Is it ethical for companies to use unpaid interns if they know they will not have any jobs to offer at the end of the internships? It can be ethical IF the firm is up front in their providing and understanding to the intern. Listing the job duties and expectations. My daughter did an internship to assist with the restoration of President Eisenhower’s house, she received room and board. There was no false expectation of employment once the project was complete. She went on to add this internship to her resume and it paid off. The conservator she worked for is considered a visionary and highly respected. SO, her internship though it was unpaid, she received priceless training and development from it. This is an example of how an internship at that particular company may be a building block to the intern getting into a better opportunity. Now if the company has used smoke and mirrors and is leading the intern on, making them think there will be a job opportunity at the end of the internship: this is unethical practice. Is it ethical for companies to use unpaid interns if the unpaid internships replace paid jobs? Again this can be answered in a number different ways. Yes it can be ethical. If the company is going under and it is the only way it can survive, yes. If the company is phasing current employees out, say through their own leaving or retirement and will eventually have a staff of jus interns, I believe this can be ethical as well. As long as there is no strong arming of current works to leave. If it is just a means to save money and has replaced current workers with inters, then I say No it is not ethical. Pop Culture Across Cultures Context & Description South Korean pop artist Psy’s smash hit single “Gangnam Style” is more than just a song. It is a cultural phenomenon. The video has gone viral on YouTube, garnering over 600 MILLION hits in just three months, becoming the third-most viewed video on the website (YouTube.com). “Gangnam Style” has been remade and parodied by hundreds of people all around the world. Psy’s popularity has crossed over from South Korea to many countries including the United States. He has granted interviews to the Today Show and the Ellen DeGeneres Show, danced “Gangnam Style” with Britney Spears, and become one of the most popular Halloween costumes of 2012. And through this buzz in the United States, one thing remains the same: the song is sung in Korean (not English). “Gangnam Style” is one of the many K-Pop (Korean Pop) songs in what Chinese journalists called the Korean wave (韓流), “a phenomenon that refers to the onslaught of South Korean entertainment in Asia and, more recently, in other parts of the world” (Valerio). Despite differences in language, Psy’s song is now a mainstay in popular (pop) culture in the United States and beyond. However, Psy’s “Gangnam Style” is definitely not the first K-Pop song to exist: groups like 2NE1 and BIGBANG are certainly popular in Korea, but they did not mak ...

1. Is it ethical for companies to use unpaid interns if they know
they will not have any jobs to offer at the end of the
internships?
It can be ethical IF the firm is up front in their providing and
understanding to the intern. Listing the job duties and
expectations. My daughter did an internship to assist with the
restoration of President Eisenhower’s house, she received room
and board. There was no false expectation of employment once
the project was complete. She went on to add this internship to
her resume and it paid off. The conservator she worked for is
considered a visionary and highly respected. SO, her internship
though it was unpaid, she received priceless training and
development from it. This is an example of how an internship at
that particular company may be a building block to the intern
getting into a better opportunity.
Now if the company has used smoke and mirrors and is leading
the intern on, making them think there will be a job opportunity
at the end of the internship: this is unethical practice.
Is it ethical for companies to use unpaid interns if the unpaid
internships replace paid jobs? Again this can be answered in a
number different ways.
Yes it can be ethical. If the company is going under and it is the
only way it can survive, yes.
If the company is phasing current employees out, say through
their own leaving or retirement and will eventually have a staff
of jus interns, I believe this can be ethical as well. As long as
there is no strong arming of current works to leave.
If it is just a means to save money and has replaced current
workers with inters, then I say No it is not ethical.
Pop Culture Across Cultures

2. Context & Description
South Korean pop artist Psy’s smash hit single “Gangnam
Style” is more than just a song. It is a cultural phenomenon. The
video has gone viral on YouTube, garnering over 600 MILLION
hits in just three months, becoming the third-most viewed video
on the website (YouTube.com). “Gangnam Style” has been
remade and parodied by hundreds of people all around the
world. Psy’s popularity has crossed over from South Korea to
many countries including the United States. He has granted
interviews to the Today Show and the Ellen DeGeneres Show,
danced “Gangnam Style” with Britney Spears, and become one
of the most popular Halloween costumes of 2012. And through
this buzz in the United States, one thing remains the same: the
song is sung in Korean (not English).
“Gangnam Style” is one of the many K-Pop (Korean Pop) songs
in what Chinese journalists called the Korean wave (韓流), “a
phenomenon that refers to the onslaught of South Korean
entertainment in Asia and, more recently, in other parts of the
world” (Valerio). Despite differences in language, Psy’s song is
now a mainstay in popular (pop) culture in the United States
and beyond. However, Psy’s “Gangnam Style” is definitely not
the first K-Pop song to exist: groups like 2NE1 and BIGBANG
are certainly popular in Korea, but they did not make as big of a
splash as Psy’s hit. What was it that made “Gangnam Style” so
popular? Why Psy? Why now? Is it Psy’s appearance? The
dance associated with the song? The music itself? The lyrics?
The splashy, fun music video? Or is it the catchy concept,
“Dress classy and dance cheesy”? And what might be the
influence of this song on K-Pop music in the US in the future?
The purpose of this project is to explore the nature of popularity
by examining a transnational flow of pop culture--a situation
that requires the negotiation of different values, assumptions
and tastes. What makes a popular artifact from one culture

3. “cross over” to other cultures? What makes the artifact popular
in the first place? Why are people drawn to artifacts from
certain countries? Why do people seek alternatives from other
cultures? What ideological, social, cultural, political, economic,
and/or historical factors affect the popularity of an artifact in
different countries? What makes one artifact internationally
appealing while other artifacts from the same country do not
gain the same kind of popularity? How does the success of one
artifact open the door for other artifacts from the same country?
Write a magazine article in which you analyze a transnational
cultural artifact: a song, music video, user-created video,
movie, blog, book, fashion style, celebrity, etc. In preparation
for this project, explore the criteria that help explain what
makes a cultural artifact popular in one context and consider
how the same criteria may or may not apply to another context.
Then, identify a pop culture artifact. It may be something that
has crossed over the national boundary or one that you think has
the potential of becoming a transnational phenomenon.
Alternatively, you can choose an artifact that has no hope of
becoming accepted beyond its original cultural context.
Once you have identified your artifact, explore the literature to
find out what has been said about the artifact and its reception--
both within its original cultural context and in other countries.
The literature may include various media, including newspaper
and magazine articles as well as blogs, parodies, comments on
interactive websites. You may even find articles about the
artifact in academic journals.
Then, using the sources you have identified as well as your own
analysis of the artifact, write a magazine article that describes
the artifact and explains why it has become the international
success that it has, why it has the potential for such success, or
why it has no hope of becoming one. You may also consider
how the artifact has been and can be adapted to audiences in

4. different locale. Based on your analysis, also consider its
implications for transnational pop culture as a whole, for other
pop culture artifacts from similar cultural contexts, or for the
future of the artifact that you have examined.
Learning Objectives
Through this project, you will learn to:
· Use discussion with peers to explore and develop ideas
· Synthesize ideas and information from multiple sources
· Engage in research in multiple venues, such as the library and
internet resources
· Explore an idea from multiple dimensions
· Analyze an artifact (object, concept) by developing or
exploring criteria
· Present your ideas and analyses
· Consider the implications of your analysis
Audience
For this project, your audience will be readers of an
entertainment magazine. You could choose a publication that is
specific to the type of pop culture artifact you are examining
(e.g., movies, video games, or music). You could write for an
audience that appreciates pop culture in general that cuts across
different kinds of artifacts. You might choose an audience that
is specific to the imagined magazine or publication that is
specific to the particular culture where your artifact originated.
Or, you can write for an age-specific audience, such as a
publication that targets college-age readers. Your readers could
include music lovers, movie buffs, or video game fanatics. Or,
they might be members of a mass audience who are curious
about, interested in, or surprised by the shift in today’s pop
culture scene.
Genre of a Feature Article

5. There are several specific steps you should take to complete the
final written copy of this feature magazine article. First, create
an opening to identify your chosen cultural artifact and to
explain its transnational status. Next, provide a detailed
description of the artifact and how it has been received in
different cultural contexts. Then, write an analysis of what
makes the artifact popular (currently or potentially) or not so
popular. You may follow with a discussion of how it may be
adapted (if applicable). Finally, include a discussion of the
implications--what the artifact says about transnational pop
culture in general or about pop culture from similar cultural
contexts, or about the future of the artifact under consideration.
Paper Format:
Your essay should have one-inch margins (top, bottom, right,
left), be double-spaced (without the extra 10 pt. spacing
between lines), use the Times New Roman font throughout,
including in the header and footer for wherever you paginate,
and have a 12-point print size. Paginate each page except the
first in the top right corner. Your title should be at the top of
your first page (one inch from the top), centered, with your first
paragraph double-spaced below it. Do not italicize, bold print,
or place your own title under quotation marks. Handwrite your
name, my name on the back of the last page of your essay. Your
essay should also be at least 1400 words long. Again, no paper
will be accepted if it does not follow this exact formatting.
Also, use MLA parenthetical citation of quotations from the
readings you include in your essay. Failure to do so constitutes
plagiarism, which is no bueno. Also, there should be no free-
standing quotations, so set up each quotation with your own
words. For instance: In “The Cult of Ethnicity,” Schlesinger
states, “The new American nationality was inescapably English
in language, ideas and institutions” (63). If a quotation is longer
than four of your one-inch margined lines, indent it one-inch on
the left (not on the right) and set it up like a shorter quotation,
with your own words. Consult the Purdue Owl Online for any

6. further questions regarding MLA format. Also, you must
include four sources for this assignment.
References
Valerio, Anna Patricia. “Catching the Korean wave.”
Bworldonline.com. Business World Publishing Corporation, 20
Sep. 2012. Web. 29 Oct. 2012.
<http://www.bworldonline.com/weekender/content.php?id=5879
3>.
Suggested Readings
Chu, Michael. “Youthful voice: ‘Pop culture equals
globalization.’” Nwasianweekly.com. Northwest Asian Weekly,
26 Aug. 2012. Web. 29 Oct. 2012.
<http://www.nwasianweekly.com/2012/08/youthful-voice-pop-
culture-equals-globalization/>.
Delaney, Tim. “Pop culture: An overview.” Philosophynow.org.
Philosophy Now, 2007. Web. 29 Oct. 2012.
<http://philosophynow.org/issues/64/Pop_Culture_An_Overview
>.
Feki, Shereen El. “Pop culture in the Arab world.” Ted.com.
Ted talk, July 2009. Web. 23 Mar.
2013.
<http://www.ted.com/talks/shereen_el_feki_pop_culture_in_the
_arab_world.html>
Ho, Erica. “‘Gangnam Style:’ Is Japan immune to PSY mania?”
Newsfeed.time.com. Time, Inc., 15 Oct. 2012. Web. 1 Nov.
2012. http://newsfeed.time.com/2012/10/15/gangnam-style-is-
japan-immune-to-psy-mania/
Ivey, Bill and Steven J. Tepper. “Cultural Renaissance or
Cultural Divide?” Chronicle.com. The Chronicle of Higher

7. Education, 19 May 2006. Web. 1 Nov. 2012.
http://chronicle.com/article/Cultural-Renaissance-or/6435/
Kim, Jea. “KOREAN LANGUAGE: What is Oppan (Opa) in
Gangnam Style?” Mydearkorea.blogspot.com. 25 Aug. 2012.
Web. 1 Nov. 2012.
http://mydearkorea.blogspot.com/2012/08/korean-language-
what-is-oppan-in.html
Koshikawa, Kazuhikio. “‘Cool’ Japan-Japanese pop culture goes
global.” City University of New York. City University of New
York Graduate Center, Long Island City, NY. 12 Dec. 2003.
Web. 5 Jul. 2012.
<http://www.ny.us.emb-japan.go.jp/en/c/vol_11-
5/title_01.html>.
Lapin, Joseph. “Why the hell is Psy so popular?”
Blogs.ocweekly.com. OC Weekly, LP, 24 Sep. 2012. Web. 29
Oct. 2012.
<http://blogs.ocweekly.com/heardmentality/2012/09/psy_gangna
m_style_k-pop.php>.
“Off Book: ‘The Worlds of Viral Video.’” Video.pbs.org. Public
Broadcasting Service, 27 Jul. 2012. Web. 29 Oct. 2012.
<http://video.pbs.org/video/2261116168 >.
O’Neill, Megan. “What makes a video ‘Viral’?”
Socialtimes.com. WebMediaBrands Inc., 9 May 2011. Web.
29 Oct. 2012. <http://socialtimes.com/what-makes-a-video-
viral_b61409>.
Zuckerman, Ethan. “What to make of Ai Wei Wei’s ‘Gangnam
Style’?” Ethanzuckerman.com. Ethan Zuckerman, 25 Oct. 2012.
Web. 1 Nov. 2012.
http://www.ethanzuckerman.com/blog/topics/media/?submit=vie
w