Kansei Engineering in
User-centered design
	
  
This	
  talk	
  introduces	
  my	
  research	
  at	
  AUT	
  before	
  joining	
  the	
  Centre.	
  
My	
   research	
   focuses	
   on	
   Emo=onal	
   design	
   and	
   impact	
   of	
   products'	
  
formal	
  proper=es	
  on	
  seman=c	
  experien=al	
  proper=es.	
  
‘Attractive Things Work Better.’
“Aesthetically pleasing objects enable you to work
better… Products and systems that make you feel
good are easier to deal with and produce more
harmonious results. When you wash and polish your
car, doesn’t it seem to drive better?– Donald Norman
1.Visceral
2. Behavioral
3. Reflective
Visceral level means outward appearance. It relates to users feeling,
such as the experience sense of smell, sense of touch, sense of hearing
and visual sense. A nice looking design directly appeals to the users, and creates
a sense of happiness.
1963 Jaguar, classic beauty: sleek, elegant, exciting
- Dominates physical features
- Has the same rules all over the world
- Is about initial reactions r
- Is all about immediate emotional impact
Behavioral level means that whether a design is a fantastic
functional product or not. Designing a product is not just helping users
to know how to use it. Also, making them feel they can control the
product, so the product can work the way they want.
Global knives
Reflective is about personal feeling and thinking, is
about notice others perspective, as well as is about our own
imagination. A great reflective product can have a great appealing
towards the users.
Hummer
-The message, culture, the meaning of the product or its use
- Evoking personal remembrance
- Self-image
- All about long-term customer experience
Visceral	
  	
  	
  	
  sensory	
  input	
  	
  	
  	
  	
  	
  How	
  a	
  user	
  wants	
  to	
  feel?	
  
Behavioral	
  	
  use	
  &	
  usability	
  	
  What	
  a	
  user	
  wants	
  to	
  do?	
  
Reflec=ve	
  	
  	
  	
  	
  	
  	
  	
  meaning	
  	
  	
  	
  	
  	
  	
  	
  	
  Who	
  a	
  user	
  wants	
  to	
  be?	
  
K A N S E I	
  
感
性
工
学 Takete
Lumumba
Takete Lumumba
K A N S E I	
  
感
性
工
学
Power	
  of	
  Emo=on	
  
Kansei Engineering System (KES)
Emotional Engineering
Affective Engineering
Kansei is “the consumer’s psychological feeling” towards product properties.
Kansei Engineering maps individual features of a product, service or
brand to customers’ subjective responses.
Mazda Miata
Formal properties (sound) Experiential properties (speed)
Kansei Engineering Methodology
Product:	
  Jewelry	
  
Target	
  group:	
  Female	
  20-­‐35	
  with	
  visual	
  art	
  background	
  	
  
Choose	
  of	
  Domain	
  
Big	
  Market	
  caused	
  by	
  Persian	
  culture	
  and	
  custom	
  
1	
  Seman)c	
  Domain	
  
•  Finding	
  Kansei	
  words	
  
•  Interview	
  with	
  focus	
  group	
  
•  Kansei	
  words	
  classifica=on	
  
•  Choosing	
  the	
  final	
  category	
  
2	
  proper)es	
  Domain	
  
•  Designing	
  jewelry	
  inspiring	
  
by	
  Avestan	
  Alphabet	
  forms	
  
•  Choosing	
  some	
  ideas	
  
•  Presen=ng	
  designs	
  by	
  formal	
  
proper=es	
  
	
  
4	
  Test	
  of	
  validity	
  
•  Ques=onnaire	
  
•  Data	
  analysis	
  
•  Final	
  designs	
  based	
  on	
  user	
  choice	
  
3 Synthesis
•  Interview	
  with	
  poten=al	
  user	
  
•  Interview	
  with	
  experts	
  
•  Adver=sement	
  and	
  commercials	
  
•  Fashion	
  websites	
  and	
  Magazine	
  	
  
S e m a n = c	
   D o m a i n	
  
Interview Results: User priority
‫دﻟﻔﺮﯾﺐ‬	
  ‫ﯾﻮﻧﯿﮏ‬	
  ‫  
	ﻧﻔﺲ‬‫ﻪ‬‫  
	ﺑ‬‫د‬‫اﻋﺘﻤﺎ‬	
  ‫ﻫﻤﺎﻫﻨﮕﯽ‬	
  ‫ﭼﺸﻤﮕﯿﺮ‬	
  ‫ﺧﻮﺷﯽ‬	
  ‫ﺟﺬاب‬	
  ‫ﺧﺸﻦ‬	
  ‫ﺷﯿﮏ‬	
  ‫  
	اﺻﺎﻟﺖ‬‫ﺎ‬‫ﺑ‬	
  ‫ﮔﺮاﻧﺒﻬﺎ‬	
  ‫ﲡﻤﻠﯽ‬	
  ‫روﯾﺎیی‬	
  ‫ﭘﺎﮐﯽ‬	
  ‫ﮐﻤﺎل‬	
  ‫ﻓﺎﻧﺘﺰی‬	
  ‫ارﺗﺒﺎط‬	
  
	
  ‫ا‬‫اﻏﻮ‬
	
  ‫ه‬‫ﮐﻨﻨﺪ‬
	
  ‫ﮏ‬‫ﺗ‬	
  ‫ز‬‫ﺑﻠﻨﺪﭘﺮوا‬	
  ‫ر‬‫وﻗﺎ‬	
  ‫ن‬‫  
	زد‬‫ق‬‫ﺑﺮ‬	
  ‫ﺶ‬‫ﻋﯿ‬	
  ‫ﯽ‬‫ﺧﻮاﺳﺘ‬	
  ‫غ‬‫ﺷﻠﻮ‬	
  ‫ﺪ‬‫ﺟﺪﯾ‬	
  ‫ﯽ‬‫رﺳﻤ‬
‫ارزﺷﻤﻦ‬
	
  ‫د‬
	
  ‫ﻒ‬‫ﻇﺮﯾ‬
	
  ‫ی‬‫ﮐﺎر‬
	
  ‫ی‬‫  
	ا‬‫ﻪ‬‫اﻓﺴﺎﻧ‬	
  ‫ﯽ‬‫ﺳﺎدﮔ‬	
  ‫ت‬‫ﺳﻌﺎد‬	
  ‫ﯽ‬‫ﺗﺨﯿﻠ‬	
  ‫ﯽ‬‫ﻫﻤﺮاﻫ‬
	
  ‫ﺮ‬‫اﻓﺴﻮﻧﮕ‬	
  ‫ﺰ‬‫ﻣﺘﻤﺎﯾ‬	
  ‫ت‬‫  
	ﻗﺪر‬‫ﺲ‬‫ﺣ‬	
  ‫ن‬‫ﻣﺘﻮاز‬
	
  ‫ﻢ‬‫  
	ﭼﺸ‬‫ﻪ‬‫ﺑ‬
	
  ‫ن‬‫آﻣﺪ‬
	
  ‫ت‬‫ﻟﺬ‬	
  ‫ﻞ‬‫ﺧﻮﺷﮕ‬	
  ‫ه‬‫ﭘﯿﭽﯿﺪ‬	
  ‫ﻮ‬‫ﻧ‬	
  ‫ﮋ‬‫ﺑﺎﭘﺮﺳﺘﯿ‬	
  ‫ﯽ‬‫ﻗﯿﻤﺘ‬	
  ‫ﻞ‬‫ﻣﺠﻠ‬	
  ‫ﯽ‬‫ﺧﯿﺎﻟ‬	
  ‫م‬‫ﻣﻌﺼﻮ‬	
  ‫ﯽ‬‫ﺧﻮﺷﺒﺨﺘ‬	
  ‫ﻪ‬‫ﺷﺎﻋﺮاﻧ‬	
  ‫ﻪ‬‫ﲡﺮﺑ‬
	
  ‫ﺎ‬‫ﻓﺮﯾﺒ‬
	
  ‫ت‬‫ﻣﺘﻔﺎو‬
	
  ‫ن‬‫ازدﯾﮕﺮا‬
	
  ‫ﺐ‬‫  
	ﻃﻠ‬‫ه‬‫ﺟﺎ‬	
  ‫ﻊ‬‫ﻣﺘﻮاﺿ‬	
  ‫ﯽ‬‫ﳕﺎﯾﺸ‬
	
  ‫ﺎ‬‫ﺑ‬
	
  ‫س‬‫اﺣﺴﺎ‬
	
  ‫ﮏ‬‫ﺑﺎﳕ‬	
  ‫ﺮ‬‫  
	وﭘﺎﮔﯿ‬‫ﺖ‬‫دﺳ‬	
  ‫ز‬‫  
	رو‬‫ﺪ‬‫ﻣ‬
‫اﻧﺪﯾﺸﻤﻨﺪان‬
	
  ‫ه‬
	
  ‫ﻞ‬‫اﺻ‬
	
  ‫و‬	
  ‫ق‬‫زر‬
	
  ‫ر‬‫  
	دا‬‫ق‬‫ﺑﺮ‬
	
  ‫ﯽ‬‫ﺟﺎدوﯾ‬
	
  ‫ﯽ‬‫ﺑ‬
	
  ‫ه‬‫ﮔﻨﺎ‬
	
  ‫و‬	
  ‫ﺐ‬‫  
	ﻋﯿ‬‫ﯽ‬‫ﺑ‬
	
  ‫ﺺ‬‫ﻧﻘ‬
	
	
  ‫ﻞ‬‫ﺳﻤﺒ‬
	
  ‫ﻖ‬‫ﻋﺸ‬
	
  ‫ﻞ‬‫ﺗﻌﺎﻣ‬
	
  ‫ه‬‫ﮔﻤﺮا‬
	
  ‫ه‬‫ﮐﻨﻨﺪ‬
	
  ‫ه‬‫  
	وﯾﮋ‬‫م‬‫ﻓﺮ‬	
  ‫ﺖ‬‫ﺑﺎاﺑﻬ‬	
  ‫و‬‫  
	ر‬‫ﻪ‬‫ﻣﯿﺎﻧ‬	
  ‫ﯽ‬‫ﺧﻮدﳕﺎﯾ‬
‫ﺧﻮﺷﺎین‬
	
  ‫د‬
	
  ‫ﻪ‬‫ﺑﺎﺳﻠﯿﻘ‬	
  ‫ه‬‫  
	اﻓﺘﺎد‬‫ﺎ‬‫  
	ﭘ‬‫ﺶ‬‫ﭘﯿ‬
	
	
  ‫ن‬‫ﻣﺪر‬
	
  ‫م‬‫ﻋﺎ‬
	
‫ﮏ‬‫ﮐﻼﺳﯿ‬
	
  ‫م‬‫ﻋﺎ‬
	
  ‫ه‬‫ﺑﺎﺷﮑﻮ‬	
  ‫ه‬‫  
	ﺟﻠﻮ‬‫ﺎ‬‫ﺑ‬	
  ‫ﺮ‬‫  
	ﻧﺎﭘﺬﯾ‬‫ﺎ‬‫ﻓﻨ‬
‫ﮐﻮدﮐﺎ‬
	
  ‫ﻪ‬‫ﻧ‬
	
  ‫ﻞ‬‫ﮐﺎﻣ‬
	
  ‫ن‬‫ﺷﺪ‬
	
‫ﻞ‬‫ﺳﻤﺒ‬
	
  ‫ی‬‫  
	وﻓﺎدار‬
	
  ‫ﺲ‬‫ﳌ‬
	
  ‫ن‬‫ﮐﺮد‬
	
  ‫ﺮ‬‫  
	ﮔ‬‫ه‬‫ﺟﻠﻮ‬
	
  ‫ﻪ‬‫  
	ﺑ‬‫ﺮ‬‫ﻣﻨﺤﺼ‬
	
  ‫د‬‫ﻓﺮ‬
	
  ‫ﺪ‬‫ﻗﺪرﲤﻨ‬	
  ‫ﺰ‬‫  
	آﻣﯿ‬‫ﺖ‬‫ﻣﺴﺎﳌ‬	
  ‫ر‬‫اﺛﺮﮔﺬا‬
	
  ‫ﺲ‬‫ﺣ‬
	
  ‫ب‬‫ﺧﻮ‬
	
  ‫ﺎ‬‫زﯾﺒ‬	
  ‫ی‬‫ﺗﮑﺮار‬	
  ‫ی‬‫اﻣﺮوز‬	
  ‫ﯽ‬‫ﺳﻨﺘ‬
‫ﺑﺎﺑﺼﯿﺮ‬
	
  ‫ت‬
	
  ‫ﻮ‬‫ﺗﻼﻟ‬	
  ‫ز‬‫ﻣﺮﻣﻮ‬	
  ‫ﻪ‬‫ﺧﻼﺻ‬	
  ‫ﺎ‬‫اﻧﺘﻬ‬
	
  ‫ﻪ‬‫زﻧﺎﻧ‬	
  ‫ص‬‫ﺧﺎ‬	
  ‫ا‬‫  
	ﭘﺮو‬‫ﯽ‬‫ﺑ‬	
  ‫ﻪ‬‫ﻣﻨﺼﻔﺎﻧ‬
	
  ‫ﻦ‬‫روﺷ‬
	
  ‫ه‬‫ﮐﻨﻨﺪ‬
	
  ‫ر‬‫ﺷﻮ‬	
  ‫ه‬‫دﳋﻮا‬	
  ‫ﯽ‬‫ﻣﻌﻤﻮﻟ‬
‫ﭘﯿﺸﺮ‬
	
  ‫ﻪ‬‫ﻓﺘ‬
	
  ‫ﯽ‬‫ﻗﺪﯾﻤ‬
‫ﻧﺎﻣﺤﺪو‬
	
  ‫د‬
	
  ‫ﮏ‬‫ﺳﻤﺒﻠﯿ‬
‫ﻣﯿﻨﯿﻤﺎ‬
	
  ‫ل‬
	
  ‫ن‬‫ﺑﯿﮑﺮا‬
	
  ‫ﺖ‬‫ﻇﺮاﻓ‬	
  ‫ه‬‫وﯾﮋ‬	
  ‫ﻞ‬‫ﻣﺴﺘﻘ‬	
  ‫ل‬‫ﻣﺘﻌﺎد‬
	
  ‫و‬	
  ‫ﺶ‬‫ﺗﺎﺑ‬
	
  ‫ﻮ‬‫ﺗﻼﻟ‬
	
  ‫ن‬‫ﻫﯿﺠﺎ‬	
  ‫ب‬‫ﺧﻮ‬	
  ‫ی‬‫ﺑﺎزار‬	
  ‫ز‬‫ﭘﯿﺸﺘﺎ‬	
  ‫ﺲ‬‫ﻟﻮﮐ‬	
  ‫ﻪ‬‫ﻧﺸﺎﻧ‬
‫ﺳﻬﻮل‬
	
  ‫ت‬
‫اﺳﺘﻔﺎد‬
	
  ‫ه‬
	
  ‫ق‬‫ﺧﺎر‬
	
  ‫ه‬‫اﻟﻌﺎد‬
	
  ‫ﺖ‬‫ﻟﻄﺎﻓ‬	
  ‫ی‬‫  
	ﻋﺎد‬‫ﺮ‬‫ﻏﯿ‬	
  ‫ﺖ‬‫  
	ﺷﻬﺎﻣ‬‫ﺎ‬‫ﺑ‬	
  ‫ﺐ‬‫ﻣﺘﻨﺎﺳ‬	
  ‫ﻪ‬‫  
	ﺗﻮﺟ‬‫ﺐ‬‫ﺟﻠ‬
	
  ‫ﻦ‬‫ﺑﻬﺘﺮﯾ‬
	
  ‫ﺲ‬‫ﺣ‬
	
‫ﻢ‬‫ﭼﺸ‬
	
  ‫ز‬‫ﻧﻮا‬
	
  ‫ﺮ‬‫  
	ﮔﯿ‬‫ﻪ‬‫ﮔﻮﺷ‬
	
	
  ‫ﺖ‬‫ﺷﮕﻔ‬
	
  ‫ﺰ‬‫اﻧﮕﯿ‬
	
  ‫ل‬‫  
	ﻣﻌﻤﻮ‬‫ﺮ‬‫ﻏﯿ‬	
  ‫ﺮ‬‫  
	ﺳ‬‫ه‬‫ﺧﯿﺮ‬	
  ‫ه‬‫درﺧﺸﻨﺪ‬	
  ‫ق‬‫اﺷﺘﯿﺎ‬	
  ‫ﯽ‬‫ﺧﻮﺑﺮوﯾ‬	
  ‫ﻪ‬‫اﺣﻤﻘﺎﻧ‬
	
  ‫ح‬‫رو‬ ‫دارای‬
	
  ‫ﯽ‬‫ﺧﻮدﺧﻮاﻫ‬
	
  ‫ه‬‫ﺧﯿﺮ‬
	
  ‫ه‬‫ﮐﻨﻨﺪ‬
	
  ‫ﺐ‬‫ﺟﺎﻟ‬	
  ‫ﯽ‬‫  
	داﺷﺘﻨ‬‫ﺖ‬‫دوﺳ‬
	
  ‫ﯽ‬‫  
	ﻃﻠﺒ‬‫ی‬‫ﺑﺮﺗﺮ‬	
  ‫ﻪ‬‫ﺑﺮﺟﺴﺘ‬	
  ‫ﻪ‬‫ﺟﺮﻗ‬	
  ‫ه‬‫ﺑﺎﻣﺰ‬
	
  
K a n s e i T e r m i n o l o g y
New-fashioned
Luxury
Prestige
Valuable
Marvelous
Elegant
Glamorous
Unique
Impressive
Charming
Cheery
Fantasy
Limit the Domain: Inspiration by Avestan Alphabet forms
Concept sketching (300)
Modeling	
  180	
  concepts	
  by	
  	
  
Matrix	
  so^ware	
  of	
  Jewelry	
  	
  
(Varied	
  texture,	
  color,	
  gems…)	
  
‫ﻁطﺭرﺍاﺡحﯼی‬ ‫ﺏبﺥخﺵش‬ ‫ﺩدﺭر‬ ‫ﺏبﻉعﺩدﯼی‬ 3 ‫ﻡمﺩدﻝلﻩهﺍاﯼی‬
Choosing	
   5	
   most	
   different	
   forms	
  
o f 	
   c o n c e p t s 	
   t o 	
   t e s t	
  
Concept	
  No	
  1	
  
Concept	
  No	
  2	
  
Concept	
  No	
  3	
  
Concept	
  No	
  4	
  
Concept	
  No	
  5	
  
Visual	
  proper=es	
  space	
  
Seman=c	
  proper=es	
  Ques=onnaire	
  
R E S U L T	
  
S Y N T H E S I S	
  
OF	
  
Trend 4
45	
  
50	
  
55	
  
60	
  
65	
  
70	
  
75	
  
80	
  
85	
  
Luxury	
  
Pres)ge	
  
Valuable	
  
Cheery	
  
Charming	
  
Marvellous	
  
Impressive	
  
Unique	
  
Fantazy	
  
Glamorous	
  
Elegant	
  
New-­‐fashioned	
  
45	
  
50	
  
55	
  
60	
  
65	
  
70	
  
75	
  
80	
  
85	
  
Cheery	
  
Fantazy	
  
Pres)ge	
  
Luxury	
  
Marvellous	
  
Unique	
  
Glamorous	
  
Impressive	
  
New-­‐fashioned	
  
Charming	
  
Valuable	
  
Elegant	
  
Trend 1
‫ﻩهﺍا‬ ‫ﻁطﺭرﺡح‬ ‫ﺏبﻩه‬ ‫ﻥنﺱسﺏبﺕت‬ ‫ﻡمﺭرﺩد‬ ‫ﻭو‬ ‫ﺯزﻥن‬ ‫ﮎکﻥنﻥنﺩدﮒگﺍاﻥن‬ ‫ﺵشﺭرﮎکﺕت‬ ‫ﺩدﯼیﺩدﮒگﺍاﻩه‬ ‫ﺕتﻑفﺍاﻭوﺕت‬
Elegant
FemaleMale
Charming
Unique
Cheery
Formal
properties	
  
Related
experiential properties	
  
Opposite
experiential properties	
  
	
  
1 Pearl	
  
Marvelous,	
  Elegant,	
  Unique	
  
Impressive,	
  New-­‐fashioned	
  
Pres=ge,	
  Luxury	
  
Pearls	
  
Cheery,	
  Marvelous	
  
New-­‐fashioned	
  
Pres=ge,	
  Valuable	
  
Simple Form	
  Charming,	
  Elegant,	
  Unique	
  Luxury	
  
Complex Form	
  
Glamorous,	
  Luxury	
  
New-­‐fashioned	
  	
  
Impressive,	
  Pres=ge	
  
Dark colour Gem	
  Valuable,	
  Pres=ge	
  
Cheery,	
  Fantasy	
  
	
  New-­‐fashioned	
  
Light colour Gem	
  Cheery,	
  Elegant,	
  Fantasy	
  -	
  
Black pearl	
  New-­‐fashioned,	
  Glamorous	
  Pres=ge	
  
Light Pearl	
  
Fantasy,	
  Impressive	
  Marvelous,	
  
Elegant	
  
Luxury	
  
1 Chain	
  Charming,	
  Unique,	
  Elegant	
  Luxury	
  
Chain collection	
  Glamorous,	
  Luxury,	
  Valuable	
  Impressive	
  
Ancient Motives	
  Pres=ge,	
  Valuable	
  
New-­‐fashioned,	
  Cheery	
  
Fantasy,	
  Unique	
  
Marvelous
E l e g a n t
E l e g a n t
Glamorous
V a l u a b l e
T h a n k s
Q u e s t i o n ?
Mobina.nouri.1@city.ac.uk
Centre of creativity in professional practice
HCDI, Informatics Department
City University London

Kansei Engineering in User-Centred-Design - Mobina Nouri, City University London

  • 1.
    Kansei Engineering in User-centereddesign   This  talk  introduces  my  research  at  AUT  before  joining  the  Centre.   My   research   focuses   on   Emo=onal   design   and   impact   of   products'   formal  proper=es  on  seman=c  experien=al  proper=es.  
  • 2.
    ‘Attractive Things WorkBetter.’ “Aesthetically pleasing objects enable you to work better… Products and systems that make you feel good are easier to deal with and produce more harmonious results. When you wash and polish your car, doesn’t it seem to drive better?– Donald Norman
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    Visceral level meansoutward appearance. It relates to users feeling, such as the experience sense of smell, sense of touch, sense of hearing and visual sense. A nice looking design directly appeals to the users, and creates a sense of happiness. 1963 Jaguar, classic beauty: sleek, elegant, exciting - Dominates physical features - Has the same rules all over the world - Is about initial reactions r - Is all about immediate emotional impact
  • 5.
    Behavioral level meansthat whether a design is a fantastic functional product or not. Designing a product is not just helping users to know how to use it. Also, making them feel they can control the product, so the product can work the way they want. Global knives
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    Reflective is aboutpersonal feeling and thinking, is about notice others perspective, as well as is about our own imagination. A great reflective product can have a great appealing towards the users. Hummer -The message, culture, the meaning of the product or its use - Evoking personal remembrance - Self-image - All about long-term customer experience
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    Visceral        sensory  input            How  a  user  wants  to  feel?   Behavioral    use  &  usability    What  a  user  wants  to  do?   Reflec=ve                meaning                  Who  a  user  wants  to  be?  
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    K A NS E I   感 性 工 学 Takete Lumumba Takete Lumumba
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    K A NS E I   感 性 工 学
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    Power  of  Emo=on   Kansei Engineering System (KES) Emotional Engineering Affective Engineering
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    Kansei is “theconsumer’s psychological feeling” towards product properties. Kansei Engineering maps individual features of a product, service or brand to customers’ subjective responses.
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    Mazda Miata Formal properties(sound) Experiential properties (speed)
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    Product:  Jewelry   Target  group:  Female  20-­‐35  with  visual  art  background     Choose  of  Domain   Big  Market  caused  by  Persian  culture  and  custom  
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    1  Seman)c  Domain   •  Finding  Kansei  words   •  Interview  with  focus  group   •  Kansei  words  classifica=on   •  Choosing  the  final  category   2  proper)es  Domain   •  Designing  jewelry  inspiring   by  Avestan  Alphabet  forms   •  Choosing  some  ideas   •  Presen=ng  designs  by  formal   proper=es     4  Test  of  validity   •  Ques=onnaire   •  Data  analysis   •  Final  designs  based  on  user  choice   3 Synthesis
  • 17.
    •  Interview  with  poten=al  user   •  Interview  with  experts   •  Adver=sement  and  commercials   •  Fashion  websites  and  Magazine     S e m a n = c   D o m a i n  
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    ‫دﻟﻔﺮﯾﺐ‬  ‫ﯾﻮﻧﯿﮏ‬  ‫  ﻧﻔﺲ‬‫ﻪ‬‫  ﺑ‬‫د‬‫اﻋﺘﻤﺎ‬  ‫ﻫﻤﺎﻫﻨﮕﯽ‬  ‫ﭼﺸﻤﮕﯿﺮ‬  ‫ﺧﻮﺷﯽ‬  ‫ﺟﺬاب‬  ‫ﺧﺸﻦ‬  ‫ﺷﯿﮏ‬  ‫  اﺻﺎﻟﺖ‬‫ﺎ‬‫ﺑ‬  ‫ﮔﺮاﻧﺒﻬﺎ‬  ‫ﲡﻤﻠﯽ‬  ‫روﯾﺎیی‬  ‫ﭘﺎﮐﯽ‬  ‫ﮐﻤﺎل‬  ‫ﻓﺎﻧﺘﺰی‬  ‫ارﺗﺒﺎط‬    ‫ا‬‫اﻏﻮ‬  ‫ه‬‫ﮐﻨﻨﺪ‬  ‫ﮏ‬‫ﺗ‬  ‫ز‬‫ﺑﻠﻨﺪﭘﺮوا‬  ‫ر‬‫وﻗﺎ‬  ‫ن‬‫  زد‬‫ق‬‫ﺑﺮ‬  ‫ﺶ‬‫ﻋﯿ‬  ‫ﯽ‬‫ﺧﻮاﺳﺘ‬  ‫غ‬‫ﺷﻠﻮ‬  ‫ﺪ‬‫ﺟﺪﯾ‬  ‫ﯽ‬‫رﺳﻤ‬ ‫ارزﺷﻤﻦ‬  ‫د‬  ‫ﻒ‬‫ﻇﺮﯾ‬  ‫ی‬‫ﮐﺎر‬  ‫ی‬‫  ا‬‫ﻪ‬‫اﻓﺴﺎﻧ‬  ‫ﯽ‬‫ﺳﺎدﮔ‬  ‫ت‬‫ﺳﻌﺎد‬  ‫ﯽ‬‫ﺗﺨﯿﻠ‬  ‫ﯽ‬‫ﻫﻤﺮاﻫ‬  ‫ﺮ‬‫اﻓﺴﻮﻧﮕ‬  ‫ﺰ‬‫ﻣﺘﻤﺎﯾ‬  ‫ت‬‫  ﻗﺪر‬‫ﺲ‬‫ﺣ‬  ‫ن‬‫ﻣﺘﻮاز‬  ‫ﻢ‬‫  ﭼﺸ‬‫ﻪ‬‫ﺑ‬  ‫ن‬‫آﻣﺪ‬  ‫ت‬‫ﻟﺬ‬  ‫ﻞ‬‫ﺧﻮﺷﮕ‬  ‫ه‬‫ﭘﯿﭽﯿﺪ‬  ‫ﻮ‬‫ﻧ‬  ‫ﮋ‬‫ﺑﺎﭘﺮﺳﺘﯿ‬  ‫ﯽ‬‫ﻗﯿﻤﺘ‬  ‫ﻞ‬‫ﻣﺠﻠ‬  ‫ﯽ‬‫ﺧﯿﺎﻟ‬  ‫م‬‫ﻣﻌﺼﻮ‬  ‫ﯽ‬‫ﺧﻮﺷﺒﺨﺘ‬  ‫ﻪ‬‫ﺷﺎﻋﺮاﻧ‬  ‫ﻪ‬‫ﲡﺮﺑ‬  ‫ﺎ‬‫ﻓﺮﯾﺒ‬  ‫ت‬‫ﻣﺘﻔﺎو‬  ‫ن‬‫ازدﯾﮕﺮا‬  ‫ﺐ‬‫  ﻃﻠ‬‫ه‬‫ﺟﺎ‬  ‫ﻊ‬‫ﻣﺘﻮاﺿ‬  ‫ﯽ‬‫ﳕﺎﯾﺸ‬  ‫ﺎ‬‫ﺑ‬  ‫س‬‫اﺣﺴﺎ‬  ‫ﮏ‬‫ﺑﺎﳕ‬  ‫ﺮ‬‫  وﭘﺎﮔﯿ‬‫ﺖ‬‫دﺳ‬  ‫ز‬‫  رو‬‫ﺪ‬‫ﻣ‬ ‫اﻧﺪﯾﺸﻤﻨﺪان‬  ‫ه‬  ‫ﻞ‬‫اﺻ‬  ‫و‬  ‫ق‬‫زر‬  ‫ر‬‫  دا‬‫ق‬‫ﺑﺮ‬  ‫ﯽ‬‫ﺟﺎدوﯾ‬  ‫ﯽ‬‫ﺑ‬  ‫ه‬‫ﮔﻨﺎ‬  ‫و‬  ‫ﺐ‬‫  ﻋﯿ‬‫ﯽ‬‫ﺑ‬  ‫ﺺ‬‫ﻧﻘ‬  ‫ﻞ‬‫ﺳﻤﺒ‬  ‫ﻖ‬‫ﻋﺸ‬  ‫ﻞ‬‫ﺗﻌﺎﻣ‬  ‫ه‬‫ﮔﻤﺮا‬  ‫ه‬‫ﮐﻨﻨﺪ‬  ‫ه‬‫  وﯾﮋ‬‫م‬‫ﻓﺮ‬  ‫ﺖ‬‫ﺑﺎاﺑﻬ‬  ‫و‬‫  ر‬‫ﻪ‬‫ﻣﯿﺎﻧ‬  ‫ﯽ‬‫ﺧﻮدﳕﺎﯾ‬ ‫ﺧﻮﺷﺎین‬  ‫د‬  ‫ﻪ‬‫ﺑﺎﺳﻠﯿﻘ‬  ‫ه‬‫  اﻓﺘﺎد‬‫ﺎ‬‫  ﭘ‬‫ﺶ‬‫ﭘﯿ‬  ‫ن‬‫ﻣﺪر‬  ‫م‬‫ﻋﺎ‬ ‫ﮏ‬‫ﮐﻼﺳﯿ‬  ‫م‬‫ﻋﺎ‬  ‫ه‬‫ﺑﺎﺷﮑﻮ‬  ‫ه‬‫  ﺟﻠﻮ‬‫ﺎ‬‫ﺑ‬  ‫ﺮ‬‫  ﻧﺎﭘﺬﯾ‬‫ﺎ‬‫ﻓﻨ‬ ‫ﮐﻮدﮐﺎ‬  ‫ﻪ‬‫ﻧ‬  ‫ﻞ‬‫ﮐﺎﻣ‬  ‫ن‬‫ﺷﺪ‬ ‫ﻞ‬‫ﺳﻤﺒ‬  ‫ی‬‫  وﻓﺎدار‬  ‫ﺲ‬‫ﳌ‬  ‫ن‬‫ﮐﺮد‬  ‫ﺮ‬‫  ﮔ‬‫ه‬‫ﺟﻠﻮ‬  ‫ﻪ‬‫  ﺑ‬‫ﺮ‬‫ﻣﻨﺤﺼ‬  ‫د‬‫ﻓﺮ‬  ‫ﺪ‬‫ﻗﺪرﲤﻨ‬  ‫ﺰ‬‫  آﻣﯿ‬‫ﺖ‬‫ﻣﺴﺎﳌ‬  ‫ر‬‫اﺛﺮﮔﺬا‬  ‫ﺲ‬‫ﺣ‬  ‫ب‬‫ﺧﻮ‬  ‫ﺎ‬‫زﯾﺒ‬  ‫ی‬‫ﺗﮑﺮار‬  ‫ی‬‫اﻣﺮوز‬  ‫ﯽ‬‫ﺳﻨﺘ‬ ‫ﺑﺎﺑﺼﯿﺮ‬  ‫ت‬  ‫ﻮ‬‫ﺗﻼﻟ‬  ‫ز‬‫ﻣﺮﻣﻮ‬  ‫ﻪ‬‫ﺧﻼﺻ‬  ‫ﺎ‬‫اﻧﺘﻬ‬  ‫ﻪ‬‫زﻧﺎﻧ‬  ‫ص‬‫ﺧﺎ‬  ‫ا‬‫  ﭘﺮو‬‫ﯽ‬‫ﺑ‬  ‫ﻪ‬‫ﻣﻨﺼﻔﺎﻧ‬  ‫ﻦ‬‫روﺷ‬  ‫ه‬‫ﮐﻨﻨﺪ‬  ‫ر‬‫ﺷﻮ‬  ‫ه‬‫دﳋﻮا‬  ‫ﯽ‬‫ﻣﻌﻤﻮﻟ‬ ‫ﭘﯿﺸﺮ‬  ‫ﻪ‬‫ﻓﺘ‬  ‫ﯽ‬‫ﻗﺪﯾﻤ‬ ‫ﻧﺎﻣﺤﺪو‬  ‫د‬  ‫ﮏ‬‫ﺳﻤﺒﻠﯿ‬ ‫ﻣﯿﻨﯿﻤﺎ‬  ‫ل‬  ‫ن‬‫ﺑﯿﮑﺮا‬  ‫ﺖ‬‫ﻇﺮاﻓ‬  ‫ه‬‫وﯾﮋ‬  ‫ﻞ‬‫ﻣﺴﺘﻘ‬  ‫ل‬‫ﻣﺘﻌﺎد‬  ‫و‬  ‫ﺶ‬‫ﺗﺎﺑ‬  ‫ﻮ‬‫ﺗﻼﻟ‬  ‫ن‬‫ﻫﯿﺠﺎ‬  ‫ب‬‫ﺧﻮ‬  ‫ی‬‫ﺑﺎزار‬  ‫ز‬‫ﭘﯿﺸﺘﺎ‬  ‫ﺲ‬‫ﻟﻮﮐ‬  ‫ﻪ‬‫ﻧﺸﺎﻧ‬ ‫ﺳﻬﻮل‬  ‫ت‬ ‫اﺳﺘﻔﺎد‬  ‫ه‬  ‫ق‬‫ﺧﺎر‬  ‫ه‬‫اﻟﻌﺎد‬  ‫ﺖ‬‫ﻟﻄﺎﻓ‬  ‫ی‬‫  ﻋﺎد‬‫ﺮ‬‫ﻏﯿ‬  ‫ﺖ‬‫  ﺷﻬﺎﻣ‬‫ﺎ‬‫ﺑ‬  ‫ﺐ‬‫ﻣﺘﻨﺎﺳ‬  ‫ﻪ‬‫  ﺗﻮﺟ‬‫ﺐ‬‫ﺟﻠ‬  ‫ﻦ‬‫ﺑﻬﺘﺮﯾ‬  ‫ﺲ‬‫ﺣ‬ ‫ﻢ‬‫ﭼﺸ‬  ‫ز‬‫ﻧﻮا‬  ‫ﺮ‬‫  ﮔﯿ‬‫ﻪ‬‫ﮔﻮﺷ‬  ‫ﺖ‬‫ﺷﮕﻔ‬  ‫ﺰ‬‫اﻧﮕﯿ‬  ‫ل‬‫  ﻣﻌﻤﻮ‬‫ﺮ‬‫ﻏﯿ‬  ‫ﺮ‬‫  ﺳ‬‫ه‬‫ﺧﯿﺮ‬  ‫ه‬‫درﺧﺸﻨﺪ‬  ‫ق‬‫اﺷﺘﯿﺎ‬  ‫ﯽ‬‫ﺧﻮﺑﺮوﯾ‬  ‫ﻪ‬‫اﺣﻤﻘﺎﻧ‬  ‫ح‬‫رو‬ ‫دارای‬  ‫ﯽ‬‫ﺧﻮدﺧﻮاﻫ‬  ‫ه‬‫ﺧﯿﺮ‬  ‫ه‬‫ﮐﻨﻨﺪ‬  ‫ﺐ‬‫ﺟﺎﻟ‬  ‫ﯽ‬‫  داﺷﺘﻨ‬‫ﺖ‬‫دوﺳ‬  ‫ﯽ‬‫  ﻃﻠﺒ‬‫ی‬‫ﺑﺮﺗﺮ‬  ‫ﻪ‬‫ﺑﺮﺟﺴﺘ‬  ‫ﻪ‬‫ﺟﺮﻗ‬  ‫ه‬‫ﺑﺎﻣﺰ‬   K a n s e i T e r m i n o l o g y New-fashioned Luxury Prestige Valuable Marvelous Elegant Glamorous Unique Impressive Charming Cheery Fantasy
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    Limit the Domain:Inspiration by Avestan Alphabet forms
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    Modeling  180  concepts  by     Matrix  so^ware  of  Jewelry     (Varied  texture,  color,  gems…)  
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    ‫ﻁطﺭرﺍاﺡحﯼی‬ ‫ﺏبﺥخﺵش‬ ‫ﺩدﺭر‬‫ﺏبﻉعﺩدﯼی‬ 3 ‫ﻡمﺩدﻝلﻩهﺍاﯼی‬
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    Choosing   5   most   different   forms   o f   c o n c e p t s   t o   t e s t  
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    R E SU L T   S Y N T H E S I S   OF  
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    Trend 4 45   50   55   60   65   70   75   80   85   Luxury   Pres)ge   Valuable   Cheery   Charming   Marvellous   Impressive   Unique   Fantazy   Glamorous   Elegant   New-­‐fashioned   45   50   55   60   65   70   75   80   85   Cheery   Fantazy   Pres)ge   Luxury   Marvellous   Unique   Glamorous   Impressive   New-­‐fashioned   Charming   Valuable   Elegant   Trend 1
  • 71.
    ‫ﻩهﺍا‬ ‫ﻁطﺭرﺡح‬ ‫ﺏبﻩه‬‫ﻥنﺱسﺏبﺕت‬ ‫ﻡمﺭرﺩد‬ ‫ﻭو‬ ‫ﺯزﻥن‬ ‫ﮎکﻥنﻥنﺩدﮒگﺍاﻥن‬ ‫ﺵشﺭرﮎکﺕت‬ ‫ﺩدﯼیﺩدﮒگﺍاﻩه‬ ‫ﺕتﻑفﺍاﻭوﺕت‬ Elegant FemaleMale Charming Unique Cheery
  • 72.
    Formal properties   Related experiential properties   Opposite experiential properties     1 Pearl   Marvelous,  Elegant,  Unique   Impressive,  New-­‐fashioned   Pres=ge,  Luxury   Pearls   Cheery,  Marvelous   New-­‐fashioned   Pres=ge,  Valuable   Simple Form  Charming,  Elegant,  Unique  Luxury   Complex Form   Glamorous,  Luxury   New-­‐fashioned     Impressive,  Pres=ge   Dark colour Gem  Valuable,  Pres=ge   Cheery,  Fantasy    New-­‐fashioned   Light colour Gem  Cheery,  Elegant,  Fantasy  -   Black pearl  New-­‐fashioned,  Glamorous  Pres=ge   Light Pearl   Fantasy,  Impressive  Marvelous,   Elegant   Luxury   1 Chain  Charming,  Unique,  Elegant  Luxury   Chain collection  Glamorous,  Luxury,  Valuable  Impressive   Ancient Motives  Pres=ge,  Valuable   New-­‐fashioned,  Cheery   Fantasy,  Unique  
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    E l eg a n t Glamorous V a l u a b l e
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    T h an k s Q u e s t i o n ? Mobina.nouri.1@city.ac.uk Centre of creativity in professional practice HCDI, Informatics Department City University London