This document analyzes shots from the opening credits of a 1960s musical. Shot 1 establishes the production company with no context of the film's genre. Shot 2 introduces the director but still provides little information. Shot 3 shows characters dancing on a TV show set, indicating choreography and dancing will be central. Subsequent shots provide more details about the TV show setting, characters, and era through costumes, dialogue, and music to build intrigue around the musical's story and themes.
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guideIan Moreno-Melgar
A detailed guide and workbook for Pan's Labyrinth as part of the A-Level Film Studies Specification covering context, a detailed analysis of the film, examinations of Spanish Cinema, Civil War, as well as work on representation and aesthetics as well as the aesthetic influences of Director Guillermo Del Toro.
Analysis of Film Opening Sequences by Sabrina Bourhaba for AS Media Studies
Films analysed:
Skyfall (dir: Mendes, 2012)
Antichrist (dir: von Trier, 2009)
Shaun of the Dead (dir: Wright, 2004)
Harry Potter and the Philosopher's Stone (dir: Columbus, 2001)
My presentation on the codes and conventions of thriller films which includes what they have to be and whats in a thriller film that makes it a thriller
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guideIan Moreno-Melgar
A detailed guide and workbook for Pan's Labyrinth as part of the A-Level Film Studies Specification covering context, a detailed analysis of the film, examinations of Spanish Cinema, Civil War, as well as work on representation and aesthetics as well as the aesthetic influences of Director Guillermo Del Toro.
Analysis of Film Opening Sequences by Sabrina Bourhaba for AS Media Studies
Films analysed:
Skyfall (dir: Mendes, 2012)
Antichrist (dir: von Trier, 2009)
Shaun of the Dead (dir: Wright, 2004)
Harry Potter and the Philosopher's Stone (dir: Columbus, 2001)
My presentation on the codes and conventions of thriller films which includes what they have to be and whats in a thriller film that makes it a thriller
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
Follow us on: Pinterest
Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
Focused television virtuality crime, novel.
The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
1. Camera Shots/Angles:
This is the establishing shot which introduces the company that is
part of this musical, it is a mid-longshot at no particular angle but
as it has completely stuck to the usual representation of the
production name when it introduces the company it still leaves
the audience to see one of the settings that shall be used in the
musical..
Dialogue/Sound/Movement:
The dialogue in this shot is important because it introduces the
company that is part of the film letting the audience have an idea of
the type of film this will be already, however it doesn’t actually help
the audience if you're a viewer who has watched a lot of these
companies films as you would then know a range of romance,
comedies & thrillers have been produced therefore we as the audience
still don’t have any idea of what this film is about due to no setting or
characters etc have been introduced yet. No non diegetic sound is
played until the next shot at 0:11 begins.
Editing/Timing:
This is the establishing shot so it begins at 0 seconds ‘fading in’ for a
duration of 10 seconds then ‘fading out’ it takes so long as it is almost
an animation which involves quite a bit of movement of the ladders
and title (you can see in the picture below) to build up to the shot it is
in the picture as the colours change too.
Evaluation:
This establishing shot doesn’t give anything away about the film
because like I said previously in the box above a lot of genres have
been produced by this company so this doesn’t help the audience but
leave them wondering about what to expect next.
2. Camera Shots/Angles:
This shot is similar to the establishing one as the angles is based in
the middle at a long-mid shot. It is a very basic shot only consisting
of 2 colours; purple & black making it look very simple and it is
kept like this from the establishing shot for a duration of 30
seconds as until 0:30 only title credits of producers etc are
introduced.
Dialogue/Sound/Movement:
This dialogue names a director which I thought was important due to
similar reasons I explained previously as it can tell the audience what
the film would consist of character wise, genre & setting however this
director also has been involved in thrillers, romance & ones that are
certified to be high e.g. 18 certificate. The big font of the name shows
the success of the director while the purple font gives a girly outlook
of this musical so far suggesting themes such as relationships to take
place and more girl characters gender wise than boys. The sound is
non diegetic which is a soundtrack called ‘Hairspray’ that is basically a
recognition/logo of this musical which represents the era it is base in
by the instruments & upbeat tune, this foreshadows quick
choreography, songs & the characters involved.
Editing/Timing:
This second shot appears 25 seconds via a ‘fade in’ from when the
opening credits start but only stays for 5 seconds (until 0:30) ‘fading
out’ but this may be because there are so many credits to give &
characters/personalities to see to help the audience understand more
of what the musical contains before it starts it needs to be skipped
through quite quickly still giving the audience time to catch up.
Evaluation:
From this directors name the one thing I did find was that a lot of his
films consisted of different time eras form when the film was actually
made & involved characters that were different that looked a high
budget was needed to get the perfect costumes etc. I also saw films
that were rated PG were linked back to this director too e.g. Mickey
Mouse suggesting a similar theme of certificate in this musical
(looking at the purple font)
3. Camera Shots/Angles:
This is the first shot that actually introduces us to a setting that will
be part of the musical, it is at a low angle looking upwards towards
the entrance of the building making it seem like it is a persons POV
like they’re about to enter the building. The long shot lets the
audience see the surroundings of the building to help suggest
where & what it is although it does look as if it is some sort of
studio or a school so far with an interesting name but this doesn’t
look recognisable to the viewers. We get our first bit of lighting
that is high key mainly because it is caused by the sun and I know
this as I can also see clear skies in the back due to the long shot.
Dialogue/Sound/Movement:
In this shot it is still a non diegetic track called ‘hairspray’ which will be
played throughout this opening credits/sequence. The only dialogue
here is what looks like the name of the building or company
rearranged into a acronym, I can see this as ‘WZZT’ doesn’t make an
actual word that makes sense leaving the audience to think about
what it could possibly stand for. No camera movement is used in this
shot just a quick cut to the next shot.
Editing/Timing:
The duration of this shot is not very long at all considering it is the first
scene of a actual setting in the film you would’ve thought it would be
longer as it starts from 0:31 with a duration of one second to 0:32
leading to a quick cut, this doesn't seem like it gives the audience
enough time to get a view of the first setting however when you
actually watch it as no camera movement is used it is enough.
Evaluation:
From evaluating this shot I can already tell that the musical will be
based for a few scenes in this studio of some sort however due to the
acronym I as part of the audience cant 100% tell what the studio is for
or what the name is therefore I will then have to keep on watching to
find out (leaving mystery still) The POV makes me feel as though I'm
the person who is about to enter this studio and for this reason makes
me feel apart of the film.
4. Camera Shots/Angles:
This long shot at a higher angle lets the audience see the setting at
a full view which is a set & this links to the previous shot from
outside when I spoke about it being some type of studio,
suggesting by the cameras it looks like some sort of television
studio. The shot is a POV either from a person or possibly a
camera because of the camera movements that take place. The
mash potato dance was starting to be presented by some of the
characters & this is not usually seen in this era suggesting it was
set back into the 1960’s when a move like this was done all the
time & very popular, as the characters start dancing it suggests the
moves the characters will do and if it is a dancing programme.
Dialogue/Sound/Movement:
No dialogue is in this shot but there are a couple of different camera
movements now as from 0:33-43 it is a trucking movement to the left
while at the same time from 0:33 to 0:41 the camera is dollying
outwards as the characters exit from the other room and come out in
a big group walking towards the set making the camera follow so the
audience can see what the characters are doing, the dollying outwards
also makes the shot wider and we as the audience can see the set
more & costumes. The lighting is part of the set therefore it is
expressive & high key however we can see low key lighting surrounding
the set which shows the audience more that this lighting isn't real. (I
couldn’t fit lighting in the box on the left)
Editing/Timing:
So far this is the longest shot I have looked at starting from 0:32 until
0:46 and during this time no edits are used but the long duration lets
the characters in scene enter what looks like a set (we can get to grips
with the characters clothes etc) and by the end we get to see what
they are actually doing which is dancing. So already we see some
choreography and that dancing will be a key part in this musical.
Evaluation:
This is the most important shot so far in my opinion as it gives the
audience the most clues to the type of characters & era it is based in.
What I mean by the characters is that from what I see so far all of
them seem to look glamourous & quite slim with the colour of their
skin being white and if you think back to the time it is set in the 1960’s
black people couldn’t be apart of the programmes or dance with
white people as they had a ‘different’ style of dance it almost became
a division between the two.
5. Camera Shots/Angles:
This is a wide shot that lets the audience realise & understand it is
a set the characters are in on a TV show (which you can see is on a
board in the background-the name) but because you can see there
is a camera it suggests this could be a POV of a camera because of
the camera movements that took place previously on shot 4 but it
is a slightly higher angle than what we have had on previous shots
so far.
Dialogue/Sound/Movement:
There is still a continuous non diegetic soundtrack in the background
that becomes more important when it is appeared to be in sync when
the title appears, but the soundtrack will be played throughout the
whole opening credits. You would of thought when you watch the
video you could hear the diegetic sound of shouting and chatter from
the characters but you don’t, this makes you focus on the track/title.
No camera movements take place in this shot as they’re previously
done in shot number 4. The dialogue is in a big bright font which
suggests things of the musical, that the costumes will be bright
coloured & include characters with different and crazy personalities.
Editing/Timing:
From when the title fades in at 0:46 it stays on the screen in the same
position for 8 seconds until 0:54 then fading back out again, after the
title appears 2 seconds later it cuts to the next shot. What I noticed
about the entrance of the title was it appeared in sync to the song
when the lyric ‘Hairspray’ was said too, because of this the audience
will then start to notice some relevance of the word Hairspray as it is
constantly repeated and wondering if it is about the object or
something else.
Evaluation:
Like I explained in the ‘Editing/Timing’ after this shot this does leave
thoughts to the audience on how the word ‘Hairspray’ is significant in
this musical as we mainly relate it to just being an object making you
wonder if it has something to do with the narrative or characters or
possibly we’re just over thinking it? As we can now see the name of
the TV show I now realise that it is based on performing (dancing) as
when the characters entered the set all of them were dancing either
by themselves or with partner which now suggests some idea of a
storyline/narrative.
6. Camera Shots/Angles:
This shot is a mid-close up with the camera positioned at a lower
angle looking up towards the character which makes him the main
focus in this shot. As we are quite close up to the character we can
see by his face that he is one of the older characters suggesting he
could be the presenter of the show also by the way he is reading a
card (wrote down what to say?) The lighting is a bit darker on this
shot but still high key, it forms a shadow against this character but
reflects towards the board of ‘Top 10 Hits’ then attracting the
audiences attention to it and this shows part of what the show is
about which is also music as it suggests the presenter goes through
the songs each month.
Dialogue/Sound/Movement:
No camera movements took place as the lower angle was perfect so
we could see the character and the props behind him while the
soundtrack is still continuously playing. A bit of dialogue appears when
it cuts to this shot introducing the names of the characters but the font
& colour is still kept the same throughout as we would want to keep a
theme and some consistency going (It wouldn’t make sense to change
it) However you can see the font of the credits & font of the title on
the board is very similar so it matches and suits the ‘wacky’ style of the
1960’s that is trying to be presented (thinking about my previous
explanation of the ‘Hairspray’ title.
Editing/Timing:
This shot starts at 0:57 at which previously the title just disappears
from shot number 5, this shot then lasts until 1:04 as this character is
doing a bit of messing about with the card he is holding. The long
length of this shots is useful as it lets the audience see part of the set
in more detail and what is involved in this TV show. I think there is a
transition of a ‘Lock off’ after he throws away the card he looks at
something to then which there is a cut to what he sees (this happens
at 1:03 when the character looks at someone)
Evaluation:
So far this shot is the one that interests me the most as it now gives
you more of an insight to what the TV show includes and because of
the mid-close when you look at the type of songs on the board you
notice that they’re classic 1960’s music therefore reminding the
audience of this different time period this musical has tried to set
itself in.
7. Camera Shots/Angles:
It is at a higher angle I would say from quite a further distance at a
mid shot but the way this shot has been positioned makes me
think of a POV from another character looking down at her from a
distance. This shot lets the audience have an insight on what the
characters do off the show & how they act, which at the moment
isn't to great as this characters body language is slightly slouched
like she cant be bothered, she also isn't talking to anyone which
suggests that there is some bitchiness & a sense of being
competitive in this show.
Dialogue/Sound/Movement:
No dialogue or camera movement is seen in this clip with no
difference in the soundtrack (like I previously said this will be
continuous) and no diegetic sound from eating crisps etc.
Editing/Timing:
From shot 6 we now skip a couple of shots to focus on this one which
starts at 1:20 until 1:26 and it is quite a long shot which is unusual due
to the fact within this time we only see her putting hairspray in her hair
continuously while eating crisps., at the end of this shot it then cuts to
a man dancing showing the sides of unproductive & then productive
characters.
Evaluation:
From analysing the shot there is a sense of competitiveness from the
characters and having a front on the camera to how the characters
actually are behind the scenes, this can be possibly then produced
into a story of characters trying the ‘steal’ the limelight suggesting this
to be part of the story.
8. Camera Shots/Angles:
The reflection in the mirror makes this shot look like it is over the
shoulder and a near enough POV too from her perspective while
we can see a different setting that seems to be the changing room.
This is a good shot as it shows a side of characters which I'm sure
occurs in many of the females and that is the pressures of looking
good for TV or in general and the self image some girls saw in
themselves as quite negative, but we can relate to this in real life
as it is actually a big issue in society. The lighting is more low key in
this shot & dimmed, this may be for the characters benefit as some
people find particular lighting ‘unflattering’
Dialogue/Sound/Movement:
The dialogue here is just some more credits of characters and this is
the same styled font like I said previously as you want to keep the
same style theme. No camera movement or change in sound took
place.
Editing/Timing:
There are once again a couple off different shots between shot 7 & 8
before it does show this one, at which this starts at 1:36 until 1:50 as
it then cuts to tend to another girl doing her makeup, this clip is a
duration of 14 seconds as we the audience can see what this character
is doing and that is stuffing what looks like tights into her costume
which is quite baggy up top and she stuffs it so it looks like she is more
‘heavy’ chested.
Evaluation:
This is an important shot as the mirror reflection lets me see the
characters expressions & what her actions are but now more of the
characters attitudes (especially female) towards themselves that are
negative it seems and is an important example of what happens due
to TV but some people in real life can relate to this on how they see
themselves generally not just to TV.
9. Camera Shots/Angles:
Based on the picture below it seems the camera has been
positioned into a higher angle looking down to focus on the mid
shot of the couple. As the camera is quite close we can now see
the connection between the characters by the body language of
them both and it makes us expect more scenes like this , but it
hints that the musical could be quite cringey too with lovey
couples involved.
Dialogue/Sound/Movement:
This section has been quite repetitive but does need to still be
explained.. When this shot is played you can not hear diegetic sound
during the conversation between the two or the hairspray but only the
continuous Hairspray soundtrack. The camera in this shot is still in
position.
Editing/Timing:
From 1:58 until 2:13 which is when it starts & ends we see a
connection between 2 characters and the reappearance of the
‘Hairspray’ prop showing a real significance towards it as this has now
reoccurred for the 2nd/3rd time now. No special edit has been used
only a cut to the next shot.
Evaluation:
Another part of the storyline is suggested by this shot of some
relationships that can occur for example following two characters
journey when they first meet and see if they do end up together or
not. The reoccurrence of the prop leads the audience to think more
about why it is included so much and why it is important.
10. Camera Shots/Angles:
This shot is quite far out but still a long-mid shot however it looks
like a POV from a camera man who is stood behind or next to the
camera looking at the other protagonist. This angle is at eyelevel of
the camera but looks higher because of the position as it seems
quite far out, because of this angle we can now see the name of
the company that has now reoccurred from shot 3 just to remind
the audience of who the show is owned by. This long-mid shot also
lets us see the set in more detail such as the musical instruments
hanging from the curtains still giving this musical aspect to the
show.
Dialogue/Sound/Movement:
I have noticed a lot of these images are very still with no movement as
the producer really wants the audience to focus on the type of
different characters there are but also because the characters them
selves aren't moving location from where they were each originally
presented. No dialogue apart from the signatures (which makes the set
look more real & suggest it has been here for a long time by how many
there are) was in this part with a continuous sound track.
Editing/Timing:
This 10th shot appears 2:14 inwards for a long time of 11 seconds
(2:25) then cutting to the next shot but within the duration of this time
some credits are presented but we only have a view of the protagonist
looking at himself checking his appearance is ok.
Evaluation:
Another character suggestion is perceived from this shot of vain
personalities as by the time we see this already there have been ¾
different characters that have been looking into mirrors checking their
hair, clothes and makeup which links back to this self image I
mentioned previously in shot number 8.
11. Camera Shots/Angles:
Another board is now presented giving another concept of the TV
show away as it is a mid-long shot we can see clearly it is a bar
chart with names on like there is a game the show have to keep
score of. We can also see the year it is set in which clarifies to the
audience more specifically what year it was. The lighting is similar
to shot 6 with a reflecting shadow onto the board due to the
position of the stage lighting which is high key but the shadow
gives a low key concept. This long shot demonstrates her body
language is quite tense proving the actions she is doing she
actually shouldn’t be.
Dialogue/Sound/Movement:
The dialogue here is just some more credits of characters and still a
continuous same styled font especially from the board too like I said
previously due to keeping within the theme of the 1960’s for this
musical. No camera movement or change in sound took place again.
Editing/Timing:
This starts from 2:40 until 2:51, again this is a long duration as we
have to watch carefully what the intentions are of this character as we
don’t understand what she is doing at first, once the protagonist
finishes what she intended on doing it then cuts to the next shot.
Evaluation:
The actions of this new character shows the competitive aspect of
the musical again by possibly doing some nasty things or cheating and
trying to be the golden girl/better than the rest, this makes a fun TV
show sound like a game introducing some mean characters (possible
storyline)
12. Camera Shots/Angles:
This is a establishing shot now introducing a new setting as the
audience now knows the musical is starting to begin, as it is a wide
shot we can see clearly it is no where near the studio but a row
houses that will introduce new characters as they exit the bus, the
audience can identify the type of people living here to as possibly
not middle class (like the ones involved on the show) but working
class by the presentation of the houses being quite small like flats.
No particular angle is identified here due to a wide shot that was
used.
Dialogue/Sound/Movement:
There is still no camera movements as this is a wide shot so the
audience has a full view of the new setting , because of this new
setting the non diegetic soundtrack ends at 3:15 and we now hear real
diegetic sound of the bus engine and students speaking, this hints to
the audience the credits have now finished.
Editing/Timing:
No edits have been identified and explained in a lot of the shots
because there wasn’t many it was mainly just cuts at different lengths
from shots to shots. This is a short shot starting from 3:13 to 3:18 as
we only see the bus entering as an entrance (thinking of this as the
edit) at which then when the bus has parked up it finishes, as it
finishes like this it is sort of a cliff hanger to the audience as the actual
musical now begins but the clip I used ends.
Evaluation:
The school bus that was introduced suggests more characters that are
younger than the ones presented in the opening credits, these young
characters is what makes this musical now more typical of the genre
too.