This document provides an overview of the history and development of music streaming technology. It discusses how streaming services first emerged in the early 2000s and became more popular with smartphones. Major streaming services like Spotify, Google Play, Apple Music, and Tidal are described. The document also provides background on the evolution of music recording and playback technologies prior to streaming, including phonographs, records, cassette tapes, compact discs, and digital file sharing/iTunes. Both the benefits of streaming like access and cost as well as disadvantages like reduced artist payments are outlined. The future of streaming dominance of the industry is predicted.
Kiyanu Kim | How emerging technology changing the music industryKiyanu Kim
Kiyanu Kim is a Korean born American songwriter, musician and producer. Having worked with luminaries like Gwen Stefani,
Linda Perry, Lamont Dozier, Ben Jelen, Gala and others,Kiyanu Kim is steadily proving himself to be versatile musical
accomplice, while honing his own songwriting ability.
Creating a Remix w/ D.Satori (2/16/18)Danny Satori
Creating a Remix w/ D.Satori (2/16/18)
Presented by D. Satori | www.dannysatori.com
Hosted by Mmmmaven | http://mmmmaven.com/
Have you ever heard a track, and wanted to give it a twist with a fresh, unique sound? If so, please join us on Friday, the 16th of November, as D.Satori shares his global approach to creating the ultimate remix. From conceptualization to execution, D will deconstruct the different levels of building harmonic/melodic motifs, quick tips for Ableton Live workflow, and deconstructing select reference tracks. Open to all levels from Beginner to Advanced, with a Q&A session to follow.
Whether it be performing live electronica at the Ableton Loop Conference in Funkhaus Berlin or hybrid DJ sets for ToUch Performance Art’s AcousticaElectronica, D.Satori is no stranger to artistic expression. Having been a featured artist on imprints such as Teknofonic Recordings (NYC) & Krafted Digital (London), D loves to share his passion for musicianship and advocates for the transcendent power of musical education. For more information, please visit www.dannysatori.com.
Level: Beginner - Advanced
Music Publishing & Copyright Administration In The Internet AgeDae Bogan
The following presentation is from my lecture, "Music Publishing & Copyright Administration In The Internet Age" at the Independent Music Conference on October 25th, 2014 at SAE Institute in Los Angeles.
Conference Description: This workshop will cover basic music publishing and copyright administration from the perspective of a DIY independent artist. You will learn about self-publishing in the Internet age and takeaway resources for music placement, music licensing, and royalty collection around the world. Attendees should leave with an understanding of synchronization rights, mechanical rights, and performance rights in the United States.
Kiyanu Kim | How emerging technology changing the music industryKiyanu Kim
Kiyanu Kim is a Korean born American songwriter, musician and producer. Having worked with luminaries like Gwen Stefani,
Linda Perry, Lamont Dozier, Ben Jelen, Gala and others,Kiyanu Kim is steadily proving himself to be versatile musical
accomplice, while honing his own songwriting ability.
Creating a Remix w/ D.Satori (2/16/18)Danny Satori
Creating a Remix w/ D.Satori (2/16/18)
Presented by D. Satori | www.dannysatori.com
Hosted by Mmmmaven | http://mmmmaven.com/
Have you ever heard a track, and wanted to give it a twist with a fresh, unique sound? If so, please join us on Friday, the 16th of November, as D.Satori shares his global approach to creating the ultimate remix. From conceptualization to execution, D will deconstruct the different levels of building harmonic/melodic motifs, quick tips for Ableton Live workflow, and deconstructing select reference tracks. Open to all levels from Beginner to Advanced, with a Q&A session to follow.
Whether it be performing live electronica at the Ableton Loop Conference in Funkhaus Berlin or hybrid DJ sets for ToUch Performance Art’s AcousticaElectronica, D.Satori is no stranger to artistic expression. Having been a featured artist on imprints such as Teknofonic Recordings (NYC) & Krafted Digital (London), D loves to share his passion for musicianship and advocates for the transcendent power of musical education. For more information, please visit www.dannysatori.com.
Level: Beginner - Advanced
Music Publishing & Copyright Administration In The Internet AgeDae Bogan
The following presentation is from my lecture, "Music Publishing & Copyright Administration In The Internet Age" at the Independent Music Conference on October 25th, 2014 at SAE Institute in Los Angeles.
Conference Description: This workshop will cover basic music publishing and copyright administration from the perspective of a DIY independent artist. You will learn about self-publishing in the Internet age and takeaway resources for music placement, music licensing, and royalty collection around the world. Attendees should leave with an understanding of synchronization rights, mechanical rights, and performance rights in the United States.
Technology has changed deeply the way we listen to music. In this presentation you can find a brief story about the evolution of the tool to listen to music. Starting from the phonograph, the gramophone....Discover them all in this presentation!
This is a presentation I made (in French) at the Siestes Electroniques Music Festival in Toulouse, in June 2013.
It starts with a brief history of music distribution and then gets into to the details of digital music and streaming
Royalty Claim - [Preview] The State of Unclaimed Royalties and Music Licenses...Dae Bogan
This presentation was given by Royalty Claim's Founder and Chief Researcher, Dae Bogan, at the Music Industry Research Associations first inaugural MIRA Conference at the UCLA Luskin Conference Center on August 11th, 2017.
Where to find better music for your productions.
Finding the right music for a production is a big problem. Hit music is too expensive, royalty free is the pits, production music sounds like ... production music. AND, the time it takes to sort through 1000s of tracks, negotiating with people to get the right price, being sure you have legal usage, etc. BUT, there are easier ways. Check out this SlideShare. You'll be glad you did!
A presentation on using web feeds to increase the value of repositories at the SUETr Interoperability workshop 9th Dec 2008 http://www.ukoln.ac.uk/events/suetr-2008/programme/
Technology has changed deeply the way we listen to music. In this presentation you can find a brief story about the evolution of the tool to listen to music. Starting from the phonograph, the gramophone....Discover them all in this presentation!
This is a presentation I made (in French) at the Siestes Electroniques Music Festival in Toulouse, in June 2013.
It starts with a brief history of music distribution and then gets into to the details of digital music and streaming
Royalty Claim - [Preview] The State of Unclaimed Royalties and Music Licenses...Dae Bogan
This presentation was given by Royalty Claim's Founder and Chief Researcher, Dae Bogan, at the Music Industry Research Associations first inaugural MIRA Conference at the UCLA Luskin Conference Center on August 11th, 2017.
Where to find better music for your productions.
Finding the right music for a production is a big problem. Hit music is too expensive, royalty free is the pits, production music sounds like ... production music. AND, the time it takes to sort through 1000s of tracks, negotiating with people to get the right price, being sure you have legal usage, etc. BUT, there are easier ways. Check out this SlideShare. You'll be glad you did!
A presentation on using web feeds to increase the value of repositories at the SUETr Interoperability workshop 9th Dec 2008 http://www.ukoln.ac.uk/events/suetr-2008/programme/
this is an introduction about music production using new technologies and how one can be a music producer using the given 8 steps...enjoy!!... and send your feedbacks...
This integrated media series is about music as a form of entertainment and expression, and discusses the many different methods in which media influences music.
2. Introduction to streaming music
In 2014 music streaming services, music streaming services totaled $1.9
billion
First introduced in modern form with the introduction of Flash players in
2000.
The first subscription bases streaming service Rhapsody was introduct in 2001.
With the introduction of smartphone in the late 2000’s the way music was
consumed changed for ever.
On demand services and internet radio like Pandora started to eat into music
sales.
4. Spotify
Spotify is a music streaming service that launched in 2008 in Stockholm,
Sweden.
The major draw for Spotify is that they offer the service for free on computer
platforms with premium features available with subscriptions.
Spotify accounted for 10% of U.S. music revenue in 2014
Spotify accounts for over 50% of all music streaming
5. Google Play
Started as Google’s version of a cloud music player in 2011
Differs from other streaming service because they offer the ability to upload
all of the users music library to the cloud and access it for free.
Google Play also has a premium service where the user can listen to any song
in the catalog for $9.99 a month
Available in 58 countries and comes pre downloaded on all Android smart
phones.
6. Apple Music
Launched June 30, 2015 for $9.99 a month
Includes radio stations curated by music artists and DJs
Introduces Connect, a social media platform built in to the program
Artists can use Connect to interact with fans and release exclusive content
7. Tidal
Music streaming service that attempts so keep the artist involved in
subscription services with their artist owned model
Owned by rapper Jay-Z
Tidal claims that artists get paid the highest percentage per listen
Advertises the highest quality streaming, but charges $19.99 a month for the
upgraded service
8. Before streaming
Music has a rich history before the age of streaming
For hundreds of years before recordings live music was a very rich tradition
Instruments have been around since the cavemen
The techniques and instruments from a thousand years ago are still around in
music today
9. Early Music
Music can be found in every culture dating back to the beginning of history.
Every civilization had their own form of music
Native Americans used percussion instruments and techniques and patterns
that can still be found in modern music
Live performance has always been a sacred tradition among tribes and can be
found at many of their ceremonies
11. Phonautograph
The first device used for recording sound
Recorded audio sounds onto metal discs
This technology was not successful because once they figured out how to
achieve playback, the phonograph was invented and replaced the
phonautograph
13. Phonograph
Invented in 1877 by Thomas Edison
Was the first device that could reproduce the recorded sounds
In 1890 Emile Berliner invented flat discs that could be recorded and played
These flat discs would eventually become what we know as records
15. Record Player
Turned the phonograph technology electronic
The 33 1/3 LP record introduced in 1948. Allowed for entire albums to be
released on one disc
Consumers now had top of the line sound systems in their homes
Many still consider vinyl to be the optimal way to listen to music.
17. Cassette tapes
In the 1970’s music was now able to be recorded onto magnetic tape
Cassette tapes became popular because it now gave the user the ability to
record onto the tape.
Offered a cheap way to consume music
Became almost obsolete after the introduction of the compact disc
19. Compact Discs
In 1982, the first compact disc was produced and music was now able to
recorded digitally
Standard Compact discs can hold up to 80 minutes on a side
Close to 500 billion CDs have been bought
Since 2007 CD sales have been cut by 50% due to the rise in digital downlaods
20. MP3
Stands for Moving Picture Experts Group Layer-3
The long standing standard for digital audio codec
Developed in late 1980’s with first public player,
21. MP3 downloading
In the early 2000’s illegal MP3 downloading became popular on the internet
Applications like Napster allowed users to share music and video files with
others all over the world
On October 28, 1998 the millennium copyright act made any unauthorized
downloading or sharing of music files illegal
22. iTunes
Released in 2001
Is the number 1 music player and music and media library application
Also the number 1 digital music marketplace
Revolutionized the way people download and view media content
23. Benefits of streaming
Streaming allows instant access to millions of songs instantly
No need for storage. The user can have an infinite amount of songs on their
devices
Streaming music can save money. Subscriptions fees are less than buying the
music individually.
24. Disadvantages of streaming
The artists and record labels lose money
Cellular data is used to stream songs on the go
Music stores are going out of business
25. Future of streaming
Music streaming is the future of the industry for the forseeable future
Artists will become more involved and will be paid accordingly
Record labels will eventually become involved with streaming services and
the services will start to become split. Certain artists will become restricted
to certain applications