HA1 Ripper Street
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Ripper Street is a TV program set in London a few months after the Jack the Ripper murders. The opening credits use dramatic old photographs and newspaper clippings to set the historical scene and intrigue viewers about the fictional stories based on this true period of history. Pictures fade in and out while written text shows through, suggesting articles from newspapers of the time. The credits feature composited antique images and an old film effect with period music to fully immerse viewers in the late 1800s era of the show.
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This document contains responses from 5 individuals to questionnaires about their preferences regarding advertisements. Lucy Roberts (35 years old) favored a green and brown billboard with a medium long shot and high angle. Jackie (40-50 years old) preferred magazines focusing on fashion and the main image, and radio ads with a northern accent. Beverley Dawson (50-60 years old) similarly preferred magazines focused on city life and radio ads with a northern male voiceover. Stacey Flowers (40-50 years old) preferred a billboard depicting a building/castle and radio on Gem 106. Graham Flowers (50-60 years old) did not use social media and preferred rural landscapes in magazines and a relaxed radio ad on Smooth.
Blade runner analysis
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Ancillary poster draft 1
The movie poster will feature the cast and directors names along the top, with a large image taking up the rest of the poster. This image shows a suburban road from a low camera angle, with a plastic pot on its side on the pavement and its lid off, revealing a pill emerging from the pot. This visual is intended to hint at themes and the storyline of the film through mysterious elements that intrigue viewers.
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This document contains responses from 5 individuals to questionnaires about their preferences regarding advertisements. Lucy Roberts (35 years old) favored a green and brown billboard with a medium long shot and high angle. Jackie (40-50 years old) preferred magazines focusing on fashion and the main image, and radio ads with a northern accent. Beverley Dawson (50-60 years old) similarly preferred magazines focused on city life and radio ads with a northern male voiceover. Stacey Flowers (40-50 years old) preferred a billboard depicting a building/castle and radio on Gem 106. Graham Flowers (50-60 years old) did not use social media and preferred rural landscapes in magazines and a relaxed radio ad on Smooth.
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Rhetorical Devices Examples
This document contains several examples of rhetorical devices used in a metaphor contest. The examples use metaphorical comparisons to describe falling in love, an aging mind, a forced door, gunshots, regarding death, and a simple plan. They compare the subjects to unconventional things like an informant, a rusty trap, "Jeopardy!" dialogue, shots ringing out, a comedy troupe performing for pipe-fitters, and a brother-in-law.
Photo analysis 3
The photograph shows older men in black hats and coats pouring water out happily. They are likely pouring out the water to spite their enemies or competition, as a symbol of rebellion. The photograph is important because it provides insight into civil groups and wartime attitudes of the early 20th century, when men often wore distinctive black hats and coats. It raises questions about who their competition was and why they were happily pouring out water.
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Media Idea 3
The proposed music video idea would feature Chet Baker harshly lit holding a trumpet with a pianist behind him. Smoke from a lit cigarette fills the black and white, one-take video. Baker is dressed in typical swinger attire and looks sadly brooding, sometimes gazing at the camera. The video aims to portray Baker's sadness over a lost love and would end with a zoom out and fade to black. Chet Baker was a renowned American jazz artist from the swing era who played trumpet and other instruments. Unlike his contemporaries, Baker's songs expressed more negative and doubtful love as he feared never finding the right partner. The proposed digi-pak and website homepage would feature on-set photos of Baker smoking and playing trumpet
Film opening 4 memento analysis
The document provides an analysis of the opening scene of the film Memento directed by Christopher Nolan. It summarizes:
1) The opening scene presents an unknown hand holding a bloody crime scene photo that appears to undevelop, disorienting the audience.
2) Props like the Polaroid photo, bullet, and bloodstained glasses are used prominently to guide the audience in piecing together what may have happened and heightening the mystery.
3) The clinical tone and Guy Pearce's vacant expression portray the scene like a detective might examine a crime scene, reinforcing the crime aspect of the film.
Media blog post thriller genre seven
The movie Seven was directed by David Fincher and released in 1995. It is a thriller about crime solving and murder, as evidenced by the disturbing flashing images of knives, dead bodies, and mind maps shown in the opening sequence. The opening establishes the dark and intense tone of the film through its disturbing imagery and ominous soundtrack, signaling to the audience that this is a mature thriller not intended for younger viewers.
G321- Locations
The document describes various locations that will be used in an opening sequence for a film. It provides details for each location, including:
- A living room where protagonists will search for drugs during a burglary.
- An alleyway where the protagonists will be chased by an antagonist in the main footage and spin-off scenes.
- A park bench where one protagonist will buy drugs from a dealer in an evening spin-off scene.
- A football pitch where another protagonist will be hit in the face during a daytime spin-off scene matching the ending.
- A bedroom where one protagonist will rave alone after taking drugs, with footage spanning evening to morning using natural
Love is a losing game Treatment
This is a presentation about our fake artist ann austin and how she will be marketed and we will build her star image
Feature page 2
This document analyzes the design elements of a double page magazine spread about artist Mark Ronson. It discusses the main image showing Ronson breaking a trumpet to signify his musical dominance. It also summarizes the pull quote highlighting controversial reactions to Ronson and the use of drop caps and columns in the main text. The kicker and title are meant to intrigue readers and introduce the topic of Tim Chester meeting Ronson for the first time.
Nazi pop twins analysis
The documentary "Nazi Pop Twins" produced by Louis Theroux follows two teenage girls and their family who hold radically extreme Nazi views. It examines the themes of religion, music, race, guns, and politics through interviews and observations of the family's daily lives and concerts. The documentary uses a handheld camera and features interviews, observations, narration and dramatization to tell the story.
Evaluation Question Three: Audience Feedback
The feedback on the trailer was mostly positive, with some constructive criticism. Viewers enjoyed the characters and music selection. However, some felt the fight scenes dragged on making the trailer too long, and could have been more snappy. The filmmaker was glad subtle elements were noticed but agrees the fights could have been shortened to improve pacing. Overall the length was acceptable based on inspiration, but could be trimmed in the future.
Documentary analysis ‘the devil made me do it’
The documentary examines the themes of death, murder, religion, criminal investigation, and the influences of music through interviews and archived footage. It tells the single storyline of a murder case in a non-linear structure, leaving the audience with unanswered questions. Handheld camera footage and a voiceover are used to make the audience feel like part of the dramatic retelling of events surrounding the influence of Marilyn Manson on the murder.
Documentary analysis ‘the devil made me do it’
The documentary examines the themes of death, religion, criminal investigation, and the influences of music through interviews and archived footage. It follows a non-linear narrative structure, using a single storyline to explore the unanswered questions around a murder case where the defendant claimed the devil made them do it. Various cinematography techniques like handheld footage and different shots are used to set the scene and highlight the chaos, danger, and contrast between good and evil influences.
Paper 3
The document discusses analyzing images in the 1955 Holocaust documentary film Night and Fog. It analyzes the first image shown which depicts Nazi soldiers marching Jews to a concentration camp in 1933. The black and white footage signifies the transition to the past. The soldiers are arranged sequentially, appearing to follow orders while carrying unknown objects. Their facial expressions seem cunning and eager, identifying them as the perpetrators who murdered Jews. This powerful first image sets the tone for the film by introducing the genocide's beginnings.
Proditor
Two teenage friends, Steven and David, are haunted by the ghost of their friend Alan who was killed as a joke. It is revealed that one friend killed Alan on purpose for revenge. The killer then turns on the other friend, but the ghost becomes an ally to the innocent friend.
The film aims to attract British teenage males aged 15-21 with a trailer showing happy photos of the friends, followed by footage of them encountering the ghost with jumpy moments and a hint of the twist. The film blends traditional and modern camera techniques like shaky camera and continuity shots to surprise the audience. It seeks to incite fear through plot and scary images like other horror films.
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The document discusses period dramas and their conventions. Period dramas are not just literary adaptations, and include shows set in specific time periods like Life on Mars. The BBC has produced many period dramas recently, though ratings have dipped for some. Contemporary audiences interpret period dramas through how times were different in the past. Proper mise-en-scene with accurate costumes, sets and props is crucial to period dramas but also very expensive. Life on Mars is considered a period drama even though it is set in the 1970s.
Zodiac Title Sequence
The Zodiac opening title sequence takes place across a newspaper, panning and circling headlines to build intrigue without revealing the full story. It uses a dark, unsettling song and black and white visuals with red ink to highlight words and names. The only location clue is the "San Francisco Chronicle" newspaper, relevant as the killer contacted them. Credits are brief and focus on the studios, director, and top three actors, with less emphasis on stars than other films. The sequence aims to subtly tease clues about an ominous crime through the newspaper format.
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An audience feedback survey asked 3 questions about a poster: whether the font looked professional, if the color scheme was appropriate for a horror poster, and if the overall poster looked professional and was a good form of advertisement. Respondents could choose between yes/no answers for the first two questions and yes/some/no for the third question.
Audience feedback
The document is a survey asking for audience feedback on font, color scheme, and overall professionalism of posters. It asks if the font looks professional, if the color scheme is appropriate for a horror poster, and if the posters look professional and are a good form of advertisement. Respondents can choose between yes, no, or some options for their answers.
Final major project production diary template
This document outlines the progress and plans over several months for a student's final major project creating a movie trailer. It begins with researching different types of trailers and movie genres. The student decides to create a horror film trailer, writing a script and selecting filming locations. Problems with timing arise and the project is changed to creating a movie poster instead. Photographs are taken and posters edited over subsequent weeks, with plans to add text and create a questionnaire to evaluate the final products.
Movie poster risk assessment form
The document provides a template for conducting a risk assessment for film production activities. It lists several potential hazards from filming like dropping equipment, building collapse, dog attacks, and more. For each hazard, it prompts the assessor to consider who may be harmed, what property may be damaged, existing controls, and the risk level. Based on the risk level, further actions may need to be taken to improve safety.
Movie poster research.
Action movie posters often use large capitalized blocky fonts for the title and text, sometimes edited to relate to the movie's content. Fantasy films feature dramatic and extravagant fonts reflecting their fantastical genres. Romantic films typically have realistic, softer fonts that don't visually represent the movie as strikingly as other genres. Most horror posters avoid gory or extravagant fonts instead opting for classic, old-fashioned text, which informed the designer's font and color choices for their own horror poster.
Movie poster research
Action movie posters often use large capitalized blocky fonts for the title and text, sometimes edited to relate to the film's content. Fantasy films feature dramatic and extravagant fonts reflecting their fantastical genres. Romantic films typically have realistic, softer fonts that don't express the plot visually like other genres. Most horror posters avoid gory or extravagant fonts, instead opting for classic, old-fashioned text, which inspired the designer's font choice for their own horror poster focusing on exorcism and paranormal themes.
Movie poster research
This document analyzes and summarizes several movie trailers from different genres. It finds that romantic/drama trailers tend to have slow, building music and focus on showing the relationship between main characters. Action movie trailers have fast cuts, loud music, explosions, and lines from characters to create excitement. Horror trailers aim to unsettle audiences by using dark scenes, camera effects, and minimal music to build tension. Based on this research, creating a movie poster for a horror film would allow showcasing key elements like atmosphere and tension without needing extensive special effects.
Presentation script
The film students will create a horror film trailer based on the movie Ouija, following two friends who find an old board game and things start going wrong after they play it. To create a realistic effect, the setting will be a normal looking house. They plan to cut scenes slowly at first to set the scene, and then use sharp cuts between scenes to shock the audience when things go wrong, creating a creepy vibe. They will film most of it cinematically but include a point-of-view shot from a character's phone to bring the audience in and make it feel more realistic.
Presentation notes
We are creating a horror trailer for thrill-seeking teenagers aged 15-18 that follows two friends who find a Ouija board game and decide to play it, but things go wrong. The trailer will start innocently but then use dark effects and cutting between scenes to scare the audience and leave them wanting to watch the film, which will be shot in an ordinary house in a cinematic style except for one scene filmed on a phone to look found footage.
Final major project proposal form
Lydia Cooke and Rose Bishay propose creating a horror movie poster for their final media production project. They plan to shoot portrait images of a model with a professional camera against a black background, and edit the photos in Photoshop to give them a professional and horrific look. The poster will promote a fictional movie called "Afflicted" and target audiences of males and females aged 15 and older who enjoy bloodthirsty horror movies. Cooke and Bishay believe intriguing images showing possession and using different shots and angles will appeal to and intrigue their target demographic.
Task 1 final major project definitions
The document discusses different types of contractual briefs that can exist between media/advertising companies and their clients for projects. It describes the key characteristics and implications of contractual, negotiated, formal, informal, commission, tender, co-operative, and competition briefs. Contractual briefs provide specific guidelines and payment terms in a legally binding contract. Negotiated briefs allow aspects to be discussed and changed through negotiations. Formal briefs involve detailed planning but allow room for discussion. Informal briefs are not documented and rely on verbal agreements. Commission briefs involve one company hiring another to complete work. Tender briefs involve companies pitching proposals to the client. Co-operative briefs involve multiple companies working together on a
Creating my final front cover and double page spread
For the front cover, the author used a two-color scheme of white and silver and manipulated the text contours, colors, and highlights using effects to create a metallic silver look. Precise control over effects like contour, bevel, and shine was applied to the text. For the title, an Avengers image was cut around to make room for The Hulk and give a 3D effect with characters in front of the text. The same text effects were applied to the title and subtitle of the double page spread, which contains five evenly spaced columns for a professional magazine article layout.
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