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TODAY
• Final Assignment
• Review Interpretation vs. Thematic Content
• Review Assignment 13
• Respond to question on class blog
FINAL ASSIGNMENT
• Final Assignment– due by December 4 at 9:00 a.m.
• Final Rewrite of all components of your Artist Statement
• Worth 10 points
• Final Assignment will be posted on Friday of this week (Nov 20) to both
Moodle and WordPress
• You can submit any time after receiving your grade and comments for
Assignment 13
INTERPRETATION
WHAT IS IT ABOUT?
• Subject matter
• Thematic concerns
• Intention of the artist
• Interpretation by the
viewer
WHAT DOES IT MEAN?
TWO QUESTIONS VIEWERS OF ART ASK
INTERPRETATION
What you hope the viewer will get out of your
art work; what they will take away from their
viewing experience.
THIS COULD BE
• a deeper understanding
• an emotion/a feeling
• an experience (interactive work, social practice, performance)
• a new realization
• a new or renewed appreciation
• exposure to new ideas and world views
• the desire to learn more, or to act upon what they learned from the work
• an aesthetic experience
THEMATIC CONTENT
VS.
INTERPRETATION
Subject Matter /Thematic Interpretation
The Environment Exposure to new ideas/learning
experience
Immigration Compassion and Empathy
(emotions)
Light as a material for art Feelings of beauty, wonder, a new
aesthetic experience
The city of the future Imagining different ways of living/a
realization
Oasis No. 7 (1972)
Haus-Rucker-Co
Design collective founded in 1967
in Austria
Look towards the future with their
designs - how technology could
bring about a better city, a better
urban living experience.
They wanted citizens to reimagine
urban space and their relationship
to it – a new way of thinking
MARINA ABRAMOVIĆ
The Artist Is Present
(March – May 2010 - MoMA)
a 736-hour and 30-minute
static, silent piece, in which
she sat immobile in the
museum's atrium while
spectators were invited to take
turns sitting opposite
Subject – the nature of
extended performance
art/endurance performance
Experience: a deeper
engagement with art/artwork
CARL LEE
MYOPTIC (2019)
Examined the working class “telescope
houses” of Buffalo NY – vernacular
architecture.
feelings of nostalgia + community loss
PAD THAI
RIRKRIT TIRAVANIJA (1990-
1992)
The artist cooked a meal that the
guest/gallery visitors ate together.
Experiences of community, sharing,
encounters with others
JORDAN WOLFSON
MANIC LOVE (2016)
• Interactive sculpture of “Chucky” from
the horror film series
• Recognizes when people are viewing
it and moves towards them
• Subject: exploration of new facial
recognition technology
• Feelings of unease, creepiness,
discomfort
ACTIVITY ON THE CLASS BLOG
In one sentence state the thematic concern/subject matter of the artwork you
are writing about in your artist statement. Then, without going into to detail,
identify what you want your viewer to take away from their interaction with
your work:
• a deeper understanding
• an emotion/a feeling
• an experience (interactive work, social practice, performance)
• a new realization
• a new or renewed appreciation
• exposure to new ideas and world views
• the desire to learn more, or to act upon what they learned from the work
• an aesthetic experience
• something else? tell us what!

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Interpetation

  • 1. TODAY • Final Assignment • Review Interpretation vs. Thematic Content • Review Assignment 13 • Respond to question on class blog
  • 2. FINAL ASSIGNMENT • Final Assignment– due by December 4 at 9:00 a.m. • Final Rewrite of all components of your Artist Statement • Worth 10 points • Final Assignment will be posted on Friday of this week (Nov 20) to both Moodle and WordPress • You can submit any time after receiving your grade and comments for Assignment 13
  • 4. WHAT IS IT ABOUT? • Subject matter • Thematic concerns • Intention of the artist • Interpretation by the viewer WHAT DOES IT MEAN? TWO QUESTIONS VIEWERS OF ART ASK
  • 5. INTERPRETATION What you hope the viewer will get out of your art work; what they will take away from their viewing experience.
  • 6. THIS COULD BE • a deeper understanding • an emotion/a feeling • an experience (interactive work, social practice, performance) • a new realization • a new or renewed appreciation • exposure to new ideas and world views • the desire to learn more, or to act upon what they learned from the work • an aesthetic experience
  • 7. THEMATIC CONTENT VS. INTERPRETATION Subject Matter /Thematic Interpretation The Environment Exposure to new ideas/learning experience Immigration Compassion and Empathy (emotions) Light as a material for art Feelings of beauty, wonder, a new aesthetic experience The city of the future Imagining different ways of living/a realization
  • 8. Oasis No. 7 (1972) Haus-Rucker-Co Design collective founded in 1967 in Austria Look towards the future with their designs - how technology could bring about a better city, a better urban living experience. They wanted citizens to reimagine urban space and their relationship to it – a new way of thinking
  • 9.
  • 10. MARINA ABRAMOVIĆ The Artist Is Present (March – May 2010 - MoMA) a 736-hour and 30-minute static, silent piece, in which she sat immobile in the museum's atrium while spectators were invited to take turns sitting opposite Subject – the nature of extended performance art/endurance performance Experience: a deeper engagement with art/artwork
  • 11. CARL LEE MYOPTIC (2019) Examined the working class “telescope houses” of Buffalo NY – vernacular architecture. feelings of nostalgia + community loss
  • 12. PAD THAI RIRKRIT TIRAVANIJA (1990- 1992) The artist cooked a meal that the guest/gallery visitors ate together. Experiences of community, sharing, encounters with others
  • 13. JORDAN WOLFSON MANIC LOVE (2016) • Interactive sculpture of “Chucky” from the horror film series • Recognizes when people are viewing it and moves towards them • Subject: exploration of new facial recognition technology • Feelings of unease, creepiness, discomfort
  • 14. ACTIVITY ON THE CLASS BLOG In one sentence state the thematic concern/subject matter of the artwork you are writing about in your artist statement. Then, without going into to detail, identify what you want your viewer to take away from their interaction with your work: • a deeper understanding • an emotion/a feeling • an experience (interactive work, social practice, performance) • a new realization • a new or renewed appreciation • exposure to new ideas and world views • the desire to learn more, or to act upon what they learned from the work • an aesthetic experience • something else? tell us what!