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11/28/01
© Copyright 2001 Robert Helps

Robert Helps
Biographical Sketch
Robert Helps* is currently Professor of Music at the University of South Florida, Tampa,
and the San Francisco Conservatory of Music. He has been a recipient of awards in
composition
from the National Endowment for the Arts, the Guggenheim, Ford, and many other
foundations.
He was a recipient of a 1976 Academy Award from the Academy of Arts and Letters. His
orchestral piece "Adagio for Orchestra," which later became the middle movement of his
Symphony #1, won a Fromm Foundation award and was premiered by Leopold
Stokowski and
the Symphony of the Air (formerly the NBC Symphony) at the Metropolitan Museum of
Art in
New York City. His Piano Concerto #1 was commissioned by the Thorne Music Fund
and
premiered by the composer with the Manhattan Conservatory orchestra. His Piano
Concerto #2
was commissioned through the Ford Foundation by Richard Goode and performed by
him with
the Oakland (CA) Symphony.
Mr. Helps has been professor of piano at the New England Conservatory, the San
Francisco Conservatory, Princeton University, Stanford University, the University of
California
at Berkeley, and the Manhattan School of Music. He was artist-in-residence (pianist) at
the
University of California-Davis in 1973.
He is recorded extensively as pianist, composer, and pianist/composer on such labels as
Victor, Columbia, Composers Recordings Inc., Deutsche Grammaphon, New World,
Desto, Son
Nova, and GM Recordings. Many of his compositions, including his Symphony #1
(Naumburg
Award) and Gossamer Noons for voice and orchestra, are recorded.
He is published by C.F. Peters, Associated Music Publishers, E.B. Marks, and the
American Composers Edition. He has been very active as a solo and chamber music
pianist all
over the country with such descriptions as "a fantastic technique, incredible rhythmic
power, a
superb tone," and "understood musical romanticism and all that it demands by way of
singing
tone, relaxation, freedom, and grandiose display" (Alfred Frankenstein--San Francisco
Chronicle--reviewing the Liszt Piano Concerto #2 with Pierre Monteux and the San
Francisco
Symphony); "playing of astonishing virtuosity" (Richard Dyer--Boston Globe); "stunning
pianism--Helps' composition Portrait demands much of the pianist and tempts one to add
Helps
to the line of famous composer/pianists of the 19th and 20th centuries" (James Bossert--
Los
Angeles Times). Mr. Helps’ major teachers were Abby Whiteside, piano, and Roger
Sessions,
composition.
He has toured extensively with such internationally famous performers as Bethany
Beardslee, soprano; Isidore Cohen, violinist; Rudolf Kolisch, violinist; Phyllis Curtin,
soprano,
and Aaron Copland, composer/pianist, and has for many years performed solo and
chamber
works, many of them world premieres, for internationally known chamber music and
contemporary music organizations in New York City, Chicago, Los Angeles, San
Francisco,
Boston, Minneapolis, and elsewhere. Recent concerts have included memorial solo
recitals of
the music of renowned American composer Roger Sessions at both Harvard and
Princeton
Universities; an all-Ravel recital at Harvard, a solo recital in Town Hall, NY; four
summers with
*New Groves Dictionary of American Music, S.v. "Helps, Robert." and New Groves Dictionary of Music and Musicians, S.v. "Helps,
Robert."
ROBERT HELPS PAGE 2 11/28/01
Chamber Music West, the well-known San Francisco based summer festival; with Jorja
Fleezanis, violinist and concert master of the Minnesota Symphony in Minneapolis, San
Francisco, New York and Detroit; with Bethany Beardslee, soprano, in Boston, New
York City
(Town Hall) and Colorado Springs.
Recent compositions include Eventually the Carousel Begins for 2 pianos (commissioned
by Norma and Leonard Mastrogiacomo from Tallahassee on a National Endowment for
the Arts
award), A Mixture of Time for guitar and piano which was premiered in San Francisco in
June
1990 by Adam Holzman and the composer, The Altered Landscape (1992) for organ solo
and
Shall We Dance (1994) for piano solo written on commission for the Boston-based
pianist
Russell Sherman.
Season 1995-96 included two concerts in Merkin Hall, NYC--an all John Ireland recital
and, in collaboration with Jorga Fleezanis, concertmaster of the Minnesota Orchestra, an
all
Roger Sessions recital celebrating his 100th birthday year. It also included an all Helps
piano
recital for Detroit’s chamber music society, “Pro Musica,” and, in 1997, much the same
recital in
New York City and Berlin, Germany, as a guest of Spectrum Concerts Berlin. He
returned to
Berlin in November 2000 for another solo recital with Spectrum and a performance of his
Quartet for piano, violin, viola, and cello.
His most recent compositions are Trio #2 for Piano, Violin and Cello, commissioned by
the University of South Florida for the Lions Gate Trio (performed by them in Tampa,
France,
Finland and New York City); the other, Quartet for Piano, Violin, Viola and Cello,
commissioned by the Koussevitzky Music Foundation, Inc. for the San Francisco based
Dunsmuir Quartet and recently performed by them in many places including the National
Gallery in Washington D.C. and the Composers Inc. series in San Francisco.
He recently completed Symphony No. 2, commissioned by the Institute for American
Music at the Eastman School of Music. It was premiered February 18th, 19th and 20th,
2000, in
Tampa, St. Petersburg, and Clearwater, Florida, by the Florida Orchestra, Jahja Ling,
conductor.
Mr. Helps has received an honorary “Doctor of Humane Letters” from the University of
St. Thomas in St. Paul, Minnesota.
ROBERT HELPS PAGE 3 11/28/01


Robert Helps
Compositions
from C. F. Peters, Inc.
PIANO SOLO
Three Etudes P6998 19561 19662
Recollections P66167 1959 1968
Portrait P6997 1960 1966
3 Hommages P66525 1971 1972
Quartet for Piano P66404 1971 1972
Nocturne P66563 1972 1974
Waltzes by 25 Contemporary
Composers (includes Valse
Mirage by Helps)
P66404 1977 1978
Shall We Dance in production 1994
ONE PIANO FOUR HANDS
Saccade P66282 1968
TWO PIANOS FOUR HANDS
Eventually the Carousel Begins P67209 1987 1991
PIANO SOLO AND PIANO FOUR HANDS
Berceuse in production 1995
VOICE AND PIANO
The Running Sun
(poems by James Purdy)
P66650 1972 1976
CHAMBER MUSIC
Trio #2 for Piano, Violin and
Cello
1996 2000
Quartet for Piano, Violin, Viola
and Cello
1997 2000
ORCHESTRAL
Concerto #1 for piano and
orchestra
1968
Gossamer Noons (for voice and
orchestra) -- (poems by James
Purdy)
1974
Symphony #2 in production 2000 2000
1 Date of composition
2 Date of publication
ROBERT HELPS PAGE 4     11/28/01
from Associated Music Publishers (G. Schirmer)
Symphony #1 1955
Concerto #2 (for piano and
orchestra)
1973
Music for Left Hand (3 Etudes for
Piano Solo)
1975 1976
In Retrospect (5 pieces for piano) 1977 1980
Second Thoughts (for solo flute) 1977 1980
from Lawson-Gould (G. Schirmer)
New Music for the Piano
(includes Helps' Image)
1966 1967
from American Composers Edition
170 W. 74th Street
New York, NY 10023
(212) 362-8900
Two Songs for Voice and Piano
(Herman Melville)
1950
String Quartet 1951
Fantasy (for Piano) 1952
Trio (for Violin, Cello and Piano) 1957
Nocturne (for String Quartet) 1960
Solo (for Piano) 1961
Fantasy (for Violin and Piano) 1963
Postlude (for Horn, Violin and
Piano)
1964
Quintet (for Violin, Cello, Flute,
Clarinet and Piano)
1975
A Mixture of Time (for Guitar and
Piano)
1990
in manuscript
Duo for Cello and Piano (1977) 1977
The Altered Landscape (for
organ) (1992)
1992
Chatting (for 2 cellos) (1997) 1997
SONG TRANSCRIPTIONS
Schilflied Mendelssohn-Helps
(1988)
1988
Love Is a Sickness Full of Woes
John Ireland-Helps (1995)
1995
Chanson Pour Jeanne
Chabrier-Helps (1998)
1998
Testament Duparc-Helps (1998) 1998
ROBERT HELPS PAGE 5 11/28/01
Recordings
CDs
as COMPOSER & PIANIST
  Solo Flights--Robert Helps (In Retrospect-5 Pieces for Piano), CRI CD 864, 2000
  American Masters--ROBERT HELPS: Symphony No. 1 (Columbia Symphony Orchestra,
Zoltan
Rozsnyai, cond.), Gossamer Noons (Bethany Beardslee, soprano; American Composer's
Orchestra; Gunther Schuller, conductor), 3 Etudes (piano), Recollections (piano), 3
Hommages (piano), Robert Helps, piano, CRI CD717, 1996
  Robert Helps (The Running Sun) But Yesterday Is Not Today, Bethany Beardslee,
soprano,
Robert Helps, piano, New World Records 80243-2, 1996
  Robert Helps (Nocturne for String Quartet; Hommage à Fauré, Hommage à
Rachmaninoff
and Hommage à Ravel), David Del Tredici, Jan Radzinski and Tison Street, New
Chamber &
Solo Music, Robert Helps, piano, Members of Spectrum Ensemble Berlin (performing the
Nocturne) and The Tel Aviv String Quartet, CRI CD 649, 1993
  Robert Helps (Image), Henry Cowell, Harry Partch, Irving Fine, Otto Luening, Virgil
Thomson, William Albright, George Walker, Harvey Sollberger, Curtis Curtis-Smith,
Ned
Rorem, Joan Tower, Guy Klucevesk, Michael Gordon, Victoria Jordanova, Tan Dun and
Alice Shields, The Composer-Performer: The 40th Anniversary, Cowell, Partch, Fine,
Luening, Helps, Thomson, Albright, Walker, Sollberger, Curtis-Smith, Rorem, Tower,
Klucevesk, Gordon, Jordanova, Dun and Shields, performers, CRI CD 680, 1994
as COMPOSER
  Piano Trios by Robert Helps [and others] (Trio #2), Lions Gate Trio, Centaur CRC
2410,
1999
  Incantations (pieces for solo flute--Robert Stallman, flautist), includes Second
Thoughts for
solo flute by Robert Helps, VAI Audio VAIA 1112, 1995
  Robert Helps (Hommage à Fauré), John Adams, Todd Brief and Roger Sessions,
Christopher O'Riley, piano, Albany Records, TROY038-2, 1990
  Robert Helps (Nocturne, Three Hommages: Hommage à Fauré, Hommage à
Rachmaninoff,
Hommage à Ravel and Schilflied--Mendelssohn/Helps), Louis Moreau Gottschalk and
Amy
Beach, The American Romantic, Alan Feinberg, piano, ARGO 430 330-2, 1990
  Robert Helps (Second Thoughts for solo flute), Arthur Woodbury, Howard Buss,
Hilton
Kean Jones, Ingold Dahl and Robert Constable, Premiers Plus One, the McCormick Duo,
Kim McCormick, flute and Robert McCormick, percussion, HoneyRock RM01, 1994
  Trio #1 for Piano, Violin and Cello; Francesco Trio; Contemporary American Piano
Trios,
Vol. 2, Music & Arts CD-933
as PIANIST
  Solo Flights--Leopold Godowsky (Studies on Chopin's Etudes, No. 45), CRI CD 864,
2000
  LEO KRAFT: Allegro Giocoso, Robert Helps, piano, CRI CD-799, 1998
  ROBER SESSIONS: Sonata 3, Robert Helps, piano, New World Records, 80546-2, 1998
ROBERT HELPS PAGE 6 11/28/01
  ROBER SESSIONS: Sonatas 1-3, From My Diary, Robert Helps, piano, CRI CD800,
1998
  A Tribute to Soprano Bethany Beardslee, To Prove My Love (Godfrey Winham),
Robert
Helps, piano, CRI CD724, 1996
  American Masters--VIVIAN FINE: Sinfonia and Fugato for Solo Piano, Robert Helps,
piano,
CRI CD692, 1995
  David Del Tredici (Scherzo for piano four-hands), Robert Helps and David Del Tredici,
piano,
CRI CD 689, 1995
  Arthur Berger (Two Episodes), American Masters, Paul Jacobs, Gilbert Kalish, Robert
Helps,
pianists, the Brandeis Festival Orchestra, Izler Solomon, cond., and the Columbia
Chamber
Ensemble, Gunther Schuller, cond., CRI CD 622, 1992
  Maurice Ravel and Claude Debussy, Stories, Airs and Verse, Bethany Beardslee,
soprano,
and Robert Helps, piano, GM Recordings GM2029CD, 1990
  Aaron Jay Kernis (Brilliant Sky, Infinite Sky), Love Scenes, Sanford Sylvan, baritone,
Jorja
Fleezanis, violin, Daniel Druckman, percussion, Robert Helps, piano, CRI CD 635, 1992
LPs
as COMPOSER & PIANIST
  Robert Helps (The Running Sun), But Yesterday Is Not Today, Bethany Beadslee,
soprano,
Robert Helps, piano, New World Records NW 243
as COMPOSER
  Robert Helps, Symphony No. 1, Columbia Symphony Orchestra, Zoltan Rozsnyai,
cond.,
Columbia MS 6801
  Robert Helps, Symphony No. 1, Columbia Symphony Orchestra, Zoltan Rozsnyai,
cond.,
CRI SD 411
  Robert Helps (Valse Mirage), The Waltz Project, John Cobb, piano, Nonesuch
D-79011
  Robert Helps, Music of Robert Helps, David del Tredici (Three Etudes), William
Masselos
(Recollections) and Robert Helps (Quartet), pianists, Desto Records DC-7122
  Robert Helps (Gossamer Noons), Premiere, Bethany Beardslee, soprano, with
American
Composers Orchestra, Gunther Schuller, cond., CRI SD 384
  Robert Helps (Saccade), American Contemporary, Genevieve Chinn and Allen Brings,
pianists, CRI SD 383
as PIANIST
  Igor Stravinsky (Requiem Canticles), The New Stravinsky, Robert Craft, cond., Robert
Helps,
piano, Columbia MS 7386
  Arnold Schoenberg, The Book of the Hanging Gardens, Bethany Beardslee, soprano,
Robert
Helps, piano, SON NOVA 2
  Music of Mel Powell & Milton Babbitt, Bethany Beardslee , soprano, Robert Helps,
piano,
SON NOVA 1
  Arnold Schoenberg (Pierrot Lunarie), The Music of Arnold Schoenberg, Bethany
Beardslee,
soprano, Robert Helps, piano, and the Columbia Chamber Ensemble, Columbia MS 679
ROBERT HELPS PAGE 7 11/28/01
Roger Sessions, Piano Sonata No. 3, Robert Helps, piano, New World Records NW
307
  Roger Sessions, Piano Sonata No. 3, Robert Helps, piano, AR/Deutsche
Grammophon 0654 086
  Roger Sessions, Piano Sonata No. 1, Robert Helps, piano, CRI 198
  New Music for the Piano (music by 24 composers), Robert Helps, piano, RCA Victor
LSC-
7042
  New Music for the Piano (music by 24 composers), Robert Helps, piano, CRI 288

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Helps bio

  • 1. 11/28/01 © Copyright 2001 Robert Helps Robert Helps Biographical Sketch Robert Helps* is currently Professor of Music at the University of South Florida, Tampa, and the San Francisco Conservatory of Music. He has been a recipient of awards in composition from the National Endowment for the Arts, the Guggenheim, Ford, and many other foundations. He was a recipient of a 1976 Academy Award from the Academy of Arts and Letters. His orchestral piece "Adagio for Orchestra," which later became the middle movement of his Symphony #1, won a Fromm Foundation award and was premiered by Leopold Stokowski and the Symphony of the Air (formerly the NBC Symphony) at the Metropolitan Museum of Art in New York City. His Piano Concerto #1 was commissioned by the Thorne Music Fund and premiered by the composer with the Manhattan Conservatory orchestra. His Piano Concerto #2 was commissioned through the Ford Foundation by Richard Goode and performed by him with the Oakland (CA) Symphony. Mr. Helps has been professor of piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was artist-in-residence (pianist) at the University of California-Davis in 1973. He is recorded extensively as pianist, composer, and pianist/composer on such labels as Victor, Columbia, Composers Recordings Inc., Deutsche Grammaphon, New World, Desto, Son Nova, and GM Recordings. Many of his compositions, including his Symphony #1 (Naumburg Award) and Gossamer Noons for voice and orchestra, are recorded. He is published by C.F. Peters, Associated Music Publishers, E.B. Marks, and the American Composers Edition. He has been very active as a solo and chamber music pianist all over the country with such descriptions as "a fantastic technique, incredible rhythmic power, a superb tone," and "understood musical romanticism and all that it demands by way of singing tone, relaxation, freedom, and grandiose display" (Alfred Frankenstein--San Francisco Chronicle--reviewing the Liszt Piano Concerto #2 with Pierre Monteux and the San Francisco
  • 2. Symphony); "playing of astonishing virtuosity" (Richard Dyer--Boston Globe); "stunning pianism--Helps' composition Portrait demands much of the pianist and tempts one to add Helps to the line of famous composer/pianists of the 19th and 20th centuries" (James Bossert-- Los Angeles Times). Mr. Helps’ major teachers were Abby Whiteside, piano, and Roger Sessions, composition. He has toured extensively with such internationally famous performers as Bethany Beardslee, soprano; Isidore Cohen, violinist; Rudolf Kolisch, violinist; Phyllis Curtin, soprano, and Aaron Copland, composer/pianist, and has for many years performed solo and chamber works, many of them world premieres, for internationally known chamber music and contemporary music organizations in New York City, Chicago, Los Angeles, San Francisco, Boston, Minneapolis, and elsewhere. Recent concerts have included memorial solo recitals of the music of renowned American composer Roger Sessions at both Harvard and Princeton Universities; an all-Ravel recital at Harvard, a solo recital in Town Hall, NY; four summers with *New Groves Dictionary of American Music, S.v. "Helps, Robert." and New Groves Dictionary of Music and Musicians, S.v. "Helps, Robert." ROBERT HELPS PAGE 2 11/28/01 Chamber Music West, the well-known San Francisco based summer festival; with Jorja Fleezanis, violinist and concert master of the Minnesota Symphony in Minneapolis, San Francisco, New York and Detroit; with Bethany Beardslee, soprano, in Boston, New York City (Town Hall) and Colorado Springs. Recent compositions include Eventually the Carousel Begins for 2 pianos (commissioned by Norma and Leonard Mastrogiacomo from Tallahassee on a National Endowment for the Arts award), A Mixture of Time for guitar and piano which was premiered in San Francisco in June 1990 by Adam Holzman and the composer, The Altered Landscape (1992) for organ solo and Shall We Dance (1994) for piano solo written on commission for the Boston-based pianist Russell Sherman. Season 1995-96 included two concerts in Merkin Hall, NYC--an all John Ireland recital and, in collaboration with Jorga Fleezanis, concertmaster of the Minnesota Orchestra, an all Roger Sessions recital celebrating his 100th birthday year. It also included an all Helps piano recital for Detroit’s chamber music society, “Pro Musica,” and, in 1997, much the same recital in
  • 3. New York City and Berlin, Germany, as a guest of Spectrum Concerts Berlin. He returned to Berlin in November 2000 for another solo recital with Spectrum and a performance of his Quartet for piano, violin, viola, and cello. His most recent compositions are Trio #2 for Piano, Violin and Cello, commissioned by the University of South Florida for the Lions Gate Trio (performed by them in Tampa, France, Finland and New York City); the other, Quartet for Piano, Violin, Viola and Cello, commissioned by the Koussevitzky Music Foundation, Inc. for the San Francisco based Dunsmuir Quartet and recently performed by them in many places including the National Gallery in Washington D.C. and the Composers Inc. series in San Francisco. He recently completed Symphony No. 2, commissioned by the Institute for American Music at the Eastman School of Music. It was premiered February 18th, 19th and 20th, 2000, in Tampa, St. Petersburg, and Clearwater, Florida, by the Florida Orchestra, Jahja Ling, conductor. Mr. Helps has received an honorary “Doctor of Humane Letters” from the University of St. Thomas in St. Paul, Minnesota. ROBERT HELPS PAGE 3 11/28/01 Robert Helps Compositions from C. F. Peters, Inc. PIANO SOLO Three Etudes P6998 19561 19662 Recollections P66167 1959 1968 Portrait P6997 1960 1966 3 Hommages P66525 1971 1972 Quartet for Piano P66404 1971 1972 Nocturne P66563 1972 1974 Waltzes by 25 Contemporary Composers (includes Valse Mirage by Helps) P66404 1977 1978 Shall We Dance in production 1994 ONE PIANO FOUR HANDS Saccade P66282 1968 TWO PIANOS FOUR HANDS Eventually the Carousel Begins P67209 1987 1991 PIANO SOLO AND PIANO FOUR HANDS Berceuse in production 1995 VOICE AND PIANO The Running Sun (poems by James Purdy) P66650 1972 1976
  • 4. CHAMBER MUSIC Trio #2 for Piano, Violin and Cello 1996 2000 Quartet for Piano, Violin, Viola and Cello 1997 2000 ORCHESTRAL Concerto #1 for piano and orchestra 1968 Gossamer Noons (for voice and orchestra) -- (poems by James Purdy) 1974 Symphony #2 in production 2000 2000 1 Date of composition 2 Date of publication ROBERT HELPS PAGE 4 11/28/01 from Associated Music Publishers (G. Schirmer) Symphony #1 1955 Concerto #2 (for piano and orchestra) 1973 Music for Left Hand (3 Etudes for Piano Solo) 1975 1976 In Retrospect (5 pieces for piano) 1977 1980 Second Thoughts (for solo flute) 1977 1980 from Lawson-Gould (G. Schirmer) New Music for the Piano (includes Helps' Image) 1966 1967 from American Composers Edition 170 W. 74th Street New York, NY 10023 (212) 362-8900 Two Songs for Voice and Piano (Herman Melville) 1950 String Quartet 1951 Fantasy (for Piano) 1952 Trio (for Violin, Cello and Piano) 1957 Nocturne (for String Quartet) 1960 Solo (for Piano) 1961 Fantasy (for Violin and Piano) 1963 Postlude (for Horn, Violin and
  • 5. Piano) 1964 Quintet (for Violin, Cello, Flute, Clarinet and Piano) 1975 A Mixture of Time (for Guitar and Piano) 1990 in manuscript Duo for Cello and Piano (1977) 1977 The Altered Landscape (for organ) (1992) 1992 Chatting (for 2 cellos) (1997) 1997 SONG TRANSCRIPTIONS Schilflied Mendelssohn-Helps (1988) 1988 Love Is a Sickness Full of Woes John Ireland-Helps (1995) 1995 Chanson Pour Jeanne Chabrier-Helps (1998) 1998 Testament Duparc-Helps (1998) 1998 ROBERT HELPS PAGE 5 11/28/01 Recordings CDs as COMPOSER & PIANIST Solo Flights--Robert Helps (In Retrospect-5 Pieces for Piano), CRI CD 864, 2000 American Masters--ROBERT HELPS: Symphony No. 1 (Columbia Symphony Orchestra, Zoltan Rozsnyai, cond.), Gossamer Noons (Bethany Beardslee, soprano; American Composer's Orchestra; Gunther Schuller, conductor), 3 Etudes (piano), Recollections (piano), 3 Hommages (piano), Robert Helps, piano, CRI CD717, 1996 Robert Helps (The Running Sun) But Yesterday Is Not Today, Bethany Beardslee, soprano, Robert Helps, piano, New World Records 80243-2, 1996 Robert Helps (Nocturne for String Quartet; Hommage à Fauré, Hommage à Rachmaninoff and Hommage à Ravel), David Del Tredici, Jan Radzinski and Tison Street, New Chamber & Solo Music, Robert Helps, piano, Members of Spectrum Ensemble Berlin (performing the Nocturne) and The Tel Aviv String Quartet, CRI CD 649, 1993 Robert Helps (Image), Henry Cowell, Harry Partch, Irving Fine, Otto Luening, Virgil
  • 6. Thomson, William Albright, George Walker, Harvey Sollberger, Curtis Curtis-Smith, Ned Rorem, Joan Tower, Guy Klucevesk, Michael Gordon, Victoria Jordanova, Tan Dun and Alice Shields, The Composer-Performer: The 40th Anniversary, Cowell, Partch, Fine, Luening, Helps, Thomson, Albright, Walker, Sollberger, Curtis-Smith, Rorem, Tower, Klucevesk, Gordon, Jordanova, Dun and Shields, performers, CRI CD 680, 1994 as COMPOSER Piano Trios by Robert Helps [and others] (Trio #2), Lions Gate Trio, Centaur CRC 2410, 1999 Incantations (pieces for solo flute--Robert Stallman, flautist), includes Second Thoughts for solo flute by Robert Helps, VAI Audio VAIA 1112, 1995 Robert Helps (Hommage à Fauré), John Adams, Todd Brief and Roger Sessions, Christopher O'Riley, piano, Albany Records, TROY038-2, 1990 Robert Helps (Nocturne, Three Hommages: Hommage à Fauré, Hommage à Rachmaninoff, Hommage à Ravel and Schilflied--Mendelssohn/Helps), Louis Moreau Gottschalk and Amy Beach, The American Romantic, Alan Feinberg, piano, ARGO 430 330-2, 1990 Robert Helps (Second Thoughts for solo flute), Arthur Woodbury, Howard Buss, Hilton Kean Jones, Ingold Dahl and Robert Constable, Premiers Plus One, the McCormick Duo, Kim McCormick, flute and Robert McCormick, percussion, HoneyRock RM01, 1994 Trio #1 for Piano, Violin and Cello; Francesco Trio; Contemporary American Piano Trios, Vol. 2, Music & Arts CD-933 as PIANIST Solo Flights--Leopold Godowsky (Studies on Chopin's Etudes, No. 45), CRI CD 864, 2000 LEO KRAFT: Allegro Giocoso, Robert Helps, piano, CRI CD-799, 1998 ROBER SESSIONS: Sonata 3, Robert Helps, piano, New World Records, 80546-2, 1998 ROBERT HELPS PAGE 6 11/28/01 ROBER SESSIONS: Sonatas 1-3, From My Diary, Robert Helps, piano, CRI CD800, 1998 A Tribute to Soprano Bethany Beardslee, To Prove My Love (Godfrey Winham), Robert Helps, piano, CRI CD724, 1996 American Masters--VIVIAN FINE: Sinfonia and Fugato for Solo Piano, Robert Helps, piano, CRI CD692, 1995 David Del Tredici (Scherzo for piano four-hands), Robert Helps and David Del Tredici, piano, CRI CD 689, 1995 Arthur Berger (Two Episodes), American Masters, Paul Jacobs, Gilbert Kalish, Robert Helps,
  • 7. pianists, the Brandeis Festival Orchestra, Izler Solomon, cond., and the Columbia Chamber Ensemble, Gunther Schuller, cond., CRI CD 622, 1992 Maurice Ravel and Claude Debussy, Stories, Airs and Verse, Bethany Beardslee, soprano, and Robert Helps, piano, GM Recordings GM2029CD, 1990 Aaron Jay Kernis (Brilliant Sky, Infinite Sky), Love Scenes, Sanford Sylvan, baritone, Jorja Fleezanis, violin, Daniel Druckman, percussion, Robert Helps, piano, CRI CD 635, 1992 LPs as COMPOSER & PIANIST Robert Helps (The Running Sun), But Yesterday Is Not Today, Bethany Beadslee, soprano, Robert Helps, piano, New World Records NW 243 as COMPOSER Robert Helps, Symphony No. 1, Columbia Symphony Orchestra, Zoltan Rozsnyai, cond., Columbia MS 6801 Robert Helps, Symphony No. 1, Columbia Symphony Orchestra, Zoltan Rozsnyai, cond., CRI SD 411 Robert Helps (Valse Mirage), The Waltz Project, John Cobb, piano, Nonesuch D-79011 Robert Helps, Music of Robert Helps, David del Tredici (Three Etudes), William Masselos (Recollections) and Robert Helps (Quartet), pianists, Desto Records DC-7122 Robert Helps (Gossamer Noons), Premiere, Bethany Beardslee, soprano, with American Composers Orchestra, Gunther Schuller, cond., CRI SD 384 Robert Helps (Saccade), American Contemporary, Genevieve Chinn and Allen Brings, pianists, CRI SD 383 as PIANIST Igor Stravinsky (Requiem Canticles), The New Stravinsky, Robert Craft, cond., Robert Helps, piano, Columbia MS 7386 Arnold Schoenberg, The Book of the Hanging Gardens, Bethany Beardslee, soprano, Robert Helps, piano, SON NOVA 2 Music of Mel Powell & Milton Babbitt, Bethany Beardslee , soprano, Robert Helps, piano, SON NOVA 1 Arnold Schoenberg (Pierrot Lunarie), The Music of Arnold Schoenberg, Bethany Beardslee, soprano, Robert Helps, piano, and the Columbia Chamber Ensemble, Columbia MS 679 ROBERT HELPS PAGE 7 11/28/01
  • 8. Roger Sessions, Piano Sonata No. 3, Robert Helps, piano, New World Records NW 307 Roger Sessions, Piano Sonata No. 3, Robert Helps, piano, AR/Deutsche Grammophon 0654 086 Roger Sessions, Piano Sonata No. 1, Robert Helps, piano, CRI 198 New Music for the Piano (music by 24 composers), Robert Helps, piano, RCA Victor LSC- 7042 New Music for the Piano (music by 24 composers), Robert Helps, piano, CRI 288