This document discusses the ethics of creating and consuming imagery through the lens of meta, normative, and applied ethics. It provides examples of how biases can arise in machine learning systems from training data and how technologies like deepfakes and artificially generated photos can violate principles of empathy, autonomy, and integrity if used without consent or to misrepresent. The document argues that emerging technologies require careful consideration and solutions to combat potential ethical issues regarding issues like bias, consent, and authenticity.
(Accessible at httpswww.hatchforgood.orgexplore102nonpro.docxAASTHA76
(Accessible at https://www.hatchforgood.org/explore/102/nonprofit-photography-ethics-and-approaches)
Nonprofit Photography: Ethics
and Approaches
Best practices and tips on ethics and approaches in
humanitarian photography for social impact.
The first moon landing. The Vietnamese ‘napalm girl’, running naked and in agony. The World
Trade Centers falling.
As we know, photography carries the power to inspire, educate, horrify and compel its viewers to
take action. Images evoke strong and often public emotions, as people frequently formulate their
opinions, judgments and behaviors in response to visual stimuli. Because of this, photography
can wield substantial control over public perception and discourse.
Moreover, photography in our digital age permits us to deliver complex information about
remote conditions which can be rapidly distributed and effortlessly processed by the viewer.
Recently, we’ve witnessed the profound impact of photography coupled with social media:
together, they have fueled political movements and brought down a corrupt government.
Photography can - and has - changed the course of history.
Ethical Considerations
Those who commission and create photography of marginalized populations to further an
organizations’ mission possess a tremendous responsibility. Careful ethical consideration should
be given to all aspects of the photography supply chain: its planning, creation, and distribution.
When planning a photography campaign, it is important to examine the motives for creating
particular images and their potential impact. Not only must a faithful, comprehensive visual
depiction of the subjects be created to avoid causing misconception, but more importantly, the
subjects’ dignity must be preserved. Words and images that elicit an emotional response by their
sheer shock value (e.g. starving, skeletal children covered in flies) are harmful because they
exploit the subjects’ condition in order to generate sympathy for increasing charitable donations
or support for a given cause. In addition to violating privacy and human rights, this so-called
'poverty porn’ is harmful to those it is trying to aid because it evokes the idea that the
marginalized are helpless and incapable of helping themselves, thereby cultivating a culture of
paternalism. Poverty porn is also detrimental because it is degrading, dishonoring and robs
people of their dignity. While it is important to illustrate the challenges of a population, one must
always strive to tell stories in a way that honors the subjects’ circumstances, and (ideally)
illustrates hope for their plight.
Legal issues
Legal issues are more clear cut when images are created or used in stable countries where legal
precedent for photography use has been established. Image use and creation becomes far more
murky and problematic in countries in which law and order is vague or even nonexistent.
Even though images created for no.
Slides from the presentation I gave on Agile Experience Design. Look at the first slide. Someone delivered that. Someone signed it off. Someone had to use it. And they cried. It needn't be like that. This is how to make delightfully designed software faster. Test, learn, fail fast, succeed at speed.
(Accessible at httpswww.hatchforgood.orgexplore102nonpro.docxAASTHA76
(Accessible at https://www.hatchforgood.org/explore/102/nonprofit-photography-ethics-and-approaches)
Nonprofit Photography: Ethics
and Approaches
Best practices and tips on ethics and approaches in
humanitarian photography for social impact.
The first moon landing. The Vietnamese ‘napalm girl’, running naked and in agony. The World
Trade Centers falling.
As we know, photography carries the power to inspire, educate, horrify and compel its viewers to
take action. Images evoke strong and often public emotions, as people frequently formulate their
opinions, judgments and behaviors in response to visual stimuli. Because of this, photography
can wield substantial control over public perception and discourse.
Moreover, photography in our digital age permits us to deliver complex information about
remote conditions which can be rapidly distributed and effortlessly processed by the viewer.
Recently, we’ve witnessed the profound impact of photography coupled with social media:
together, they have fueled political movements and brought down a corrupt government.
Photography can - and has - changed the course of history.
Ethical Considerations
Those who commission and create photography of marginalized populations to further an
organizations’ mission possess a tremendous responsibility. Careful ethical consideration should
be given to all aspects of the photography supply chain: its planning, creation, and distribution.
When planning a photography campaign, it is important to examine the motives for creating
particular images and their potential impact. Not only must a faithful, comprehensive visual
depiction of the subjects be created to avoid causing misconception, but more importantly, the
subjects’ dignity must be preserved. Words and images that elicit an emotional response by their
sheer shock value (e.g. starving, skeletal children covered in flies) are harmful because they
exploit the subjects’ condition in order to generate sympathy for increasing charitable donations
or support for a given cause. In addition to violating privacy and human rights, this so-called
'poverty porn’ is harmful to those it is trying to aid because it evokes the idea that the
marginalized are helpless and incapable of helping themselves, thereby cultivating a culture of
paternalism. Poverty porn is also detrimental because it is degrading, dishonoring and robs
people of their dignity. While it is important to illustrate the challenges of a population, one must
always strive to tell stories in a way that honors the subjects’ circumstances, and (ideally)
illustrates hope for their plight.
Legal issues
Legal issues are more clear cut when images are created or used in stable countries where legal
precedent for photography use has been established. Image use and creation becomes far more
murky and problematic in countries in which law and order is vague or even nonexistent.
Even though images created for no.
Slides from the presentation I gave on Agile Experience Design. Look at the first slide. Someone delivered that. Someone signed it off. Someone had to use it. And they cried. It needn't be like that. This is how to make delightfully designed software faster. Test, learn, fail fast, succeed at speed.
Edupsych Theory for Hacker School: Summer 2013 editionMel Chua
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Thou shalt not steal - What every Educator should know about staying legal on...Rachel Evans Boyd
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With the advent of ICT and eLearning, teaching has changed. Teachers are working in an ever-increasing digital world. Digital technologies have revolutionised how creative works are made, distributed and used.
But what about copyright?
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Can I use that google image in my digital story??
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Based on my PyCon talk "EduPsych Theory for Python Hackers," here are the slides for my Summer 2013 Hacker School talk. The intent is to give this summer's batch of Hacker Schoolers ways to metacogitate about the self-directed learning they're embarking on.
Thou shalt not steal - What every Educator should know about staying legal on...Rachel Evans Boyd
An introduction to what every educator should know about copyright, staying legal and working within the law online (from a New Zealand perspective).
With the advent of ICT and eLearning, teaching has changed. Teachers are working in an ever-increasing digital world. Digital technologies have revolutionised how creative works are made, distributed and used.
But what about copyright?
Is everything on the Internet fair game?
Can I use that google image in my digital story??
If you (or your students) use or
create content online this workshop is for you.
Learn how to find audio, images and other digital resources that offer completely legal alternatives for digital publishing and ways you can protect digital content you make using creative commons.
We focus on Invisible Interfaces and their influence on digital experiences. With the advent of 5G creating the foundation for the increased adoption of ‘invisibility’ in our interaction with technology – we’ll discuss what this could mean for the UX and CX industry.
Presentation given at Interaction'12, February 3, 2012, Dublin, Ireland. Interest in persuasive design for behavior change has been growing rapidly in interaction design in the past years. In part thanks to that, we as designers now have ample tools and pattern libraries to inspire us. What we are lacking, however, are focus and guidance in applying them. Usually, we get those from user research. But current research methods and deliverables arguably do not provide ready springboards.
This presentation demonstrates how to use the Motivation Ability Opportunity (MAO) model as a tool to structure user research around a single behavior to be changed, and to guide subsequent design in prioritizing issues to tackle and ideating ways to tackle them.
Data scientist, or the most dangerous job of the 21st centuryHugo Bowne-Anderson
“Data scientist” has been called the sexiest job of the 21st century but it’s well on its way to becoming the most dangerous: the state of the art is a collection of siloed, ad hoc techniques developed to solve important and interesting challenges without a robust, principled approach. To paraphrase Michael I. Jordan, we are building dangerous, planetary-scale inference-and-decision making systems without a sufficiently stable engineering discipline, just as people built bridges and buildings, many of which fell, before there was civil engineering. In this talk, we’ll delve into how we got where we are today, what types of large-scale systems we’re building in medicine, information technology, finance, transport and society at large, and paths forward.
Talk given at Data Council, NYC.
The Ethics of Generative AI: A Humanist's GuideJen Looper
In a brave new world filled with unattributed text, filtered images, remixed sounds, and bot-generated refurbished art, where do we find ourselves? Can we merrily maneuver through ChatGPT to generate all the written text we ever need, park on the Midjourney Discord server to gather all the art we might ever want to look at, and listen to endlessly sampled sounds that melt away into the void? How are we to find our moral bearings in a morass of an ai-generated reality? In this talk, I’ll walk through a framework around understanding various aspects of ethics and moral philosophy, and then working backwards to understand where generative AI fits into this framework and whether we can find acceptable use cases for it.
Drawing a Circle Three Ways: Generating Graphics for the WebCloudinary
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We’ll answer these questions and explore how these technologies offer us possibilities of visual expressiveness on the web, across different form factors and platforms.
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Staff Software Engineer, Etsy
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In this session, we’ll learn about the different types of visual, auditory, cognitive, and motor impairments that affect how users interact with images and other media, and we’ll cover practical techniques for ensuring that your images are accessible to everyone, regardless of how they experience the web.
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Well... not quite. In the last few years, we've made tremendous improvements in image performance, but which technolgies and techniques are "the best" to focus on? We have image formats, image tooling, image compression, HTTP compression, HTTP2, HEIC and HEIF, guetzli and webp, HTML5, srcset and sizes and image-sets, SSL, sharding, caching and loading and preloading, and, well, just not loading anything at all. And that's just a start!
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The Physics of Fast Image Compression
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This sessions will cover physical limitations of these devices, choices of graphics formats, and how those limitations affect not just graphics, but your entire site or application performance.
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Imagecon 2019 - Jen Looper
1. The Ethics of ImageryThe Ethics of Imagery
Jen LooperJen Looper
Developer Advocate atDeveloper Advocate at
ProgressProgress
@jenlooper@jenlooper
2. agendaagenda
basics of ethical philosophybasics of ethical philosophy
ethics and the creation andethics and the creation and
consumption of imagesconsumption of images
AI, ethics, and imagesAI, ethics, and images
4. "The field of ethics (or moral philosophy)"The field of ethics (or moral philosophy)
involves systematizing, defending, andinvolves systematizing, defending, and
recommending concepts of right andrecommending concepts of right and
wrong behavior."wrong behavior."
https://www.iep.utm.edu/ethics/
5. Meta EthicsMeta Ethics
How do we understand
what is right or wrong?
Abstract questioning about
value-bearing things: "Is
murder ever permissible?"
7. Applied EthicsApplied Ethics
Determines practical
application of moral
considerations. "In a case
of murder, how can we
categorize first degree vs.
second degree?"
8. what are the ethics of creating imagery?what are the ethics of creating imagery?
(meta ethics)(meta ethics)
consuming & sharing images?consuming & sharing images?
(normative ethics)(normative ethics)
what if the imagery is created by an AI?what if the imagery is created by an AI?
(applied ethics)(applied ethics)
13. AutonomyAutonomy
respect your subject's self-respect your subject's self-
governancegovernance
“I left Belize when I was 12 or
13, just as all my friends were
getting swept up into gangs.
...After I came to America, they
were all killed in the exact
order that they were standing
in that photograph.” Photo by
Brandon Stanton, HONY.
15. Note: ethics are subjectiveNote: ethics are subjective
and fluid according to theand fluid according to the
genre/audience of an imagegenre/audience of an image
You can edit an image destined for an art
gallery, but not for a documentary
22. AcceptabilityAcceptability
"Napalm Girl"
Does the end justify the means?
violates subject's autonomy, but
photographer was on the receiving end of
a war, and the course of the war was
changed because of this photo
23. A short quizA short quiz
source: Thomson Foundation
images: Austin Neill, Savannah Dodd
24. You have been hired to take photographs of a beach to promote
tourism, but the beach is littered with plastic waste. What do you do?
A: Take well-framed pictures that represent the beach accurately and
do basic editing to make the scene more vivid, but leave the rubbish
B: Clean up a small area and photograph at an angle so that no litter
is visible in the frame
C. Digitally edit away the rubbish so that it looks more inviting
25. You are on a small boat tour on a river. You are impressed by the
paddling technique of the person hired to steer your boat, and you
want to take photographs of her. What do you do?
A. You ask her if you can take photographs.
B. You take a few photographs without asking. You show her the
images you took, and ask her if you can take more. You offer to send
her a few if she likes them.
C. You take photographs without asking. This boat tour is a tourist
attraction, so surely it is appropriate to photograph her.
29. tl;dr; memes aretl;dr; memes are
totally unethicaltotally unethical
maybe stick to cute animals
images taken out of context for fun
altered and cropped
recaptioned
zero consent
35. Can we used appliedCan we used applied
ethics to combat theethics to combat the
challenges that arechallenges that are
coming?coming?
36. Example 1: bias inExample 1: bias in
imageryimagery
premise: because bias in the training of
data imagesets creates flawed outcomes,
we need to remove bias
39. ML Algorithms learn onlyML Algorithms learn only
what they are trained towhat they are trained to
learnlearn
Garbage In, Garbage Out
Incomplete training data = incorrect
assumptions
Human bias easily translates to ML bias,
but ML 'sounds more legit' so watch out
44. Make sure youMake sure you
remove bias fromremove bias from
data from thedata from the
beginningbeginning
45. Check yourself: whatCheck yourself: what
biases do you bringbiases do you bring
to the project? Checkto the project? Check
the desired outcomethe desired outcome
46. Example 2Example 2
machine-generated photosmachine-generated photos
premise: most images are scraped from
datasets without consent, so their use
must be carefully controlled
48. Is this ok?Is this ok?
the algorithm uses 70k 'real people' images scraped
from Flickr
you are given the choice to remove your photo from
the image set (
) - the burden is on you
is it better to generate fake people for stock images?
problem: we don't know the eventual use of this set
https://github.com/NVlabs/ffhq-
dataset
51. Deepfakes are super usefulDeepfakes are super useful
for...for...
Revenge porn
Screwing up politics
Causing mayhem
52. is this ok?is this ok?
Deepfakes are totally unethical - violating
all the norms of empathy, autonomy, and
integrity
53. What can we do?What can we do?
check the source
tech problems may require tech
solutions:
check video metadata with InVid
check for authenticity using
Blockchain (TruPic service)
create a certification service for
authenticity
educate yourself
54. Example 4Example 4
AI Generated ArtAI Generated Art
premise: art - real art - is starting to be
created by ML algorithms. It's coming on
the market and needs to be valuated.
56. AI "Art" auctionsAI "Art" auctions
by a Generative Adversarial Network, sold for $423,500 at Christie's
57. GANGAN
2 NNs: a generator that synthesizes new
samples from scratch, and a discriminator
that takes samples from both the training
data and the generator’s output and
predicts if they are “real” or “fake”.
63. AIs are getting prettyAIs are getting pretty
creativecreative
Should we be worried?
What if museums come underpressure to
sell off their permanent collection in favor
of this new 'modern art'
Does it qualify?
When does it evolve from mashup to
creatively-generated art?
64. Example 5Example 5
fashion, photoshopping,fashion, photoshopping,
and those weird makeupand those weird makeup
appsapps
premise: 'beautifying' technology that
alters images should be monitored as it
comes with serious social consequences.