The main image, film title, tagline, credits, and release date are key generic conventions of horror film posters. The large dominant main image in the center is usually of the antagonist to intrigue and scare audiences. The bold film title appears at the top to identify the film. Below is the smaller tagline that hints at the plot without revealing too much. Credits are kept small at the bottom. The release date is prominently displayed at the bottom to inform audiences when they can watch the film. Together, these visual elements aim to attract and unsettle viewers with hints of danger and thrills to come.
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...Ian Moreno-Melgar
Thanks for taking a look at my resource. This resource is a 61 page, 16,000+ word guide to the A-Level Film studies film Under The Skin.
This guide is designed so that it can be printed out and students simply work straight onto it and therefore works brilliantly as a workbook for individual lessons, a whole half-term, for homework, revision, distance learning or for taking the material and turning into other formats such as creating your own PowerPoints.
There is so much in this guide that it’s almost impossible to list, but some key aspects include context, a detailed analysis of the film, examinations of the Production History of the film, including the adaptation process, a detailed exploration of narrative and narrative theory, a thorough exploration of ideology related to gender studies including oak on Clover, Mulvey & Creed, details on the aesthetics of the sci-fi film, plus analytical work and tasks , work on exam questions and much, much more.
This will save you not hours of work, but WEEKS worth of work and preparation and I guarantee will be worth the download. Your download includes both an editable Word version AND a high quality PDF, ready for printing or sharing immediately.
Análisis técnico y formal del proceso creativo en la producción de obras cinematográficas, con especial referencia a las fases de gestación ideática, el desarrollo cualitativo de las ideas y el proceso de elaboración del guión. Asimismo, se analiza la cuestión en cuanto a formatos televisión y a la adaptación de novelas y videojuegos a la pequeña y gran pantalla.
Código de ética de DISEÑO Y COMUNICACIÓN VISUALAddy Molina
Este código de ética no es oficial de la UNAM, es un trabajo que desarrolle en el área de ética cuando era estudiante tomando en cuenta la novedad de la carrera y su presencia relativamente nueva en el campo laboral. Como la carrera aun no cuenta con un código de ética oficial, esta es solo una propuesta basada en otros códigos de ética y aplicada al diseño y la comunicación visual.
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...Ian Moreno-Melgar
Thanks for taking a look at my resource. This resource is a 61 page, 16,000+ word guide to the A-Level Film studies film Under The Skin.
This guide is designed so that it can be printed out and students simply work straight onto it and therefore works brilliantly as a workbook for individual lessons, a whole half-term, for homework, revision, distance learning or for taking the material and turning into other formats such as creating your own PowerPoints.
There is so much in this guide that it’s almost impossible to list, but some key aspects include context, a detailed analysis of the film, examinations of the Production History of the film, including the adaptation process, a detailed exploration of narrative and narrative theory, a thorough exploration of ideology related to gender studies including oak on Clover, Mulvey & Creed, details on the aesthetics of the sci-fi film, plus analytical work and tasks , work on exam questions and much, much more.
This will save you not hours of work, but WEEKS worth of work and preparation and I guarantee will be worth the download. Your download includes both an editable Word version AND a high quality PDF, ready for printing or sharing immediately.
Análisis técnico y formal del proceso creativo en la producción de obras cinematográficas, con especial referencia a las fases de gestación ideática, el desarrollo cualitativo de las ideas y el proceso de elaboración del guión. Asimismo, se analiza la cuestión en cuanto a formatos televisión y a la adaptación de novelas y videojuegos a la pequeña y gran pantalla.
Código de ética de DISEÑO Y COMUNICACIÓN VISUALAddy Molina
Este código de ética no es oficial de la UNAM, es un trabajo que desarrolle en el área de ética cuando era estudiante tomando en cuenta la novedad de la carrera y su presencia relativamente nueva en el campo laboral. Como la carrera aun no cuenta con un código de ética oficial, esta es solo una propuesta basada en otros códigos de ética y aplicada al diseño y la comunicación visual.
Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
2. Main Image:
Very dominant and
large image of either a
character or object
related to the film in the
middle on the poster.
Film Title:
Often appears in
large large font size
and is bold.
Tag Line:
A few words about the
film, is the same font
as the title but is much
smaller.
Credits: appear
at the bottom in a
small font size.
Cinema
Release Date:
The date the film will
be released for
audiences to view.
3. Main Image
The main image is key generic convention of a film poster and is one of the most significant conventions this is because it is the first
thing the audience will see. The main image usually consists of a character or object of importance from the film.
• If it is a character appearing on the front of the poster, it is usually the antagonist within the film, this creates will make the
audience feel scared however it will intrigue them. The use of mise en scene is very significant as it makes the antagonist look
not normal and to portray the character as being evil or scary. For instance the lighting in the poster images is usually very low as
it creates a sense of mystery and makes the character seem isolated from others and as though something isn’t right with them.
The use the dark lighting gives a sinister feel to the film so suggest menacing things will happen in the film which can intrigue the
audience more to find out what. The use of props can be used in the main image such as weapons as it insinuates danger is to
come making the audience feel fear and some will feel sympathy for the other character on the brunt end of the violence. Other
props can include objects from the film, for example The Conjuring has a doll these are usually significant objects that are
connected to the films storyline. Costume and make up are key parts to the use mise en scene in a poster. This is because they
create the characters look for instance often the antagonists is seen to be looking intimidating and scary through their costume
and make up.
4. Main Image
• Direct-mode-of address is commonly used within horror film posters through the image of the main character. Having the
character intensely look into the camera, the audience will feel drawn in and can create an unnerving and uncomfortable
atmosphere. Furthermore, by having the character give off direct-mode-of address it gives the impression the antagonist is
intimidating and threatening.
• The frequent shot types used in horror posters are medium shot, long shot and a medium close-up. The shot type depends on
how much wants to be revealed about the characters and each shot has a different effect.
- Long shots, could be used to show the antagonist from a distance so it does not reveal their full identity which will scare the
audience more because it is fear of the unknown as they will not know what or who to fear. However if a long shot is being used
to show the protagonist this could show they are isolated from society because of something evil or scary which could make the
audience feel sympathy.
- Medium shots or medium-close up shots may be used to show an antagonist looking very dominant and threatening. Also
through these shots you can see their mise en scene such as their make-up or mask so it is obvious they are a dangerous
character making the audience feel on edge and uncomfortable. These shots can be used to portray the protagonist as being
frightened as you can see their facial expressions clearly and their body language.
5. Credits and Cinema Release Date
• Credits will usually always appear at the bottom of
the poster, in very small font size. This is because
majority of people looking at the poster don’t bother to
read the small text, meaning they aren’t a significant
feature of the poster unlike the image and film title. If
people do take the time to read them the credits give
the audience additional information about the crew
and cast as well as information on the production,
distributors etc. who were involved in making the film.
Reading this additional information could encourage
people to watch the film, because they may recognise
an actor or director who they have seen involved in
previous films which they enjoyed.
• The Cinema Release Date is a very key convention to a film poster which is usually located at the bottom of the poster, underneath
all the credits however it is in a bigger then the credits as if they do not want to read the credits (which most people opt to do) they will
still notice the date. It also needs to be in a larger font at the release holds more significance particularly to the audience as oppose to
the credits as it tells the audience when the film will available to go and watch. The release date is more prominent font because it is
an important piece of information than the credits.
• What often film posters do is not reveal the actual finalised date of the film; instead they will put ‘Coming Soon’. Having this adds
anticipation and excitement fir those who want to go and watch the film. Furthermore because the audience will be waiting for a
release date, they may keep track of what’s happening with the film. For instance follow social media accounts or regular look at the
websites or look out for trailers.
• Below the release date is usually a website address, which allows the audience to find more information about the film. It also
promotes the film further.
• Also below the release date institutional logos can be found, which represent the companies involved in the making of the film. This
could make the audience intrigued to watch the film because they may have liked other films these companied have been involved
and so expect the same standard.
6. The Film Title
• The Film Title is one of the first things the audience is going to read as it’s the largest and most bold piece of text on the
poster; this is a very significant piece of information as the audience should know the name of the film if they want to go and
watch it or find out additional information about it.
• The font type should be bold in order for it to be eye-catching for the audience, also it is often related to the horror film in order
to keep in the theme and narrative also to make it easy for audiences to recognise and relate back to the film. For instance
Dead Silence has used quite a disfigured font type which signifies there is something distorted within the film such as
supernatural activity. In addition the Orphan and Lights Out font looks like children's hand writing which can tell the that the film
may involve a child in the storyline and could further suggest they are the main character in the film.
• The colour schemes often used in film titles and horror film posters is dark or morbid colours, often used to connote danger or
violence or even death for example black and red. Black is used to create a mysterious atmosphere, almost fear if the
unknown and what's lurking in the darkness which create a fear factor for the audience. Red is used to signify danger and
could connote blood making the film more intriguing as the audience knows violence and action will feature in the film.
7. Tagline
• A film poster tagline is usually the same font as the film title however
they are often a smaller font size and usually consist of a few words,
which is usually one line or sentence. It is kept short to keep the
attention of the audience, because if it was really long people would
lose interest in reading it. Also it becomes memorable as it is often
associate with the film.
• Having a tagline gives the audience subtle, little hints about what
involved in the film without giving too much away. Giving these slight
hints intrigues the audience more to want to watch the film to find out
more. Also taglines will often say ‘based on a true story’ or something
along those lines which will further intrigue the audience but also make
them more scared as it means it could happen to them.
• Taglines are often located just below the film title or at the top of the
poster. This is so its one of the first things the audience reads after
seeing the film title and main image.