This document provides an analysis of the 1993 documentary film "The War Room" by D.A. Pennebaker. It discusses how the film uses editing techniques like cutting between sides of phone conversations to show the interconnected nature of communication within a political campaign. It also contrasts scenes of strategists debating details with the polished final outputs, revealing the intentional work behind constructing a public narrative and image. The analysis argues the film lays bare the hidden layers of communication and shows viewers the tactical brilliance of the campaign staff through Pennebaker's filmmaking choices.