In what ways does your media product use, develop or challenge forms and conventions of real media products?
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The document discusses researching locations and visual elements for a film opening. It analyzed the genres of action and drama in similar films like "Kidulthood" for suitable locations, including an interview room and typical British streets. Visual influences from "Kidulthood" included dull, gray colors that capture London streets and were incorporated into the film opening.
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Freddie Collins created photo artwork for an album cover. He took multiple photos of an actor from different angles to use on the front, back, and inside covers. Collins edited the photos in Photoshop to hide the actor's face by increasing brightness, contrast, and darkness. This allowed the actor to blend into the black background while remaining unrecognizable. Collins selected photos that fit the "grime genre" style and positioned the actor symmetrically. He scouted a photography studio location that provided a black background and tripod, though noticed hazards like loose wires, uneven surfaces, and potential for expensive equipment to be knocked over.
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A choreographer has a different role than a director when working on a production. While a director works from an existing script and vision, a choreographer is responsible for creating the vision, staging, and choreography all at the same time. This requires a choreographer to take on many roles simultaneously, making it an entirely different type of collaborative process than working with a director.
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The student filmed establishing shots of London from Primrose Hill on December 20th, but the footage was shaky so they planned to film another shot. On December 27th, the student met with actors and planned to film scenes during half term. On January 11th and 14th, the student filmed chasing scenes in Denton and scenes at their house with their little sister and main actor. After receiving feedback, the student re-filmed some scenes and improved the trailer by removing a sound effect as advised.
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Freddie Collins created photo artwork for an album cover. He took multiple photos of an actor from different angles to use on the front, back, and inside covers. Collins edited the photos in Photoshop to hide the actor's face by increasing brightness, contrast, and darkness. This allowed the actor to blend into the black background while remaining unrecognizable. Collins selected photos that fit the "grime genre" style and positioned the actor symmetrically. He scouted a photography studio location that provided a black background and tripod, though noticed hazards like loose wires, uneven surfaces, and potential for expensive equipment to be knocked over.
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Freddie Collins created photos for an album cover using Photoshop editing. He took photos of an actor from different angles to use for the front, back, and inside covers. For photos where the actor's face was visible, he increased contrast and brightness to hide the face. The back cover photo did not require editing since the actor's face was not visible. He chose a location with a black background that fit his "grime genre" and used an existing tripod. In recces of the location, he identified hazards like loose wires, uneven surfaces, shelves with expensive cameras, and a leaning ladder.
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The document discusses different font combinations tested for titles in a film opening. It describes trying Birch Std and Calibri, Marker Felt and Baoli Sc, and Silom and Calibri but finding they did not fit the theme. It then states Marker Felt was liked for both titles as it looks handwritten. Lastly, it settles on Nanum Brush Script for the first title and Hobo Std for the second as they look handwritten and best represent the film opening which involves a killer writing clues and preparing a map.
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The document discusses different font combinations tested for titles in a film opening. It describes trying Birch Std and Calibri, Marker Felt and Baoli Sc, and Silom and Calibri but finding they did not fit the theme. It then states Marker Felt was liked for both titles as it looks handwritten. Lastly, it settles on Nanum Brush Script for the first title and Hobo Std for the second as they look handwritten and best represent the film opening which involves a killer writing clues and preparing a map.
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David Edmunds conducted font research for an album and poster cover. He considered four fonts but discounted them because they lacked impact despite having an older vintage feel. For the front cover, he will replace text on a tobacco pouch with the font "GG Script" and photoshop it onto the pouch to connote the indie rock genre's dark and gritty side. For remaining album text, he will use the font "Amsterdam Griffiti" which fits with the album theme of artists standing in front of a graffiti-covered wall, consistent with the indie rock genre.
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The group planned their horror film trailer by finding an abandoned mental institution as a setting, but were unable to get permission to film there. They wrote a synopsis referring to their research on storyline, characters, and titled their film "Final Deadline". They storyboarded scenes and created a shotlist, but filming in the dark without proper lighting made the clips unfocused and hard to view. They had to change plans and use classmates as actors instead.
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Daniel Osborne is a 16-year-old who has an obsession with films, gaming, and being creative. His dream is to be an actor, but knows he has no talent, so he wants to get as close as possible to working in film. He took up media studies because he loves films, music, TV, and media, and wanted to learn more about techniques like camera work. His interests include understanding what filmmakers think when writing scripts and what makes a good director. Daniel watches as many films as possible and begs people to see new films with him repeatedly in theaters. His favorite genre is horror films because he enjoys the tension and fear.
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Bradley Barnes conducted research into foley sounds, mise-en-scene, titles, sounds, editing, representation, characters and mise-en-scene in the openings of various horror films. This research strengthened his understanding of what themes and aspects are important to convey in a successful horror opening scene. It also helped him consider what foley sounds, mise-en-scene elements, titles, sounds and editing he could include in his own horror opening to make it more effective.
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The document discusses several filmmakers and works that have inspired the creator's final media production (FMP) project, which will explore dangers of artificial intelligence. The creator plans to shoot their FMP on a phone instead of a DSLR, as Steven Soderbergh did with Unsane. Christopher Nolan's aesthetic style and use of practical effects are also influencing factors. References to works like The Matrix and its use of color grading are discussed. Comments from experts like Stephen Hawking warning of AI dangers will provide real-world inspiration for the plot.
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This document discusses several filmmakers that could influence the filmmaker's final major project (FMP). It discusses Steven Soderbergh and his film Unsane which was shot on an iPhone, similar to how the filmmaker wants to shoot their FMP. It also discusses Christopher Nolan's aesthetic style and use of practical effects. Steven Spielberg's use of camerawork to represent themes and how his childhood influenced his films is mentioned. Finally, it briefly discusses the Duffer Brothers and how their work Stranger Things was influenced by Spielberg's 1980s films.
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The document outlines two potential horror film plot ideas and considerations for producing a trailer for one of the ideas. Plot Idea 1 involves a couple who move into a new house where strange events occur. Plot Idea 2 focuses on a group of college students who encounter noises and the disappearance of one of the friends. The document discusses soundtrack ideas, potential locations, cinematography and editing styles, and how the trailer would tie into other ancillary tasks like a film poster and magazine. It also lists additional requirements and preparations needed to produce the trailer.
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The document summarizes the author's experience at the Aesthetica Short Film Festival in York on November 8th. It discusses three sessions they attended - a screening of the best films from different categories where an animated film about ocean pollution stood out; a Q&A with photographer Rankin where they found learning about how he built his brand interesting; and a longer film screening where an animated piece called "Road Kill" was particularly good. Overall, the author felt the festival was a good learning experience that inspired them to try new animation styles and provided advice on building a small business.
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The document provides details about the mise-en-scene, camera shots, and narrative/genre considerations for the film "Stake Out." It describes the setting and blocking for various scenes, such as the opening scene in a morgue and later interrogation scenes. It discusses the use of locations like the woods and graveyard to add atmosphere. Camera shots included extreme long shots, close-ups, and shot reverse shot. In planning the narrative and genre, the filmmakers drew from theories on story structure and character roles. They settled on a vampire/detective theme set in the 1980s in black and white to achieve a gothic feel.
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This power-point explains my initial ideas towards my teaser trailer. A lot has changed since my initial ideas.
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The document analyzes and summarizes the digipak design for Eminem's album "The Eminem Show". It notes that the front cover depicts Eminem sitting on a red stage with his hands in front of his mouth, possibly reflecting. It also notes the simple design is redundant but conveys meanings. The back cover lists the tracklist and credits, while the CD repeats the curtain image and text. In summary, the document evaluates the digipak design and notes a lack of creativity to draw inspiration from for the author's own design.
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The film opening takes place in a dull, grey house in England. It establishes the main character, seen alone in black and white shots, looking upset on the floor. The sound of his English accent helps set the location. While the narrative is not clear, it leaves the audience with questions about the boy and why he is always alone walking in the urban setting. The opening represents the character as quiet, depressing, weak and vulnerable.
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The document provides an overview of a disaster relief and rehabilitation program. It has a two-step approach: 1) providing immediate relief through emergency supplies and 2) surveying damage and rehabilitating communities by rebuilding homes and schools. It describes a program in Bangladesh that provided relief after floods and a cyclone by distributing emergency kits and later reconstructing 30 homes. The program focuses on ongoing support and rebuilding efforts for victims who still have needs years after the natural disasters.
Europass cv-111127-rodrigues ferreira (1)
Este currículo resume a experiência profissional e educação de Ivan Ferreira Rodrigues. Ele tem experiência em marketing, comunicação e organização de eventos desportivos e artísticos. Atualmente está a estudar Relações Públicas e Comunicação Empresarial no Instituto Politécnico de Lisboa.
비즈니스모델 수립 및 수정
This document outlines the Business Model Canvas template, which is used to establish and modify business models. The canvas includes 9 blocks: Key Partners, Key Activities, Key Resources, Value Propositions, Customer Relationships, Channels, Customer Segments, Revenue Streams, and Cost Structure. This template provides a framework to define the various aspects of a business model in a simple visual format.
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10 régles pour votre strategie Social Media Marketing
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Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
Music video idea
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
Video idea weeknd -Amad Islam
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
Ed Sheeran describes waking up bruised and hungover, having drunk too much the night before and gotten into a fight. He warns that this isn't the right time to fall in love with him, as he knows his lies can't be believed. Both Ed Sheeran and The Weeknd reference their past struggles with drugs, alcohol, and unstable lifestyles before fame. They acknowledge issues they are still trying to overcome that could undermine their success if not addressed. The Weeknd recalls using cocaine, getting into fights, and choosing a life of substance abuse and chaos.
The weeknd lyric analysis By Amad Islam
The song "High for This" by The Weeknd describes a sexual encounter where he mentally prepares a woman for what is about to happen. He tells her they will have sex and do drugs together, reassuring her that she doesn't need to worry because he will be with her. As the drugs take effect, he tells her to breathe and relax while promising they will have a good time. He eliminates any doubts by saying to trust him as he knows she wants to experience this feeling.
Imvdb
The document analyzes research from IMVDb on music charts and popular music videos. It finds that the target audience prefers hip-hop and pop genres, especially recent pop videos by artists like Sia, David Guetta, and Rudimental. This research will help decide which genre of music to focus on going forward.
Analysisoflyrics 111010192016-phpapp01
1) Lupe Fiasco meets a girl at a club and is instantly captivated by her beauty and intelligence.
2) He expresses his growing love for her through poetic metaphors and promises to protect her.
3) At the end of the song, Lupe assures the girl that he wants their relationship to last beyond a typical short-lived club romance and promises to see her in the morning.
Beyonce - dance for you
This music video portrays Beyoncé dancing seductively for her male love interest in a 1940s style setting. Voyeurism is prominently featured through close-ups of the intimate dancing and longing gazes between Beyoncé and the man. The video follows the conventions of R&B by including a choreographed dance routine to promote the artist. It depicts a stereotypical power dynamic between the male boss and female secretary but aims to empower women through Beyoncé's display of control through her dancing.
British board of film classication (bbfc)
The British Board of Film Classification (BBFC) regulates films and videos in the UK. It is a non-governmental organization that provides age ratings to films such as U, PG, 12A, 15, and 18. The BBFC recognizes adult freedom of choice, protects the public (especially children) from harmful content, and helps parents make informed viewing choices for their children. The document then provides detailed descriptions of the content allowed or implied for each age rating.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as other factors like leisure activities may be more important than income alone.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document describes several systems for categorizing consumers:
- Young and Rubicam's Four Consumers model divides people into Mainstreamers, Aspirers, Succeeders, and Reformers based on psychological attributes rather than income.
- Their socio-economic class system ranks people from A to E based on income and occupation.
- Life Matrix segments audiences based on lifestyle and values rather than demographic factors.
Final Sketch Evaluation - 4018
The student created a final drawing of a potion using Photoshop. They first hand drew the potion and then scanned it into Photoshop to color and add details digitally. It was difficult to control the pen at first but got easier with practice. The student used various colors like light blue, dark brown, and different shades of pink to create realistic effects like bubbles and shading. They used tools like the blur tool and size-adjustable brushes. In the end, the student felt they successfully created a realistic looking digital image meeting the goals of the project.
Unit 13 assignment 1 report
This document discusses digital graphics technology, describing features of vector and bitmap images. Vector images are resolution-independent and scalable without quality loss, using mathematical expressions to represent lines and shapes. Bitmap images are made up of pixels that lose quality when resized. The document provides examples of how vector and bitmap images differ when resized, and discusses image capturing, output methods for print and screen, storage considerations like file size and organization, and naming conventions.
Analysis For Attack The Block - 4018
1) Attack the Block was released in 2011 and was directed by Joe Cornish with production companies including The UK Film Council and Studio Canal. It had a budget of £8 million and made $5,824,175.
2) The film is a science fiction horror set in a London council estate about teenagers who encounter an alien invasion. It is rated 15 for violence, drug use, and gore.
3) The movie poster depicts a diverse group of teenagers from the council estate ready to battle the aliens, showing the working class setting and themes of fighting and violence.
Focus Group - 4018
The document outlines questions from a focus group about a film trailer. It asks for opinions on whether the trailer was effective and enjoyable, what genre it represents, how it could be improved, and favorite parts. It explains that the filmmaker created a focus group of 12 friends and family to get feedback on the trailer by showing it and having them answer questions. Most feedback suggested making the trailer look less like a drama and more realistic.
Audience Research - 4018
Audience research is conducted to gather information about what audiences want to watch and their personalities. There are several methods for conducting audience research, including focus groups, questionnaires, box office takings, and test screenings. Focus groups involve interviewing a small group of people to discuss their opinions in an interactive setting, but the results may not represent the larger population. Questionnaires can be inexpensive and gather a lot of data quickly from many people, but responses may be biased by wording and response rates may be low. Box office takings refer to the financial success of a film based on the number of viewers and money made, which depends on the quality of the movie. Test screenings allow audiences to provide feedback on a movie before
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The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
In what ways does your media product use, develop or challenge forms and conventions of real media products?
- 2. The genre of our film is action and drama. I looked at different action and drama films which where quite similar to what our film opening was going to be about. The locations in our film opening where mostly in an interview room and the rest where typical British locations as you can see from the surroundings.
- 3. During our research we looked at locations which will be suitable for our film opening. We looked at ‘kidulthood’ which was a good film to take ideas from and would work well with our film opening. When looking at different colours and effects I also looked at the same film which used very grey dull colour and we've used that for our film opening not only is the colour dark it shows the typical streets of London.