2. Nature of Theatre
Interpretation is unique
Always study and interpretation
Address ambiguous theatre in play – metatheatre
Addressing audience “theatrical device”
Hamlet reflects play “Who’s there?” (Hamlet reflecting himself)
“Mouse trap” – meta-theatre (Where is the line drawn?)
By faking = you manipulate and get what you want
We, the audience, are here to enjoy – not to think
Acting = faking emotions and Hamlet believes he cannot
Appearance versus reality
Theatre would not work if we did not put a suspend on belief.
Metatheatre = play within a play “Life is but a stage” (Like a
Russian Doll)
3. Disease and Cossuption
Longest play of Shakespeare
Rotten Denmark (Hamlet/ Laertes)
Disease of the mind (Ophelia)
Country reacting to the death of the king/ marriage
4. Role of Women
Purpose to show off Hamlet’s doubts/ fears
Ophelia used as a prop by Polonius
Only controlling when she had gone mad
Even though she could not control herself
Women are stronger in Shakespeare’s comedies
Ophelia’s madness – true grief compared to Hamlet’s
madness
What did the queen know?
Did Hamlet really love Ophelia?
5. The Ghost, Religion, Heaven, Hell and Purgatory
Hamlet questions the nature of ghost
Claims to be from purgatory
Someone in purgatory does not speak of forgiveness and
revenge
Appearance of ‘hell’
Uses heaven in describing revenge (Hamlet)
Hamlet’s thoughts when Claudius is praying
Claudius’ perception on praying
Ophelia in hell?
Earthly justice versus Heavenly justice
Nobles decided burial
Adjust beliefs to suit human perception
6. Words
Shakespeare’s longest play
Most soliloquies
Internal monologue more expressed than dialogue
Functioning of language
Function of silence
“Let my story be heard”
Hamlet acts for those who cannot
Because of that, he is in a position where he cannot say
certain things
Uses words as weapons (daggers)
Words used as illusion (Claudius)
Construct reality through words
Audience understands Hamlet’s through words