manual off with vacancy sensors and local dimming controls in all daylit zones.
• Run dark at night, including most emergency lighting - less than 5% of lights on at night
• Interior integrated with daylight.
ARCHITECTURE 632 006 - DAYLIGHTING SCHOOL OF DESIGN UNIVERSITY OF PENNSYLVANIA
3. 21st JUNE SUNNY SKY 21st JUNE OVERCAST SKY
STUDY 1 - MALE, HULELY - MALDIVES
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
Interior - Exterior
ANNUAL SUN MOVEMENT SKY – MALDIEVES OVERCAST SKY - MALDIEVES
The movement of sun at Maldives is almost 6000 6000
over head. So there are similar sun angles 5000 5000
LUX LEVELS
LUX LEVELS
4000 4000
and altitude for other half of year. As a result 3000 3000
of which sunlight penetrate at almost similar 2000 2000
1000 1000
angle in the room, at early morning and late 0 0
afternoon and has similar illuminance level 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
inside the space. Not much difference was
found in illuminance level with and without ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
SKY - MALDIEVES OVERCAST SKY - MALDIEVES
light shelf during month of March, for both 6000 6000
sunny and overcast sky. As there are no open-
Exterior
5000 5000
LUX LEVELS
LUX LEVELS
ing on the north facade, there is no much ef- 4000 4000
3000 3000
fect found in month of June when sun is in the 2000 2000
north. During December, as sun is the south, 1000 1000
0 0
once can see remarkable effect of difference 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
of illuminance in space with and without light
shelf during sunny sky condition. It is impor- ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
tant to note that there is not much effect of SKY - MALDIEVES OVERCAST SKY - MALDIEVES
light shelf during overcast conditions. Other 6000 6000
5000 5000
significant result was that illuminance level
LUX LEVELS
LUX LEVELS
Interior
4000 4000
are almost similar at the end of the space, for 3000 3000
2000 2000
both case of with and without light shelf. Also, 1000 1000
for the cases with light shelf, there is little in- 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
crement in the illuminance level at periphery
region only near the window.
21st MARCH SUNNY SKY 21st MARCH OVERCAST SKY 21st DECEMBER SUNNY SKY 21st DECEMBER OVERCAST SKY
Interior - Exterior
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
Interior - Exterior
SKY - MALDIEVES OVERCAST SKY - MALDIEVES SKY - MALDIEVES OVERCAST SKY - MALDIEVES
6000 6000 40,000 40,000
5000 5000 35,000 35,000
30,000 30,000
LUX LEVELS
LUX LEVELS
LUX LEVELS
LUX LEVELS
4000 4000 25,000 25,000
3000 3000 20,000 20,000
2000 2000 15,000 15,000
10,000 10,000
1000 1000 5,000 5,000
0 0 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
SKY - MALDIEVES OVERCAST SKY - MALDIEVES SKY - MALDIEVES OVERCAST SKY - MALDIEVES
6000 6000 40,000 40,000
Exterior
35,000
Exterior
5000 5000 35,000
30,000 30,000
LUX LEVELS
LUX LEVELS
LUX LEVELS
LUX LEVELS
4000 4000 25,000 25,000
3000 3000 20,000 20,000
2000 2000 15,000 15,000
10,000 10,000
1000 1000 5,000 5,000
0 0 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
SKY - MALDIEVES OVERCAST SKY - MALDIEVES SKY - MALDIEVES OVERCAST SKY - MALDIEVES
6000 6000 40,000 40,000
5000 5000 35,000 35,000
30,000 30,000
LUX LEVELS
LUX LEVELS
LUX LEVELS
LUX LEVELS
Interior
Interior
4000 4000 25,000 25,000
3000 3000 20,000 20,000
2000 2000 15,000 15,000
10,000 10,000
1000 1000 5,000 5,000
0 0 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
ARCHITECTURE 632 006 - DAYLIGHTING SCHOOL OF DESIGN UNIVERSITY OF PENNSYLVANIA
4. 21st JUNE SUNNY SKY 21st JUNE OVERCAST SKY
STUDY 2 - MOSCOW, RUSSIA
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
Interior - Exterior
ANNUAL SUN MOVEMENT SKY - MOSCOW OVERCAST SKY - MOSCOW
The movement of sun at Moscow is 40,000
35,000
40,000
35,000
from south. Moreover the altitude 30,000 30,000
LUX LEVELS
LUX LEVELS
25,000 25,000
of sun during December is extremely 20,000
15,000
20,000
15,000
low. Effective results were found for 10,000
5,000
10,000
5,000
illuminance level inside space for 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
both the cases, with and without
light shelf. Depending on location of
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
light shelf and time, it allowed sun- SKY - MOSCOW OVERCAST SKY - MOSCOW
light penetration accordingly and 40,000 40,000
35,000 35,000
Exterior
gave illuminance level accordingly. 30,000 30,000
LUX LEVELS
LUX LEVELS
25,000 25,000
Here too, as in Maldives, no effect of 20,000 20,000
illuminance level changes occurs in 15,000 15,000
10,000 10,000
overcast sky. Interesting result were 5,000
0
5,000
0
found for December when sun is at 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
the lowest angle and as a result of
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
which there is no effect of light shelf. SKY - MOSCOW OVERCAST SKY - MOSCOW
Sunlight enters the room directly 40,000
40,000
during December and because of 35,000 35,000
30,000 30,000
LUX LEVELS
that illuminance level increase at the
Interior
Axis Title
25,000 25,000
20,000 20,000
end of the space. 15,000 15,000
10,000 10,000
5,000 5,000
0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
21st MARCH SUNNY SKY 21st MARCH OVERCAST SKY 21st DECEMBER SUNNY SKY 21st DECEMBER OVERCAST SKY
Interior - Exterior
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
Interior - Exterior
SKY – MOSCOW OVERCAST SKY - MOSCOW SKY - MOSCOW OVERCAST SKY - MOSCOW
40,000 40,000 8,000 8,000
35,000 35,000
30,000 30,000 6,000 6,000
LUX LEVELS
LUX LEVELS
LUX LEVELS
LUX LEVELS
25,000 25,000
20,000 20,000 4,000 4,000
15,000 15,000
10,000 10,000 2,000 2,000
5,000 5,000
0 0 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
SKY - MOSCOW OVERCAST SKY - MOSCOW SKY - MOSCOW OVERCAST SKY - MOSCOW
40,000 40,000 8,000 8,000
Exterior
35,000 35,000
Exterior
30,000 30,000 6,000 6,000
LUX LEVELS
LUX LEVELS
LUX LEVELS
LUX LEVELS
25,000 25,000
20,000 20,000 4,000 4,000
15,000 15,000
10,000 10,000 2,000 2,000
5,000 5,000
0 0 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE - SUNNY ILLUMINANCE LEVEL IN THE CENTER OF THE SPACE -
SKY - MOSCOW OVERCAST SKY - MOSCOW SKY - MOSCOW OVERCAST SKY - MOSCOW
40,000 40,000 8,000 8,000
35,000 35,000
30,000 30,000 6,000 6,000
LUX LEVELS
LUX LEVELS
LUX LEVELS
LUX LEVELS
Interior
Interior
25,000 25,000
20,000 20,000 4,000 4,000
15,000 15,000
10,000 10,000 2,000 2,000
5,000 5,000
0 0 0 0
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
ARCHITECTURE 632 006 - DAYLIGHTING SCHOOL OF DESIGN UNIVERSITY OF PENNSYLVANIA
5. OBSERVATION AND CONCLUSION
GENERAL
• Light shelves does not work well for places which has major overcast sky conditions throughout year.
• Helps well in decreasing the peripheral glare and discomfort
• Effect of inside illuminance and reducing peripheral glare and discomfort depends on width of light shelf, location (inside, outside or both), vertical positioning, its angle and also on dimensions and type of glaz-
ing.
• Depending on the requirement of the space, one can decide upon having light shelf either interior, exterior or both, as they all have different effect on illumination at interior space near perimeter.
• Not much effect have been seen at the end of the space using either of 3 cases.
MARCH JUNE DECEMBER MARCH JUNE DECEMBER
SUN MOVEMENT - MALE - HULELU, MALDIVES
9 AM
9 AM
SUN MOVEMENT - MOSCOW, RUSSIA
12 PM
12 PM
5 PM
5 PM
MALE - HULELU, MALDIVES MOSCOW, RUSSIA
• For location near equator, light shelf doesn’t work during months around March and September as • For location moving far above tropic of cancer, light shelf doesn’t work during months around De-
sun is almost overhead. cember as sun is at very low altitude, even during noon time.
• Light shelf works equally well for north and south façade. • Light shelf works well for months between months from March to September as sun is at higher
• Illuminance level is almost similar inside space in the central part during early morning (9AM) and altitude compared to other months.
late afternoon (3PM) as sun penetrates the space at almost similar angle from south.
ARCHITECTURE 632 006 - DAYLIGHTING SCHOOL OF DESIGN UNIVERSITY OF PENNSYLVANIA