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2. It is a classical Japanese dance-drama.
Kabuki theatre is known for the stylization
of its drama, the often-glamorous
costumes worn by performers, and for the
elaborate keishi/keishomake-up worn by
some of its performers.
KABU
KI
3. It is derived from the
Japanese term “Kabuku”
which means “to be out of
ordinary”
KABU
KI
4. KABUKI
HISTOR
Y
- Kabuki’s origin began in the Edo
period where it became famous in
lower class rather than the higher
society.
- The love for Kabuki theater among
Japanese started in 1603 with the
first performance of Okuni.
5. A shrine dancer at Kyoto
wherein the performance
was a combination of
religious and folk dance.
OKUN
I
7. KABUKI COSTUMES
•Based on popular
legends and
characterized by
striking costumes,
stylized acting and the
use of both male and
female roles by male
actors.
8. KUMADO
RI
•Is the Japanese word for the makeup
worn by the kabuki actors. The pattern of
the makeup and the color stand for
certain characters.
9. KABU
KI
DAN
CE
•Also kabuki play, is an activity
or drama carried out in real
life in a predictable or stylized
fashion, reminiscent of
the kabuki style of Japanese
stage play.
10. KABUKI
MUSIC
•A large part of a Kabuki production
revolved around the dance and music.
Since the actual script of the plays are
not highly regarded, music and dance
was used to emphasize what the actors
are saying.
12. HYOSH
IGI
•The hyōshigi (拍子木) is a
simple Japanese musical
instrument, consisting of two
pieces of hardwood or bamboo
often connected by a thin
ornamental rope.
13. HAYA
SHI
•The hayashi is made up of four
instruments: fue (flute), kotsuzumi
(shoulder drum), ōtsuzumi (hip
drum), and taiko (stick drum), these
four instruments are also known as
the shibyōshi.
14. DEBAYA
SHI
•Is music played onstage by the
shamisen and Hayashi flute and
percussion ensemble, visibly
accompanying the acting and
dancing.
15. NAGA
UTA
•Literally "long song", is a kind
of traditional Japanese music
which accompanies the kabuki
theater. It was developed
around 1740.
16. JORURI
•Is a form of traditional
Japanese narrative music in
which a tayū sings to the
accompaniment of a
shamisen.
17. HYUDOROD
ORO
•It is used to mark the
appearance of the ghost play
by the instruments of flute and
drum.
18. GEZA
•The music performed in the
kuromisu (musicians' room) on
the shimote (stage right) side
of the stage.
