The document discusses John James Audubon's paintings and observations of birds in America in the early 19th century. It describes how Audubon would hunt and shoot birds to study them closely and include accurate depictions in his artwork. Later sections discuss how terms like "snapshot" evolved from descriptions of quickly taking shots at birds to refer to instantaneous photographs. The document provides historical context on the development of bird watching and conservation from Audubon's time to the formation of the Audubon Society in the late 19th century.
Andrew Jackson Grayson was an American artist and naturalist in the mid-19th century known as the "Audubon of the West". He produced hundreds of watercolor paintings of birds and other wildlife in California, Mexico, and Central America. Grayson supplied specimens and illustrations to prominent natural historians including Spencer Baird at the Smithsonian Institution. He gained recognition as a skilled artist in his own time but is now best remembered for his detailed naturalistic works that expanded knowledge of regional fauna.
Thomas Cole and John James Audubon were two major American artists in the 1830s-1840s. Both immigrated to the US (Audubon in 1803 and Cole in 1819) and learned painting without formal training. They were inspired by the American wilderness and sought to depict its natural beauty through landscape painting and scientific illustrations, respectively. However, they also witnessed and documented the rapid development and destruction of the wilderness during their lifetimes.
The document is Audubon's journal from his trips along the Mississippi and Missouri Rivers in 1820-1821 and 1843. It describes numerous occasions where Audubon and his companions shot or saw various bird and animal species for the purpose of study and specimen collection. They used guns to shoot birds in flight or at a distance, and noted instances where shots were missed or the animal got away. The journal entries showcase Audubon's skill at observing wildlife and his technique of using firearms to obtain specimens for his artistic works and scientific studies.
Amelia Earhart was the first female pilot to fly solo across the Atlantic Ocean. She was born in 1897 in Atchinson, Kansas and showed an early interest in typically male activities like rifle shooting. In her adulthood, she moved to California where she became fascinated with airplanes and received her pilot's license in 1923. Her greatest achievement was becoming the first pilot ever to fly solo across the Pacific Ocean in 1935. In 1937, she disappeared over the Pacific Ocean while attempting to fly around the world, the first pilot to complete this feat.
Amelia Earhart was a pioneering American aviator who became the first woman to fly solo across the Atlantic Ocean. She set many records as a female pilot but in 1937 disappeared over the central Pacific Ocean during an attempt to fly around the world, making her one of aviation's most famous disappearances. Theories about what happened to Earhart and her navigator Fred Noonan on their final flight range from crashing and sinking into the ocean to being captured by the Japanese, but the mystery of her fate has never been solved.
This document provides an overview of an NEH Summer Institute on analyzing visual artworks held at Indiana University. It focuses on analyzing works by John James Audubon, including his watercolors, engraved plates for The Birds of America, portrait paintings, and cultural legacy. The analyses cover examining the object, Audubon's style and technique, iconography, his biography, and the cultural history surrounding his work.
This document contains summaries and excerpts from Jennifer L. Roberts' paper "Audubon’s Burden Materiality and Transmission in The Birds of America" including:
1) Images and descriptions of works by John James Audubon from The Birds of America alongside contemporary works and reproductions by other artists that engage with Audubon's works.
2) Quotations from Audubon describing his process of accurately measuring and depicting birds in The Birds of America.
3) Images of animals from North America and reproductions of Audubon's works in bound volumes from the Beinecke Rare Book and Manuscript Library.
Andrew Jackson Grayson was an American artist and naturalist in the mid-19th century known as the "Audubon of the West". He produced hundreds of watercolor paintings of birds and other wildlife in California, Mexico, and Central America. Grayson supplied specimens and illustrations to prominent natural historians including Spencer Baird at the Smithsonian Institution. He gained recognition as a skilled artist in his own time but is now best remembered for his detailed naturalistic works that expanded knowledge of regional fauna.
Thomas Cole and John James Audubon were two major American artists in the 1830s-1840s. Both immigrated to the US (Audubon in 1803 and Cole in 1819) and learned painting without formal training. They were inspired by the American wilderness and sought to depict its natural beauty through landscape painting and scientific illustrations, respectively. However, they also witnessed and documented the rapid development and destruction of the wilderness during their lifetimes.
The document is Audubon's journal from his trips along the Mississippi and Missouri Rivers in 1820-1821 and 1843. It describes numerous occasions where Audubon and his companions shot or saw various bird and animal species for the purpose of study and specimen collection. They used guns to shoot birds in flight or at a distance, and noted instances where shots were missed or the animal got away. The journal entries showcase Audubon's skill at observing wildlife and his technique of using firearms to obtain specimens for his artistic works and scientific studies.
Amelia Earhart was the first female pilot to fly solo across the Atlantic Ocean. She was born in 1897 in Atchinson, Kansas and showed an early interest in typically male activities like rifle shooting. In her adulthood, she moved to California where she became fascinated with airplanes and received her pilot's license in 1923. Her greatest achievement was becoming the first pilot ever to fly solo across the Pacific Ocean in 1935. In 1937, she disappeared over the Pacific Ocean while attempting to fly around the world, the first pilot to complete this feat.
Amelia Earhart was a pioneering American aviator who became the first woman to fly solo across the Atlantic Ocean. She set many records as a female pilot but in 1937 disappeared over the central Pacific Ocean during an attempt to fly around the world, making her one of aviation's most famous disappearances. Theories about what happened to Earhart and her navigator Fred Noonan on their final flight range from crashing and sinking into the ocean to being captured by the Japanese, but the mystery of her fate has never been solved.
This document provides an overview of an NEH Summer Institute on analyzing visual artworks held at Indiana University. It focuses on analyzing works by John James Audubon, including his watercolors, engraved plates for The Birds of America, portrait paintings, and cultural legacy. The analyses cover examining the object, Audubon's style and technique, iconography, his biography, and the cultural history surrounding his work.
This document contains summaries and excerpts from Jennifer L. Roberts' paper "Audubon’s Burden Materiality and Transmission in The Birds of America" including:
1) Images and descriptions of works by John James Audubon from The Birds of America alongside contemporary works and reproductions by other artists that engage with Audubon's works.
2) Quotations from Audubon describing his process of accurately measuring and depicting birds in The Birds of America.
3) Images of animals from North America and reproductions of Audubon's works in bound volumes from the Beinecke Rare Book and Manuscript Library.
Turning Heads: Audubon's Mature Style - BraddockAlan C. Braddock
The document discusses John James Audubon's artistic style and career. It provides examples of Audubon's early and mature bird illustrations from works like The Birds of America. It also notes his influences from European artists like Jacques-Louis David and Theodore Gericault. Finally, it discusses portraits that were made of Audubon by other artists like John Syme to memorialize his work.
P.T. Barnum was a famous American showman in the 1800s known for his traveling circuses and museums featuring human curiosities. Some of his most famous acts included Joice Heath, who was claimed to be 161 years old but turned out to be only 80; General Tom Thumb, a little person he toured around the U.S. and Europe; and Jenny Lind, a Swedish opera singer whose American tour was a huge success due to Barnum's advertising. Later, Barnum partnered with James Bailey to form the circus "Barnum and Bailey's Greatest Show on Earth." Barnum also served as the mayor of Bridgeport, Connecticut and made many contributions to the city and field of z
This document provides an overview of several important figures in the history of ornithology and bird illustration before John James Audubon, including Mark Catesby, Alexander Wilson, John White, Ulisse Aldrovandi, Leonardo da Vinci, and Carolus Linnaeus. It showcases examples of their watercolors, etchings, and engraved illustrations of various bird species from the 16th-19th centuries.
This document provides an overview of the history of photography and film from the early daguerreotypes through the development of motion pictures. It summarizes key figures and innovations including Louis Daguerre and the daguerreotype (1839), Fox Talbot and the calotype process (1834-1844), Alfred Stieglitz establishing photography as an art form in the early 20th century, Walker Evans and Dorothea Lange using photography to document the Great Depression, and Eadweard Muybridge whose sequential photography of motion in the 1870s led to the development of motion pictures by the Lumiere Brothers in 1895.
This document contains captions for 72 photographic works from the early history of photography between 1840 and the 1860s. The works include portraits, landscapes, architectural views, scientific studies, and documentation of historical events. The formats represented are daguerreotypes, salted paper prints, albumen prints, and other early photographic print types. The photographs are credited to important early photographers such as Southworth and Hawes, Gustave Le Gray, and Robert Adamson.
This document provides an overview of American art and visual culture from the early colonial period through the Gilded Age (1877-1900). It discusses the development of art forms like painting, sculpture, photography as America transitioned from colonies to an industrial powerhouse. Key developments included the founding of art academies in the 1800s, the rise of landscape painting, and the World's Columbian Exposition of 1893 which showcased Beaux-Arts architecture and American innovation. The Gilded Age saw the growth of industry, railroads, labor unions, and wealthy "robber barons." Art forms flourished including paintings by Eakins, Homer, and Sargent as well as Tiffany stained glass and the photographs of
For my Digital Design in Communication class, I was tasked with creating a potential book jacket for "Arthur Singer - The Wildlife Art of an American Master" by Alan and Paul Singer. This postcard was designed to match my book jacket design with the intention that they would be cohesive in a gallery gift shop setting. (Part 2 of 2) (Fall 2017)
The document provides an overview of major art movements from Romanticism through Postmodernism, highlighting some of the key features and influential artists of each period. Romanticism emphasized imagination, nature, and the individual. Realism sought to depict everyday life realistically. Impressionism focused on capturing fleeting moments and effects of light. Modernism emerged in response to World War I and industrialization, with Cubism and abstract works shown in the influential 1913 Armory Show. Postmodernism saw the rise of Pop Art, using consumer culture imagery, and feminist art challenging social norms.
The document provides an overview of major art movements from Romanticism through Postmodernism, highlighting some of the key features and influential artists of each period. Romanticism emphasized imagination, nature, and the individual. Realism sought to depict everyday life realistically. Impressionism focused on capturing fleeting moments and effects of light. Modernism emerged in response to World War I and industrialization, with Cubism and abstract works questioning artistic conventions. Postmodernism saw the rise of Pop Art reflecting mass culture and feminist artists addressing gender issues.
Free documents from the UK UFO National Archives. You have to pay for these now, but we have them! You can get all of them at no cost here: http://alien-ufo-research.com/documents/uk
This document is a catalog listing books, papers, and magazines for sale on UFO and paranormal topics. It includes over 50 books summarized by title and author, primarily paperbacks and some hardcovers. The books cover topics like UFO sightings and encounters, abductions, government conspiracies, and paranormal phenomena. The document also lists several UFO-focused magazines available for purchase. It provides contact information for ordering and notes that prices include postage within the UK.
The document discusses several American wildlife artists from the 17th-18th centuries including Maria Sibylla Merian who traveled to Surinam to study native flowers and insects, Mark Catesby who collected specimens in America and published illustrations, and Alexander von Humboldt who traveled extensively in Central and South America and published results over 29 years. It also mentions 19th century American artist and naturalist John James Audubon who collaborated on a work about North American quadrupeds, and 20th century American field guide author and artist Roger Tory Peterson who published influential guides including on birds.
The document provides an overview of artistic movements from 1848 to 1914 in Europe and the United States, including Realism, Impressionism, Post-Impressionism, Symbolism, and Art Nouveau. It discusses the characteristics and innovations of each movement, as well as important artists such as Courbet, Manet, Monet, Van Gogh, and Käsebier. Key events influencing the art world in this period included industrialization, Japanese prints, photography, and new painting techniques like plein air painting.
The document provides an overview of an exhibition titled "Alice in Wonderland" held at Tate Liverpool from November 4th, 2011 to January 29th, 2012. It features information on Lewis Carroll, the author of Alice's Adventures in Wonderland, illustrations from the book by John Tenniel, photographs taken by Carroll, and how the story of Alice has inspired various artists over different time periods in their work.
O. henry memorial_award_prize_stories_of_1921_large_type_editionThanh Nguyen
This document is an introduction to the O. Henry Memorial Award Prize Stories of 1921. It summarizes the founding of the O. Henry Memorial Committee in 1918 by John F. Tucker to award an annual $500 prize to the best American short story published that year, with an additional $250 for second place. It then lists over 60 short stories that were considered for the 1921 award by the committee members, and highlights some of the top stories from that year that received consideration from a majority of the committee.
Tales of the Unexpected in the British Newspaper Archive by Ed King. Presentation given at the Europeana Newspapers Information Day, held at the British Library on 9 June 2014.
Frederic Edwin Church is the most well-known member of the Hudson School of painters, who were primarily landscape painters. The word 'sublime' describes the emotional response to immensity or boundlessness, when faced by phenomena of great magnitude. This feeling of sublimation often occurs when confronted by the grandeur of the American wilderness. There is no better American artist to portrait this feeling than Frederic Edwin Church. This was in a time of when America was opening up. Forests were cleared for farming. Factories were being built in the east. Canals connected waterways and railway tracks were laid. This was also a time of the Second Great Awakening, with the founding of new religious sects. In the arts, it was the time of Romanticism, which saw the futility of humankind up against the overwhelming power of nature. Lastly, it was also the time of the American Civil War. It was during period that Frederic Edwin Church celebrated the grandeur of the American Wilderness in his paintings. This is part of a series of Powerpoints on American painters.
Amelia Earhart was the first female aviator to fly solo across the Atlantic Ocean. She was born in Kansas in 1897 and showed an early interest in aviation despite societal expectations for women at the time. Earhart set many firsts for female pilots including being the first woman to fly solo across the United States and first person to fly solo from Hawaii to California. In 1937, she embarked on a quest to become the first woman to circumnavigate the globe but disappeared over the Pacific Ocean, making her one of aviation's greatest mysteries.
Frederic Edwin Church is the most well-known member of the Hudson School of painters, who were primarily landscape painters. The word 'sublime' describes the emotional response to immensity or boundlessness, when faced by phenomena of great magnitude. This feeling of sublimation often occurs when confronted by the grandeur of the American wilderness. There is no better American artist to portrait this feeling than Frederic Edwin Church. This was in a time of when America was opening up. Forests were cleared for farming. Factories were being built in the east. Canals connected waterways and railway tracks were laid. This was also a time of the Second Great Awakening, with the founding of new religious sects. In the arts, it was the time of Romanticism, which saw the futility of humankind up against the overwhelming power of nature. Lastly, it was also the time of the American Civil War. It was during period that Frederic Edwin Church celebrated the grandeur of the American Wilderness in his paintings. This is part of a series of Powerpoints on American painters.
The Romantic Era lasted from 1820-1900. During this time, many important inventions were developed including the first photographs, dictionaries, pianos, and sleeping cars on trains. Famous authors like Charles Dickens and Edgar Allan Poe were publishing influential works. The first skyscrapers and railroads were constructed. Important scientific discoveries were made, including chloroform as anesthesia and X-rays. Composers developed new styles of program music and nationalistic sounds. Iconic works premiered such as The Nutcracker and 1812 Overture.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
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Turning Heads: Audubon's Mature Style - BraddockAlan C. Braddock
The document discusses John James Audubon's artistic style and career. It provides examples of Audubon's early and mature bird illustrations from works like The Birds of America. It also notes his influences from European artists like Jacques-Louis David and Theodore Gericault. Finally, it discusses portraits that were made of Audubon by other artists like John Syme to memorialize his work.
P.T. Barnum was a famous American showman in the 1800s known for his traveling circuses and museums featuring human curiosities. Some of his most famous acts included Joice Heath, who was claimed to be 161 years old but turned out to be only 80; General Tom Thumb, a little person he toured around the U.S. and Europe; and Jenny Lind, a Swedish opera singer whose American tour was a huge success due to Barnum's advertising. Later, Barnum partnered with James Bailey to form the circus "Barnum and Bailey's Greatest Show on Earth." Barnum also served as the mayor of Bridgeport, Connecticut and made many contributions to the city and field of z
This document provides an overview of several important figures in the history of ornithology and bird illustration before John James Audubon, including Mark Catesby, Alexander Wilson, John White, Ulisse Aldrovandi, Leonardo da Vinci, and Carolus Linnaeus. It showcases examples of their watercolors, etchings, and engraved illustrations of various bird species from the 16th-19th centuries.
This document provides an overview of the history of photography and film from the early daguerreotypes through the development of motion pictures. It summarizes key figures and innovations including Louis Daguerre and the daguerreotype (1839), Fox Talbot and the calotype process (1834-1844), Alfred Stieglitz establishing photography as an art form in the early 20th century, Walker Evans and Dorothea Lange using photography to document the Great Depression, and Eadweard Muybridge whose sequential photography of motion in the 1870s led to the development of motion pictures by the Lumiere Brothers in 1895.
This document contains captions for 72 photographic works from the early history of photography between 1840 and the 1860s. The works include portraits, landscapes, architectural views, scientific studies, and documentation of historical events. The formats represented are daguerreotypes, salted paper prints, albumen prints, and other early photographic print types. The photographs are credited to important early photographers such as Southworth and Hawes, Gustave Le Gray, and Robert Adamson.
This document provides an overview of American art and visual culture from the early colonial period through the Gilded Age (1877-1900). It discusses the development of art forms like painting, sculpture, photography as America transitioned from colonies to an industrial powerhouse. Key developments included the founding of art academies in the 1800s, the rise of landscape painting, and the World's Columbian Exposition of 1893 which showcased Beaux-Arts architecture and American innovation. The Gilded Age saw the growth of industry, railroads, labor unions, and wealthy "robber barons." Art forms flourished including paintings by Eakins, Homer, and Sargent as well as Tiffany stained glass and the photographs of
For my Digital Design in Communication class, I was tasked with creating a potential book jacket for "Arthur Singer - The Wildlife Art of an American Master" by Alan and Paul Singer. This postcard was designed to match my book jacket design with the intention that they would be cohesive in a gallery gift shop setting. (Part 2 of 2) (Fall 2017)
The document provides an overview of major art movements from Romanticism through Postmodernism, highlighting some of the key features and influential artists of each period. Romanticism emphasized imagination, nature, and the individual. Realism sought to depict everyday life realistically. Impressionism focused on capturing fleeting moments and effects of light. Modernism emerged in response to World War I and industrialization, with Cubism and abstract works shown in the influential 1913 Armory Show. Postmodernism saw the rise of Pop Art, using consumer culture imagery, and feminist art challenging social norms.
The document provides an overview of major art movements from Romanticism through Postmodernism, highlighting some of the key features and influential artists of each period. Romanticism emphasized imagination, nature, and the individual. Realism sought to depict everyday life realistically. Impressionism focused on capturing fleeting moments and effects of light. Modernism emerged in response to World War I and industrialization, with Cubism and abstract works questioning artistic conventions. Postmodernism saw the rise of Pop Art reflecting mass culture and feminist artists addressing gender issues.
Free documents from the UK UFO National Archives. You have to pay for these now, but we have them! You can get all of them at no cost here: http://alien-ufo-research.com/documents/uk
This document is a catalog listing books, papers, and magazines for sale on UFO and paranormal topics. It includes over 50 books summarized by title and author, primarily paperbacks and some hardcovers. The books cover topics like UFO sightings and encounters, abductions, government conspiracies, and paranormal phenomena. The document also lists several UFO-focused magazines available for purchase. It provides contact information for ordering and notes that prices include postage within the UK.
The document discusses several American wildlife artists from the 17th-18th centuries including Maria Sibylla Merian who traveled to Surinam to study native flowers and insects, Mark Catesby who collected specimens in America and published illustrations, and Alexander von Humboldt who traveled extensively in Central and South America and published results over 29 years. It also mentions 19th century American artist and naturalist John James Audubon who collaborated on a work about North American quadrupeds, and 20th century American field guide author and artist Roger Tory Peterson who published influential guides including on birds.
The document provides an overview of artistic movements from 1848 to 1914 in Europe and the United States, including Realism, Impressionism, Post-Impressionism, Symbolism, and Art Nouveau. It discusses the characteristics and innovations of each movement, as well as important artists such as Courbet, Manet, Monet, Van Gogh, and Käsebier. Key events influencing the art world in this period included industrialization, Japanese prints, photography, and new painting techniques like plein air painting.
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This document is an introduction to the O. Henry Memorial Award Prize Stories of 1921. It summarizes the founding of the O. Henry Memorial Committee in 1918 by John F. Tucker to award an annual $500 prize to the best American short story published that year, with an additional $250 for second place. It then lists over 60 short stories that were considered for the 1921 award by the committee members, and highlights some of the top stories from that year that received consideration from a majority of the committee.
Tales of the Unexpected in the British Newspaper Archive by Ed King. Presentation given at the Europeana Newspapers Information Day, held at the British Library on 9 June 2014.
Frederic Edwin Church is the most well-known member of the Hudson School of painters, who were primarily landscape painters. The word 'sublime' describes the emotional response to immensity or boundlessness, when faced by phenomena of great magnitude. This feeling of sublimation often occurs when confronted by the grandeur of the American wilderness. There is no better American artist to portrait this feeling than Frederic Edwin Church. This was in a time of when America was opening up. Forests were cleared for farming. Factories were being built in the east. Canals connected waterways and railway tracks were laid. This was also a time of the Second Great Awakening, with the founding of new religious sects. In the arts, it was the time of Romanticism, which saw the futility of humankind up against the overwhelming power of nature. Lastly, it was also the time of the American Civil War. It was during period that Frederic Edwin Church celebrated the grandeur of the American Wilderness in his paintings. This is part of a series of Powerpoints on American painters.
Amelia Earhart was the first female aviator to fly solo across the Atlantic Ocean. She was born in Kansas in 1897 and showed an early interest in aviation despite societal expectations for women at the time. Earhart set many firsts for female pilots including being the first woman to fly solo across the United States and first person to fly solo from Hawaii to California. In 1937, she embarked on a quest to become the first woman to circumnavigate the globe but disappeared over the Pacific Ocean, making her one of aviation's greatest mysteries.
Frederic Edwin Church is the most well-known member of the Hudson School of painters, who were primarily landscape painters. The word 'sublime' describes the emotional response to immensity or boundlessness, when faced by phenomena of great magnitude. This feeling of sublimation often occurs when confronted by the grandeur of the American wilderness. There is no better American artist to portrait this feeling than Frederic Edwin Church. This was in a time of when America was opening up. Forests were cleared for farming. Factories were being built in the east. Canals connected waterways and railway tracks were laid. This was also a time of the Second Great Awakening, with the founding of new religious sects. In the arts, it was the time of Romanticism, which saw the futility of humankind up against the overwhelming power of nature. Lastly, it was also the time of the American Civil War. It was during period that Frederic Edwin Church celebrated the grandeur of the American Wilderness in his paintings. This is part of a series of Powerpoints on American painters.
The Romantic Era lasted from 1820-1900. During this time, many important inventions were developed including the first photographs, dictionaries, pianos, and sleeping cars on trains. Famous authors like Charles Dickens and Edgar Allan Poe were publishing influential works. The first skyscrapers and railroads were constructed. Important scientific discoveries were made, including chloroform as anesthesia and X-rays. Composers developed new styles of program music and nationalistic sounds. Iconic works premiered such as The Nutcracker and 1812 Overture.
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The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
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In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
Film vocab for eal 3 students: Australia the movie
Gun Vision I - Seeing and Shooting (Braddock)
1. John James Audubon, Mocking Bird , 1825 Hand-colored engraving with etching and aquatint, 33 ¼ x 23 ¾ in, from The Birds of America , pl. 21 Seeing and Shooting: Audubon and the Beginnings of Gun Vision Alan C. Braddock
2. John James Audubon, Mocking Bird (Northern Mockingbird) , 1825, detail Hand-colored engraving with etching and aquatint, 33 ¼ x 23 ¾ in, from The Birds of America , pl. 21 Audubon, 1826 Journal , Edinburgh, October 27, 1826, Friday : “ Now that I found the Steam was High, that perhaps some exploxion might be produced, I exibited the Rattlesnake attackd by the Mocking Birds—this had the desired Effect—the Lady was pleased …”
3. John James Audubon, Mocking Bird , 1825 Marcel Duchamp, Nude Descending a Staircase, No. 2 , 1912 Oil on canvas, 57 x 38 in., Philadelphia Museum of Art Audubon, 1826 Journal , Edinburgh, October 27, 1826 : “ Now that I found the Steam was High, that perhaps some exploxion might be produced, I exibited the Rattlesnake attackd by the Mocking Birds—this had the desired Effect” New York Times , 1913 : “ An explosion in a shingle factory …”
4. Robert Burleigh, illustrated by Wendell Minor, Into the Woods: John James Audubon Lives His Dream (Atheneum, 2003)
5. Jennifer Armstrong, with illustrations by Joseph A. Smith, Audubon: Painter of Birds in the Wild Frontier (Abrams, 2003) Barbara Brenner, On the Frontier with Mr. Audubon (Boyds Mills Press, 1977)
6. John Singer Sargent, Claude Monet Painting , 1885 Oil on canvas, 21 ¼ x 25 ¼ in., Tate Gallery, London Barbara Brenner, On the Frontier with Mr. Audubon (Boyds Mills Press, 1977)
7. John Syme, John James Audubon , 1826 Oil on canvas, 35 x 27 in., White House Collection, Washington, D.C.
8. John James Audubon, Self-Portrait , 1826 Graphite on paper, Private collection
9. G. P. A. Healy, John James Audubon , 1838 Oil on canvas, 35 x 27 in., Museum of Science, Boston
10. John W. Audubon, John James Audubon , 1843 Oil on canvas, 45 x 35 in., American Museum of Natural History, N. Y.
11. Audubon memorabilia (hat, parflêche, shotgun, pistol, war club, pipe/tomahawk, axe) American Museum of Natural History, New York
12. Shotgun owned by Audubon, early 1800s American Museum of Natural History, New York British double-barreled muzzle-loading percussion shotgun, early 1800s Steve Carpenteri, ed., Antique Guns: The Collector’s Guide , rev. ed. (Stoeger Publishing, 2005)
13. Victor G. and John W. Audubon, John James Audubon , 1841 Oil on canvas, 44 x 60 in., American Museum of Natural History, New York
14. Thomas Cole , Daniel Boone at His Cabin at Great Osage Lake, 1826 Oil on canvas, 38 ¼ x 42 5/8 in., Mead Art Museum, Amherst College
15. Cole , Daniel Boone at His Cabin …, 1826, detail Oil on canvas, 38 ¼ x 42 5/8 in., Mead Art Museum, Amherst College Victor G. and John W. Audubon, John James Audubon , 1841 Oil on canvas, 44 x 60 in., American Museum of Natural History, New York
16. John James Audubon, Daniel Boone , c. 1810 Oil on canvas, 36 x 31 cm., Audubon Center, Henderson, KY John James Audubon, “Colonel Boon,” in Ornithological Biography , 1832, vol. 1, p. 503
17. George Caleb Bingham, Shooting for the Beef , 1850 Oil on canvas, 33 3/8 x 49 in., Brooklyn Museum, New York
18. Audubon, Mississippi River Journal Fri., Nov. 10, 1820 : “ saw a fine Black Hawk … & Black Gull,— Shott Two Ducks” Wed., Dec. 6, 1820 : “ saw 2 Large White Cranes with Black Tips—too shy to get in shooting distance” Wed., Dec. 20, 1820 : “Cummings Shot at an Ivory Billed Wood Pecker Picus Principallis broke his Wing and When he Went to take it up it Jump up and Claimed a tree, as fast as Squirel to the Very Top, he gave it up having but a few Loads of Shot —Joseph Came and Saw it— Shot at it and brought him down” Thurs., Dec. 21, 1820 : “ Saw in the Afternoon a Black Hawk , a flock of Pelicans at which I shot at about 200 yards as near as I could approach, without effect ” Fri., Dec. 22, 1820 : “ saw Three Black Hawks , Shot at this Twice…” Sun., Aug. 12, 1821 : “I Eyed it particularly and saw it Moved, I Shot at it … Arrived at the Swamp and then saw a great Number of Small Birds; Shot a beautifull new species of Fly Catcher … I had the pleasure of seing Two that appeared Much alike, they were quarelling when I Shot at them”
19. Audubon, Missouri River Journals Thurs., May 4, 1843 : “Bell shot a Gray Squirrel which I believe to be the same as our Sciurus Carolinensis . Friend Harris shot two or three birds, which we have not yet fully established, and Bell shot one Lincoln’s Finch … We saw Cerulean Warblers, Hooded Flycatchers, Kentucky Warblers, [proceeds to list many more species] … Here we killed and saw all that is enumerated above.” Sat. May 6, 1843 : “We took our guns and went off, but the wind was so high we saw but little; I shot a Wild Pigeon and a Whippoorwill, female, that gave me great trouble, as I never saw one so remarkably wild before. Bell shot two Gray Squirrels and several Vireos, and Sprague, a Kentucky Warbler. Traces of Turkeys and of Deer were seen . We also saw three White Pelicans. … We also procured a White-eyed and a Warbling Vireo, and shot a male Wild Pigeon. Saw a Gopher throwing out the dirt with his fore feet and not from his pouches. I was within four or five feet of it. Shot a Humming-bird, saw a Mourning Warbler, and Cedar birds.” Tues., May 23, 1843 : “Harris shot a common Rabbit and one Lark Finch. Bell and Sprague saw several Meadow-larks, which I trust will prove new, as these birds have quite different notes and songs from those of our eastern birds.”
20. John James Audubon, Roseate Tern , 1834 Hand-colored engraving with etching and aquatint, 19 ½ x 12 ¼ in., from The Birds of America , pl. 240 Audubon, “Roseate Tern,” Ornithological Biography , 3:297-98: “ While in search of prey, they carry the bill in the manner of the Common Tern, that is perpendicularly downward, plunge like a shot , with wings nearly closed, so as to immerse part of the body, and immediately reascend.”
21. Audubon, “Common Loon,” Ornithological Biography , 4:43: “ Calculate, if you can, the speed of its flight, as it shoots across the sky …” Robert Havell after John James Audubon, Common Loon , 1830 Hand-colored engraving on paper, 41 ½ x 28 ½ in., from The Birds of America
22. Audubon, “Golden Eagle,” Ornithological Biography : “ Although possessed of a powerful flight, it has not the speed of many Hawks, nor even of the White-headed Eagle. It cannot, like the latter, pursue and seize on the wing the prey it longs for, but is obliged to glide down through the air for a certain height to insure the success of its enterprise. The keenness of its eye , however, makes up for this defect, and enables it to spy, at a great distance, the objects on which it preys; and it seldom misses its aim , as it falls with the swiftness of a meteor towards the spot on which they are concealed.” John James Audubon, Golden Eagle , 1833 Watercolor, pastel, graphite, and selective glazing on paper, 38 x 25 ½ in., The New-York Historical Society
23. Audubon, Missouri River Journals , April 25, 1843: “ … antelopes are beautiful small animals and run like the wind, but not so fast as a rifle-ball .” J. T. Bowen after John Woodhouse Audubon, Prong-horned Antelope , 1845 Hand-colored lithograph, 22 x 28in., from The Vivaparous Quadrupeds of North America , pl. 77
24. J. T. Bowen after John Woodhouse Audubon, Black-tailed Deer , 1845 Hand-colored lithograph, 22 x 28in., from The Vivaparous Quadrupeds of North America , pl. 78
28. Étienne-Jules Marey, Observations sur le Vol des Oiseaux (Paris, 1890) Étienne-Jules Marey, Observations sur le Vol des Oiseaux (Paris, 1890), p. 3: “ Audubon spent a great part of his life traveling through the forests and plains of America in order to find material for his beautiful pictures of the birds. Through him, we know the habits and the type of flight of a great number of species observed in freedom, in the most various circumstances. When Audubon describes certain distant spectacles, the migration of Pigeons, for example, the flight of the Frigate Bird, the White-headed Eagle pursuing its prey, his accounts of full of interest; he added important remarks on the characteristics of flight.”
30. “ There are no Game Laws for those who Hunt with a Kodak,” 1905 Illustrated advertisement published in The Cosmopolitan , 1905
31. “ Hunting with a Camera—A Snap-shot at a Moose,” 1897 Engraved illustration, Harper’s Weekly , October 2, 1897
32.
33. Oxford English Dictionary , 2 nd ed. (1989) shot, n . 7e. (cf. SHOOT v. 22f); a picture (or sequence of pictures) continuously shot by a single film or television camera; the action or process of taking such a picture. 1889 Brit. Jrnl. Photogr. XXXVI. 605/2, I developed some instantaneous shots. 1895 Outing XXVI. 33/2, I must have a camera shot at this. 1923 ‘B. M. BOWER’ Parowan Bonanza xxvi. 303 Bill and Tommy were both below examining the effect of their ‘shots’ of the evening before.
34. The Audubon Magazine , vol. 1, February 1887, “Published in the Interests of The Audubon Society for the Protection of Birds,” founded 1886 by George Bird Grinnell (nationally incorporated 1905) George Bird Grinnell, 1849-1938