This document outlines the agenda for a class on broadcasting and service design. The 15-week course will cover topics like user observation, problem definition, idea generation, prototyping service concepts, and presenting final designs. Students will learn service design methodologies and apply them to challenges in the broadcasting industry to develop new user-centered services and interactions. The goal is to help transition viewers to more active users in evolving digital television platforms like IPTV, smart TVs, and connected experiences across multiple screens.
Exploring Service Design: User Experience Beyond the ScreenAriel van Spronsen
A look at service design: What is is, and how it related to user experience design. Presented at Refresh Bellingham January 2010 (and again at Infocamp 2010).
Subsections:
- Context
- What is Service Design?
- Service Design Concepts
- Service Design Practice
- User Experience Beyond the Screen
- Resources
Please note that the work contained in the slides on Concepts and Processes are a compilation of key concepts from the work of other thinkers in Service Design. The works have been attributed to their authors and are not my original work. All other slides are my thinking and work.
Laurent Antonczak will present some key innovative technologies and applications in visual communication specifically associated with mobile phone. This presentation will focus on identifying promising emerging technologies for mobile, especially through a creative perspective and collaborative process. The presentation is designed to stimulate and to inspire your creative understanding of the future by using current international and national examples.
oday in the new media environment (New Media) we are using words such as: ITcasting, online video platform (OVP), Media Asset Management (MAM), digital asset management (DAM), metadata, digital rights management (DRM), Delivery of Digital Media, Social Media, Digital Business, Brand Strategy, mobile content, video on demand (VoD), live Streaming, TV Over the Top, archiving, retrieval, interactive TV, Cloud Computing, ...
The conference will analyze the current status of the connected TV, providing some clues as to which companies must meet in order to successfully address its presence in so many platforms, both as multi-channel multi-device. No doubt the long tail moentización (Long Tail Monetization) is one of the most important, because the search for new revenue, today is one of the keys in any professional field and more so in the environment of the Media and Entertainment.
With this bet "New Media" is about delivering services company Atos any technological need, or content, involving issues related to multimedia. In short, continuing the pattern of IT Partner for the Olympic Games with all aspects of the multimedia environment, but with emphasis on our response in the form of comprehensive services that unify the content and environment technology. Atos is a technology partner of the IOC for the Olympic Games from 1992.
It’s 2013. The shift to mobile is well and truly upon us, we’re at the transition point where Mobile Internet overtakes Desktop Internet usage and there is no going back. If you’re not designing responsively now then you better get cracking because what comes next is a big change to the way we design and build web experiences for humans.
The shift to mobile started making us think about devices, however almost all of our discussion is around what devices we support and where do we set our breakpoints. Could this focus on device capability be masking something bigger happening in the way humans are starting to behave with the web?
What if the fragmentation we’re seeing on Android is merely a glimpse into the device fragmentation of the future? What happens when a users’ experience can range from the interface of a watch to that of a building? How do we communicate with someone when they are walking down the street trying to locate something compared to kicking back on the sofa? How do we even know when they are doing one and not the other?
Contextually Responsive Design is quickly going to become a necessity - but this isn’t personalisation 2.0 or Content First under a different name. To truly design engaging experiences we need to consider how context shapes our behaviour. As Web Designers and Developers we’ve traditionally worked with people “sitting down to compute”. What happens when someone no longer wants to sit down at a computer to do something; ever?
This talk will start from the point of late 2013 and look forward six years. How do we expect people to behave? How will we design systems to cope, and what are the contexts in which people will use the web during its next age?
Given at Melbourne Be Responsive on 10 September 2013.
Ericsson ConsumerLab TV and Media 2013 PresentationEricsson
The Ericsson ConsumerLab TV & Media 2013 report looks at the explosion of connected mobile devices in the home has opened a whole new world of possibilities when it comes to viewing TV and video content.
Consumer viewing habits now involve so much more than just the living room TV and traditional broadcast services. Today people take their entertainment with them around the house - and beyond.
For more from the ConsumerLab visit: http://www.ericsson.com/thinkingahead/consumerlab
Connected Home: Fight for the Digital LvingroomMichael Goodman
This report examines the battle for the digital living room with an emphasis on the growth of connected devices in consumers’ homes and the impact this will have on the media industry.
One of the challenges in IT Broadcasting is adopting the broadcasting 2.0. However, this is inevitable process as broadcasters need to adopt it as part of the way forward in its organization. RTB is one of a broadcaster being used in this presentation as part of a CASE study.
RobertA) Is there any value left in the big-screen movie experi.docxSUBHI7
Robert:
A) Is there any value left in the big-screen movie experience?
If you measure value by the ticket sales and what the movie grosses in theatres, then yes, there is still value left in the big screen movie experience. Box office hits continue to challenge movies of the past in what they gross in ticket sales (IMDb, 2016). If you measure value by the nostalgia of leaving the house; ordering your popcorn, soda, and maybe sneaking in a personal beverage of your own and then sharing the movie with strangers in a semi comfortable chair, that is all in the eye of the beholder. I appreciate on the rare occasion of escaping on a date night and enjoying the big screen movie experience.
B) Will online streaming video overtake the other motion-medias? Why or why not?
Online streaming has the potential to overtake other motion media. According to a survey from a consulting firm Deloitte, 56% of those surveyed now stream movies on a monthly basis. 72% of Millennials surveyed cited “streaming video as one of the most valuable services versus 58% who said the same for pay TV” (Spangler, 2015).
C) How can broadcast television change to remain competitive and can you cite any examples of programming changes that they have made to do so already? How does "free content" in television play into this?
With media experiencing a shift to using internet as a platform of the future, television network need to engage with the internet at a medium. Currently networks are already shifting to using the internet and streaming to reach its audience (Pisharody, 2013). A example would be the online and live streaming coverage of the 2016 Olympics in Rio by NBC.
D) After reading "21st Century Commuication: A Reference Handbook: Chapter 96: Radio and Television Programming," explain how cable TV was instrumental in leading to greater demassification (look it up if you don't know what it means) of media content.
In the 1980’s cable TV was able to broadcast a wide range of channels through use of satellites for programs like HBO, ESPN, Showtime, CNN, etc…Cable TV was also instrumental in changing media content by allowing programming directors to target niche audiences with multiple channels, versus having to target a wide range of views as broadcast networks had to do. This led to the FCC abolishing the fin-syn and allowing broadcast network to producing their own programing. (Gross, 2009)
Bibliography
Gross, L. S. (2009). Radio and Television Programming. In W. F. Eadie (Ed.), 21st Century Communication: A Reference Handbook (pp. 868-876). Thousand Oaks: SAGE Publications, Inc. doi:http://dx.doi.org/10.4135/9781412964005.n96
IMDb. (2016, September 7). All Time Box Office. Retrieved from Box Office Mojo: http://www.boxofficemojo.com/alltime/domestic.htm
Pisharody, A. (2013, May). The Future of Television: Will broadcast and cable television networks survive the emergence of online streaming? New York: Leonard N. Stern School of Business. Retrieved from http://www.stern.ny ...
Exploring Service Design: User Experience Beyond the ScreenAriel van Spronsen
A look at service design: What is is, and how it related to user experience design. Presented at Refresh Bellingham January 2010 (and again at Infocamp 2010).
Subsections:
- Context
- What is Service Design?
- Service Design Concepts
- Service Design Practice
- User Experience Beyond the Screen
- Resources
Please note that the work contained in the slides on Concepts and Processes are a compilation of key concepts from the work of other thinkers in Service Design. The works have been attributed to their authors and are not my original work. All other slides are my thinking and work.
Laurent Antonczak will present some key innovative technologies and applications in visual communication specifically associated with mobile phone. This presentation will focus on identifying promising emerging technologies for mobile, especially through a creative perspective and collaborative process. The presentation is designed to stimulate and to inspire your creative understanding of the future by using current international and national examples.
oday in the new media environment (New Media) we are using words such as: ITcasting, online video platform (OVP), Media Asset Management (MAM), digital asset management (DAM), metadata, digital rights management (DRM), Delivery of Digital Media, Social Media, Digital Business, Brand Strategy, mobile content, video on demand (VoD), live Streaming, TV Over the Top, archiving, retrieval, interactive TV, Cloud Computing, ...
The conference will analyze the current status of the connected TV, providing some clues as to which companies must meet in order to successfully address its presence in so many platforms, both as multi-channel multi-device. No doubt the long tail moentización (Long Tail Monetization) is one of the most important, because the search for new revenue, today is one of the keys in any professional field and more so in the environment of the Media and Entertainment.
With this bet "New Media" is about delivering services company Atos any technological need, or content, involving issues related to multimedia. In short, continuing the pattern of IT Partner for the Olympic Games with all aspects of the multimedia environment, but with emphasis on our response in the form of comprehensive services that unify the content and environment technology. Atos is a technology partner of the IOC for the Olympic Games from 1992.
It’s 2013. The shift to mobile is well and truly upon us, we’re at the transition point where Mobile Internet overtakes Desktop Internet usage and there is no going back. If you’re not designing responsively now then you better get cracking because what comes next is a big change to the way we design and build web experiences for humans.
The shift to mobile started making us think about devices, however almost all of our discussion is around what devices we support and where do we set our breakpoints. Could this focus on device capability be masking something bigger happening in the way humans are starting to behave with the web?
What if the fragmentation we’re seeing on Android is merely a glimpse into the device fragmentation of the future? What happens when a users’ experience can range from the interface of a watch to that of a building? How do we communicate with someone when they are walking down the street trying to locate something compared to kicking back on the sofa? How do we even know when they are doing one and not the other?
Contextually Responsive Design is quickly going to become a necessity - but this isn’t personalisation 2.0 or Content First under a different name. To truly design engaging experiences we need to consider how context shapes our behaviour. As Web Designers and Developers we’ve traditionally worked with people “sitting down to compute”. What happens when someone no longer wants to sit down at a computer to do something; ever?
This talk will start from the point of late 2013 and look forward six years. How do we expect people to behave? How will we design systems to cope, and what are the contexts in which people will use the web during its next age?
Given at Melbourne Be Responsive on 10 September 2013.
Ericsson ConsumerLab TV and Media 2013 PresentationEricsson
The Ericsson ConsumerLab TV & Media 2013 report looks at the explosion of connected mobile devices in the home has opened a whole new world of possibilities when it comes to viewing TV and video content.
Consumer viewing habits now involve so much more than just the living room TV and traditional broadcast services. Today people take their entertainment with them around the house - and beyond.
For more from the ConsumerLab visit: http://www.ericsson.com/thinkingahead/consumerlab
Connected Home: Fight for the Digital LvingroomMichael Goodman
This report examines the battle for the digital living room with an emphasis on the growth of connected devices in consumers’ homes and the impact this will have on the media industry.
One of the challenges in IT Broadcasting is adopting the broadcasting 2.0. However, this is inevitable process as broadcasters need to adopt it as part of the way forward in its organization. RTB is one of a broadcaster being used in this presentation as part of a CASE study.
RobertA) Is there any value left in the big-screen movie experi.docxSUBHI7
Robert:
A) Is there any value left in the big-screen movie experience?
If you measure value by the ticket sales and what the movie grosses in theatres, then yes, there is still value left in the big screen movie experience. Box office hits continue to challenge movies of the past in what they gross in ticket sales (IMDb, 2016). If you measure value by the nostalgia of leaving the house; ordering your popcorn, soda, and maybe sneaking in a personal beverage of your own and then sharing the movie with strangers in a semi comfortable chair, that is all in the eye of the beholder. I appreciate on the rare occasion of escaping on a date night and enjoying the big screen movie experience.
B) Will online streaming video overtake the other motion-medias? Why or why not?
Online streaming has the potential to overtake other motion media. According to a survey from a consulting firm Deloitte, 56% of those surveyed now stream movies on a monthly basis. 72% of Millennials surveyed cited “streaming video as one of the most valuable services versus 58% who said the same for pay TV” (Spangler, 2015).
C) How can broadcast television change to remain competitive and can you cite any examples of programming changes that they have made to do so already? How does "free content" in television play into this?
With media experiencing a shift to using internet as a platform of the future, television network need to engage with the internet at a medium. Currently networks are already shifting to using the internet and streaming to reach its audience (Pisharody, 2013). A example would be the online and live streaming coverage of the 2016 Olympics in Rio by NBC.
D) After reading "21st Century Commuication: A Reference Handbook: Chapter 96: Radio and Television Programming," explain how cable TV was instrumental in leading to greater demassification (look it up if you don't know what it means) of media content.
In the 1980’s cable TV was able to broadcast a wide range of channels through use of satellites for programs like HBO, ESPN, Showtime, CNN, etc…Cable TV was also instrumental in changing media content by allowing programming directors to target niche audiences with multiple channels, versus having to target a wide range of views as broadcast networks had to do. This led to the FCC abolishing the fin-syn and allowing broadcast network to producing their own programing. (Gross, 2009)
Bibliography
Gross, L. S. (2009). Radio and Television Programming. In W. F. Eadie (Ed.), 21st Century Communication: A Reference Handbook (pp. 868-876). Thousand Oaks: SAGE Publications, Inc. doi:http://dx.doi.org/10.4135/9781412964005.n96
IMDb. (2016, September 7). All Time Box Office. Retrieved from Box Office Mojo: http://www.boxofficemojo.com/alltime/domestic.htm
Pisharody, A. (2013, May). The Future of Television: Will broadcast and cable television networks survive the emergence of online streaming? New York: Leonard N. Stern School of Business. Retrieved from http://www.stern.ny ...
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
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Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
_7 OTT App Builders to Support the Development of Your Video Applications_.pdfMega P
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
1. Broadcasting | Service Design by jylee 2013
Broadcasting | Service Design
2013 2nd semester class by jylee
interacitveService.jylee6977.com/tc
2. Class Schedule
Broadcasting | Service Design by jylee 2013
1
09/05
Introduction
- Ice Braking
- 수업 소개
2
09/12
방송영상환경(1)
방송 영상 환경에서의 사용자 중심의 새로운 서비스 및 인터랙션 방법 소개
3
09/19
방송영상환경(2) _ 추석
시청자에서 사용자로의 변화의 패러다임 (IPTV/SmartTV/NScreen)
4
09/26
서비스 디자인 방법론 소개
- 서비스 디자인 사례
- 방송과 TV에서의 서비스 디자인
5
10/02
사용자 관찰(1)
- Shadowing/Interview/Observation
- 무엇이 문제인가?
6
10/09
사용자 관찰(2) _ 한글날
- Contextual Inquiry
- The Five Why Technique
7
10/16
문제 정의(1)
- Affinity Diagram/Persona
- Background Research (Understanding Users)
8
10/23
중간고사
- Service Idea/Service Principle
9
10/30
아이디어 발산
- 다양한 아이디어 발상 방법 소개
- Brainstorming/Ideation
10
11/06
아이디어 수렴
- Idea Grouping
- Service Concept(Service Headline)
11
11/13
서비스 프로토타입(1)
- Service Scenario
- Service Prototyping (Role Playing)
12
11/20
서비스 프로토타입(2)
- Service Prototyping
13
11/27
서비스 프로토타입(3)
- Service Blueprint
14
12/04
최종 결과물 Wrap Up
- 최종 Design/Paper Refine
15
12/11
기말고사
- 최종 Presentation
interacitveService.jylee6977.com/tc
4. Broadcasting | Service Design by jylee 2013
Let’s face it. Despite our love for TV, the
experience is broken.
4
interacitveService.jylee6977.com/tc
5. Broadcasting | Service Design by jylee 2013
For Example:
•
•
•
•
•
Too many remotes
100 channels and nothing on
Clunky channel guides
Lack of device compatibility
Constant interruptions
Image Source: Gizmodo
5
interacitveService.jylee6977.com/tc
6. Broadcasting | Service Design by jylee 2013
OUR MOBILE DEVICES NOT
TOO LONG AGO…
Image Source: Wikipedia
6
interacitveService.jylee6977.com/tc
7. Broadcasting | Service Design by jylee 2013
WHAT A DIFFERENCE A FEW YEARS MAKES
7
interacitveService.jylee6977.com/tc
8. Broadcasting | Service Design by jylee 2013
“Well, you just end up with a table full of remotes, a clust
er full of boxes, a bunch of different UIs -- and that's the
situation we have today.
The only way that's ever gonna change is if you can re
ally go back to square one and tear up the set-top bo
x and redesign it from scratch with a consistent UI
across all these
different functions and get it to the consumer in a
way that they're willing to pay for it.”
–Steve Jobs, Patron Saint of User Experience Practitioners
Source: AOL:
8
interacitveService.jylee6977.com/tc
9. Broadcasting | Service Design by jylee 2013
Our TVs are much too complicated.
It doesn’t have to be that way.
9
interacitveService.jylee6977.com/tc
10. Broadcasting | Service Design by jylee 2013
TV is the next big problem for UX
to solve.
10
interacitveService.jylee6977.com/tc
11. Broadcasting | Service Design by jylee 2013
But How?
By knowing what’s going
on in the connected TV
landscape…
… and getting the skills
to do it.
11
interacitveService.jylee6977.com/tc
12. Broadcasting | Service Design by jylee 2013
1. THE RISE OF CONNECTED TV
Definition, Stats/Trends
2. THE WAR FOR YOUR LIVING ROOM
Key Players, An Elephant in the Living Room
3. IMPLICATIONS FOR UX
Challenges and Opportunities
4. LET’S DO THIS
Prototyping and Evangelization
5. KEY TAKEAWAYS
Recap and Reference Materials
12
interacitveService.jylee6977.com/tc
13. Broadcasting | Service Design by jylee 2013
1. THE RISE OF CONNECTED TELEVISION
interacitveService.jylee6977.com/tc
14. Broadcasting | Service Design by jylee 2013
What is Connected TV?
It’s a term used to describe the integration of the
internet and web features into TV sets and
set-top boxes, as well as the convergence between
computers and these television sets or set-top boxes.
Source: Wikipedia
14
interacitveService.jylee6977.com/tc
15. Broadcasting | Service Design by jylee 2013
Also known as:
•
•
•
•
•
•
Smart TV
Cloud TV
Hybrid TV
Internet TV
ITV
Interactive TV
15
interacitveService.jylee6977.com/tc
16. Broadcasting | Service Design by jylee 2013
Connected TV is already here.
It’s just not very evenly distributed.
Source: William Gibson – “the future is already here it is just unevenly distributed.”
16
interacitveService.jylee6977.com/tc
17. Broadcasting | Service Design by jylee 2013
90%
80%
70%
Connected TV sales are growing with
91 million units projected for 2012.
60%
50%
40%
30%
20%
10%
0%
2012
2014
2016
Source: Global Flat-panel TV and Connected TV Forecast - Kantideep Thota Source: Global Smart TV Market (2011 – 2016) Critical C
apability, Use Case Analysis & Forecast By Accessories, Platforms, Middleware, Application & Geography - MarketsAndMarkets.com
17
interacitveService.jylee6977.com/tc
18. Broadcasting | Service Design by jylee 2013
Consumer activities while watching TV
Second screen viewing is the new
normal.
80% of US adults mobile
multi-task while watching TV.
Source: Yahoo! and Razorfish survey Source: Ericsson presents TV & Video Consumer Trend Report 2011 - Ericsson
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Cord-cutting is on the rise.
Cable is not.
2.65 million Americans cut the cord
in 2008-2011.
Source: HBO Here are those cord-cutting stats you asked for – Rebecca Greenfield
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Our appetite for live on-demand streaming content is
breaking records.
June 2010
1.6 million viewers
April 2011
2.4 million viewers
August 2012
3.2 million viewers
Source: Viewers opted for the Web over TV to watch Curiosity's landing – CBS News
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40% of Americans live-streamed.
Live-stream viewers were also
2x more likely to watch
primetime coverage on TV.
Source: Apple and the iPhone TV: one day all televisions will be this way – Computerworld Source: Olympics Platfo
rms Score – Variety
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This has all caught the attention of
some big players…
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23. Broadcasting | Service Design by jylee 2013
2. THE WAR FOR YOUR LIVING ROOM
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24. Broadcasting | Service Design by jylee 2013
The Next Technology War
“As the Consumer Electronics Show continued in
Las Vegas, at least one theme became clear:
The next big technology war is for your living room.”
- Hayley Tsukayama, Washington Post
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26. Broadcasting | Service Design by jylee 2013
THE TV SET MANUFACTURERS
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27. Broadcasting | Service Design by jylee 2013
THE GAME CONSOLE MAKERS
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28. Broadcasting | Service Design by jylee 2013
THE SET TOP BOX MANUFACTURERS
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29. Broadcasting | Service Design by jylee 2013
THE CONTENT PROVIDERS
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THE CABLE AND SATELLITE PROVIDERS
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There is an elephant in the living room.
Where’s Apple in all of this?
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“I finally cracked it.”
Source: Steve Jobs – Walter Isaacson
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Source: Steve Jobs – Walter Isaacson
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3. IMPLICATIONS FOR UX
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35. Broadcasting | Service Design by jylee 2013
What does all this mean
for usability professionals?
To begin with we’ll need
to contend with the
10 foot experience.
Image Source: Wikipedia
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What is the 10 ft experience?
It’s a software user interface designed for display on a
large television with interaction using a regular
television-style remote control.
Source: Wikipedia
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While there are similarities with mobile, and
tablet design, the 10 foot experience is an
altogether different beast.
Let’s talk about the
challenges and opportunities.
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1. CONSIDER THE USER’S ENVIRONMENT
Image Source: MorgueFile
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2. UNDERSTAND THE PHYSICAL CONSTRAINTS
Image Source: Wikipedia
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3. KNOW THE DISPLAY RULES
Image Source: Wikipedia
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4. EVALUATE THE CONTENT
Image Source: Wikipedia
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5. IDENTIFY THE INTERACTION METHODS
Image Source: Wikipedia
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Now let’s talk about the
opportunities and
advanced capabilities.
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44. Broadcasting | Service Design by jylee 2013
1. New INTERFACES
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2. SOCIAL TV AND COMMUNITY VIEWING
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3. SUPER-NICHE AND ORIGINAL PROGRAMMING
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4. APPS AND GAMES
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5. RECOGNITION AND PERSONALIZATION
Source: Razorfish Emerging Experiences
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6. WATCHING SMART TV
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51. Broadcasting | Service Design by jylee 2013
WATCHING HABIT
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52. Broadcasting | Service Design by jylee 2013
CHANGES OF
WATCHING ENVIRONMENT
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53. Broadcasting | Service Design by jylee 2013
CHANGES OF
WATCHING ENVIRONMENT
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54. Broadcasting | Service Design by jylee 2013
CHANGES OF
WATCHING ENVIRONMENT
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55. Broadcasting | Service Design by jylee 2013
CHANGES OF
WATCHING ENVIRONMENT
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