This document discusses integrating creativity into the English language classroom. It defines creativity as novel, valuable, and open-ended thinking and activities that enrich student and teacher learning. The document encourages using open-ended questions instead of typical closed questions to stimulate creative thinking. The author experiments with creativity techniques in their secondary classroom, such as having students brainstorm multiple uses for an object or suggest ideas for images. Establishing trust and allowing creative thinking are important lessons for nurturing a creative classroom culture.
Human-Centric Storytelling in BusinessKubo Finland
9 tips: how to put your excellent content strategy into action by creating great stories. Presentation at Content Strategy Forum 2013 http://csforum2013.com/
Ever wonder how people like Ellen DeGeneres, Gary Vaynerchuk, and Tony Robbins are able to present so eloquently, personably, and easily?
We've picked out six master presenters and broken down their best presentations to solve the riddles of what makes their technique and style so masterful.
Why Stories Build Brands: Telling an Unforgettable StoryJames Rhodes
There's no question, storytelling is the most powerful communication mechanism known to man. But what makes a story so effective at communicating something? Here we reveal the formula for an engaging story.
How To Unwrap People So They'll Love YouGeorge Hutton
http://mindpersuasion.com/covert-hypnosis/
If you want to become incredible attractive and charismatic, you'll easily be able to do with that by asking about other people rather than talking about yourself. Learn How: http://mindpersuasion.com/covert-hypnosis/
Human-Centric Storytelling in BusinessKubo Finland
9 tips: how to put your excellent content strategy into action by creating great stories. Presentation at Content Strategy Forum 2013 http://csforum2013.com/
Ever wonder how people like Ellen DeGeneres, Gary Vaynerchuk, and Tony Robbins are able to present so eloquently, personably, and easily?
We've picked out six master presenters and broken down their best presentations to solve the riddles of what makes their technique and style so masterful.
Why Stories Build Brands: Telling an Unforgettable StoryJames Rhodes
There's no question, storytelling is the most powerful communication mechanism known to man. But what makes a story so effective at communicating something? Here we reveal the formula for an engaging story.
How To Unwrap People So They'll Love YouGeorge Hutton
http://mindpersuasion.com/covert-hypnosis/
If you want to become incredible attractive and charismatic, you'll easily be able to do with that by asking about other people rather than talking about yourself. Learn How: http://mindpersuasion.com/covert-hypnosis/
Presentation by Paul MacDonald of the Children's Bookshop Beecroft to the Campbelltown & Liverpool School Library Network. An overview of the 2017 Book Week Shortlist
Make du Jour: Fostering Daily Creativity BLC15Amy Burvall
***please note videos will not play
“There is no win, there is no fail, there is only make” (John Cage). One of the greatest challenges is developing ideas, finding time, and offering opportunities for students work on creative projects. More importantly, how do we move beyond the “assignment” stage and encourage students to be intrinsically motivated to make beautiful things on a regular basis? How do we foster the shift from consumption to production? Even if you don’t have the luxury of offering a project-based curriculum, you can still develop a steady diet of ongoing, “back-burner” projects that gets student to “dare to make and share”. This session will explore ways to instill a creative culture in your classroom, with everything from low-entry point crowdsourced uses of social media to the #showyourwork movement which asks students to be overt about their design thinking, creative process, and troubleshooting and contribute to collective knowledge. At the heart of personalized learning is creative freedom, but students often need a spark of inspiration, a design brief, or mentorship to get them on the road to making. In this workshop we will get our creative juices flowing and explore trends in combinatorial and crowdsourced creativity facilitated by social media, as well as the role of analogue elements in digital makery. You will have the opportunity to create and perform, as well as develop projects for future use. We’ll look at teacher-as-creator and the importance of transparency and curation in facilitating creativity in the classroom. All participants will leave with a "goodie bag"- a membership to an ever-growing digital community of resources and dialogue centering around creativity in the classroom.
Leveraging for Legacy and Cultivating New Literacies: Region One Texas "Using...Amy Burvall
my keynote for the "Using Technology to Make a Difference" conference in Texas. Note that the videos will not play and it is video intensive, so please feel free to join the G+ community at https://plus.google.com/u/0/communities/102951818296790118749 or contact me.
Image is Everything: Exploring Critical Thinking Through Visual Literacies BLC15Amy Burvall
***Please note videos will not play
From cave walls to Facebook walls we have always embraced visual communication. Dual coding theory of cognition (Paivio, 1971), reiterates the importance of visual imagery in respect to our thinking processes - that in fact we need visual language in addition to verbal or text-based coding of stimuli. With the changing media landscape, our streams, memes, and zines have exploded with imagery, ushering in a need for visual literacy skills. We are quickly moving from images as decoration and augmentation to images as sole content and communication tool. We have some false beliefs about visual language - that it is equated with “art”, requiring “talent” from “creative types” - and therefore it is unfortunately often not overtly taught and practiced in schools. Technology has affected knowledge in such a way as to diminish the value of “raw” information and increase the value of sense-making, as well as chip away at attention spans, sparking a need for distillation of complex ideas. Images can essentialize the cumbersome in beautiful ways. They have a “stickiness” for the viewer and challenge the critical thinking of the creator.
This hands-on session will explore the “Whys” of visual literacy and offer participants an opportunity to tinker and play with:
iconography and metaphorical thinking
pictograms, “Shortology”, emoji, meme stories, and gifs
graphic design, graphic facilitation, infographics and sketchnotes
photography, cinemagrams (moving photos)
icon-based annotations and marginalia
using images to leverage CVs, social media, and presentations
We’ll experiment with ways to use visual language for personal knowledge management, amplification of knowledge and creative work, critical thinking, social interaction (conversation), and other forms of creative and intellectual expression.
The Power of Storytelling and How to Create a Compelling StoryBas van den Beld
These days you hear a lot about storytelling as a marketing strategy. Many marketers, therefore, believe they should ‘do storytelling’ as well. Whenever you do something, you want to know they ‘why’ (as Simon Sinek told us).
So, you might wonder why storytelling is such a powerful tool. What makes storytelling worth it? Do you invest time in it? And in what way? It’s important to know why it is powerful to be able to do storytelling right.
In this presentation I talk about three steps to a great story:
1 The Preparation
2 The Structure
3 The Story
More:
https://www.speakwithpersuasion.com/power-of-storytelling-2/
The Science of Story: How Brands Can Use Storytelling To Get More CustomersDigital Surgeons
Storytelling is not only an entertaining source for information, but a way to engage and humanize our messages that helps them stick. Our brains are wired for stories. Like a drug, we seek them out. Good stories create lasting emotional connections that persuade, educate, entertain, and convert consumers into brand loyalists.
Here’s another good reason to believe in the power of stories: You don't have a goddamn choice. We spend a third of our waking hours crafting stories, and the rest of the time consuming them. Our brains are always searching for stories. You need stories. You live your life around stories. Your life itself is a story. So, now find out how you can use them to better understand how brands and businesses can use storytelling to increase engagement and sales.
10 Ways to Make Your Marketing Story ExceptionaJoan Mullally
Storytelling is one of the hottest new marketing tools for online businesses. Boost your brand and intensify engagement with stories that resonate with your niche audience.
FISA2016 Make du Jour: Fostering Daily Critical CreativityAmy Burvall
Presentation slides for the Federation of Independent Schools of British Colombia in February 2016. Please note videos will not play but the resources are located in the G+ community at https://plus.google.com/u/1/communities/101416752034019971438
VIEW the VIDEO here: https://www.youtube.com/watch?v=lfcWI_FJtRM&feature=youtu.be
Succesvol storytelling begint met één belangrijke vraag: waarom doe je wat je doet en waar geloof je in? Pride PR organiseerde op 23 mei jongstleden een evenement waar werd uitgelegd hoe je tot betere PR- en communicatie en dus betere verhalen komt. Rob Westerik partner bij Pride PR en Patrick de Nekker van Earth Concepts, bekend van Earth Water vertelden hun inspirerende verhaal.
Creative illiteracy! how schools are making studentsmafifaharris
Creative illiteracy? How schools are making students illiterate
We often talk about illiteracy with respect to students. Teachers are evaluated constantly on their ability to make their students meet the mark. Meeting this mark is the measure of literacy. This paper identifies and discusses the relationship between teachers creativity and students literacy. It argues that creative illiteracy on the part of our teachers can lead to the big ILLITERACY that we fear for our students. It is based on observations and discussions with teachers and students in a number of schools over a period of 6 months.
Presentation by Paul MacDonald of the Children's Bookshop Beecroft to the Campbelltown & Liverpool School Library Network. An overview of the 2017 Book Week Shortlist
Make du Jour: Fostering Daily Creativity BLC15Amy Burvall
***please note videos will not play
“There is no win, there is no fail, there is only make” (John Cage). One of the greatest challenges is developing ideas, finding time, and offering opportunities for students work on creative projects. More importantly, how do we move beyond the “assignment” stage and encourage students to be intrinsically motivated to make beautiful things on a regular basis? How do we foster the shift from consumption to production? Even if you don’t have the luxury of offering a project-based curriculum, you can still develop a steady diet of ongoing, “back-burner” projects that gets student to “dare to make and share”. This session will explore ways to instill a creative culture in your classroom, with everything from low-entry point crowdsourced uses of social media to the #showyourwork movement which asks students to be overt about their design thinking, creative process, and troubleshooting and contribute to collective knowledge. At the heart of personalized learning is creative freedom, but students often need a spark of inspiration, a design brief, or mentorship to get them on the road to making. In this workshop we will get our creative juices flowing and explore trends in combinatorial and crowdsourced creativity facilitated by social media, as well as the role of analogue elements in digital makery. You will have the opportunity to create and perform, as well as develop projects for future use. We’ll look at teacher-as-creator and the importance of transparency and curation in facilitating creativity in the classroom. All participants will leave with a "goodie bag"- a membership to an ever-growing digital community of resources and dialogue centering around creativity in the classroom.
Leveraging for Legacy and Cultivating New Literacies: Region One Texas "Using...Amy Burvall
my keynote for the "Using Technology to Make a Difference" conference in Texas. Note that the videos will not play and it is video intensive, so please feel free to join the G+ community at https://plus.google.com/u/0/communities/102951818296790118749 or contact me.
Image is Everything: Exploring Critical Thinking Through Visual Literacies BLC15Amy Burvall
***Please note videos will not play
From cave walls to Facebook walls we have always embraced visual communication. Dual coding theory of cognition (Paivio, 1971), reiterates the importance of visual imagery in respect to our thinking processes - that in fact we need visual language in addition to verbal or text-based coding of stimuli. With the changing media landscape, our streams, memes, and zines have exploded with imagery, ushering in a need for visual literacy skills. We are quickly moving from images as decoration and augmentation to images as sole content and communication tool. We have some false beliefs about visual language - that it is equated with “art”, requiring “talent” from “creative types” - and therefore it is unfortunately often not overtly taught and practiced in schools. Technology has affected knowledge in such a way as to diminish the value of “raw” information and increase the value of sense-making, as well as chip away at attention spans, sparking a need for distillation of complex ideas. Images can essentialize the cumbersome in beautiful ways. They have a “stickiness” for the viewer and challenge the critical thinking of the creator.
This hands-on session will explore the “Whys” of visual literacy and offer participants an opportunity to tinker and play with:
iconography and metaphorical thinking
pictograms, “Shortology”, emoji, meme stories, and gifs
graphic design, graphic facilitation, infographics and sketchnotes
photography, cinemagrams (moving photos)
icon-based annotations and marginalia
using images to leverage CVs, social media, and presentations
We’ll experiment with ways to use visual language for personal knowledge management, amplification of knowledge and creative work, critical thinking, social interaction (conversation), and other forms of creative and intellectual expression.
The Power of Storytelling and How to Create a Compelling StoryBas van den Beld
These days you hear a lot about storytelling as a marketing strategy. Many marketers, therefore, believe they should ‘do storytelling’ as well. Whenever you do something, you want to know they ‘why’ (as Simon Sinek told us).
So, you might wonder why storytelling is such a powerful tool. What makes storytelling worth it? Do you invest time in it? And in what way? It’s important to know why it is powerful to be able to do storytelling right.
In this presentation I talk about three steps to a great story:
1 The Preparation
2 The Structure
3 The Story
More:
https://www.speakwithpersuasion.com/power-of-storytelling-2/
The Science of Story: How Brands Can Use Storytelling To Get More CustomersDigital Surgeons
Storytelling is not only an entertaining source for information, but a way to engage and humanize our messages that helps them stick. Our brains are wired for stories. Like a drug, we seek them out. Good stories create lasting emotional connections that persuade, educate, entertain, and convert consumers into brand loyalists.
Here’s another good reason to believe in the power of stories: You don't have a goddamn choice. We spend a third of our waking hours crafting stories, and the rest of the time consuming them. Our brains are always searching for stories. You need stories. You live your life around stories. Your life itself is a story. So, now find out how you can use them to better understand how brands and businesses can use storytelling to increase engagement and sales.
10 Ways to Make Your Marketing Story ExceptionaJoan Mullally
Storytelling is one of the hottest new marketing tools for online businesses. Boost your brand and intensify engagement with stories that resonate with your niche audience.
FISA2016 Make du Jour: Fostering Daily Critical CreativityAmy Burvall
Presentation slides for the Federation of Independent Schools of British Colombia in February 2016. Please note videos will not play but the resources are located in the G+ community at https://plus.google.com/u/1/communities/101416752034019971438
VIEW the VIDEO here: https://www.youtube.com/watch?v=lfcWI_FJtRM&feature=youtu.be
Succesvol storytelling begint met één belangrijke vraag: waarom doe je wat je doet en waar geloof je in? Pride PR organiseerde op 23 mei jongstleden een evenement waar werd uitgelegd hoe je tot betere PR- en communicatie en dus betere verhalen komt. Rob Westerik partner bij Pride PR en Patrick de Nekker van Earth Concepts, bekend van Earth Water vertelden hun inspirerende verhaal.
Creative illiteracy! how schools are making studentsmafifaharris
Creative illiteracy? How schools are making students illiterate
We often talk about illiteracy with respect to students. Teachers are evaluated constantly on their ability to make their students meet the mark. Meeting this mark is the measure of literacy. This paper identifies and discusses the relationship between teachers creativity and students literacy. It argues that creative illiteracy on the part of our teachers can lead to the big ILLITERACY that we fear for our students. It is based on observations and discussions with teachers and students in a number of schools over a period of 6 months.
From Publication to the Public Expanding your research beyond academiaTiffany Medina
What are the benefits – expected and unexpected — of translating your research for the general public?
• How do you pitch your research story to the media?
• When writing for the media or the public, how do you frame the topic to be explored so it is relevant outside of the research community?
Hear Maria Balinska, Editor of The Conversation US, previously of BBC London, and a 2010 Nieman Fellow at Harvard (need we say more?) address these questions in this one-hour webinar. She also presents some success stories from other researchers as well as one place to start for you and your colleagues – The Conversation US, an independent, non-profit media organization that publishes news analysis and commentary written by academics and edited by journalists aimed at the general public. (In other words, a team of professional editors who work with scholars like yourselves to apply their expertise to topical issues and to unlock their cutting edge research, all at no cost to you.)
From Publication to the Public Expanding your research beyond academiaSAGE Publishing
What are the benefits – expected and unexpected — of translating your research for the general public?
• How do you pitch your research story to the media?
• When writing for the media or the public, how do you frame the topic to be explored so it is relevant outside of the research community?
Hear Maria Balinska, Editor of The Conversation US, previously of BBC London, and a 2010 Nieman Fellow at Harvard (need we say more?) address these questions in this one-hour webinar. She also presents some success stories from other researchers as well as one place to start for you and your colleagues – The Conversation US, an independent, non-profit media organization that publishes news analysis and commentary written by academics and edited by journalists aimed at the general public. (In other words, a team of professional editors who work with scholars like yourselves to apply their expertise to topical issues and to unlock their cutting edge research, all at no cost to you.)
Summary of the book, "Made to Stick" on the topic of how to communicate ideas so that they'll catch on easily. Essential read for marketing folks and entreprenuers
The Three C's - Culture, Collaboration & Creative LeadershipAdam Stone
This presentation (I delivered at UNSW Art & Design) provides students with an insight into how successful creative agencies and experience design studios apply culture, collaboration and creative leadership to their work.
ASTD- American Society for Training and Development 2009 (Washington-USA). Speaker: Conrado Schlochauer, senior-partner of Business Laboratory SSJ ( São Paulo - Brazil)
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
3. A DEFINITION
“Thinking and activity in language education
that is novel, valuable and open-ended, and
that helps us to enrich learning in our
students and ourselves ”
The C Group
www.britishcouncil.org 2
4. TEACHING CREATIVELY OR
TEACHING FOR CREATIVITY?
“forms of teaching that are intended to
develop young peoples’ own creative
thinking or behaviour”.
Jeffrey and Craft (2004)
www.britishcouncil.org 3
5. WHY CREATIVITY?
Intense personal enjoyment,
engagement,
meaning in life.
Kaufman (2009)
Stimulate,
motivate,
satisfy in a deep sense
Maley (2015)
www.britishcouncil.org 4
6. HOW CAN I INTEGRATE CREATIVITY?
Through the right kind of ‘teacher talk’
www.britishcouncil.org 5
7. TYPICAL TEACHER TALK
• Is it true or false?
• Fill the gap with the correct word.
• Listen and choose the best answer, A, B or C.
• What’s the past participle of ‘speak’?
• Describe the picture.
www.britishcouncil.org 6
8. QUESTIONS FOR CREATIVITY
• Look at the pictures.
How are they connected?
• How many words can you find for this gap?
Evaluate which ones are the most appropriate.
• Imagine you were the person in the article,
what would you have done?
www.britishcouncil.org 7
10. CREATIVITY THROUGH OBJECTS
Make a list of 5 things
you could use this
object for.
What would you
change about it?
How would you sell this
object?
www.britishcouncil.org 9
Image from http://www.oobject.com
12. CREATIVITY THROUGH TASKS
• Fallen for the same girl
• Fallen out of love
• Let him down
• Spread rumours
• Told lies
• Had a fight
• Annoyed about something
www.britishcouncil.org 11
RANK
13. CREATIVITY THROUGH IMAGES
Write a note to the chef.
What can you buy in the
shop across the road?
Make a suggestion.
www.britishcouncil.org 12
17. CREATIVE CLASSROOM CULTURE
• EXPECTATIONS
Interesting point, how did you come up with
that?
There’s an idea I hadn’t thought of.
If I look at it from a different point of view I
can see what you mean.
www.britishcouncil.org 16
18. LESSONS LEARNED IN CREATIVITY
www.britishcouncil.org 17
1. Establish and nurture your classroom
culture and build trust by being a model of
creative thinking.
2. Re-think your in-class dialogue
3. Set up student tasks which allow
creative thinking to take place.
19. REFERENCES AND LINK
https://padlet.com/TeacherHL/creativeclassroom
Bolitho, R. (2008) Teacher Talk and Learner talk European
Centre for modern Languages.
Jeffrey, B. & Craft, A (2004) Teaching creatively and teaching
for creativity: distinctions and relationships, Educational
Studies, 30:1, 77-87.
Mahajan, N. (2014)The Importance of Creativity in Business,
(interview with Kaufman, K. for CKGSB).
Maley, A and Peachy, N (Eds) 2015. Creativity in the English
Language Classroom, British Council.
All images from pixabay.com unless otherwise referenced.
www.britishcouncil.org 18
Editor's Notes
As I learnt about it, I asked myself…Questions I asked myself when I started TWITTER – OPENED UP LINKS TO PRIMARY EDUCATION IN THE Uk AND usa. THAT’S WHERE I FIRST STARTED HEARING ABOUT ‘CREATIVITY’ AND HOW IMPORTANT IT WAS. Investigated because interesting and thought it would complement my teaching to yls in ELT. The more I read, the more I realised that was exteremly relevant to my context on multiple levels – look at that later. Creativity is not about finding an activity to add-on, it’s not something you can just stick on a lesson. It’s a way of looking at opportunities for learning which has deeply, but also subtly changed what happens in my classroom for the better. What’s my ELT context? Tc with Yls and adults, Yls from 4-18, this prse will focus on what’s been done in my secondary classroom:11-18
So this is why it’s so difficult to define or describe in words to people like you, so I decided tht I wanted to share the way it changed my teaching, using specific examples.
What is it though? There are many defs, although I think it’s it is easier to see when its not there, it isn‘t easy to define. I like this one.
WHY BOTHER? 1
As educators of people (children, 20yrolds or 40somethings) who are workers of today and tomorrow, we need to take notice.
World education forum report 2015In a time of rapid technological development,
demographic shifts and high unemployment, a narrow
focus on job-specific skills reduces graduates’ abilities
to adapt to the fast-changing demands of employers.
Greater emphasis must therefore be placed on
developing – and recognizing through validation
and accreditation mechanisms – transferable and soft
skills that can be used across a range of occupational
fields and promote learners’ capacities to regularly
update them through lifelong learning.
http://knowledge.ckgsb.edu.cn/2014/08/13/marketing/the-importance-of-creativity-in-business/
http://www-03.ibm.com/press/us/en/pressrelease/31670.wss
Rigor: challenging learning experiences
Difference between teaching creatively . Inventive, interesting ways to deliver a lesson and teaching for creativity:
It is a skill which many employers are quoted as saying is essential for a successful future career due to fast-paced, ever-mutating digital developments which have created new ways of working and a need (Kaufman) to do things differently.
Learning, or being allowed, to approach something creatively, means developing the ability to search for new ideas of value going far enough even, to making what Maley calls the ‘imaginative leap’ – the ability to identify where a problem might lie, not just what’s already obvious.
Creative
teaching is said to increase levels of motivation and self
-
esteem on the part of learners and to
prepare them with the flexible skills
they need for the future. Developing the capacity to be
creative
is believed to have the potential to
enrich lives and help contribute to a better society.
Jack Richards
WHY? 2 who benefits?
Apart from the idea that CT can produce effective slutions to complex societal problems, it can also
“It can produce effective solutions to highly complex societal problems; lead to higher levels of career success; and create intense personal enjoyment, engagement, and meaning in life.” Kaufman (2009)“…creativity seems to stimulate, to engage, to motivate and to satisfy in a deep sense.”
http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/Fundamentals-of-Creativity.aspx
Benefits evident – today’s world of work considers it the most important criteria for success, it is proving to engage people with content, motivates and satisfies.
And if we apply that to learning?
Everyone benefits
Quality education fosters creativity and
knowledge...
World Education Forum
2015 Report
There was a bigger list when I first wrote this slide, but then I realised everything basically came down to this one, fundamental point.
What we say in class.
I ‘ve been trained to teach through the standard channels and taught for many years, I've also observed many teachers and we spend a lot of time doing this. What rod Bolitho calls ‘artificial’ questions or teacher talk. We ask things we already know the answer to. Low challenge, knowledge-seeking questions.
Move towards more ‘learner oriented talk’
Balance lots with hots – create, evaluate,
Reconsider the effect of your teacher dialogue. Balance the direction with opportunities for thinking
HOTS more than lots, but we need to start doing this as teachers first.
Rank, evaluate, analyse, classify, … carol read – question staircase in bc publication.
ELT sourcebooks, centred on linear grammar and vocab structures tend to focus on gap fills, sentence transformations, one right answer- test what we know. LOTS
Summarise. Summarise in the form of a…, in 40 words,
Don’t be afraid of asking students questions.
Define ‘secondary’
Experimenting with the ideas…
Doorstop alarm (hit and chimed if used)
1870s
Tell them – which is most difficult to accept in friendship?
Then rank
Terrazza del café la sera
Note to chef about food
Go to the shop across the road and draw something you can buy there.
Give someone directions from this café to…the hospital.
Wirte a plan to make the café better.
Listen to 2 people talking about difficult journeys.
What have they got in common?
Seem to show people reaching a goal, achieving something, maybe it’s taken time to get to this point,
Man or men presenting the award, all wearing black, both seem to be in a large room, people very happy
What was the achievement?
An big award
A degree or certificate
Read and ask yourself questions.
Let them ask their own questions!
Fundamental
Agree classroom rules – no making fun of people, mistakes show learning, follow through on consequences.
Be a model of the behaviour you want to see:
Don’t be sarcastic, don’t squash an idea immediately, accept differences.
Riachards – creative teachers take risks.
Decision making/ problem solving
Look at the map and write 2 questions people who live there might ask the council