Welcome to GGMODELS PHOTOGRAPHY MAGAZINE GGMODELS is the biggest & the most active in female model-photography group on Facebook
Join us on facebook.com/groups/GGMODELSPHOTOGRAPHY2
How IBM API Management use Informix and NoSQLAjay Gupte
IBM API Management product version 3 (V3) has been
re-design and re- architected from ground up to
be able to handle scale in a cloud environment as
well as in an on-premise environment, but also to
be able to deliver features at a faster pace. As
part of this process. This session will cover Programming Model Best Practices with NoSQL Technology and Informix Database.
Social Media Content Creation helps you understand the target market, plan the best appropriate social media platform, and prepare content to create an effective social media campaign easily.
https://businessbuddiesph.wixsite.com/businessbuddiesph
Rose Yao shares insights from a decade-long career at Facebook and Google, helping create products like Facebook Profile, Newsfeed, and Gmail.
Presented at Declassified, a speaker series bringing together industry insiders to explore the future of technology. (July 2015)
Digital transformation - Social Media Strategy for 2017 Danny Denhard
Ever wanted how to establish a digital strategy around social media? This presentation will help you understand where JustGiving crowdfunding gets value from social networks and how we leverage storytelling, powerful stories and most importantly compassionate UGC.
This is a presentation I made at #DIGTRA16 a conference
Welcome to GGMODELS PHOTOGRAPHY MAGAZINE GGMODELS is the biggest & the most active in female model-photography group on Facebook
Join us on facebook.com/groups/GGMODELSPHOTOGRAPHY2
How IBM API Management use Informix and NoSQLAjay Gupte
IBM API Management product version 3 (V3) has been
re-design and re- architected from ground up to
be able to handle scale in a cloud environment as
well as in an on-premise environment, but also to
be able to deliver features at a faster pace. As
part of this process. This session will cover Programming Model Best Practices with NoSQL Technology and Informix Database.
Social Media Content Creation helps you understand the target market, plan the best appropriate social media platform, and prepare content to create an effective social media campaign easily.
https://businessbuddiesph.wixsite.com/businessbuddiesph
Rose Yao shares insights from a decade-long career at Facebook and Google, helping create products like Facebook Profile, Newsfeed, and Gmail.
Presented at Declassified, a speaker series bringing together industry insiders to explore the future of technology. (July 2015)
Digital transformation - Social Media Strategy for 2017 Danny Denhard
Ever wanted how to establish a digital strategy around social media? This presentation will help you understand where JustGiving crowdfunding gets value from social networks and how we leverage storytelling, powerful stories and most importantly compassionate UGC.
This is a presentation I made at #DIGTRA16 a conference
The content wars the real power of UGC #searchleeds Danny Denhard
This is my presentation from the first #searchleeds, covering how the power of UGC is almost always underestimated. I use examples from amazon, the FT, airbnb, gopro, LinkedIn, justgiving & Baidu. I also recommend a number of techniques and formats you can use to fully integrate UGC into your product offering
Untapped Organic Acquisition For 2016 - Talk at Seedcamp deckDanny Denhard
Here is a flash talk I did for Seedcamp on untapped organic acquisition in 2016, including apps reddit, li.st, slideshare, pinterest, twitch.tv and many more
The 6th life changing technology shift deckDanny Denhard
We have lived through 6 major technology shifts, tv to the pc - to the internet - to search and social media to mobile and coming in 2016 VR. We will see the next huge technology shift & this teases you to think about how to leverage it for your business and within your vertical.
This is a flash talk I have gave at a clients and has been amended to slideshare.
Małe jest piękne, czyli dlaczego warto pracować z mikroinfluencerami (Anna Le...More Bananas
Autentyczność i bliskie relacje z fanami to tylko niektóre z powodów, dla których warto współpracować z mikroinfluencerami. Chcecie poznać kolejne? Prześledźcie prezentację Anny Ledwoń-Blachy.
Blue Moon - Advertising Plan (Group Project)Sam Cheema
Blue Moon Ad Plan that was a required assessment as part of undertaking my studies in SUNY New Paltz. We devised this plan through research and foresight of implication.
Students learn about the use of social media in the agriculture industry. We review tips for posting on Facebook and pinning photos and captions on Pinterest.
They used to teach marketing as "the four Ps." They don't quite translate to the non-profit world, but you could adapt them into four Ms. These are slides from a workshop I led at the Institute for Non-Profit Marketing & Leadership at Boston University, leading a class of executives from an introduction to the marketing lens to the process of message development.
The content wars the real power of UGC #searchleeds Danny Denhard
This is my presentation from the first #searchleeds, covering how the power of UGC is almost always underestimated. I use examples from amazon, the FT, airbnb, gopro, LinkedIn, justgiving & Baidu. I also recommend a number of techniques and formats you can use to fully integrate UGC into your product offering
Untapped Organic Acquisition For 2016 - Talk at Seedcamp deckDanny Denhard
Here is a flash talk I did for Seedcamp on untapped organic acquisition in 2016, including apps reddit, li.st, slideshare, pinterest, twitch.tv and many more
The 6th life changing technology shift deckDanny Denhard
We have lived through 6 major technology shifts, tv to the pc - to the internet - to search and social media to mobile and coming in 2016 VR. We will see the next huge technology shift & this teases you to think about how to leverage it for your business and within your vertical.
This is a flash talk I have gave at a clients and has been amended to slideshare.
Małe jest piękne, czyli dlaczego warto pracować z mikroinfluencerami (Anna Le...More Bananas
Autentyczność i bliskie relacje z fanami to tylko niektóre z powodów, dla których warto współpracować z mikroinfluencerami. Chcecie poznać kolejne? Prześledźcie prezentację Anny Ledwoń-Blachy.
Blue Moon - Advertising Plan (Group Project)Sam Cheema
Blue Moon Ad Plan that was a required assessment as part of undertaking my studies in SUNY New Paltz. We devised this plan through research and foresight of implication.
Students learn about the use of social media in the agriculture industry. We review tips for posting on Facebook and pinning photos and captions on Pinterest.
They used to teach marketing as "the four Ps." They don't quite translate to the non-profit world, but you could adapt them into four Ms. These are slides from a workshop I led at the Institute for Non-Profit Marketing & Leadership at Boston University, leading a class of executives from an introduction to the marketing lens to the process of message development.
Công ty Cổ phần Quảng cáo Shojiki được thành lập bởi các thành viên nhiều kinh nghiệm, tập trung vào lĩnh vực quảng cáo ngoài trời: biển bảng, wifi sân bay, xe buýt, taxi,... cùng các loại hình quảng cáo mới như hologram, 3d projector,...
Indian CST has developed a distinctive online Project Management platform called GPMS
(www.indiancst.com) in 2009 for programme and project monitoring. Majority of the users are from public sector.
On the shoulders of Giants: Stop looking up, and Start Looking DownEliza Brock
The CoderFaire 2014 Keynote Presentation
A keynote that will inspire, educate and expand one’s understanding of our industry, and possibly shift your mindset for writing code.
For complete speaker notes, including image attributions, see: https://www.dropbox.com/s/qnhnezsruu4mnak/CoderFaire_2014_keynote_with_presenter_notes.pdf?dl=0
Melakukan transaksi keuangan perusahaan dan mencatat transaksi secara akurat. Memantau dan melakukan pembayaran kepada pemasok. Melakukan penagihan kepada pelanggan.
Simone Puorto. 2024 Odissea nel Travel Il Ruolo della GenAI nell’Universo Tur...Simone Puorto
La discussione inizia con un'attenta esplorazione del ruolo della GenAI nel fornire raccomandazioni di viaggio iper-personalizzate, adattando gli itinerari per corrispondere alle preferenze individuali e ai modelli di dati storici. Inoltre, si addentra nella competenza della GenAI nel superare le barriere linguistiche, offrendo servizi di traduzione in tempo reale che migliorano la comunicazione e l'immersione culturale per i viaggiatori internazionali. Lo speech prosegue svelando il settore emergente delle esperienze di turismo virtuale, potenziate dalla GenAI, che permettono ai turisti di esplorare destinazioni attraverso simulazioni vivide prima delle loro visite effettive. Questo segmento sottolinea il potenziale di queste tecnologie di democratizzare il viaggio e offrire alternative sostenibili al turismo tradizionale. Inoltre, la presentazione evidenzia come la determinazione dinamica dei prezzi guidata dalla GenAI possa ottimizzare la redditività per i fornitori di servizi assicurando al contempo costi competitivi ed equi per i consumatori. Nel dominio del customer care, la presentazione dettaglia i modi in cui la GenAI può fornire un supporto superiore, disponibile 24 ore su 24, rispondendo alle richieste con un'efficienza e una precisione senza pari. Il relatore discuterà anche delle implicazioni di questi avanzamenti per l'occupazione e le competenze richieste nel panorama turistico in evoluzione. Lo speech mira a fornire una visione equilibrata, considerando non solo le opportunità, ma anche le considerazioni etiche e le sfide poste dall'integrazione della GenAI nel turismo, in un futuro in cui la GenAI agisce come catalizzatore per creare esperienze di viaggio più inclusive, personalizzate e sostenibili, rivoluzionando l'industria in modi che stiamo solo iniziando a comprendere.
I Quit. Next Steps to Take When Blinded by the Market.David Aferiat
The first wave of Big Data focused on the insight possible from the enormous amount of data our actions generate. The second wave will focus on how such insight leads to automated decisions. This presentation describes how Trade Ideas is riding this trend for better decisions when trading in the markets.
Similar to GGMODELS PHOTOGRAPHY MAGAZINE No.3 July 2015 (20)
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
1. GGMODELS
No.3EditionJuly2015
T H E B I G G E S T & T H E M O S T A C T I V E M O D E L P H O T O G R A P H Y
Wulandari QadiesyaJAKARTA
c o v e r p h o t o
P H O T O G R A P H Y M A G A Z I N E
C I T I E S T O P S H O O T
P h o t o g r a p h y C o r n e r
M o s t L i k e s P o s t s
SPECIAL RAMADHAN PHOTOGRAPHY
PHOTOGRAPHY EVENTSINFO
2.
3. C O N T E N T S
P H O T O G R A P H Y
• To p S h o o t G G M O D E L S C I T I E S
G G M O D E L S P H O T O G R A P H Y F O R U M
• M o s t L i k e s P o s t s
P H O T O G R A P H Y E V E N T S
T I P S
• P h o t o g r a p h y C o r n e r
• G G M O D E L S P R I M B O N
A D V E R T O R I A L
4. GGMODELSP H O T O G R A P H Y M A G A Z I N E
EDITOR:
CONTRIBUTORS:
ADVISOR:
Ian Sihombing
Aryo Dzakwan
Lipz D’Lexus
Risky Maulana
El Maulana
Amos Adi
MEMBERS of GGMODELS PHOTOGRAPHY
Admin Group GGMODELS PHOTOGRAPHY
Admin Group GGMODELS CITIES
Office :
Komplek Ruko Pulomas Blok 2 No.12
Jl. Raya Perintis Kemerdekaan
Jakarta Timur 13260
Legal Copyright :
Jurnal Fakta Nusantara
Contact Details:
ggmodels.group@gmail.com
facebook.com/groups/GGMODELSPHOTOGRAPHY2
facebook.com/GGMODELSPHOTOGRAPHY
ggmodelsphotography
@ggmodelsgroup
5. EDITOR’S
NOTE
Salam Hunter,
Redaksi GGMODELS PHOTOGRAPHY mengucapkan Selamat Hari Raya Idul Fitri 1436 H
kepada seluruh umat Muslim.
Kami mohon maaf atas keterlambatan terbitnya edisi ke-3 kali ini.
Konten yang tersedia saat ini sangat minim dikarenakan kami sedang mempersiapkan edisi khusus
Edisi yang merangkum semua kegiatan dari GGMODELS PHOTOGRAPHY HUNTING NASIONAL
Yang diadakan pada tanggal 02 Agustus 2015 di 20 Kota di Indonesia
Kami akan terus mempersiapkan edisi kedepan untuk lebih baik dan lebih menarik
Terima kasih kami kepada para members grup GGMODELS dimanapun berada
Tanpa Members kami tidak akan bisa ada
Ian Sihombing
8. P h o t o g r a p h e r : B a n g T e n g k u
M o d e l : A l o i n a
G G M O D E L S | M E D A N
Wa r d ro b e : by M o d e l
M a ke - U p : C o l o r s o f Twe n t y t wo
E ve n t : P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S M E DA N - I N D O N E S I A
N i ko n D 7 5 0 / 8 5 1 , 4 N
9. P h o t o g r a p h e r : B a n g T e n g k u
M o d e l : A l o i n a
G G M O D E L S | M E D A N
Wa r d ro b e : by M o d e l
M a ke - U p : C o l o r s o f Twe n t y t wo
E ve n t : P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S M E DA N - I N D O N E S I A
N i ko n D 7 5 0 / 8 5 1 , 4 N
10. P h o t o g r a p h e r : B a n g T e n g k u
M o d e l : H a n a n
G G M O D E L S | M E D A N
Wa r d ro b e : by M o d e l
M a ke - U p : by M o d e l
E ve n t : P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S M E DA N - I N D O N E S I A
C a n o n 7 0 D / 1 3 5 F 2 L
11. Susana MetaStella Kirana
Roosye Ardelina Saragih
supported by
MEDAN
D h e n y P a t u n g k a O ’ o n k M a d o u r A R T
a Collaboration Workshop
MEDAN, 26-27 September 2015
Sign up / More Info :
Bang Tengku
082 3648 09820
BBM : 7D230953
Willi Yeo
0812 6022 052
BBM : 7CD66352
Chu Kiang Xu
0812 60 9898 8
BBM : 54FEDCFB
12. P h o t o g r a p h e r : R a I s o M o t o
M o d e l : S e k a r K e l a n a
G G M O D E L S | B A T A M
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : Pa n t a i M a r i n a B a t a m
Fa c eb o o k G ro u p G G M O D E L S BATA M - I N D O N E S I A
C a n o n 5 0 D
13. P h o t o g r a p h e r : J o n a s O p e
M o d e l : K r i s n a S a r i
G G M O D E L S | B A T A M
“ I N D I A B E AU T Y C U LT U R E ”
Wa r d ro b e & M a ke - U p : Yu d i h a n C e d u m P h o t o g ra p hy
Fa c eb o o k G ro u p G G M O D E L S BATA M - I N D O N E S I A
N i ko n D 3 0 0 L e n s 5 5 - 3 0 0 m m
14. P h o t o g r a p h e r : F e b r y a n t o E k a R a h m a d h a n
M o d e l : A n g g i t a D h i r a U t a m i
G G M O D E L S | B A T A M
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : D e B o t t l e
Fa c eb o o k G ro u p G G M O D E L S BATA M - I N D O N E S I A
f 3 . 5 | 1 / 1 2 5 s | I S O - 4 0 0
15. P h o t o g r a p h e r : D a n u H i d a y a t
M o d e l : D i a n a
G G M O D E L S | B A T A M
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : Po l t e k
Fa c eb o o k G ro u p G G M O D E L S BATA M - I N D O N E S I A
C a n o n 1 1 0 0 D / 5 8 m m / f 1 . 4
I S O - 1 0 0 | 1 / 2 5 0 s
16. P h o t o g r a p h e r : F e s t i a n A d e
M o d e l : F e b i i A t t h a r i i y a h
G G M O D E L S | B A T A M
“ S o n g A b o u t M y F e e l ”
Wa r d ro b e : D ay u R i a s Pe n ga n t i n
M a ke - U p : E r w i n S h a p u t ra
Fa c eb o o k G ro u p G G M O D E L S BATA M - I N D O N E S I A
17.
18. P h o t o g r a p h e r : A r c h i l i a n d i
M o d e l : E m i l y a P u t r i e P a m e l a
G G M O D E L S | L A M P U N G
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : G e d u n g Tu a B H S Te l u k B e t u n g
Fa c eb o o k G ro u p G G M O D E L S L A M P U N G - I N D O N E S I A
C a n o n E O S 5 D M k i i / 5 0 m m 1 , 4 U S M
19. P h o t o g r a p h e r : R i d w a n M u l y a n a
M o d e l : A n i n d i t y a
G G M O D E L S | B A N T E N
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
Fa c eb o o k G ro u p G G M O D E L S BA N T E N - I N D O N E S I A
C a n o n E O S 6 5 0 D
20. P h o t o g r a p h e r : R i d w a n M u l y a n a
M o d e l : S y a l i t a P a r a m a d i n a
G G M O D E L S | B A N T E N
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
Fa c eb o o k G ro u p G G M O D E L S BA N T E N - I N D O N E S I A
C a n o n E O S 6 5 0 D
I S O - 2 0 0
21. P h o t o g r a p h e r : R i d w a n M u l y a n a
M o d e l : S y a l i t a P a r a m a d i n a
G G M O D E L S | B A N T E N
“ Wa i t i n g fo r s o m e o n e l ”
Wa r d ro b e & M a ke - U p : by M o d e l
Fa c eb o o k G ro u p G G M O D E L S BA N T E N - I N D O N E S I A
C a n o n E O S 6 5 0 D
L e n s 5 0 m m
f 1 . 8 / I S O - 4 0 0
22. P h o t o g r a p h e r : R i d w a n M u l y a n a
M o d e l : A l f i a n a H u d r i
G G M O D E L S | B A N T E N
“ S ex y L a dy O f f Ro a d ”
Wa r d ro b e & M a ke - U p : by M o d e l
Fa c eb o o k G ro u p G G M O D E L S BA N T E N - I N D O N E S I A
C a n o n E O S 6 5 0 D
I S O - 2 0 0
24. P h o t o g r a p h e r : N a f r i e S o e r a t n o
M o d e l : R h e r e V a l e n t i n a
G G M O D E L S | J A K A R T A
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : D e s a Ke m a n g Re s o r t - Ja k a r t a
Fa c eb o o k G ro u p G G M O D E L S J A K A R TA - I N D O N E S I A
C a n o n E O S 4 0 D
7 0 - 2 0 0 m m L e n s
f 4 / I S O - 8 0 0
1 / 1 0 0 0 s
25. P h o t o g r a p h e r : N a f r i e S o e r a t n o
M o d e l : B e e V i o n a
G G M O D E L S | J A K A R T A
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : D e s a Ke m a n g Re s o r t - Ja k a r t a
Fa c eb o o k G ro u p G G M O D E L S J A K A R TA - I N D O N E S I A
C a n o n E O S 4 0 D
7 0 - 2 0 0 m m L e n s
f 4 / I S O - 8 0 0
1 / 1 0 0 0 s
27. P h o t o g r a p h e r : M a r t o y o S e t i a w a n
M o d e l : F a r a h d i t h a
G G M O D E L S | D E P O K
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Keb u n P r i b a d i - C i t aya m
Fa c eb o o k G ro u p G G M O D E L S D E P O K - I N D O N E S I A
29. P h o t o g r a p h e r : A l i C a n t o n a
M o d e l : R i s m a
G G M O D E L S | B E K A S I
Wa r d ro b e : a +
M a ke - U p : B y M o d e l
S p o t : E m p t y H o u s e H a ra p a n I n d a h - B e k a s i
Fa c eb o o k G ro u p G G M O D E L S B E K A S I - I N D O N E S I A
C a n o n E O S 6 0 0 D
1 8 - 1 3 5 m m L e n s
30. P h o t o g r a p h e r : A g u s S u p a r m a n
M o d e l : I r a
G G M O D E L S | S U K A B U M I
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : P r i va t e H o m e
Fa c eb o o k G ro u p G G M O D E L S S U K A BU M I - I N D O N E S I A
C a n o n E O S 5 5 0 D
5 0 m m L e n s
31. P h o t o g r a p h e r : K o n g
M o d e l : I n d r y
G G M O D E L S | B A N D U N G
Wa r d ro b e & M a ke - U p : by H e n d r i
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S BA N D U N G - I N D O N E S I A
32. P h o t o g r a p h e r : J u n r i e J u n r i e J u n r i e
M o d e l : P u t r y L a b o r a
G G M O D E L S | P A L A N G K A R A Y A
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : k m . 2 9 Ta m a n W i s a t a Ta n g k i l i n g
Pa l a n g k a raya
Fa c eb o o k G ro u p G G M O D E L S PA L A N G K A R AYA - I N D O N E S I A
C a n o n E O S 6 0 D
7 0 - 2 0 0 m m L e n s
f 2 . 8 / I S O - 1 0 0
33. P h o t o g r a p h e r : A m e e d M o o n w a l k
M o d e l : A n g e l L i n a
G G M O D E L S | P A L A N G K A R A Y A
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : U n d e r t h e B r i d ge Ka h aya n
S. Pa r m a n Ro a d - Pa l a n g k a raya
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S PA L A N G K A R AYA - I N D O N E S I A
C a n o n E O S 5 5 0 D
1 0 0 m m L e n s
f 2 / I S O - 1 0 0
1 / 1 0 0 0 s
34. P h o t o g r a p h e r : A m e e d M o o n w a l k
M o d e l : D e b o r a A g n e s H i n g k u a
G G M O D E L S | P A L A N G K A R A Y A
Wa r d ro b e : by M o d e l
M a ke - U p : B y M o d e l
S p o t : Te r m i n a l L i n t a s J l . M a h i r M a h a r
Pa l a n g k a raya
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S PA L A N G K A R AYA - I N D O N E S I A
C a n o n E O S 5 5 0 D
5 0 m m L e n s
f 1 . 8 / I S O - 1 0 0
1 / 2 0 0 s
35. G G M O D E L S | P A L A N G K A R A Y A
P h o t o g r a p h e r : J u n r i e J u n r i e J u n r i e
M o d e l : F l o r e n s h a
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : B u m i Pe r ke m a h a n Ke r e n g B a n g k i ra i
Fa c eb o o k G ro u p G G M O D E L S PA L A N G K A R AYA - I N D O N E S I A
C a n o n E O S 6 0 D
7 0 - 2 0 0 m m L e n s
f 2 . 8 / I S O - 1 0 0
36.
37. P h o t o g r a p h e r : H o l l a n d W e r a M b o j o
M o d e l : L i l a A r y a n i
G G M O D E L S | B I M A D O M P U
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : L a wa t a B e a c h - B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
38. P h o t o g r a p h e r : B a g u s D w i S a n t o s o
M o d e l : N a n a
G G M O D E L S | B I M A D O M P U
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Pe l a b u h a n Pe t i Ke m a s - B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
N i ko n D 9 0
I S O - 1 0 0
f 5 , 1 / 1 6 0 s
39. P h o t o g r a p h e r : B a g u s D w i S a n t o s o
M o d e l : A l e x a F i r d a A n g e l i c a
G G M O D E L S | B I M A D O M P U
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : L a wa t a - Ko t a B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
N i ko n D 9 0
I S O - 1 0 0
f 1 . 8 , 1 / 2 0 0 0 s
40. P h o t o g r a p h e r : E c k o H c r c B i m a
M o d e l : N h a n a S c h o l a s t i k a
G G M O D E L S | B I M A D O M P U
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Pe l a b u h a n Pe t i Ke m a s - B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
S o ny A 5 7
I S O - 1 0 0
f 2 . 8 , 1 / 2 0 0 s
41. P h o t o g r a p h e r : M a n Y u n o u r y e l z i s
M o d e l : A n i s
G G M O D E L S | B I M A D O M P U
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : S i l a - B o l o - B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
C a n o n 6 0 D
5 0 m m L e n s
f 2 , 1 / 3 0 0 s, I S O - 1 0 0
42. P h o t o g r a p h e r : E d ’ W a r d E d y
M o d e l : D i n d a R i s k a
G G M O D E L S | B I M A D O M P U
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Pe l a b u h a n Pe t i Ke m a s - B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
S o ny A 5 7
Ta m ro n 7 0 - 2 0 0 m m
f 2 . 8 , 1 / 5 0 0 s, I S O - 1 0 0
43. P h o t o g r a p h e r : E d ’ W a r d E d y
M o d e l : T r i
Wa r d ro b e : by A i d a G u s t a r i k a
M a ke - U p : B y M o d e l
S p o t : S a va n a Ta m b o ra M o u n t a i n
D o m p u - N u s a Te n g ga ra B a ra t
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
G G M O D E L S | B I M A D O M P U
44. P h o t o g r a p h e r : E c k o H c r c B i m a
M o d e l : C l a u d y a R a t u F e b r i l l a h
Wa r d ro b e & M a ke - U p : B y M o d e l
S p o t : S a p e - Ka b u p a t e n B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
G G M O D E L S | B I M A D O M P U
S o ny N ex 6 Fa l s e C o l o r
E v 4 1 / 2 0 0 I S O - 2 0 0 f 4
45. P h o t o g r a p h e r : H o l l a n d W e r a M b o j o
M o d e l : L a u r a
Wa r d ro b e & M a ke - U p : B y M o d e l
S p o t : B a j o P u l o
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
G G M O D E L S | B I M A D O M P U
46. P h o t o g r a p h e r : E c k o H c r c B i m a
M o d e l : R e t n o M u r t i
Wa r d ro b e & M a ke - U p : B y S a l o n J i n g ga
S p o t : S a l o n J i n g ga - Ko t a B i m a
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
G G M O D E L S | B I M A D O M P U
S o ny N ex 6 Fa l s e C o l o r
E v 4 1 / 1 6 0 I S O - 2 0 0 f 4
47. P h o t o g r a p h e r : B a g u s D w i S a n t o s o
M o d e l : N a d i n e C a n d r a W i n a t a
Wa r d ro b e : B y S a n g ga r U m a L e n g ge
S p o t : U m a L e n g ge Wa wo - B i m a N T B
Fa c eb o o k G ro u p G G M O D E L S B I M A D O M P U - I N D O N E S I A
G G M O D E L S | B I M A D O M P U
N i ko n D 9 0 + 3 5 m m L e n s
I S O - 1 0 0
1 / 6 0 , f 6 . 3
48. P h o t o g r a p h e r : M a n g K a b a y a n
M o d e l : H a s t y e F a r e l l K e c y
Wa r d ro b e & M a ke - U p : B y M o d e l
S p o t : G u a Ko t a k - Ku t a L o m b o k
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S LO M B O K - I N D O N E S I A
G G M O D E L S | L O M B O K
N i ko n D 3 2 0 0
S i g m a L e n s 7 0 - 3 0 0 m m
F L 7 0 m m
I S O - 1 6 0 0
f 6 , 1 / 3 2 0 0 s
49. P h o t o g r a p h e r : E d ’ W a r d E d y
M o d e l : M i r a M u h a m m a d
Wa r d ro b e & M a ke - U p : F ebby S a l o n ( F ebby R u s d i a n a )
S p o t : H u t a n W i s a t a S e s a o t - L o m b o k
N u s a Te n g ga ra B a ra t
Fa c eb o o k G ro u p G G M O D E L S LO M B O K - I N D O N E S I A
G G M O D E L S | L O M B O K
50. P h o t o g r a p h e r : C o r n e l S T a w a s
M o d e l : E n d y A p r i l
Wa r d ro b e & M a ke - U p : B y M o d e l
S p o t : C o f f e e To f e e C a f e - M a t a ra m
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S LO M B O K - I N D O N E S I A
G G M O D E L S | L O M B O K
51. P h o t o g r a p h e r : A r j u n a A v a n P r a s e t y a
M o d e l : D y a h S r i P u r n a w a t i K u s u m a
G G M O D E L S | M A G E L A N G
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : B o ro b u d u r - M a ge l a n g
Fa c eb o o k G ro u p G G M O D E L S M AG E L A N G - I N D O N E S I A
C a n o n 4 0 D 1 8 - 5 5 L e n s
1 / 1 6 0 s, I S O - 4 0 0 f 1 1
52. P h o t o g r a p h e r : A r j u n a A v a n P r a s e t y a
M o d e l : N u n i c k Y u l i a t i
G G M O D E L S | M A G E L A N G
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : S i d o m u k t i - U n ga ra n
Fa c eb o o k G ro u p G G M O D E L S M AG E L A N G - I N D O N E S I A
C a n o n 4 0 D 5 0 m m L e n s
1 / 6 4 s, I S O - 4 0 0 f 4
53. P h o t o g r a p h e r : E k o A g h o e s t B a p a k ’ e S a t y a
M o d e l : R i a n a A n d r i a n i
G G M O D E L S | M A G E L A N G
Wa r d ro b e & M a ke - U p : by M o d e l
E n u ve P h o t o g ra p hy S t u d i o - J e t i s M a ge l a n g
P r i va t e S t u d i o S h o o t
Fa c eb o o k G ro u p G G M O D E L S M AG E L A N G - I N D O N E S I A
C a n o n 6 0 D 1 8 - 2 0 0 m m L e n s
1 / 1 6 0 s, I S O - 4 0 0 f 7 . 1
54. P h o t o g r a p h e r : G a m a T r o n i k
M o d e l : Y u n i e A r n i a
G G M O D E L S | S E M A R A N G
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : C u r u g 7 B i d a d a r i S u m owo n o Ka b. S e m a ra n g
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
C a n o n 5 0 0 D 8 5 m m L e n s
1 / 2 0 0 s, I S O - 2 0 0 f 2 . 2
55. P h o t o g r a p h e r : G a m a T r o n i k
M o d e l : N o v a P i n k y a D h i t y a
G G M O D E L S | S E M A R A N G
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Po n d o k Ko p i J i m b a ra n Ka b. S e m a ra n g
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
C a n o n 6 0 D 8 5 m m L e n s
1 / 3 2 0 s, I S O - 1 0 0 f 3 . 5
56. P h o t o g r a p h e r : G a m a T r o n i k
M o d e l : I n t a n
G G M O D E L S | S E M A R A N G
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : B a n d u n ga n Ka b. S e m a ra n g
P r i va t e S h o o t
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
C a n o n 6 0 D 8 5 m m L e n s
1 / 2 0 0 s, I S O - 3 2 0 f 1 . 8
S t ro b i s t
57. P h o t o g r a p h e r : A r d h a n R a g i l S e t y a w a n
M o d e l : R e t n o
G G M O D E L S | S E M A R A N G
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Ko t a Tu a S e m a ra n g
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
N i ko n D 3 0 0 0 8 5 m m L e n s
I S O - 1 0 0 , 1 / 5 0 0 s
f 0 ( m a n u a l )
58. P h o t o g r a p h e r : G a m a T r o n i k
Wa r d ro b e & M a ke - U p : F ebby S a l o n ( F ebby R u s d i a n a )
S p o t : Jo g l o A g u n g k m 5 B a n d u n ga n
S e m a ra n g
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
G G M O D E L S | S E M A R A N G
C a n o n E O S 6 0 D
8 5 m m L e n s
f 1 . 8
I S O - 1 6 0
1 / 1 6 0 s
M o d e l : N o v a P i n k y a D h i t y a
59. P h o t o g r a p h e r : A h m a d A l a m i n
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : G r i l l O n Re s t o
S e m a ra n g
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
G G M O D E L S | S E M A R A N G
C a n o n E O S 6 0 D
4 0 m m L e n s
f 3 . 5
I S O - 1 6 0
1 / 6 0 s
M o d e l : K l a v i e r a
60. P h o t o g r a p h e r : T h e o S h a n d y P r a d i p t a
M o d e l : U y u n
G G M O D E L S | P E K A L O N G A N
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : G M K T i r t o Pe k a l o n ga n
Fa c eb o o k G ro u p G G M O D E L S P E K A LO N G A N - I N D O N E S I A
S O N Y I l c e - 6 0 0 0
S a mya n g 8 5 m m L e n s
f 1 . 4 , I S O - 4 0 0 , 1 / 1 2 5 s
61. P h o t o g r a p h e r : T h e o S h a n d y P r a d i p t a
M o d e l : I c h a
G G M O D E L S | P E K A L O N G A N
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Pa n t a i T i n g k i r K l a r eya n Pe m a l a n g
Fa c eb o o k G ro u p G G M O D E L S P E K A LO N G A N - I N D O N E S I A
S O N Y I l c e - 6 0 0 0
S a mya n g 8 5 m m L e n s
f 1 . 4 , I S O - 1 6 0 , 1 / 1 6 0 s
62. P h o t o g r a p h e r : P a p a n g
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : A m P m C a f e S o l o
Fa c eb o o k G ro u p G G M O D E L S S O LO - I N D O N E S I A
G G M O D E L S | S O L O
F u j i X M 1 L e n s 1 6 - 5 0 m m
f 5 . 6
1 / 5 0 s
I S O - 4 0 0
M o d e l : C o r n e l i a
63. P h o t o g r a p h e r : G h e
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : M a n d a l a K r i d a S t a d i u m
Fa c eb o o k G ro u p G G M O D E L S J O G J A K A R TA - I N D O N E S I A
G G M O D E L S | J O G J A K A R T A
C a n o n E O S 6 0 0 D
f 4
I S O - 1 0 0
1 / 1 2 0 s
M o d e l : A q i l a H a n i f a h
64. P h o t o g r a p h e r : J i m I r w i n
Wa r d ro b e & M a ke - U p : F ebby S a l o n ( F ebby R u s d i a n a )
S p o t : M a n g ro ve S u ra b aya
Fa c eb o o k G ro u p G G M O D E L S S U R A BAYA - I N D O N E S I A
G G M O D E L S | S U R A B A Y A
B l a c k O r c h i d F C
f 4
I S O - 1 0 0
1 / 2 0 0 s
M o d e l : M a r i n a I n d a h n i n g r u m
65. P h o t o g r a p h e r : J i m I r w i n
Wa r d ro b e & M a ke - U p : -
S p o t : -
Fa c eb o o k G ro u p G G M O D E L S S U R A BAYA - I N D O N E S I A
G G M O D E L S | S U R A B A Y A
B l a c k O r c h i d - S a l a h Wa r n a
I S O - 1 0 0
f 2
1 / 2 0 0 s
M o d e l : U e n i k e E u n i k e C h r i s t a n t o
66. P h o t o g r a p h e r : L i p z D e L e x u s R e v o l u s i o n
M o d e l : A y u R
G G M O D E L S | S U R A B A Y A
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : B i b i s S u ra b aya
Fa c eb o o k G ro u p G G M O D E L S S U R A BAYA - I N D O N E S I A
N i ko n C o o l p i x 2 5 0
I S O - 4 0 0 , 1 / 1 0 0 s
f 4 . 2
67.
68.
69. P h o t o g r a p h e r : A n d y I q b a l
M o d e l : R a c h m a d i y a n t i K r e s n a
G G M O D E L S | M A K A S S A R
Wa r d ro b e : E r ga s S a l o n
M a ke - U p A r t i s t : I r wa n d hy E r ga s
S p o t : Tra n s S t u d i o M a l l M a k a s s a r
Fa c eb o o k G ro u p G G M O D E L S M A K A S S A R - I N D O N E S I A
C a n o n 4 0 D 7 0 - 2 0 0 m m L e n s
1 / 4 0 0 s, f 3 . 2 , I S O - 2 0 0
70. P h o t o g r a p h e r : I n d r a J u h a n i s
M o d e l : L i d y a K y o k o
G G M O D E L S | M A K A S S A R
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : B e n t e n g S o m b a O p u
Fa c eb o o k G ro u p G G M O D E L S M A K A S S A R - I N D O N E S I A
71. P h o t o g r a p h e r : G a m a T r o n i k
Wa r d ro b e & M a ke - U p : F ebby S a l o n ( F ebby R u s d i a n a )
S p o t : Jo g l o A g u n g k m 5 B a n d u n ga n
S e m a ra n g
Fa c eb o o k G ro u p G G M O D E L S S E M A R A N G - I N D O N E S I A
G G M O D E L S | M A K A S S A R
C a n o n E O S 6 0 D
8 5 m m L e n s
f 1 . 8
I S O - 1 6 0
1 / 1 6 0 s
M o d e l : N o v a P i n k y a D h i t y a
72. P h o t o g r a p h e r : A n d i J e y p o n t G r a p h y
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : B e n t e n g S o m b a O p u
Fa c eb o o k G ro u p G G M O D E L S M A K A S S A R - I N D O N E S I A
G G M O D E L S | M A K A S S A R
M o d e l : H i l d a S h e i l l a M u t f h i
73. P h o t o g r a p h e r : I p i n M e r a u k e
M o d e l : D n i s s a
G G M O D E L S | P A P U A
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : Ta m a n N a s i o n a l M e ra u ke
Fa c eb o o k G ro u p G G M O D E L S PA P U A - I N D O N E S I A
C a n o n E O S 5 0 D
1 / 5 0 0 s, f 2 . 8 , I S O - 1 0 0
74. P h o t o g r a p h e r : I p i n M e r a u k e
M o d e l : F i t r i R a h m a
G G M O D E L S | P A P U A
Wa r d ro b e & M a ke - U p : by M o d e l
S p o t : S p 6 Ta n a h M i r i n g, M e ra u ke Pa p u a
Fa c eb o o k G ro u p G G M O D E L S PA P U A - I N D O N E S I A
C a n o n 6 0 0 D 5 0 m m L e n s
1 / 2 0 0 s, f 2 . 8 , I S O - 1 0 0
83. G G M O D E L S P H O T O G R A P H Y
Ta ke n f ro m F a c eb o o k G ro u p
w w w. f a c eb o o k . c o m / g ro u p s / G G M O D E L S P H OTO G R A P H Y 2
M O S T L I K E S
by M e m b e r s