More Related Content
Similar to Historical looks
Recently uploaded
Recently uploaded (20)
Historical looks
- 1. Historical Timeline Unit 27,32,79 Stacey Hughes
- 2. In this assignment I will show a timeline of makeup and hair and demon straight how the products and the style has developed and changed over the years and are still changing. I will do research about each era and I will do a look based on how they used to dress and I will also explain if the makeup or hair is related to the actual era and how the era influenced this. I will include heath and safety as when doing makeup it is important to take these things into consideration. Introduction
- 3. Health and Safety Health and safety plays a massive role in the makeup industries as it would when giving treatment to anyone and it is always best to be covered. When working with children it is important to check for all allergies such as face paints glitters and especially using products such as Prosaid and latex . When using any glues its important to Patch tests this will be done 48 hours before .Patch testing is usually used to test the body for a reaction to certain products ect. This is usually done 48 hours prior to any treatment whether it be Prosaid, eyelash glue or hair dye ect. This test is usually carried out behind the ear or the Nape of the neck not all reactions will show up on a skin test however this is when it is expected for you a Make-up artist to notice if the skin seems to be reacting to whatever it is having done to it. On the other hand some Clients may have a reaction to certain makeup brands but that’s not something you will know until you have applied it to the face. Before using any heated appliances I will check they have been PAT tested this is carried out by an Electrician to ensure that the equipment is safe to use “Portable appliance testing test (PAT). When applying makeup I will not cross contaminate so to prevent this I will use disposable spatulas and disposable mascara wands. COSH(Control of Substances Hazardous to Health Regulations):- -makeup-eg products that cause skin irritation, allergies and asthma, acrylic fumes. -Hairdressing-eg products that cause aggravate, allergies, asthma. PPE( Personal Protective Equipment):-
- 4. cheeks and lips were very popular in the Elizabethan era and has become very strong part of the history of lip makeup. Women to achieve them used plants like madder that had red roots. Animal dyes like cochineal were also used. Egg white and ochres were mixed and applied to the cheeks.
- 8. To make a vinyl bald cap I used super baldiez as well as adding IPA (isopropyl alcohol ) to thinner it. I didn’t add too much IPA as I wanted it to be a reasonable consistency and IPA thinnens the super baldiez. Once I got the right consistency I used a sponge to just layer it up onto my red head and dried each section using a hairdryer I had to make sure I did loads of layers as it’s a really thin product. Once I was happy with my layers I used a translucent powder to remove the bald cap this helps it release and also makes sure the product doesn’t stick to itself.
- 10. I feel that the overall look went well but I feel If I was to re create this look I could make the hair a little bigger or higher and add more jewels to it. I really struggled with a costume for this look but I had an auntie who managed to make a scarf attaching some pearls. If I had more time I could of probable made a big fan for around the neck. The makeup is very pale so I whitened model down and there wasn’t really much to it except blusher and a little white through the lashes. The bald cap did start to rip but luckily it was under the wig so next time I know to make it thicker.
- 11. Restoration History The Restoration of the English monarchy took place in the Stuart period. It began in 1660 when the English, Scottish and Irish monarchies were all restored under King Charles II. It was a period of poor personal hygiene and little sanitation. Open sewers ran in what were known as kennels (gutters) on the streets, rats were everywhere and people squatted where they felt like it. smallpox was rampant. It ravaged populations in two ways - it caused many deaths but if you survived, you were most likely to be horrifically facially scarred. This scarring led to a new fashion, that of patches made from silk or leather, which people of fashion stuck to their faces to cover the pox scars. Patches could be bought in all sorts of shapes - hearts and diamonds were popular, and were glued to the face. This became a craze, with people seeking to out-do each other with the amount and variety of patches on their faces. They also used a white powder made from lead to smooth their complexions and hide the scars. Hair was a big point of fashion in this period. Elaborate curled wigs were routinely worn and Charles II himself was the owner of a long curly black number. They were made from human hair and were wildly expensive, and so were really only the province of the rich and ruling classes.
- 13. Face plan Product list • White Illumasqua • White translucent powder • Blusher • Wig cap • Black NYX Liner
- 14. Final Images
- 15. Final Images
- 16. Evaluation I didn’t really enjoy doing this look and it bored me as I wasn’t into this era and I didn’t find it interesting so I feel I rushed this look and tried to create a man from a women styling a wig the same as Charles II. The makeup for this look was simple and I feel if I was to re create this look I would probably of chosen a better costume.
- 17. 18th Century French Court The second half of the 18th century is an era particularly identified with hair and makeup, as these became such potent symbols of aristocracy during the Enlightenment and French Revolution. France and (to a lesser degree) England were the fashion leaders of this era, and it is to these countries that this article looks to identify the changing trends in hair and makeup. Hair styling and cosmetics application had a particularly important function in France. The toilette, or dressing, was a daily ceremony in which important persons were dressed (including hair styled and cosmetics applied) before a select audience. The 18th century is particularly associated with wigs, but these were primarily worn by men in the period. Wigs were introduced in the 17th century, when King Louis XIII of France (1610-43), who had let his own hair grow long, began to bald prematurely at the age of 23. women rarely wore whole wigs. Instead, they increasingly hired professional hairdressers (coiffeurs) who added false hair to their natural hair. While they were expected to augment their own hair with false hair, padding, powder, and ornaments, women’s hair was supposed to remain “natural” by avoiding the wholesale artifice of men’s wigs.
- 19. Making the Prosthetic To create this prosthetic I got a laminated piece of paper so it would remove easily and I put a thin layer of latex down using a cotton bud. After drying the thin layer with a hair dryer I then went on to put drops of latex on top in different sizes using the tip of the cotton bud to give it a spot effect. Once this dried I then powdered the latex so it didn’t stick to itself and they were ready to apply.
- 20. Final Images
- 21. Evaluation I really enjoyed creating this look and I feel that the final outcome looked good and creative. To style the wig I had to use padding to make it as high as it was this was hard to try and grip the odd curl up as well as having a couple curls down the grips kept falling out so I had to just keep tucking bits back up. Although it was a pain to keep tucking up the final image of the wig turned out just how I imagined and I even added pearls and birds as they used to have lots of things living in their hair. To create the skin as if my model had pocks I used several prosthetics I made using latex and painted them up as if they were sore and infected this looked really good and finished off my look. If I was to do this again I would of probably made more prosthetic pieces to add. To make the makeup look realistic I added the odd red spot using grease paints this gave the overall makeup a realistic look as if my model was in the 18th century.
- 22. Edwardian HistoryIt is the fairest skin that freckles.freckle may be fairly called the hall-mark of beauty, but it is a hall-mark that most people would rather be without. Buttermilk is said to be an excellent cure for freckles, and to act as a preventive as well. Lemon-juice applied frequently will wear them away in time, and it is still more efficacious when mixed with glycerine. Honey-water is another favourite remedy for the removal of freckles. It is made by mixing some fine honey with about twice its weight of clean dry sand, the mixture being subjected to dry distillation. Cosmetics could be easily bought at beauty salons but women were ashamed to admit they needed help to look pretty so, when visiting such shops, they would often use the back door! pale skin was still in (although after the First World War, tanned skin will soon become popular), but blonde hair was out. The Edwardian beauty was a brunette with a pale complexion and rosy cheeks. To whiten their faces, Edwardian women used enamel, a white face paint made with white lead (which we now know is toxic). Rice powder or pearl powder could be applied on top of the skin as well. In previous centuries, hair wasn’t washed often. This too is something that changed in the Edwardian Era when women started to take better care of their locks. Shampoos started to appear around this time and brillantine was applied to give hair shine. Henna, spread with a small toothbrush throughout hair (which would then be wrapped up in a hot towel for at least 15 minutes) was used to dye hair in beautiful copper shades. Sulfate of iron was used to darken hair but if you wanted to bleach it instead you would opt for dioxogen and ammonia. And to prevent grey hair, which was though to be caused by dryness, concoctions of glycerin, oil, rum and oil of bergamot was applied on the locks.
- 26. Final images
- 27. Evaluation
- 28. Victorian History After the profligacy of her predecessors, Victoria was determined to make the monarchy respectable again. And she didn’t think there was anything respectable about cosmetics. She thought face paint vulgar, and makeup suitable only for prostitutes and actresses. Rather than the heavy white paints and bright rouges of the past century, respectable well-off ladies went for the no-makeup makeup look. It perfectly suited the ideal of beauty of the era, which demanded a delicate and fragile look, with a pale complexion, and long curls. Their eyeshadows were made with lead and antimony sulfide; lipsticks with mercuric sulfide; blushes were simply beet juice. But they were all very subtle and applied very gently. The idea was to look like you weren’t wearing any makeup at all. Same for the eyebrows. They were plucked, but lightly, to give them a polished, but natural shape. n the Victorian age, a woman’s hair was considered her glory. So, women rarely cut their locks (usually only when they were ill), and often used false hair to give their mane more volume. Hairstyles weren’t particularly creative. Chignons and buns were very popular, and so were long, gentle curls let loose at the back or sides. Oils were applied to make hair sleek and smooth. Ornate combs and clips would complete the look. If women wore their hair long, men started chopping it off. The long hairstyles of the past were replaced by much shorter and simpler hairdos. But they would still wear long and full beards and moustaches. That was a sign of manhood!
- 30. Face plan Product List • Brow Gel • M.A.C Blusher • M.A.C Lipstick
- 32. Evaluation I feel this was a really easy look to create due to them not wearing much makeup. I only had to add a little blusher and style the hair. The hair I did was a bun with two drooping plaits wrapped around them. It was very simple but it all looked just like how they used to in Victorian times. If I was to create this look again I would probably be more adventurous with the costume.
- 33. 1920’s History Women cut their hair short, consumed alcohol and smoked in public; very revolutionary for the time. Bobbed hair with finger waves was extremely popular in the 1920s. Louise Brooks, Clara Bow, and Marion Davies, considered the "it girls" of their time, were all pioneers of this look. Although finger waves look a bit more authentic on bobbed hair, this '20s style is still doable with long hairstyles. In the '20s, the makeup industry was relatively new, and women were just beginning to purchase cosmetics on a regular basis. Dark red lipstick was the hot ticket because it was the only colour available. Mascara was far from today's tube and wand combo -- it came in a cake of wax that you added water to in order to create a paste you'd brush onto lashes with a small brush. One of the most iconic beauty looks of the '20s was dark lipstick that outlined and emphasized the cupid's bow of the upper lip.
- 35. Hair and face planFace Plan
- 36. Final Images
- 38. Evaluation I really enjoyed creating this look and feel that it went well. If I was to re create this look I would of blocked out the browns fully using mastix's as you can see that I haven't in my final photos and I feel it would look more effective. The wig I had for this look could have done with being styled as this is when finger waves came into fashion. If I had more time I would of probably used camouflage makeup to cover my models chest tattoos too as they didn’t have tattoos in the 1920’s
- 39. 1930s History Pencil thin eyebrows is one standout feature of the 1930’s face. In some cases women had their eyebrows plucked away entirely by over zealous beauty salons and had to ‘paint’ in their brows every morning. Nevertheless – it was and still remains a very clever way of feminising a face and if you have a penchant for this era then get plucking. The heavy kohl eye-shadows of the 1920’s vamp made way for newer and lighter shades. Cream eye- shadows began to appear from the big cosmetic names like Max factor who also launched the decade with his Lip Gloss and later in 1937. Helena Rubinstein launched the first commercial water-proof mascara in 1939. Lipstick sales went through the roof and there wasn’t a magazine on a stall that didn’t have a pouting face staring back – advertising the lipsticks of names like Coty, Tangee, and Max Factor. The British Daily Mail” reported in 1931 that 1,500 lipsticks were being sold to women for every 1 being sold in 1921. n the 1930s, the major trends for hairstyles were all about waves. With a softer look than the sleek bob and tight ringlets of the 1920s, women began wearing their hair in more feminine styles with parts sweeping to the side or down the middle. At the beginning of the decade, short hair still reigned with men’s hairstyles as well as women’s hairstyles.
- 41. Face plan Product List • Illumasqua Foundation • Black NYX Liner • Jeffree Starr Lipstick • M.A.C Blusher
- 42. Final images
- 43. Final Images
- 45. Evaluation This look was one of my favourite looks I feel it went really well and I am happy with the outcome. I worked on a model who had really long thick hair so trying to get finger waves in was tricky but I feel I did it the best I could. The rest of the hair was tucked under to make it look like a bob and I place a hate on one side as this is how they used to wear them. The eye brows were pencil thin and dark to match my models hair colour. If I was to create this look again I would of got my model to remove her facial piercings.
- 46. 1940’s History Lipstick was seen as “good for the morale of the nation” both in Britain and the USA. Women were applauded for the use of lipstick (seen as keeping femininity while carrying out men’s work) and adverts encouraged women to wear lipstick. Petroleum jelly was used to add a sheen, as well as protect lips. Various brands were on the shelves and came in both matte finishes and those advertised as “having a sheen”, but Max Factor’s Pan-Cake was the winner. In 1948, Max Factor followed Pan-Cake’s success with the launch of Pan-Stik, a cream foundation in a tube that was easy to apply. It was another product first developed for the movies, before being released to the public. To set foundation, a pressed powder in a compact would be used. Inspired by seeing movie stars doing it in their films, ladies would happily top up their powder in public. After the war, more coloured eye shadows started to be seen, especially blues and greens. Eye liner started to be worn on the upper eyelids in the late 1940s. Brows were kept groomed, shaped and defined with brow pencil. Brows could be arched or rounded in shape. 1940s brows had more to them than the thin brows of the preceding two decades, but were not left overgrown or too wide or full. most gentlemen sported shorter cuts with a serious sense of professionalism.
- 48. Face plan Product List • Illumasqua Foundation • Blusher
- 49. Final images
- 50. Final images
- 51. Evaluation This look was simple I only had to put a little foundation and blusher on my model as males were seen to dress suited and smart after the war. I styled that hair to make it look nice and professional.
- 52. 1950s History Pale skin was back again, and pastel hues in powder. Delicacy was the goal for foundation creams and top names like Elizabeth Arden and Max Factor and Helena Rubinstein jostled for supremacy in a woman’s handbag. Unlike the 1940s, when a dab of powder was all that was available or affordable for a woman, now every day began with a foundation base, a mask like complexion – a blank canvas. You completed the look with peachy or flesh coloured powder. It was common now to extend the natural border of your mouth with liner, making a girls look more feminine. Orange-red lipsticks for blonde hair, redheads and other medium dark colours; and purple-red lipsticks for dark haired. A survey in 1951 found that more than two thirds of women now regularly wore lipstick. As a result – long lasting lipstick was the next goal, and the first kiss-proof stay-on lipstick was introduced by a lady called Hazel Bishop in 1950. The eye look of the 1950s was essentially minimal, with little eye-shadow applied. Mascara on the other-hand was everyone’s favourite little accessory. Generous dabs of the stuff added a flushing femininity to a woman.A soft but definite liner was then applied along the upper lash and softly swept out in an arch, opening up the eyes. New products and techniques influenced how hair was styled, and the more ‘natural’ look was favoured, even if it was achieved by products and perms. Hair varied in length from short to long, with shorter styles most commonly seen. If someone had a fringe, it was worn quite short, generally no longer than the middle of the forehead. Curls and waves were created mainly by setting wet hair in pin curls.
- 54. Face plan Product List • Lime crime Lipstick • Illumasqua Foundation • Brow Gel • M.A.C Blusher • NYX Black Liner
- 55. Final Images
- 58. Evaluation This look was hard to create as my weakness is hair and I really wanted to create a victory roll. I had complications as my model had a full fringe so it was hard to create. I had to roll the hair inwards towards the pertain to hide the shorter hair inside the roll. I feel the overall look with the hair and makeup looks really good and I got the pin up style that I wanted to create.
- 59. 1960s History Made in Dagenham is a film made In 1968 where Rita O'Grady (Sally Hawkins) who works for Ford Motor Co. plant in Dagenham, England. Despite performing the specialized task of sewing upholstery for car seats, women are classified as unskilled labour and paid much less than men. O’Grady fought for better safety on trawlers, despite being told by the bosses to keep quiet. Rita agrees to bring the women's grievances to Ford. The meeting goes badly and, outraged by the company's lack of respect for them, Rita leads her colleagues to strike. A musical adaption of the film opened on 5 November 2014, at the Adelphi Theatre in London.
- 62. Face Plan/ Styling the Wig
- 63. Final images
- 64. Evaluation To create this look I had to style a wig this is one of my weakness but I did it with a couple of complications as I had to try and fit a microphone down the middle as I created this look at the civic theatre for a show also I had to try and hide some of the wigs net as it was visible. The makeup was a general basic stage with a little colour to the lid.
- 65. 1970s History Continuing on from the late 1960s flower power trend of more natural looks, the decade went into super glam mode, gave a nod to retro smoky eyes and skinny brows, revolved around the glitter ball of decadent disco and pogo-ed into avant-garde punk. Women’s liberation and feminism was growing in power, and had an impact on advertising and the cosmetics industry. Never one to miss a trick (or a potential sale), brands started to steer away from old-fashioned portrayals of women to appeal to the new independent woman. There were lots of makeup choices. Revlon, Max Factor, Yardley, Coty, Helena Rubinstein, Elizabeth Arden, Maybelline, Bourjois – all the familiar names were main players in the cosmetics market, though success varied from country to country. It was during the ’70s that the makeup needs of women of colour started to be more recognised, and more black and ethnic women were used in advertising. Farrah Fawcett-Majors was one massive influence on mid-1970s hair. Long hair had been in vogue since the late 1960s and it’s popularity continued right through the 1970s. It is a very commonly seen style in photographs, especially with younger women.
- 67. Face Plan Product List • Illumasqua foundation • Illumasqua white • Translucent powder • M.A.C Blusher • Grow Gel • Urban Decay (eclectic) • M.A.C lipstick
- 68. Final Images
- 69. Evaluation I decided to take the route of hippie as this was a common thing in the 70’s as bright colours started to emerge. I feel if I was to create this look again I would of chosen a better costume as I feel it isn't really bright. The hair would also be styled a little better but I wanted an authentic look. This look is not one of my best and I didn’t enjoy creating it. The makeup I did purples and pinks on the lid to match the clothes my model was wearing this went well with the era and costume but I didn’t like the overall finish.
- 71. 1980s History In the 80s hair was permed into a mass of frizz or curls and then, with a comb, we teased high up off of the forehead. It took about an entire can of Aqua Net hairspray to keep the mess up there. Regular ponytails were not enough for the 80s fashion world. They had to make them different so they started wearing ponytails off to the side. They didn’t wear them low. That would have been too discreet they wore them on the side way up high and gave them a bit of a tease for extra body. Pink, purple, and blue eyeshadow were the “in” colours for eyeshadow in the 80s they didn’t go for a “hint” of colour they went all out and bold. They would pile on the contrasting colours and wear eyeshadow from eyelids to eyebrows. The makeup trend back then was to heavily accentuate the eyes.
- 73. Face plan Product List • Black face paint • White face paint • Wig cap
- 75. Evaluation I decided to take a different look on the 80s era and do a music band instead of the normal everyday look. I really enjoyed creating this look and I feel it looked good. If I was to re create this look I would have probably styled the wig a lot better as Gene Simmonds had a high pony tail and the rest of his hair wild.
- 76. 1990’s History The eyebrows were to be dark and defined, either well-plucked or bushy and natural. The eyes had a light Smokey eye look, often in shades of brown and purple but also green and blue. As for the lips, shades of apricot, brown. It was also popular to define the lips’ lines by a dark lip liner and the rest of the lip in a lighter colour. Kind of like a ombre effect but without the smudge. A-list celebrities, of course, worked the makeup of the 90s as well (Jennifer Aniston, Julia Roberts, Cameron Diaz etc). Mini buns also known as bantu knots or Zulu knots, this look became popular after Gwen Stefani, then-singer for the band No Doubt, was seen sporting the look on multiple red carpets. The style involves sectioning off hair into diamond, triangle or square shapes and then twisting strands into small, tight knots all over the head. Beginning in the late 1980's and taking off in the following decade, hair crimping is a method of creating small, sawtooth waves in naturally straight hair. Nineties girls and women would achieve this popular look by braiding wet hair overnight, or by using a crimping iron for perfectly crimped hair. Pop stars like Britney Spears and Christina Aguilera helped to re-popularize the style after its initial mid-Eighties peak.
- 78. Face Plan Product list • L’oreal Foundation • Translucent powder • M.A.C Blusher • NYX Gel Liner • Brown/ Crème M.A.C eyeshadows • NYX Gold Glitter • Jeffree Starr Lipstick (Daddy)
- 79. Final Images
- 80. Evaluation I feel that this look went really well and I really enjoyed creating it as it’s a more up to date look then the later eras. If I was to re create this look I would dress my model in a denim jacket as this was quiet popular piece of clothing in to 90’s also I would of probably used a lighter shade of lipstick in the middle to give it an ombre effect. Overall I feel that it looks like the 90s era and I got the outcome I wanted.
- 81. 2000s History Heavily made up, lots of fake tan and the kind of golden glow that could be seen from space graced red carpets and magazine covers worldwide. This glossy, ‘blinged up’ skin was designed to reflect the glamourous lifestyle these music and movie stars were living at the time. Basically, you could never wear too much bronzer and absolutely flawless skin was a must – not a blemish or a dark spot in sight. While the 00s didn’t really have one definitive look, the smoky eye did receive a glamorous update to the simple 90s version. During this decade, browns and blacks were upgraded to bronzes and golds, midnight blues and silvers, in shimmering finishes that both darkened and attracted light to the eyes. No smoky eye look was complete without insanely long lashes and slim, perfectly arched eyebrows. If there is one product that defined a generation during the 2000s it is lip gloss. Juicy, shimmering, pouty lips were seen everywhere from music videos to TV shows with the most popular shades being easy to wear pinks and nudes shot with lots of golden shimmer which made the lips look fuller and more kissable almost instantly. A combination of curled and crimped hair was a style in which they used to do their hair as well as having anything with a bandanna.
- 83. Face plan Product List • Illumasqua foundation • NYX Black Liner • NYX white Liner • White eyeshadow • M.A.C Blusher • NYX nude lipstick
- 84. Final Images
- 85. Evaluation To create this look I decided to do a shimmery white eyeshadow with a winged liner. White was a popular colour in the 00’s for eyeshadows. If I was to re create this look I would of styled my models hair and probably dressed her in some different clothes for full images Also I would have chosen a different nude lipstick as I feel it blends with the foundation and I would have added a bit of gloss.
- 86. Cultural Look
- 87. From the 1940s until Moroccan declaration of independence from the tutelage of France in 1956, Moroccan women lived in family units that are "enclosed households" or harem, The tradition of their harem lifestyle for women gradually ended upon Morocco's independence from France in 1956. The traditional division of labour in Senegal saw Senegalese women as responsible for household tasks such as cooking, cleaning, and childcare. They were also responsible for a large share of agricultural work, including weeding and harvesting, for such common crops as rice. Women in the Democratic Republic of the Congo have not attained a position of full equality with men, with their struggle continuing to this day. In eastern Congolese it was a very dangerous place for women this is because soldiers rape and sexually attack women from old to young children. They do this routinely and are employed as weapons to subjugate villages and terrorise entire communities. The locals in the village have accepted this as just Congolese life. A Congolese woman defends and promotes the rights of women via a message printed on the fabric she wears.
- 91. Evaluation I feel this look went well but if I was to re-create this look from the start I would have prepared the costume better so it was a full look and not just head shots. This would mean painting the arms as well as the face and neck. I would of also had more props such as a basket as African women are known to carry burdens on their heads instead of carrying them on their back or shoulders. They usually carry burdens to do daily work, but sometimes in religious ceremonies or as a feat of skill, such as in certain dances this has existed since ancient times. The makeup for this look is simple but if I had another chance to re do the makeup I wouldn’t do the line on the lip as it looks like a cigarette. There are various ways in which they tie there headscarf‘s sometimes this is to help hold or balance the burden they carry depending on the shape. I decided this was the best way to apply my scarf as I only had to balance some fruit inside. I feel I could of added a bit of jewellry to finish off my look but something authentic and wooden.