The document discusses the elements and principles of visual arts such as line, color, texture, space, form, and principles like balance, rhythm, emphasis. It provides details on the different types of each element and principle, and gives examples to illustrate concepts like linear perspective, organic vs geometric forms, symmetrical vs asymmetrical balance. The document is a comprehensive reference on the core components that make up visual artwork and the techniques used to organize those components.
El documento resume la historia de la teoría del color desde la Antigüedad hasta la actualidad. Aristóteles definió cuatro colores básicos, mientras que Leonardo da Vinci propuso seis. Newton descubrió que la luz blanca se compone de los colores del espectro visible. Göethe estudió las reacciones psicológicas a los colores. Hoy se describen las propiedades del color como tono, saturación y brillo, y se clasifican los colores en cálidos y fríos.
Las tangencias y enlaces son conceptos matemáticos importantes para los estudiantes de 3o de la Educación Secundaria Obligatoria. Estos conceptos se utilizan en aplicaciones prácticas y ayudan a comprender las relaciones geométricas entre figuras planas y espaciales.
IES Luis de Morales. Plástica 1º ESO. Tema 1: Lenguaje visual. Por Cochepocho.cochepocho
IES Luis de Morales. Plástica 1º ESO. Tema 1: Lenguaje visual. Power Point para Windows. Funciona mal con Linex aunque se ve. Realizado por Cochepocho.
Colour is produced when light reflects off an object into the eye. It has three properties: hue (name), intensity (vibrancy), and value (lightness/darkness). Primary colours cannot be mixed, secondary colours are made by mixing primaries, and intermediates mix a primary with a secondary. Colours can create moods - red is passionate, blue is calming, etc. Tone refers to lightness/darkness from mixing with white or black. Common colour schemes include warm (red/orange/yellow), cool (blue/green/purple), monochromatic using one colour, analogous of adjacent colours, complementary opposites, and neutral without colour.
The seven elements of art are line, value, texture, shape, form, space, and color. Line is a path in space that can be of different thicknesses, patterns, and directions. Shape is created when a line connects to enclose an area and can be geometric or organic. Form adds depth to a shape by extending it into the third dimension. Value refers to the lightness or darkness of a color or area created through shading techniques. Texture describes the real or implied surface feel of an object. Space includes the area within, around, above or below objects and can be manipulated through techniques like overlapping and perspective. These elements are the basic tools and concepts that artists use to create compositions.
Este documento presenta los elementos básicos de las artes visuales que se utilizan para analizar obras de arte, incluyendo el punto focal, color, línea, forma, espacio, textura y perspectiva. Explica conceptos como colores primarios, secundarios y complementarios, y principios de diseño como ritmo, unidad y equilibrio que ayudan a componer una obra de arte.
Rococo art developed under King Louis XV of France in the first half of the 18th century and reflected the lifestyle of the aristocracy during a period of economic prosperity. While similar to Baroque art in some ways, Rococo art focused on intimacy, comfort and pleasure rather than displaying power. Rococo architecture featured ornate interiors with natural lighting and gardens, and paintings depicted mythological scenes and "fêtes galantes" showing aristocrats enjoying parties and social gatherings.
Op art is an art movement that uses optical illusions to create the effects of movement, shifting shapes, and changing perspective in a static work of art. It emerged in the 1960s, building on scientific experiments with color and light from the 19th century. Key figures who helped develop op art include Victor Vasarely, who pioneered the style, and Bridget Riley, known for her black and white paintings that create optical effects. Op art uses precise geometric patterns and color contrasts to trick the eye into perceiving movement or depth that is not actually present.
El documento resume la historia de la teoría del color desde la Antigüedad hasta la actualidad. Aristóteles definió cuatro colores básicos, mientras que Leonardo da Vinci propuso seis. Newton descubrió que la luz blanca se compone de los colores del espectro visible. Göethe estudió las reacciones psicológicas a los colores. Hoy se describen las propiedades del color como tono, saturación y brillo, y se clasifican los colores en cálidos y fríos.
Las tangencias y enlaces son conceptos matemáticos importantes para los estudiantes de 3o de la Educación Secundaria Obligatoria. Estos conceptos se utilizan en aplicaciones prácticas y ayudan a comprender las relaciones geométricas entre figuras planas y espaciales.
IES Luis de Morales. Plástica 1º ESO. Tema 1: Lenguaje visual. Por Cochepocho.cochepocho
IES Luis de Morales. Plástica 1º ESO. Tema 1: Lenguaje visual. Power Point para Windows. Funciona mal con Linex aunque se ve. Realizado por Cochepocho.
Colour is produced when light reflects off an object into the eye. It has three properties: hue (name), intensity (vibrancy), and value (lightness/darkness). Primary colours cannot be mixed, secondary colours are made by mixing primaries, and intermediates mix a primary with a secondary. Colours can create moods - red is passionate, blue is calming, etc. Tone refers to lightness/darkness from mixing with white or black. Common colour schemes include warm (red/orange/yellow), cool (blue/green/purple), monochromatic using one colour, analogous of adjacent colours, complementary opposites, and neutral without colour.
The seven elements of art are line, value, texture, shape, form, space, and color. Line is a path in space that can be of different thicknesses, patterns, and directions. Shape is created when a line connects to enclose an area and can be geometric or organic. Form adds depth to a shape by extending it into the third dimension. Value refers to the lightness or darkness of a color or area created through shading techniques. Texture describes the real or implied surface feel of an object. Space includes the area within, around, above or below objects and can be manipulated through techniques like overlapping and perspective. These elements are the basic tools and concepts that artists use to create compositions.
Este documento presenta los elementos básicos de las artes visuales que se utilizan para analizar obras de arte, incluyendo el punto focal, color, línea, forma, espacio, textura y perspectiva. Explica conceptos como colores primarios, secundarios y complementarios, y principios de diseño como ritmo, unidad y equilibrio que ayudan a componer una obra de arte.
Rococo art developed under King Louis XV of France in the first half of the 18th century and reflected the lifestyle of the aristocracy during a period of economic prosperity. While similar to Baroque art in some ways, Rococo art focused on intimacy, comfort and pleasure rather than displaying power. Rococo architecture featured ornate interiors with natural lighting and gardens, and paintings depicted mythological scenes and "fêtes galantes" showing aristocrats enjoying parties and social gatherings.
Op art is an art movement that uses optical illusions to create the effects of movement, shifting shapes, and changing perspective in a static work of art. It emerged in the 1960s, building on scientific experiments with color and light from the 19th century. Key figures who helped develop op art include Victor Vasarely, who pioneered the style, and Bridget Riley, known for her black and white paintings that create optical effects. Op art uses precise geometric patterns and color contrasts to trick the eye into perceiving movement or depth that is not actually present.
The document discusses the seven elements of art: line, shape, form, value, color, texture, and space. It provides details on each element, including definitions and examples. Line can convey emotion and be horizontal, vertical, or diagonal. Shape is two-dimensional while form is three-dimensional. Value creates lightness and darkness through techniques like cross-hatching and stippling. Color uses primary, secondary, and complementary colors in schemes like analogous and split-complementary. Texture can be tactile or implied, and space divides the picture plane into foreground, middle ground and background. The elements of art are the basic tools and foundation for artistic composition.
This document provides an outline for analyzing and describing an artwork in 4 sections: description, analysis, interpretation, and judgment. The description section includes details about the artist, title, date, medium, historical context, and visual elements. The analysis examines the artist's use of elements and principles of design. The interpretation discusses the intended meaning and emotional response. Finally, the judgment gives an opinion on the quality and importance of the work with justification based on the previous sections.
Atul Dodiya is an Indian contemporary artist known for his unique style that draws from both Western and Indian influences. The document provides background on Dodiya's artistic process and influences, describing how he prefers an open studio and values critical feedback from others. It also showcases many examples of Dodiya's paintings, drawings, and installations that reference pop art, politics, history, and mythology. Dodiya hopes to increase public access to art through supporting more museums across India.
Linear perspective was developed by Filippo Brunelleschi in the early 15th century as a way to mathematically represent three-dimensional space and objects on a two-dimensional surface. It uses techniques like convergence of parallel lines, diminution of object size with distance, and foreshortening. Brunelleschi's system brought art and mathematics together and was hugely influential for Renaissance artists in creating realistic illustrations with depth and space. His other major achievement was designing and building the dome of Florence Cathedral, which required innovative construction methods to complete the massive structure.
There are three main types of perspective discussed in the document: one-point perspective, two-point perspective, and anamorphosis. One-point perspective uses a single vanishing point and is useful for room layouts. Two-point perspective uses two vanishing points and makes objects look more natural. Anamorphosis involves distorting an image that then appears normal when viewed through a special device from a specific angle.
This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
Ludwig van Beethoven nasceu em 1770 na Alemanha e foi um importante compositor clássico e romântico. Ele compôs 9 sinfonias, 32 sonatas para piano e outros trabalhos influentes. Sua audição começou a falhar em 1802, mas isso não o impediu de continuar compondo obras-primas.
4TH QUARTER LESSON IN MUSIC 7.
LESSON 1 , CARILLO (SHADOW PLAY) TWO TYPES OF KOMEDYA SECULAR AND RELIGOUS, MORO MORO AND SENAKULO, BODABIL, AND SARSWELA. STUDENTS WILL IDENTIFY THE DIFFERENT THEATRICAL FORMS IN THE PHILIPPINES. A QUIZ IS FOLLOWED TO ASSESS THEIR LEARNING SO ENJOY AND I HOPE THIS PPT WILL HELP YOU IN YOUR DISCUSSION. VIDEOS CAN BE BROWSED IN YOUTUBE FOR BETTER ILLUSTRATION.
Sculpture and relief art were major artistic traditions in Southeast Asia between 300-1200 CE. Sculpture was heavily influenced by Indian styles of the Gupta period and depicted Buddha figures in a pure and delicate style. Monumental reliefs decorated Hindu and Buddhist temples, most notably at Borobudur in Java and Angkor Wat in Cambodia, depicting religious and narrative scenes. Painting is less well preserved by climate but frescoes depicted Buddhist and Hindu themes and the Sigiriya frescoes in Sri Lanka provide examples of the style. Overall, Indian cultural and religious influences through kingdoms and trade shaped the dominant art forms of sculpture and relief across Southeast Asia.
The document discusses several principles of composition including proportion, scale, balance, harmony, unity and variety, rhythm, and emphasis. It defines each principle and provides examples to illustrate different types of balance, such as symmetrical balance seen in Georgia O'Keeffe's painting "Oriental Poppies" and radial balance shown in a rose window's spiral pattern. Visual puzzles are also included asking the reader to find specified numbers of items or interpret images in different ways.
The document defines various artistic elements and concepts used in visual art including:
- Line: Different types of lines including outlines, contours, expressive, sketch, and calligraphic lines. Characteristics of lines like width, length, direction, focus, and feeling.
- Shape: Geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Primary, secondary, tertiary colors. Analogous, complementary, monochromatic, warm, and cool colors.
- Space: Positive and negative space, picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective using techniques like size variation, overlapping, and convergence of lines.
- Texture: Real
Art Appreciation: Value, Space (and Perspective)Paige Prater
This document provides an overview of key concepts in 2D art including value, space, and perspective. It defines value as the lightness or darkness of tones, and space as the distance between points or planes. Various techniques are described for creating the illusion of depth in 2D artwork, such as value changes to show planes further away as darker, and linear and atmospheric perspective using converging lines and changing clarity with distance. Specific works are analyzed demonstrating these principles, like Buckminster Fuller's geodesic dome showing gradual value changes with distance from the light. Hatching and cross-hatching are introduced as methods for modeling form using lines.
Expressionism was an artistic movement that portrayed inner emotions, spiritual independence, and psychological states through distorted figures and intense use of color. Artists expressed subjective experiences rather than objective reality. Common themes included anxiety, alienation, and violence. Major expressionist groups included Der Blaue Reiter which emphasized intuition and symbolism, and Die Brücke which linked cultures and past/present. Notable artists like Edward Munch, Ernst Kirchner, and Franz Marc used expressive techniques like unnatural color and form to portray universal human experiences in a psychological manner that shocked audiences.
The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
The document defines and provides examples of key visual arts elements and principles used in the creation and analysis of 2D, 3D, and time-based artworks. It discusses elements like line, shape, space, texture, color, form, and movement. It also covers principles such as balance, contrast, emphasis, scale, and variation that are used to arrange elements in a composition. Examples of artworks are provided to illustrate how specific elements and principles are applied.
This document provides information about abstract artist Wassily Kandinsky and his art. It discusses how Kandinsky was born in Russia but moved to Germany and France, where he began creating purely abstract works using color, lines, shapes, and textures. It also outlines art projects for students to recreate Kandinsky-inspired abstract paintings using techniques like concentric circles, geometric shapes, and color studies. The goal is for students to experiment with visual elements to create non-representational art, as Kandinsky did in his pioneering abstract paintings.
O documento descreve os elementos básicos da comunicação visual, incluindo o ponto, a linha, a forma, a direção, o tom, a cor, a textura, a escala, a dimensão e o movimento. Cada elemento é definido brevemente, com exemplos de como criam significado visual e direcionam a percepção.
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
Elements of Art & Principles of Design PresentationMFMinickiello
This document outlines the key elements and principles of art and design. It discusses the basic building blocks of line, shape, form, space, color, texture, and how they are used. It then explains the principles of balance, rhythm and movement, variety and emphasis, proportion, and harmony and unity. These elements and principles are fundamental concepts that artists use to create and analyze visual works.
Southeast Asian arts share some common traditions that predate Indian cultural influences, including wet-rice agriculture, metallurgy, navigation, and certain art forms. The region's cultures were shaped by influences from China, India, and internal developments. Some enduring art forms found across the region are shadow puppet theater, gong-chime orchestral music, tattooing, and scripts descended from Indian writing systems. Traditional dances like the Apsara also fused Hindu ideas with local styles.
Elements and Principles of Visual Art (2).pdfNixonPalivino
The document provides information about key elements of visual art, including line, color, texture, perspective, space, form, and volume. It begins by outlining intended learning outcomes, then defines and provides examples for each element. Lines can be used to create mood and expression and come in types like vertical, horizontal, and diagonal. Color has attributes of hue, value, and intensity. Texture can be actual or implied and creates different surface appearances. Perspective uses techniques like linear perspective to show depth. Space refers to areas within a composition. Form applies specifically to 3D works and can be geometric or organic. Volume indicates solidity in three dimensions.
The document defines various artistic elements and concepts used in visual art including:
- Line: Its characteristics, types, and how it is used to define shape.
- Shapes: Categories including geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Color wheels, primary/secondary/tertiary colors, analogous colors, complementary colors, monochromatic, warm, and cool colors.
- Space: Positive and negative space, the picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective techniques used to show depth including one-point, two-point, size variation, color, and value.
- Texture: Real and implied textures in
The document discusses the seven elements of art: line, shape, form, value, color, texture, and space. It provides details on each element, including definitions and examples. Line can convey emotion and be horizontal, vertical, or diagonal. Shape is two-dimensional while form is three-dimensional. Value creates lightness and darkness through techniques like cross-hatching and stippling. Color uses primary, secondary, and complementary colors in schemes like analogous and split-complementary. Texture can be tactile or implied, and space divides the picture plane into foreground, middle ground and background. The elements of art are the basic tools and foundation for artistic composition.
This document provides an outline for analyzing and describing an artwork in 4 sections: description, analysis, interpretation, and judgment. The description section includes details about the artist, title, date, medium, historical context, and visual elements. The analysis examines the artist's use of elements and principles of design. The interpretation discusses the intended meaning and emotional response. Finally, the judgment gives an opinion on the quality and importance of the work with justification based on the previous sections.
Atul Dodiya is an Indian contemporary artist known for his unique style that draws from both Western and Indian influences. The document provides background on Dodiya's artistic process and influences, describing how he prefers an open studio and values critical feedback from others. It also showcases many examples of Dodiya's paintings, drawings, and installations that reference pop art, politics, history, and mythology. Dodiya hopes to increase public access to art through supporting more museums across India.
Linear perspective was developed by Filippo Brunelleschi in the early 15th century as a way to mathematically represent three-dimensional space and objects on a two-dimensional surface. It uses techniques like convergence of parallel lines, diminution of object size with distance, and foreshortening. Brunelleschi's system brought art and mathematics together and was hugely influential for Renaissance artists in creating realistic illustrations with depth and space. His other major achievement was designing and building the dome of Florence Cathedral, which required innovative construction methods to complete the massive structure.
There are three main types of perspective discussed in the document: one-point perspective, two-point perspective, and anamorphosis. One-point perspective uses a single vanishing point and is useful for room layouts. Two-point perspective uses two vanishing points and makes objects look more natural. Anamorphosis involves distorting an image that then appears normal when viewed through a special device from a specific angle.
This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
Ludwig van Beethoven nasceu em 1770 na Alemanha e foi um importante compositor clássico e romântico. Ele compôs 9 sinfonias, 32 sonatas para piano e outros trabalhos influentes. Sua audição começou a falhar em 1802, mas isso não o impediu de continuar compondo obras-primas.
4TH QUARTER LESSON IN MUSIC 7.
LESSON 1 , CARILLO (SHADOW PLAY) TWO TYPES OF KOMEDYA SECULAR AND RELIGOUS, MORO MORO AND SENAKULO, BODABIL, AND SARSWELA. STUDENTS WILL IDENTIFY THE DIFFERENT THEATRICAL FORMS IN THE PHILIPPINES. A QUIZ IS FOLLOWED TO ASSESS THEIR LEARNING SO ENJOY AND I HOPE THIS PPT WILL HELP YOU IN YOUR DISCUSSION. VIDEOS CAN BE BROWSED IN YOUTUBE FOR BETTER ILLUSTRATION.
Sculpture and relief art were major artistic traditions in Southeast Asia between 300-1200 CE. Sculpture was heavily influenced by Indian styles of the Gupta period and depicted Buddha figures in a pure and delicate style. Monumental reliefs decorated Hindu and Buddhist temples, most notably at Borobudur in Java and Angkor Wat in Cambodia, depicting religious and narrative scenes. Painting is less well preserved by climate but frescoes depicted Buddhist and Hindu themes and the Sigiriya frescoes in Sri Lanka provide examples of the style. Overall, Indian cultural and religious influences through kingdoms and trade shaped the dominant art forms of sculpture and relief across Southeast Asia.
The document discusses several principles of composition including proportion, scale, balance, harmony, unity and variety, rhythm, and emphasis. It defines each principle and provides examples to illustrate different types of balance, such as symmetrical balance seen in Georgia O'Keeffe's painting "Oriental Poppies" and radial balance shown in a rose window's spiral pattern. Visual puzzles are also included asking the reader to find specified numbers of items or interpret images in different ways.
The document defines various artistic elements and concepts used in visual art including:
- Line: Different types of lines including outlines, contours, expressive, sketch, and calligraphic lines. Characteristics of lines like width, length, direction, focus, and feeling.
- Shape: Geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Primary, secondary, tertiary colors. Analogous, complementary, monochromatic, warm, and cool colors.
- Space: Positive and negative space, picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective using techniques like size variation, overlapping, and convergence of lines.
- Texture: Real
Art Appreciation: Value, Space (and Perspective)Paige Prater
This document provides an overview of key concepts in 2D art including value, space, and perspective. It defines value as the lightness or darkness of tones, and space as the distance between points or planes. Various techniques are described for creating the illusion of depth in 2D artwork, such as value changes to show planes further away as darker, and linear and atmospheric perspective using converging lines and changing clarity with distance. Specific works are analyzed demonstrating these principles, like Buckminster Fuller's geodesic dome showing gradual value changes with distance from the light. Hatching and cross-hatching are introduced as methods for modeling form using lines.
Expressionism was an artistic movement that portrayed inner emotions, spiritual independence, and psychological states through distorted figures and intense use of color. Artists expressed subjective experiences rather than objective reality. Common themes included anxiety, alienation, and violence. Major expressionist groups included Der Blaue Reiter which emphasized intuition and symbolism, and Die Brücke which linked cultures and past/present. Notable artists like Edward Munch, Ernst Kirchner, and Franz Marc used expressive techniques like unnatural color and form to portray universal human experiences in a psychological manner that shocked audiences.
The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
The document defines and provides examples of key visual arts elements and principles used in the creation and analysis of 2D, 3D, and time-based artworks. It discusses elements like line, shape, space, texture, color, form, and movement. It also covers principles such as balance, contrast, emphasis, scale, and variation that are used to arrange elements in a composition. Examples of artworks are provided to illustrate how specific elements and principles are applied.
This document provides information about abstract artist Wassily Kandinsky and his art. It discusses how Kandinsky was born in Russia but moved to Germany and France, where he began creating purely abstract works using color, lines, shapes, and textures. It also outlines art projects for students to recreate Kandinsky-inspired abstract paintings using techniques like concentric circles, geometric shapes, and color studies. The goal is for students to experiment with visual elements to create non-representational art, as Kandinsky did in his pioneering abstract paintings.
O documento descreve os elementos básicos da comunicação visual, incluindo o ponto, a linha, a forma, a direção, o tom, a cor, a textura, a escala, a dimensão e o movimento. Cada elemento é definido brevemente, com exemplos de como criam significado visual e direcionam a percepção.
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
Elements of Art & Principles of Design PresentationMFMinickiello
This document outlines the key elements and principles of art and design. It discusses the basic building blocks of line, shape, form, space, color, texture, and how they are used. It then explains the principles of balance, rhythm and movement, variety and emphasis, proportion, and harmony and unity. These elements and principles are fundamental concepts that artists use to create and analyze visual works.
Southeast Asian arts share some common traditions that predate Indian cultural influences, including wet-rice agriculture, metallurgy, navigation, and certain art forms. The region's cultures were shaped by influences from China, India, and internal developments. Some enduring art forms found across the region are shadow puppet theater, gong-chime orchestral music, tattooing, and scripts descended from Indian writing systems. Traditional dances like the Apsara also fused Hindu ideas with local styles.
Elements and Principles of Visual Art (2).pdfNixonPalivino
The document provides information about key elements of visual art, including line, color, texture, perspective, space, form, and volume. It begins by outlining intended learning outcomes, then defines and provides examples for each element. Lines can be used to create mood and expression and come in types like vertical, horizontal, and diagonal. Color has attributes of hue, value, and intensity. Texture can be actual or implied and creates different surface appearances. Perspective uses techniques like linear perspective to show depth. Space refers to areas within a composition. Form applies specifically to 3D works and can be geometric or organic. Volume indicates solidity in three dimensions.
The document defines various artistic elements and concepts used in visual art including:
- Line: Its characteristics, types, and how it is used to define shape.
- Shapes: Categories including geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Color wheels, primary/secondary/tertiary colors, analogous colors, complementary colors, monochromatic, warm, and cool colors.
- Space: Positive and negative space, the picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective techniques used to show depth including one-point, two-point, size variation, color, and value.
- Texture: Real and implied textures in
The document discusses the key elements and principles of art. It defines line, shape, color, space, texture, value and form as the elements of art. It then explains different types of lines, shapes, classifications of color and how perspective and texture are depicted in artworks. The principles of art discussed are rhythm, movement, balance, proportion, contrast, variety and harmony. The document provides examples and definitions for each element and principle.
Line is the basic element of visual art and can be defined as a dot in motion that has position and direction in space. Lines can vary in width, direction, and length, and are used to define shapes, contours, outlines, mass, and volume. Different line qualities communicate different emotions - horizontal lines suggest rest, vertical lines communicate loftiness, diagonal lines imply movement, and curved lines can indicate comfort or confusion depending on their shape. Line is the main element in drawings, where it is used for contour or gesture drawings, and also plays an important role in painting through outlining forms and shading with techniques like hatching and cross-hatching.
This document provides an overview of key artistic elements including line, shape, color, texture and space. It discusses the building blocks of composition in visual art, including the point, line, shape and figure/ground relationships. Specific types of lines such as actual, implied, straight, expressive and calligraphic lines are defined. Positive and negative shapes are described as well as how they create figure/ground relationships within a composition. Artworks like Las Meninas by Velazquez are used to illustrate these concepts.
This document defines the elements of art and principles of design. The elements of art are color, value, line, shape, form, texture, and space. The principles of design are balance, contrast, pattern, rhythm, emphasis, unity, and variety. Artists use these elements and principles to create visual interest and guide the viewer's eye through their compositions.
This document defines and explains key art elements including line, shape, form, space, and texture. It discusses the different types of lines such as horizontal, vertical, diagonal, curved, and zigzag lines and the feelings they communicate. It defines shape as a two-dimensional figure enclosed by a line and distinguishes between geometric and organic shapes. Form is defined as having three dimensions of height, width, and depth. Space refers to the area between, around, above and below objects. Finally, it describes tactile, artificial and visual textures.
Elements-of-the-Visual-Arts - contemporary Philippine arts from the regionMarioAdorna
This document discusses the elements and principles of visual arts. It defines the key elements of line, color, texture, perspective, space, form and volume. It then explains different types of lines such as straight, curved, horizontal, vertical and diagonal lines. It also discusses the principles of visual arts including proportion, harmony, variety, movement, rhythm, balance and emphasis. Color is described in terms of hue, value, tints, shades, warm and cool colors. Perspective and texture are also defined. The document provides examples and details for understanding each element and principle.
This document defines key elements and principles of art and design. It provides examples of lines, size, texture, form, space, shape, color, tone, composition, unity, balance, contrast, emphasis, proportion, repetition, rhythm, dominance, harmony and variety. Each element and principle is defined in 1-2 sentences. Examples of each are then shown through images, with sources cited. The document aims to concisely explain and illustrate fundamental concepts in visual art and design.
The document outlines the key elements of art that artists use to create compositions, including line, shape, form, texture, value, color, and space. It defines each element and provides examples to illustrate how artists manipulate these elements. Specifically, it discusses how lines can convey different emotions, how shapes become three-dimensional forms, the use of value to add realism and contrast, primary and secondary colors, color schemes, and how artists use foreground, middle ground and background to create the illusion of space.
This document provides an introduction to identifying and describing works of art. Identification involves reporting key details like the artist, title, date, medium, and style. Description uses vocabulary like the elements of art (line, shape, color, texture, value, form, and space) and principles of design to characterize what a work looks, sounds or feels like. The elements of art are the basic building blocks and are defined, with examples given of how each element can be manipulated, such as a line's direction, measure and character or a shape's geometric vs organic qualities. Descriptions help bring works of art to life through detailed observation and analysis.
This document provides an overview of elements of art and principles of design. It discusses the seven elements of art - line, shape, space, value, color, texture and form. For each element, it describes its definition and examples. It then discusses the principles of design - unity, variety, balance, emphasis, contrast, repetition and rhythm, and scale and proportion. It provides examples of works that demonstrate these principles. The document is intended to introduce students to the basic language and concepts used in visual arts.
This document provides an overview of the fundamentals of line in art. It defines key line terminology like contour, cross-contour, hatching, and calligraphic line. It examines the physical characteristics of line including measure, type, direction, location, and character. It explores the expressive properties of line and how line relates to other elements like shape, value, texture and color. It discusses the spatial characteristics of line and how it can be used for representation on both abstract and realistic levels.
The seven design elements are line, shape, color, value, texture, space, and form. The design principles that guide how elements are organized are balance, emphasis, variety, movement, proportion, contrast, and unity. Without using both elements and principles, art and design cannot reach their full potential.
ART ELEMENTS AND PRINCIPLE AND ART APPRECIATION.pptxMikeSB3
This document discusses elements and principles of art and their application in understanding Philippine art aesthetics. It defines the seven elements of art - line, shape, color, texture, space, form, and value. It explains the importance of understanding these elements to analyze and critique artworks. The document also discusses principles of art like movement, unity, harmony, variety, balance, proportion, contrast, emphasis, rhythm and pattern. It provides examples to illustrate different elements and principles. Finally, it provides guidance on formal analysis and art criticism using description, analysis, interpretation and judgment.
This document discusses the key elements and principles of visual art design, including line, shape, space, color, texture, size, and movement. It defines each element and principle and provides examples to illustrate techniques for achieving balance, rhythm, emphasis, and unity in a composition. The elements are the basic components that make up a work of art, while the principles are concepts used to organize those elements on the page.
The document defines and describes the seven elements of art: line, shape, form, value, color, texture, and space. It provides examples to illustrate each element. Line can be horizontal, vertical, diagonal, thick, thin, etc. Shape becomes 3D form when it encloses space. Value uses light and dark to represent light sources. Color uses primary, secondary, warm, cool colors and color schemes. Texture can be tactile or implied. Space divides the picture plane into foreground, middle ground and background using techniques like overlapping, perspective, positive and negative space.
The document discusses the key elements of art - line, shape, form, space, texture, value and color. It provides details and examples for each element:
- Line can be horizontal, vertical, diagonal and expressive or constructive. It is the path a point takes through space.
- Shape is 2D while form is 3D. Geometric and organic shapes are discussed.
- Value uses light and dark to add realism using techniques like cross-hatching and stippling.
- Color uses the color wheel to understand primaries, secondaries and how temperature conveys emotion.
- Texture can be tactile or implied to depict how surfaces feel or look.
- Space
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
5. LINE
• Line is a mark on a
surface that describes a
shape or outline. It can
create texture and can
be thick and thin. Types
of line can include actual,
implied, vertical,
horizontal, diagonal and
contour line.
6. LINE
• is an important element at the disposal
of every artist.
• always has direction, always moving.
• as used in any work of art, may either be
straight or curved.
7. • Lines are the first element of art and are
continuous marks that are made on any
surface with a moving point.
• Lines can be used in various ways to create
different compositions.
• A line can be used to express various
things or feelings; it can be used to show
various moods or anything abstract.
8. Line serves as an essential
building block of art, but it can also
serve as the content itself of a work of
art, or be manipulated to evoke an
emotional or intellectual response from
a viewer (Fichner-Rathus, 2010).
9. What do these lines suggest?
CURVED LINES
HORIZONTAL LINES
DIAGONAL LINES
VERTICAL LINES
10. Vertical Lines
• Vertical lines are
poised for action.
They are poised,
balanced, forceful,
and dynamic. They
express an
impression of dignity.
16. Diagonal lines are
used to create feelings
of movement or action.
SIARGAO: The Surfing
Capital of the Philippines
17. Broken or Jagged lines
Broken lines are a series of dashes. Zigzag lines are a
combination of diagonal lines that connect at points. They
take on the dynamic and high energy characteristics of
diagonal lines. They create excitement and intense
movement. They convey confusion and nervousness as they
change direction quickly and frequently. They can imply
danger and destruction as they break down. Both these lines
imply confusion, chaos, tension, disturbance, violence and
sometimes, war.
19. If you want to photograph S curves, the
human body makes for a wonderful subject.
From the arch of a foot to the curve of a neck,
you can find many ways to capture curved
leading lines by photographing the human form.
20. It is up to the artist how he
conveys his message, in the
best way possible through the
use of lines.
21. There are various ways to
integrate lines into a photograph to
help strengthen the overall
composition and draw attention to a
specific focal point.
22. When using vertical lines within a photo, it’s a good idea to follow the rule of thirds,
failure to do so can result in a photo looking as though it’s been cut in half. It is also
important to try to keep the vertical line as straight as possible. Vertical leading lines
can help to illustrate growth, authority, strength, or dominance. Some examples of
vertical leading lines in photography include photographs of trees or tall buildings.
23. When composing your photo to include horizontal leading lines, make sure
they’re as straight as possible and consider following the rule of thirds. This
photo, for example, places the land and horizon along the bottom third of the
image, while the sky fills the top two-thirds of the shot. Further, the photo was
composed so the bride and groom are along the left-third of the image.
24. This photo uses both horizontal and vertical lines. Although the bulrushes are the
obvious use of vertical lines, the horizontal line of the horizon is more subtle.
Note, too, that the photo has been composed so the landscape follows the rule of
thirds.
25. Curved lines, sometimes referred as S curves, can help lead the eye through
a photo and can suggest gracefulness, sexiness, or sensuality. Despite the
name, S curves don’t need to be shaped exactly like an “s.” Any strong
leading line that winds or curves can be considered an S curve. Some curved
leading lines often used in photography include paths and rivers.
26. When including diagonal leading lines within a photo, it’s best if you can position
them so that they start and finish just above or below the corner of a photo, like
the railroad tracks shown here. This will prevent the image from looking like it has
been split in half. Because our eyes naturally scan photos from left to right,
composing an image to include diagonal leading lines that flow from the bottom
left to the top right of a photo is also a great way to compose a shot.
27. The body of this acoustic guitar is a great example of S curves.
Note the use of other leading lines in this photo too – the diagonal
lines of the guitar strings, and the horizontal lines of the sheet of
music in the background.
28. Three Main Types of Lines
• Repetition occurs
when two or more
lines are drawn within
a corner following the
lines of the corner.
29. Three Main Types of Lines
• Lines that are in
opposition to each
other form a
contrast.
30. Three Main Types of Lines
• A transition line is a
line that connects two
workflow elements.
Transition lines allow
you to define what the
next step in a
workflow will be.
31. To summarize, including leading lines within a
photograph is a composition technique that
can strongly influence the overall result of an
image.
Leading lines can direct a person’s eye to a
main focal point or, if used incorrectly, can
draw the eye away from the subject or appear
to cut a photo in half.
32. Color refers
to the visual
perception of
light being
reflected
from a
surface of an
artwork.
The Art Element of Color
33. In the most basic classification, colors
can be divided into three groups:
primary, secondary and tertiary.
34.
35.
36. Attributes of Color
• Hue is the term for the pure
spectrum colors commonly
referred to by the "color
names" - red, orange,
yellow, blue, green violet -
which appear in the hue
circle or rainbow.
Theoretically all hues can
be mixed from three basic
hues, known as primaries.
37. Color Wheel
• A color wheel is an
abstract illustrative
organization of color
hues around a circle, that
shows relationships
between primary,
secondary, and tertiary
colors, etc.
38. Attributes of Color
• Value refers to the
lightness or darkness
of a color. It is the
quality which
depends on the
amount of light and
dark in color.
39. Attributes of Color
• Tints are values
above the normal
• Shades are values
below the normal.
Intensity refers to the
brightness or darkness of
color. It gives color strength.
When a hue is vivid form, it
is said to be in full intensity.
When it is dulled, it is said to
be partly neutralized.
40. • Colors have varied psychological and emotional
connotations.
– Black is associated with death and gloom
– White stands for purity and innocence
– Red is associated with blood, anger and fear
– Green implies happiness and abundance
Psychology of Colors
41. Meanings of Colors Conveyed
by the Rose
• Red roses also mean courage
and fortitude
• Yellow roses stand for freedom
• Red and Yellow stand for jovial
/happy feelings
• Orange roses speak of
enthusiasm and desire
• Red and White convey unity
•Red is for “I love you”
•Pink conveys “Thank you”
•White says “You are heavenly”
•Coral speaks of desire.
•White roses denote secrecy, reverence and
humility.
•Deep pink roses convey gratitude and
appreciation.
•Light pink express sympathy, grace and
gentility
43. ⮚ can be either implied or actual.
⮚ is the element that deals more
directly with the sense of touch.
⮚ applies to how an object feels
or appears to feel.
44. texture
• Texture is the element
that deals more directly
with the sense of touch.
• It has to do with the
characteristics of surfaces
which can be rough or
smooth, fine or coarse,
shiny or dull, plain or
irregular.
45.
46. • Implied texture expresses the idea of
how a surface might feel. For example, a
painting of a blanket might convey the idea
that the blanket is soft.
• Actual texture, on the other hand, is
texture that can actually be felt. For
example, a ceramic bowl might feature a
carved texture that could be felt when
holding that bowl.
51. • Perspective deals
with the effect of
distance upon the
appearance of
objects, by means of
which the eye judges
spatial relationships.
PERSPECTI
VE
52. Kinds of Perspective
• Linear perspective is
the representation of an
appearance of distance
by means of converging
lines.
• It has to do with the
direction of lines and with
the size of objects.
53. Linear Perspective
•Painters usually show the
effect of space and distance by
using converging lines and
diminishing size.
•Parallel lines below the eye
level seem to rise to a vanishing
point in the horizon, while those
above the eye level seem to
descend to the vanishing point.
Foreshortening is
the representation of
objects or parts of
the body as smaller
from the point of view
of the observer.
54. Kinds of Perspective
• Aerial perspective is the
representation of relative
distances of objects by
gradations of tone or color.
• Objects become fainter in
the distance due to the
effect of the atmosphere.
Objects appear to be lighter
in color as they recede into
the distance or atmosphere.
55. The Art Element of Space
Space refers to how the artist fills the
surface on which a work of art is created. It
can also refer to the expression of depth
within a work of art.
When talking about a three-dimensional
object, space is the actual volume that is
taken up by the artwork.
56. SPACE
• Space as an element of
art, refers to distances or areas
around, between or within
components of a piece.
• Space can be positive (white or
light) or negative (black or
dark),open or closed, shallow or
deep and two-
dimensional or three-
dimensional.
• Sometimes space isn't actually
within a piece, but the illusion of it
is.
57. Kinds of Space
• Positive space - the
areas in a work of art
that are the subjects, or
areas of interest.
• Negative space – areas
around the subjects, or
areas of interest.
58. Shape, Form, and Volume are words
that are used to describe distinct areas
or parts of works of art or architecture.
59. • Form applies to the
over-all design of a
work of art.
• It describes the
structure or shape of
an object.
FORM
60. The Art Element of Form
Form refers to a three-dimensional
object. As such, form is an art term that
is only applied to those artworks that are
three-dimensional, such as sculpture
and pottery.
Forms, much like shapes, can be
geometric or organic. Geometric forms
have hard lines and edges. Organic
forms are curvy and more free-form.
61. Types of Form
• Form and shape can also be described as
either organic or geometric.
• Organic forms such as these snow-covered boulders
typically are irregular in outline, and often asymmetrical.
Organic forms are most often thought of as naturally
occurring.
• Geometric forms are those which correspond to named
regular shapes, such as squares, rectangles, circles, cubes,
spheres, cones, and other regular forms.
64. VOLUME
• Volume refers to the
amount of space
occupied in three
dimensions.
• It refers to solidity or
thickness.
65. PRINCIPLES OF ART
The harmony of art is the
overall sense of completion
in the piece. It describes
whether or not all of the
elements work together and
whether or not the composition
works as a whole. The elements
need not be the same, but at
least they must be related to
each other in a purposeful way.
66. • Rhythm is the
continual flow or
sense of visual
units. It helps to
achieve harmony in
a composition
67. Variation is the amount of
diversity of elements in the
composition. Some
compositions have low variety
and others have a high amount of
variety, with lots of different
shapes and colors. This principle
is achieved by changing or using
different
elements to achieve visual
interest.
68. • Balance refers to the overall
arrangement of elements, like color,
shape, and lines. Each element
carries its own visual weight, and
good art balances this weight. It
involves arranging both the positive
elements and negative space in such
a way that no one area of the design
overpowers other areas. Everything
works together and fits together in a
seamless whole. The individual parts
contribute to their sum but do not try
to become the sum.
69. 3 TYPES of BALANCE
symmetrical asymmetrical radial
70. Proportion is the ratio of one art
element to another. It also refers to
the appropriate relation of shapes and
quantities of objects to each other so
that the scale of the artwork always
makes visual sense.
72. The principles of Emphasis and Subordination
Subordination refers to
minimizing or toning down
other compositional
elements in order to bring
attention to the focal point.
Emphasis is defined as
an area or object within
the artwork that draws
attention and becomes a
focal point.
74. GE OUTPUT:
• Using the elements and principles of art as a guide, you will
create/paint an image or any sources of art in a canvass cloth. It
can be Representational or Non Representational art. The image
must clearly reflect the use of the elements and principles of art. It
is not required that all elements and principles be presented in your
image. Be creative, unique and imaginative. Take a video while
working on your output. In a word documents write the factual,
conventional and subjective meaning of your work. Put a signature
and submit your work( final edited video ) on or before Nov.16,
2021.
75. RUBRICS OF GE OUTPUT
(Canvass Painting)
CREATIVITY- 30%
IMAGINATIVE/ UNIQUNESS- 30%
CRAFTMANSHIP- 20%
OVER-ALL PRESENTATION OF VIDEO 20%
TOTAL 100%