This document provides an overview of several important figures in the history of ornithology and bird illustration before John James Audubon, including Mark Catesby, Alexander Wilson, John White, Ulisse Aldrovandi, Leonardo da Vinci, and Carolus Linnaeus. It showcases examples of their watercolors, etchings, and engraved illustrations of various bird species from the 16th-19th centuries.
The document summarizes several important food crops from Latin America, including maize, yuca, cotton, peanuts, pineapples, sweet potatoes, tobacco, chocolate, and avocado. Maize is now the world's most produced cereal, originating in the Americas. Yuca is a starchy root crop native to South America. Cotton provides fiber for textiles and its seeds provide oil. Peanuts are an annual plant grown for their edible seeds. Pineapples are a tropical fruit native to South America. Sweet potatoes are a tuberous root vegetable in the morning glory family. Tobacco is a plant grown for its leaves which are used in smoking products. Chocolate is produced from cocoa seeds. And avocado is a fruit
Oklahoma Native Plant Society Newsletter - Spring 2012Fulvia52x
The document provides the calendar of events for the Oklahoma Native Plant Society for March through May 2012. It includes chapter meetings, field trips, and presentations on various topics related to native plants. The purpose of the society is also stated as encouraging the study, protection, propagation, appreciation and use of Oklahoma's native plants. It thanks donors to the society and provides other notices and information about native plants in Oklahoma.
Thomas Cole and John James Audubon were two major American artists in the 1830s-1840s. Both immigrated to the US (Audubon in 1803 and Cole in 1819) and learned painting without formal training. They were inspired by the American wilderness and sought to depict its natural beauty through landscape painting and scientific illustrations, respectively. However, they also witnessed and documented the rapid development and destruction of the wilderness during their lifetimes.
The document is Audubon's journal from his trips along the Mississippi and Missouri Rivers in 1820-1821 and 1843. It describes numerous occasions where Audubon and his companions shot or saw various bird and animal species for the purpose of study and specimen collection. They used guns to shoot birds in flight or at a distance, and noted instances where shots were missed or the animal got away. The journal entries showcase Audubon's skill at observing wildlife and his technique of using firearms to obtain specimens for his artistic works and scientific studies.
This document provides an overview of an NEH Summer Institute on analyzing visual artworks held at Indiana University. It focuses on analyzing works by John James Audubon, including his watercolors, engraved plates for The Birds of America, portrait paintings, and cultural legacy. The analyses cover examining the object, Audubon's style and technique, iconography, his biography, and the cultural history surrounding his work.
This document contains summaries and excerpts from Jennifer L. Roberts' paper "Audubon’s Burden Materiality and Transmission in The Birds of America" including:
1) Images and descriptions of works by John James Audubon from The Birds of America alongside contemporary works and reproductions by other artists that engage with Audubon's works.
2) Quotations from Audubon describing his process of accurately measuring and depicting birds in The Birds of America.
3) Images of animals from North America and reproductions of Audubon's works in bound volumes from the Beinecke Rare Book and Manuscript Library.
Andrew Jackson Grayson was an American artist and naturalist in the mid-19th century known as the "Audubon of the West". He produced hundreds of watercolor paintings of birds and other wildlife in California, Mexico, and Central America. Grayson supplied specimens and illustrations to prominent natural historians including Spencer Baird at the Smithsonian Institution. He gained recognition as a skilled artist in his own time but is now best remembered for his detailed naturalistic works that expanded knowledge of regional fauna.
The document summarizes several important food crops from Latin America, including maize, yuca, cotton, peanuts, pineapples, sweet potatoes, tobacco, chocolate, and avocado. Maize is now the world's most produced cereal, originating in the Americas. Yuca is a starchy root crop native to South America. Cotton provides fiber for textiles and its seeds provide oil. Peanuts are an annual plant grown for their edible seeds. Pineapples are a tropical fruit native to South America. Sweet potatoes are a tuberous root vegetable in the morning glory family. Tobacco is a plant grown for its leaves which are used in smoking products. Chocolate is produced from cocoa seeds. And avocado is a fruit
Oklahoma Native Plant Society Newsletter - Spring 2012Fulvia52x
The document provides the calendar of events for the Oklahoma Native Plant Society for March through May 2012. It includes chapter meetings, field trips, and presentations on various topics related to native plants. The purpose of the society is also stated as encouraging the study, protection, propagation, appreciation and use of Oklahoma's native plants. It thanks donors to the society and provides other notices and information about native plants in Oklahoma.
Thomas Cole and John James Audubon were two major American artists in the 1830s-1840s. Both immigrated to the US (Audubon in 1803 and Cole in 1819) and learned painting without formal training. They were inspired by the American wilderness and sought to depict its natural beauty through landscape painting and scientific illustrations, respectively. However, they also witnessed and documented the rapid development and destruction of the wilderness during their lifetimes.
The document is Audubon's journal from his trips along the Mississippi and Missouri Rivers in 1820-1821 and 1843. It describes numerous occasions where Audubon and his companions shot or saw various bird and animal species for the purpose of study and specimen collection. They used guns to shoot birds in flight or at a distance, and noted instances where shots were missed or the animal got away. The journal entries showcase Audubon's skill at observing wildlife and his technique of using firearms to obtain specimens for his artistic works and scientific studies.
This document provides an overview of an NEH Summer Institute on analyzing visual artworks held at Indiana University. It focuses on analyzing works by John James Audubon, including his watercolors, engraved plates for The Birds of America, portrait paintings, and cultural legacy. The analyses cover examining the object, Audubon's style and technique, iconography, his biography, and the cultural history surrounding his work.
This document contains summaries and excerpts from Jennifer L. Roberts' paper "Audubon’s Burden Materiality and Transmission in The Birds of America" including:
1) Images and descriptions of works by John James Audubon from The Birds of America alongside contemporary works and reproductions by other artists that engage with Audubon's works.
2) Quotations from Audubon describing his process of accurately measuring and depicting birds in The Birds of America.
3) Images of animals from North America and reproductions of Audubon's works in bound volumes from the Beinecke Rare Book and Manuscript Library.
Andrew Jackson Grayson was an American artist and naturalist in the mid-19th century known as the "Audubon of the West". He produced hundreds of watercolor paintings of birds and other wildlife in California, Mexico, and Central America. Grayson supplied specimens and illustrations to prominent natural historians including Spencer Baird at the Smithsonian Institution. He gained recognition as a skilled artist in his own time but is now best remembered for his detailed naturalistic works that expanded knowledge of regional fauna.
The document discusses John James Audubon's paintings and observations of birds in America in the early 19th century. It describes how Audubon would hunt and shoot birds to study them closely and include accurate depictions in his artwork. Later sections discuss how terms like "snapshot" evolved from descriptions of quickly taking shots at birds to refer to instantaneous photographs. The document provides historical context on the development of bird watching and conservation from Audubon's time to the formation of the Audubon Society in the late 19th century.
Brief presentation of landscape paintings - a sampling of work from Diane's years of traveling. Many created on location, some in the studio. Just the start of larger, specific collections to be posted for collectors, colleagues and the public to enjoy.
Self Portrait offers a new option for artists to promote themselves. Their self portrait package allows artists to create a self portrait that can be used to showcase their skills and talents on social media and websites. This may help artists gain more recognition and success through an attractive, personalized marketing option.
This document provides an overview of various online resources that artists can use to market their work, including blogs, email marketing, social networking sites, discussion forums, and slide/video sharing sites. It discusses the key features and considerations for each resource. The summary emphasizes that artists should research these options and develop a plan that matches their target audience and goals in order to maximize exposure and communication effectively.
Value shading is a technique used to convey information visually. It involves using different shades or tones to represent varying quantities or levels of a particular value. Lighter and darker shades allow viewers to quickly understand differences and make comparisons across a range of data.
This document provides a summary of key principles of perspective in art: atmospheric perspective uses lighter/darker shades and blurriness to indicate distance, isometric perspective uses parallel lines to depict three-dimensional forms, and linear perspective employs converging lines to create a sense of depth according to the number of vanishing points used. Placement, size, and value are also important techniques for showing proximity and establishing depth of field in two-dimensional artwork.
Este documento presenta una colección de fotografías paisajísticas de Ubrique tomadas por Francisco Añon, David Fernandez y Pablo Mateos. Incluye vistas de la plaza de toros, los Veinte Pilares, el pantano, los Nueve Caños, la plaza del ayuntamiento, el mirador de la cruz del tajo, el río de Ubrique, la sierra de Ubrique, la plaza de Ubrique vista desde la cruz del tajo, las montañas de los castaños del río Genal, la cruz del tajo no
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
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Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
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Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
How Barcodes Can Be Leveraged Within Odoo 17Celine George
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The document discusses John James Audubon's paintings and observations of birds in America in the early 19th century. It describes how Audubon would hunt and shoot birds to study them closely and include accurate depictions in his artwork. Later sections discuss how terms like "snapshot" evolved from descriptions of quickly taking shots at birds to refer to instantaneous photographs. The document provides historical context on the development of bird watching and conservation from Audubon's time to the formation of the Audubon Society in the late 19th century.
Brief presentation of landscape paintings - a sampling of work from Diane's years of traveling. Many created on location, some in the studio. Just the start of larger, specific collections to be posted for collectors, colleagues and the public to enjoy.
Self Portrait offers a new option for artists to promote themselves. Their self portrait package allows artists to create a self portrait that can be used to showcase their skills and talents on social media and websites. This may help artists gain more recognition and success through an attractive, personalized marketing option.
This document provides an overview of various online resources that artists can use to market their work, including blogs, email marketing, social networking sites, discussion forums, and slide/video sharing sites. It discusses the key features and considerations for each resource. The summary emphasizes that artists should research these options and develop a plan that matches their target audience and goals in order to maximize exposure and communication effectively.
Value shading is a technique used to convey information visually. It involves using different shades or tones to represent varying quantities or levels of a particular value. Lighter and darker shades allow viewers to quickly understand differences and make comparisons across a range of data.
This document provides a summary of key principles of perspective in art: atmospheric perspective uses lighter/darker shades and blurriness to indicate distance, isometric perspective uses parallel lines to depict three-dimensional forms, and linear perspective employs converging lines to create a sense of depth according to the number of vanishing points used. Placement, size, and value are also important techniques for showing proximity and establishing depth of field in two-dimensional artwork.
Este documento presenta una colección de fotografías paisajísticas de Ubrique tomadas por Francisco Añon, David Fernandez y Pablo Mateos. Incluye vistas de la plaza de toros, los Veinte Pilares, el pantano, los Nueve Caños, la plaza del ayuntamiento, el mirador de la cruz del tajo, el río de Ubrique, la sierra de Ubrique, la plaza de Ubrique vista desde la cruz del tajo, las montañas de los castaños del río Genal, la cruz del tajo no
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In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
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Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
How Barcodes Can Be Leveraged Within Odoo 17Celine George
In this presentation, we will explore how barcodes can be leveraged within Odoo 17 to streamline our manufacturing processes. We will cover the configuration steps, how to utilize barcodes in different manufacturing scenarios, and the overall benefits of implementing this technology.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
7. John White, Head of a Brown Pelican, 1585-93
Watercolor over graphite on paper, 18.5 x 22.4 cm., British Museum
8. John White, Flamingo, 1585-1593 John James Audubon, American Flamingo, 18
Watercolor over graphite on paper, 29.6 x 19.7 cm., British Museum, London Watercolor, New-York Historical Society
9. John White, Flamingo, 1585-1593 Robert Havell after Audubon, American Flamingo, 1838
Watercolor on paper, British Museum, London Hand-colored engraving, 38 ¼ x 25 ½ in., from The Birds of America, pl. 431
10. Mark Catesby, Flamingo, 1729-43 Robert Havell after Audubon, American Flamingo, 1838
Hand-colored etching, 13 ¾ x 10 ¼ in., from The Natural History of Carolina, Hand-colored engraving, 38 ¼ x 25 ½ in., from The Birds of America, pl. 431
Florida, and the Bahama Islands, 1731-43, vol. 1, pl. 73
12. Mark Catesby, Fishing Hawk, from The Natural History of John James Audubon, Fish Hawk or Osprey, 1806
Carolina, Florida, and the Bahama Islands, 1731-43 Houghton Library, Harvard University
13. Mark Catesby, White Ibis, from The Robert Havell after John James Audubon, White Ibis, 1834
Natural History of Carolina, Florida, and Hand-colored engraving, 26 x 20 ¾ in., from The Birds of America, pl. 222
the Bahama Islands, 1731-43
14. William Bartram, Great Alachua Savana, 1765
Ink on paper, American Philosophical Society, Philadelphia
15. Lawson after Alexander Wilson, Carolina Parrot, Havell after Audubon, Carolina Parakeet, 1825
from American Ornithology, pl. 26 Hand-colored engraving, 33 ¼ x 23 ½ in., from The Birds of America, pl. 26
16. John James Audubon, White-headed Eagle, 1828
Hand-colored engraving, 37 x 25 ¼ in., from The Birds of America, plate 31
17. Lawson after Wilson, White-headed Eagle, 1811 Havell after Audubon, White-headed Eagle, 1828
Hand-colored engraving, 10 x 13 ¼ in.,
from Wilson, American Ornithology, vol. 4, pl. 36 Hand-colored engraving, 37 x 25 ¼ in., from The Birds of America, pl. 31
18. Lawson after Wilson, White-headed Eagle, 1811 Havell after Audubon, White-headed Eagle, 1828
Hand-colored engraving, 10 x 13 ¼ in.,
from Wilson, American Ornithology, vol. 4, pl. 36 Hand-colored engraving, 37 x 25 ¼ in., from The Birds of America, pl. 31
American Bald Eagle, collected by
Alexander Wilson in Egg Harbor,
NJ, prepared by Charles Willson
Peale, c.1811
Museum of Comparative Zoology,
Harvard University
American Bald Eagle, prepared by member of the Peale
family for Peale Museum, c.1805
Independence National Historical Park Museum, Philadelphia
19. Audubon, White-headed Eagle, 1828
Hand-colored engraving, 37 x 25 ¼ in., from The Birds of America, plate 31
John James Audubon,
Wild Turkey, 1825
Watercolor and graphite on paper, 38 ¾
x 26 in., New-York Historical Society
Charles Willson Peale, The Artist in His Museum, 1822
Oil on canvas, Pennsylvania Academy of the Fine Arts
20. Alexander Wilson and Titian Ramsay Peale, John James Audubon, Wild Turkey, 1825
Wild Turkey Male and Female, Watercolor and graphite on paper, 38 ¾ x 26 in., New-York Historical Society
from Wilson, American Ornithology