This document is a screenplay for a music video adaptation of the song "Fix You" by Secondhand Serenade. It follows the relationship struggles of characters Kirsty and Gareth through a series of flashbacks and arguments. As the song plays, the couple's emotions escalate from frustration and sadness to reconciliation as they try to repair their broken relationship. The screenplay uses visuals and locations from their history together juxtaposed with their current fights to convey the lyrics and message of the song.
A couple buys an old abandoned foster home in the woods to start their family. While exploring, they discover a hidden basement containing diaries and toys from the foster children. One diary describes horrific torture by a masked man. Reading about the man accidentally raises his curse. Strange events begin occurring as the man stalks the couple in the house. He captures them and subjects them to torture in the basement. Their screams for help go unanswered as no one else is around to hear. The film ends with the man preparing to reveal his identity but keeps it hidden, speaking only a cryptic slogan for the film.
I will have an assistant to play the murderer in this
scene.
Scene 7
Door: The door that the boy runs through to escape the scene.
Field: The field is already there so no props needed.
Props scenes 8-9
Scene 8
Smoke machine: I will rent a smoke machine for this scene to
create the forest fire effect.
Scene 9
Car: I will borrow my friends car for this scene.
Fake blood: To show the character has been shot with arrows.
Arrows: Plastic arrows will be used as the murder weapon.
Rain machine: I will rent a rain machine to create the
This document provides descriptions of filming locations and shots for a film. It details where Character A and The Friend will be located in various scenes, such as Character A standing in front of a bookshelf and entering a room after a bedroom scene to pick up a rucksack. It also describes exterior locations like Character A cycling down a road while being filmed from a tracking vehicle and entering a garden where The Friend will be sitting at an outdoor table.
The document provides details on filming locations and shots for a film, including where characters will stand, enter and exit rooms, what will happen in each location, and camera angles. Character A will stand by a bookshelf, enter a room after a bedroom scene and pick up a bag, leave through the front door, cycle down a road while being filmed, leave her bike by a gate and enter a garden, and stand by a gate holding a gun. The Friend will be in shots with Character A and sat at an outdoor table in the garden. Scenes will take place with different light levels to convey meaning.
Three friends are home alone when they receive a strange phone call. Suddenly, the lights turn off and they realize they are trapped in the house with a killer hunting for his next victims.
The friends - Sarah, Aaliyah, and Celina - are having a get together at Sarah's house while her parents are away. Strange things start happening as the lights flicker and they feel paranoid. They discover a news report on the computer about an escaped killer who is hunting his next victims.
As the friends investigate the strange noises, Celina disappears after the lights go out. They find a terrifying note saying "let's play hide and seek... You hide... and i seek :)". Sarah must fight to
The document describes scenes from a film about a married couple, Ryan and Jane, who are researching a virus in a post-apocalyptic setting. In the opening scene, Ryan searches for virus samples while wearing a hazmat suit, finds an insect, and is startled by Jane's appearance. They discuss their findings and walk back together. Later, Ryan and Jane argue while experimenting on samples, causing Jane to storm off. Ryan then discovers a cut in his hazmat suit. In a subsequent scene, Ryan is awakened by a noise and investigates in the dark, experiencing virus symptoms. He collapses and wakes to find Jane threatening him with a knife, arguing about what to do before the scene ends
The document outlines a series of shots for a horror movie title sequence. It begins with an establishing long shot of two friends walking to an abandoned building, showing their social status and friendship. Subsequent shots introduce an Ouija board and show the characters climbing the building and forcing entry inside. Shots show them exploring the dark interior with a lamp. They find a spot to play the Ouija board, light candles, and place their hands on the board. The final shot abruptly shows blood raining on the board as the characters try to escape, but become locked inside by a closing door.
The document provides background on the film The Shawshank Redemption. It summarizes Andy Dufresne's crime, trial, and sentencing to two life sentences in Shawshank Prison in 1947 for murdering his wife and her lover. It introduces Red, a prisoner and unofficial facilitator who helps Andy smuggle Rita Hayworth into the prison by agreeing to his request.
A couple buys an old abandoned foster home in the woods to start their family. While exploring, they discover a hidden basement containing diaries and toys from the foster children. One diary describes horrific torture by a masked man. Reading about the man accidentally raises his curse. Strange events begin occurring as the man stalks the couple in the house. He captures them and subjects them to torture in the basement. Their screams for help go unanswered as no one else is around to hear. The film ends with the man preparing to reveal his identity but keeps it hidden, speaking only a cryptic slogan for the film.
I will have an assistant to play the murderer in this
scene.
Scene 7
Door: The door that the boy runs through to escape the scene.
Field: The field is already there so no props needed.
Props scenes 8-9
Scene 8
Smoke machine: I will rent a smoke machine for this scene to
create the forest fire effect.
Scene 9
Car: I will borrow my friends car for this scene.
Fake blood: To show the character has been shot with arrows.
Arrows: Plastic arrows will be used as the murder weapon.
Rain machine: I will rent a rain machine to create the
This document provides descriptions of filming locations and shots for a film. It details where Character A and The Friend will be located in various scenes, such as Character A standing in front of a bookshelf and entering a room after a bedroom scene to pick up a rucksack. It also describes exterior locations like Character A cycling down a road while being filmed from a tracking vehicle and entering a garden where The Friend will be sitting at an outdoor table.
The document provides details on filming locations and shots for a film, including where characters will stand, enter and exit rooms, what will happen in each location, and camera angles. Character A will stand by a bookshelf, enter a room after a bedroom scene and pick up a bag, leave through the front door, cycle down a road while being filmed, leave her bike by a gate and enter a garden, and stand by a gate holding a gun. The Friend will be in shots with Character A and sat at an outdoor table in the garden. Scenes will take place with different light levels to convey meaning.
Three friends are home alone when they receive a strange phone call. Suddenly, the lights turn off and they realize they are trapped in the house with a killer hunting for his next victims.
The friends - Sarah, Aaliyah, and Celina - are having a get together at Sarah's house while her parents are away. Strange things start happening as the lights flicker and they feel paranoid. They discover a news report on the computer about an escaped killer who is hunting his next victims.
As the friends investigate the strange noises, Celina disappears after the lights go out. They find a terrifying note saying "let's play hide and seek... You hide... and i seek :)". Sarah must fight to
The document describes scenes from a film about a married couple, Ryan and Jane, who are researching a virus in a post-apocalyptic setting. In the opening scene, Ryan searches for virus samples while wearing a hazmat suit, finds an insect, and is startled by Jane's appearance. They discuss their findings and walk back together. Later, Ryan and Jane argue while experimenting on samples, causing Jane to storm off. Ryan then discovers a cut in his hazmat suit. In a subsequent scene, Ryan is awakened by a noise and investigates in the dark, experiencing virus symptoms. He collapses and wakes to find Jane threatening him with a knife, arguing about what to do before the scene ends
The document outlines a series of shots for a horror movie title sequence. It begins with an establishing long shot of two friends walking to an abandoned building, showing their social status and friendship. Subsequent shots introduce an Ouija board and show the characters climbing the building and forcing entry inside. Shots show them exploring the dark interior with a lamp. They find a spot to play the Ouija board, light candles, and place their hands on the board. The final shot abruptly shows blood raining on the board as the characters try to escape, but become locked inside by a closing door.
The document provides background on the film The Shawshank Redemption. It summarizes Andy Dufresne's crime, trial, and sentencing to two life sentences in Shawshank Prison in 1947 for murdering his wife and her lover. It introduces Red, a prisoner and unofficial facilitator who helps Andy smuggle Rita Hayworth into the prison by agreeing to his request.
The document discusses how film writer David Bordwell identified three key factors that influence how an audience reads or interprets a film: 1) How the audience perceives what is happening on screen, 2) The audience's prior knowledge and experiences, and 3) The material structure of the film itself. It then analyzes the 2000 psychological thriller film "What Lies Beneath" directed by Robert Zemeckis. The analysis discusses how the film uses techniques like its title, score, camerawork and clues throughout to gradually pull the viewer deeper into the protagonist's paranoid state of mind and increasing suspense without revealing the full truth about the mysterious occurrences until the end.
The opening scene uses fades and slow romantic music to set the tone for a romantic genre film. A single person is seen peacefully boating on a lake, creating intrigue about where they are going. White birds then lead to a woman staring out a window of a white house, possibly feeling trapped. Another character is a nurse asking the woman to bed, hinting she requires care. A man is also introduced looking in a mirror, his voiceover sharing his feelings with the audience. The slow pace of revelations in this beginning suggests the full plot will take time to unfold.
This document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich, establishing gritty and unpleasant locales associated with crime. It also features a suburban location where the protagonist is attacked, playing on viewer associations between quiet suburbs and criminal acts. The locations aim to create a sense of claustrophobia, fear, isolation and danger for the protagonist in line with conventions from films like The Third Man and Wild at Heart.
This document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich, drawing on the convention that gritty, unpleasant areas create tension. It also shows the attack on the main character Sam in a suburban area, playing on the idea that quiet suburbs can be associated with crime. The document discusses how these locations draw from other thriller films and their use of claustrophobic, isolated places to build suspense and danger for the characters.
The directors aim to create a 5-minute horror film with psychological elements and surprise ending. The film will follow a man returning home and growing suspicious of noises in the house. Various horror conventions will build tension but ultimately lead to a surprise birthday party. While the directors collaborated on the plot, one director focused more on camerawork while the other emphasized clues foreshadowing the surprise ending. They plan to film over 5 days using a school camera and intend to direct, film and edit the short film themselves.
The directors aim to create a 5-minute horror film with psychological elements and surprises. They will use horror conventions to build suspense but reveal at the end that the main character is being surprised with a party. They describe scenes where the main character returns home, hears strange noises, and has a disturbing phone call before discovering the surprise party. The directors will collaborate on the film and one will operate the camera, aiming to film over one week using the school's equipment and complete editing afterwards.
This document provides a shooting schedule for a film with 31 shots. It details the shot type, camera movements, actor movements and blocking, lighting, costumes, props, and setting for each shot. The shots include establishing shots, medium shots, close-ups, and more. They will be used to film scenes showing a character walking down a street, entering a diner, having a conversation at a table, a gang meeting in an abandoned building, a character finding a bloody knife, and discovering a dead body on the street.
This document provides a shooting schedule for a film with 31 shots. It details the shot type, camera movements, actor movements and blocking, lighting, costumes, props, and setting for each shot. The shots include establishing shots, medium shots, close-ups, and more. They will be used to film scenes like a character walking down a street, entering a diner, having conversations at a table, a gang meeting in an abandoned building, a murder, and the discovery of the body. Precise camera placements, actor positioning and facial expressions are planned to clearly show the story and ensure technical filmmaking rules are followed.
Sam runs down the street, looking over her shoulder, as she escapes from her abusive ex-boyfriend Darren. A flashback shows Darren being physically and emotionally abusive towards Sam. Meanwhile, a woman runs through an alleyway, intercut with Darren searching for Sam after discovering she has left home. The summary captures that Sam is fleeing an abusive ex and the document uses intercut shots between her escape and Darren searching for her.
1) The document is a pre-production script that follows Character A having a mental breakdown as flashbacks of time spent with her friend are interspersed.
2) In the flashbacks, Character A is seen dancing and laughing with her friend during happier times.
3) The script climaxes as Character A, while experiencing delusions, tracks down and shoots her friend while claiming "I am your friend."
This document provides an analysis of a scene from the 2001 crime thriller film Training Day. The scene analyzed takes place during a raid on a drug dealer's house led by the corrupt cop Alonso and rookie officer Jake. The analysis focuses on four elements of media - camera work, editing, mise-en-scene, and sound. It discusses how close-up shots, angles, editing techniques like match cuts and shot reverse shots, setting details, and other elements build tension and reveal character dynamics during this pivotal intense scene.
The document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich to create a gritty atmosphere, and later moves to a residential area where the main character is attacked, playing on the thriller convention that quiet suburbs can be associated with crime. It aims to generate tension and fear in viewers by incorporating tight, enclosed spaces like tunnels that are used in other thrillers to similar effect. It develops suspense throughout the opening by making the main character's journey to his resting place treacherous, using techniques like staircases that create a lack of escape in other thrillers.
The document discusses and analyzes various location options for scenes in a music video. It proposes using a multi-story car park for the opening shot to link the visuals to the lyrics. It also suggests a street corner where the main characters could bump into each other, as well as a warehouse for a fight scene during the chorus. Additional locations mentioned include a typical stage for performance shots and a flat or house for an arguing scene. The locations aim to relate visually to the song lyrics and fit common scenarios seen in movies and television.
This scene from the film Training Day depicts a raid on a drug dealer's house by corrupt cop Alonso and narcotics officer Jake. It focuses on the camera work, editing, mise-en-scene, and sound used to build tension. Close-ups are used to show the characters' panic and vulnerability. The camera angles emphasize the shifting power dynamic between Jake and Alonso. Fast cuts during dialogue and match cuts during the action help increase the panic and suspense. Details like Alonso's black clothing versus the drug dealer's dull outfit further develop the characters.
Untitled (angel wing) new chapter one rough draft scriptChristine Dargan
Alicia is introduced as the main character and narrator. She wakes up and speaks about her normal life while getting ready for the day. Her mother calls her to wake up. As Alicia gets up, her cellphone is shown left on the bed displaying a picture of an alien, hinting at Alicia's interest in aliens. She wonders if her life will remain the same or if something different could happen.
The pictures were taken according to a script and show a character's movement ending up outside. This is the location where a zombie will bite a girl, who will walk up a pathway to investigate a bang and open a door. Located near an estate in a rural area, the setting has bare trees and dated houses, while a zombie coming over a slope would create suspense.
A group of friends go on a camping trip together. They arrive at their campsite and begin playing games instead of setting up camp. As night falls, they start to feel uneasy as strange noises are heard. One friend sees a dark figure lurking in the distance. As it gets closer, the friends become frightened and rush to pack up camp. However, their car won't start, and the figure appears in front of the vehicle. Flashes show the friends running and screaming, then tied up with rope at the end, leaving the outcome uncertain.
The document provides an analysis of the trailer for the horror film "The Conjuring". It summarizes the film's storyline, about paranormal investigators Ed and Lorraine Warren helping a family dealing with demonic activity in their new home. It then analyzes aspects of the trailer, including its 53 cuts, use of music and sound to build tension, and cinematography and editing to create an intense atmosphere. Key elements like darkness, children's laughter and a jump scare involving hands on a woman's shoulders left a lasting impression on audiences.
A group of friends go on a camping trip together. They arrive at their campsite and begin playing games instead of setting up camp. As night falls, they start to feel uneasy as strange noises are heard. One friend sees a dark figure lurking in the distance. As it gets closer, the friends become frightened and rush to pack up camp. However, their car won't start, and the figure appears in front of the vehicle. Flashes show the friends running and screaming, then tied up with rope at the end, leaving the outcome uncertain.
A group of friends go on a camping trip together. They arrive at their campsite and begin playing games instead of setting up camp. As night falls, they start to feel uneasy as strange noises are heard. One friend sees a dark figure lurking in the distance. As it gets closer, the friends become frightened and rush to pack up camp. However, their car won't start, and the figure appears in front of the vehicle. Flashes show the friends running and screaming, then tied up with rope at the end, leaving the outcome uncertain.
[Ringkasan]
Dokumen ini merupakan draf kurikulum standard bahasa Malaysia untuk sekolah rendah tahun satu. Ia menjelaskan tujuan, objektif, fokus, kandungan standard dan strategi pengajaran pembelajaran bahasa Malaysia untuk memastikan murid dapat menguasai kemahiran mendengar, bertutur, membaca dan menulis serta aspek tatabahasa dan seni bahasa.
This location scouting sheet provides details for filming at Deer Park Field in Harlow, England. The location is always available any day of the week or time and offers parking on site. Special arrangements may be needed to accommodate varying weather conditions at the outdoor location.
The document discusses how film writer David Bordwell identified three key factors that influence how an audience reads or interprets a film: 1) How the audience perceives what is happening on screen, 2) The audience's prior knowledge and experiences, and 3) The material structure of the film itself. It then analyzes the 2000 psychological thriller film "What Lies Beneath" directed by Robert Zemeckis. The analysis discusses how the film uses techniques like its title, score, camerawork and clues throughout to gradually pull the viewer deeper into the protagonist's paranoid state of mind and increasing suspense without revealing the full truth about the mysterious occurrences until the end.
The opening scene uses fades and slow romantic music to set the tone for a romantic genre film. A single person is seen peacefully boating on a lake, creating intrigue about where they are going. White birds then lead to a woman staring out a window of a white house, possibly feeling trapped. Another character is a nurse asking the woman to bed, hinting she requires care. A man is also introduced looking in a mirror, his voiceover sharing his feelings with the audience. The slow pace of revelations in this beginning suggests the full plot will take time to unfold.
This document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich, establishing gritty and unpleasant locales associated with crime. It also features a suburban location where the protagonist is attacked, playing on viewer associations between quiet suburbs and criminal acts. The locations aim to create a sense of claustrophobia, fear, isolation and danger for the protagonist in line with conventions from films like The Third Man and Wild at Heart.
This document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich, drawing on the convention that gritty, unpleasant areas create tension. It also shows the attack on the main character Sam in a suburban area, playing on the idea that quiet suburbs can be associated with crime. The document discusses how these locations draw from other thriller films and their use of claustrophobic, isolated places to build suspense and danger for the characters.
The directors aim to create a 5-minute horror film with psychological elements and surprise ending. The film will follow a man returning home and growing suspicious of noises in the house. Various horror conventions will build tension but ultimately lead to a surprise birthday party. While the directors collaborated on the plot, one director focused more on camerawork while the other emphasized clues foreshadowing the surprise ending. They plan to film over 5 days using a school camera and intend to direct, film and edit the short film themselves.
The directors aim to create a 5-minute horror film with psychological elements and surprises. They will use horror conventions to build suspense but reveal at the end that the main character is being surprised with a party. They describe scenes where the main character returns home, hears strange noises, and has a disturbing phone call before discovering the surprise party. The directors will collaborate on the film and one will operate the camera, aiming to film over one week using the school's equipment and complete editing afterwards.
This document provides a shooting schedule for a film with 31 shots. It details the shot type, camera movements, actor movements and blocking, lighting, costumes, props, and setting for each shot. The shots include establishing shots, medium shots, close-ups, and more. They will be used to film scenes showing a character walking down a street, entering a diner, having a conversation at a table, a gang meeting in an abandoned building, a character finding a bloody knife, and discovering a dead body on the street.
This document provides a shooting schedule for a film with 31 shots. It details the shot type, camera movements, actor movements and blocking, lighting, costumes, props, and setting for each shot. The shots include establishing shots, medium shots, close-ups, and more. They will be used to film scenes like a character walking down a street, entering a diner, having conversations at a table, a gang meeting in an abandoned building, a murder, and the discovery of the body. Precise camera placements, actor positioning and facial expressions are planned to clearly show the story and ensure technical filmmaking rules are followed.
Sam runs down the street, looking over her shoulder, as she escapes from her abusive ex-boyfriend Darren. A flashback shows Darren being physically and emotionally abusive towards Sam. Meanwhile, a woman runs through an alleyway, intercut with Darren searching for Sam after discovering she has left home. The summary captures that Sam is fleeing an abusive ex and the document uses intercut shots between her escape and Darren searching for her.
1) The document is a pre-production script that follows Character A having a mental breakdown as flashbacks of time spent with her friend are interspersed.
2) In the flashbacks, Character A is seen dancing and laughing with her friend during happier times.
3) The script climaxes as Character A, while experiencing delusions, tracks down and shoots her friend while claiming "I am your friend."
This document provides an analysis of a scene from the 2001 crime thriller film Training Day. The scene analyzed takes place during a raid on a drug dealer's house led by the corrupt cop Alonso and rookie officer Jake. The analysis focuses on four elements of media - camera work, editing, mise-en-scene, and sound. It discusses how close-up shots, angles, editing techniques like match cuts and shot reverse shots, setting details, and other elements build tension and reveal character dynamics during this pivotal intense scene.
The document discusses how the media product uses and develops conventions of real thriller media through its use of locations. It opens in the underground passage of a roundabout in Norwich to create a gritty atmosphere, and later moves to a residential area where the main character is attacked, playing on the thriller convention that quiet suburbs can be associated with crime. It aims to generate tension and fear in viewers by incorporating tight, enclosed spaces like tunnels that are used in other thrillers to similar effect. It develops suspense throughout the opening by making the main character's journey to his resting place treacherous, using techniques like staircases that create a lack of escape in other thrillers.
The document discusses and analyzes various location options for scenes in a music video. It proposes using a multi-story car park for the opening shot to link the visuals to the lyrics. It also suggests a street corner where the main characters could bump into each other, as well as a warehouse for a fight scene during the chorus. Additional locations mentioned include a typical stage for performance shots and a flat or house for an arguing scene. The locations aim to relate visually to the song lyrics and fit common scenarios seen in movies and television.
This scene from the film Training Day depicts a raid on a drug dealer's house by corrupt cop Alonso and narcotics officer Jake. It focuses on the camera work, editing, mise-en-scene, and sound used to build tension. Close-ups are used to show the characters' panic and vulnerability. The camera angles emphasize the shifting power dynamic between Jake and Alonso. Fast cuts during dialogue and match cuts during the action help increase the panic and suspense. Details like Alonso's black clothing versus the drug dealer's dull outfit further develop the characters.
Untitled (angel wing) new chapter one rough draft scriptChristine Dargan
Alicia is introduced as the main character and narrator. She wakes up and speaks about her normal life while getting ready for the day. Her mother calls her to wake up. As Alicia gets up, her cellphone is shown left on the bed displaying a picture of an alien, hinting at Alicia's interest in aliens. She wonders if her life will remain the same or if something different could happen.
The pictures were taken according to a script and show a character's movement ending up outside. This is the location where a zombie will bite a girl, who will walk up a pathway to investigate a bang and open a door. Located near an estate in a rural area, the setting has bare trees and dated houses, while a zombie coming over a slope would create suspense.
A group of friends go on a camping trip together. They arrive at their campsite and begin playing games instead of setting up camp. As night falls, they start to feel uneasy as strange noises are heard. One friend sees a dark figure lurking in the distance. As it gets closer, the friends become frightened and rush to pack up camp. However, their car won't start, and the figure appears in front of the vehicle. Flashes show the friends running and screaming, then tied up with rope at the end, leaving the outcome uncertain.
The document provides an analysis of the trailer for the horror film "The Conjuring". It summarizes the film's storyline, about paranormal investigators Ed and Lorraine Warren helping a family dealing with demonic activity in their new home. It then analyzes aspects of the trailer, including its 53 cuts, use of music and sound to build tension, and cinematography and editing to create an intense atmosphere. Key elements like darkness, children's laughter and a jump scare involving hands on a woman's shoulders left a lasting impression on audiences.
A group of friends go on a camping trip together. They arrive at their campsite and begin playing games instead of setting up camp. As night falls, they start to feel uneasy as strange noises are heard. One friend sees a dark figure lurking in the distance. As it gets closer, the friends become frightened and rush to pack up camp. However, their car won't start, and the figure appears in front of the vehicle. Flashes show the friends running and screaming, then tied up with rope at the end, leaving the outcome uncertain.
A group of friends go on a camping trip together. They arrive at their campsite and begin playing games instead of setting up camp. As night falls, they start to feel uneasy as strange noises are heard. One friend sees a dark figure lurking in the distance. As it gets closer, the friends become frightened and rush to pack up camp. However, their car won't start, and the figure appears in front of the vehicle. Flashes show the friends running and screaming, then tied up with rope at the end, leaving the outcome uncertain.
[Ringkasan]
Dokumen ini merupakan draf kurikulum standard bahasa Malaysia untuk sekolah rendah tahun satu. Ia menjelaskan tujuan, objektif, fokus, kandungan standard dan strategi pengajaran pembelajaran bahasa Malaysia untuk memastikan murid dapat menguasai kemahiran mendengar, bertutur, membaca dan menulis serta aspek tatabahasa dan seni bahasa.
This location scouting sheet provides details for filming at Deer Park Field in Harlow, England. The location is always available any day of the week or time and offers parking on site. Special arrangements may be needed to accommodate varying weather conditions at the outdoor location.
Samantha obtained feedback on her music video, digipak, and magazine advertisement from a focus group of 10 people who evaluated the projects. The focus group consisted mainly of females aged 16-20 from Harlow who listened to acoustic rock. Feedback was positive for elements like props and costumes but identified areas for improvement like some shot types, lighting, and font readability. Overall the projects worked well together capturing the theme of "distance and journey" but could be made more eye-catching and professional with experimentation and technical skills.
From audience feedback on their music video, digipak, and magazine advertisement, the students learned:
1) Elements like narrative, cinematography, and mise-en-scene were strengths, but some shots needed better lighting and angles.
2) The buildup in the song was not portrayed dramatically enough in the video.
3) The digipak needed more eye-catching colors and the inside images looked edited.
4) The magazine ad's font was hard to read and lacked social media links.
Going forward, they will improve planning, locations, editing, and include current marketing elements.
The call sheet is for the first day of shooting a music video. It includes two scenes to be filmed - a flashback scene at a deer park field involving two actors, and an establishing motorway shot that requires no actors. Special instructions are provided for the sky lantern scene regarding safety. The actors are to wear casual costumes. Establishing shots are scheduled for the following day. Directions to both locations are also included.
The call sheet provides details for the first day of shooting a music video. Scene 1 will be filmed at Deer Park Field in Harlow featuring Samantha Jewiss and Jake Alger. Scene 2 is an establishing motorway shot to be filmed at a bridge over the M11 motorway near Harlow. Samantha Jewiss will play the character of Kirsty requiring natural makeup. Safety instructions are provided for filming the sky lanterns scene. Establishing shots will also be filmed on Tuesday for use in opening sequences. Directions to both filming locations are included.
The student obtained feedback on their music video, digipak, and magazine advertisement from a focus group of 10 people within their target audience. Both strengths and weaknesses were identified for each media product. While mise-en-scene elements like props and costumes received positive feedback, camera shots, lighting, and design elements could be improved. Overall the projects worked well together but feedback will help the student enhance their technical skills and make their future work more eye-catching and professional.
The document is a questionnaire to gather opinions on how to design media products for a song by Secondhand Serenade. It asks respondents about their demographics, music purchasing habits, and preferences for styles of music videos, album packaging, and magazine advertisements. The goal is to gain a better understanding of what would make the media products successful.
The document provides details for a proposed music video titled "Fix You" including:
- The target audience is 16-25 year olds, mostly students, interested in the acoustic genre.
- Locations will include interior house shots and exterior rural/urban locations to convey different meanings.
- Props like candles, photographs, and casual clothing will be used to enhance realism and sentimentality.
- Permission must be obtained to film at locations to avoid legal issues and notify landowners.
- The synopsis is of a teenage couple dealing with their breakup through flashbacks of happier times together.
This location scouting sheet provides details for filming at Deer Park Field in Harlow, England. The location is always available any day of the week or time and is a 5 minute drive or 25 minute walk from the scout's home. The location may require suitable clothing or umbrellas due to variable weather and has parking nearby on housing estate roads and sidewalks.
The document is a questionnaire to gather opinions on how to design media products for a music video, album packaging, and magazine advertisement for a song. It asks respondents questions about their demographics, music purchasing habits, preferences for style and elements of a music video, album cover design, and magazine advertisement. The goal is to gain a better understanding of what would make the media products successful.
Samantha and Louise created a music video using Final Cut Pro by piecing together filmed footage following their storyboard and edit decision list. They added transitions like fades and dissolves between clips to smoothly connect scenes and indicate flashbacks. Effects like color correction, speed adjustments, and zooms were used to emphasize parts of the narrative and enhance the storytelling. Text was also added at the beginning and end for identification purposes consistent with typical music video conventions.
The document provides a history of music videos and the acoustic genre from their early origins to present day. It discusses the development of music videos from early examples that combined music with visuals in the 1920s to the impact of MTV in 1981. It also outlines the history of acoustic music and highlights how acoustic versions of songs have grown in popularity. Finally, it reflects on how the research can influence the creation of an acoustic music video by considering conventions of the genre and technical aspects like location, cinematography and use of natural lighting.
The document is a questionnaire to gather opinions on how to design media products for a music video, album packaging, and magazine advertisement for a song. It asks respondents questions about their demographics, music purchasing habits, preferences for style and elements of a music video, album cover design, and magazine advertisement. The goal is to better understand the target audience to create successful media products.
The document outlines three initial ideas for an A2 Media coursework portfolio: a music video, teaser trailer, and short film. Peer feedback is obtained, with most preferring the music video idea. The music video would be for the song "Fix You" by Secondhand Serenade, targeting ages 15-25 interested in acoustic music. Inspiration is drawn from the video for "Hey There Delilah." The document provides research on the music video idea and genre. Based on the peer feedback, the music video idea is chosen for the coursework portfolio.
The document summarizes a proposed music video treatment for the song "Fix You" by an acoustic band. It will tell the story of a teenage couple who have broken up through flashbacks and scenes of them dealing with their emotions separately. The video aims to appeal to its target audience of 16-25 year olds and feature both indoor and outdoor locations. It will have a sad tone but also reflect on happier memories through changes in color and style. The total proposed budget for production is £418,786.39 to cover crew, actors, equipment, travel and other expenses.
The document summarizes the process of designing a magazine advertisement using Adobe Photoshop. First, the photographer selected an image and duplicated the background layer to edit without altering the original. Curves and levels were adjusted to enhance brightness and contrast. The image size was changed to fit a double page spread for the magazine. A sepia tone action was applied to give a vintage look. Text, shapes, and shadows were added. Noise and blur filters were applied to edges for a worn vintage effect. The final advertisement design is shown.
The document provides an analysis of the music video for "Hey There Delilah" by The Plain White T's. The video tells the story of a long-distance relationship between a male singer and his girlfriend Delilah. It uses locations, costumes, and lighting to portray the sadness and loneliness experienced by both characters due to the geographical separation. The video also reflects the themes of the song, which expresses optimism that the relationship will endure despite current challenges. Overall, the video utilizes common narrative, technical, and aesthetic techniques to visually represent and promote the song's message.
Разработка WPF приложений в стиле ViewModel FirstDenis Tsvettsih
Презентация к докладу «Разработка WPF приложений в стиле ViewModel First» с одиннадцатой конференции dotnetconf (Челябинск, 31 октября 2015)
http://dotnetconf.ru/materialy/viewmodelfirst
- The document discusses a student's A2 coursework which consisted of a main task (a music video) and two ancillary tasks (a digipak and magazine advertisement) to promote a single release.
- The student and their partner ensured all products maintained the same visual style or "house style" so each product could help promote the others while looking professionally cohesive.
- All products were based around the theme of love and relationships drawn from the artist's songs, portrayed through a narrative in the music video and symbolic props like a globe in the digipak representing love's universality.
The document is a questionnaire for a focus group. It asks participants for their gender, age, and music preferences. It then asks them to review several media products and provide feedback on each individually, including what they liked and opportunities for improvement. The questionnaire aims to gather input from the focus group on a music video, CD packaging, and magazine advertisement.
Before filming in London, the filmmakers had to seek permission from local boroughs to ensure their filming was approved and legal. Due to time constraints, they were unable to obtain written permission in the form of Location Release Forms, so they emailed location-specific contacts instead. They used the Film London website to find the areas they wanted to film, then used a provided table to identify and email the relevant contacts to request permission.
Before filming in London, the filmmakers had to seek permission from local boroughs to ensure their filming was approved and legal. Due to time constraints, they were unable to obtain written permission in the form of Location Release Forms, so they emailed location-specific contacts instead. They used the Film London website to find the areas they wanted to film, then used a provided table to identify and email the relevant contacts to request permission.
Before filming in London, the filmmakers had to seek permission from local boroughs to ensure their filming was approved and legal. Due to time constraints, they were unable to obtain written permission in the form of Location Release Forms, so they emailed location-specific contacts instead. They used the Film London website to find the areas they wanted to film, then used a provided table to identify and email the relevant contacts to request permission.
This location scout form documents Green Park in London as a potential filming location for the production "Fix You by Secondhand Serenade". Key details include the park's address, availability any day and time, and notes that suitable clothing may be needed due to varying weather and public transportation should be used.
This location scout form documents Barn Mead Field in Harlow, Essex as a potential filming location for the music video "Fix You" by Secondhand Serenade. The location scout, Samantha Jewiss, notes that the field is always available any day of the week and time, though suitable clothing may be needed due to varying weather conditions. Parking is available in a nearby housing estate and side roads.
This location scout form documents Barn Mead Field in Harlow, Essex as a potential filming location for the music video "Fix You" by Secondhand Serenade. The location scout, Samantha Jewiss, notes that the field is always available any day of the week and time, though suitable clothing may be needed due to varying weather conditions. Parking is available in a nearby housing estate and side roads, and the field is a 2 minute walk from home and an 8 minute car ride from college.
The location scout form documents Deer Park Field in Harlow, England as a potential filming location for the music video "Fix You" by Secondhand Serenade. Key details include that the park is always available for filming any day of the week or time, though suitable clothing may be needed due to varying weather, and it has nearby parking and is under 10 minutes from the scout's home and college by car.
This call sheet provides details for the eighth day of shooting including the location, scenes to be filmed, cast involved, and any special instructions. Three scenes will be filmed at 1 Joyce Court involving characters Kirsty and Gareth portrayed by Samantha Jewiss and Jake Alger respectively based on pages 1, 5, and 6-7 of the script. Samantha Jewiss will require natural makeup as Kirsty while Jake Alger has no specific makeup needs. Transportation instructions to the shooting location in Waltham Abbey are also provided.
This call sheet is for the seventh day of shooting on March 31st. It includes details for one scene shooting a couple walking through a field to a tree. Samantha Jewiss and Jake Alger are listed in the cast. Special equipment includes a camera, tripod, and props like a blanket and solar lights. The following day's shoot will be at Waltham Abbey to get establishing shots and photographs for props. Directions are provided to the shooting location at Barn Mead Field in Harlow via bus.
This call sheet provides details for the sixth day of shooting including the location, scenes, cast, and special instructions. Two flashback scenes will be filmed - "Sparklers" at 23 Radburn Close involving Samantha Jewiss, Jake Alger, and extras, and a flashback of a couple by the fireplace at the same location. Makeup requirements, equipment needs including safety precautions for using sparklers, and future scheduling are also outlined.
This call sheet provides details for shooting Day 5 of the project, including locations, scenes, cast, and logistical information. Scenes will be filmed at Epping Station, Green Park, Camden Town, and Covent Garden featuring cast members Samantha Jewiss and Jake Alger. The call time is 11:00am on Tuesday, March 26th. Transportation instructions to locations are also provided.
This call sheet provides details for the fourth day of shooting including scene locations, characters, makeup requirements, equipment needs, and transportation instructions. Two scenes will be filmed - a car argument flashback and a scene of Gareth smoking while stressed. Samantha Jewiss and Jake Alger are scheduled to film the scenes on Friday, March 22nd at 1 Joyce Court in Waltham Abbey.
This call sheet provides details for the third day of shooting on March 21st, 2013. It lists one scene called "Sky Lanterns" to be filmed at Deer Park Field in Harlow starring Samantha Jewiss as Kirsty and Jake Alger as Gareth. Makeup and costume instructions are provided. The call time is 5pm. Safety instructions are given for using sky lanterns during the flashback scene. Directions to the location are also included.
This location scouting sheet documents Netteswell Pond in Harlow, Essex as a potential filming location for the music video "Fix You" by Secondhand Serenade. The pond is available every day from 6am to 9pm without any special arrangements needed. It can be accessed within 15 minutes of the college and has nearby parking, though no power capabilities are available at the location itself.
This location scouting sheet details a potential filming location for the music video "Fix You" by Secondhand Serenade. The location is a motorway bridge on Matching Rd in Harlow, Essex that is always available for filming any day of the week or time of day. Nearby parking and arrangements for travel to the remote location would need to be made if selected.
This location scouting sheet documents a potential filming location for the music video "Fix You" by Secondhand Serenade. The location is a motorway bridge on Harlow Common Rd in Harlow, Essex that is always available for filming any day of the week or time of day. Nearby parking and access within 10-12 minutes of home and college are noted, along with the need to arrange travel to the remote site.
2. FADE IN
EXT. ESTABLISHING SHOT of a train station, panning around
setting. Cut to ESTABLISHING SHOT of street, cut to LONG
SHOT of a living room and then cut to EXTREME LONG SHOT
of a room. Camera tracks along a wall of photographs in
the room, where there is a man sitting with his back to
the camera.
CUT TO
INT. KIRSTY’S BEDROOM – DAY
KIRSTY is sitting on her bed in her room. Camera starts
off behind to the left of KIRSTY, but then pans around
her to show her face. MID SHOT of KIRSTY shows her as
upset and heartbroken.
SECONDHAND SERENADE (V.O.)
When you try your best, but you don’t succeed
CUT TO
INT. GARETH’S ROOM – DAY
CLOSE UP of GARETH standing at his window smoking. Shows
his facial expression as stressed and frustrated.
SECONDHAND SERENADE (V.O.)
When you get what you want, but not what you need
GARETH leans against the wall next to the window, and
slumps to the floor. He sits with his knees up, rubbing
eyes in frustration. Camera zooms out from MID SHOT to
LONG SHOT.
SECONDHAND SERENADE (V.O.)
When you feel so tired, but you can’t sleep
CUT TO
INT. KIRSTY’s BATHROOM – DAY
KIRSTY leans over the sink looking at her reflection in a
side on MID SHOT. She is overwhelmed with emotions.
SECONDHAND SERENADE (V.O.)
Stuck in reverse
Camera pans to an OVER THE SHOULDER shot, zoom in to a
CLOSE UP. KIRSTY looks at herself, trying to compose
herself and fix her make up.
3. SECONDHAND SERENADE (V.O.)
And the tears come streaming down your face
CUT TO
INT. KIRSTY’S BEDROOM – MORNING
FLASHBACK of the couple. CLOSE UP of GARETH and KIRSTY
recording themselves in a handheld video recording style.
Camera cut to GARETH and KIRSTY in LONG SHOT of them
filming.
SECONDHAND SERENADE (V.O.)
When you lose something you can’t replace
CUT TO
INT. KIRSTY’s HALLWAY – DAY
KIRSTY walks out of bathroom into hallway where GARETH is
standing in the doorway. Camera pull and throw shot,
focus first on KIRSTY from side view and shows her
looking up at GARETH.
SECONDHAND SERENADE (V.O.)
When you lose someone, but it goes to waste
Camera then focuses on GARETH in the background looking
at KIRSTY. He is upset and apologetic.
SECONDHAND SERENADE (V.O.)
Could it be worse?
CUT TO
EXT. FIELD – EVENING
FLASHBACK of EXTREME LONG SHOT of KIRSTY and GARETH
letting off Chinese lanterns in a field. Arc 180’ around
the couple setting off the lanterns.
SECONDHAND SERENADE (V.O.)
Lights will guide you home
And ignite your bones
And I will try to fix you
CUT TO
4. EXT. STREET – DAY
FLASHBACK of the couple. LONG SHOT of them walking down
the street, enjoying each other’s company and holding
hands.
CUT TO
INT. KIRSTY’S HALLWAY – DAY
KIRSTY and GARETH begin to talk however this escalates
into a heated argument. KIRSTY begins to raise her voice
and become angry as she walks towards GARETH, who is
still standing near the front door.
SECONDHAND SERENADE (V.O.)
And high up above
SECONDHAND SERENADE (V.O.)
Or down below
CUT TO
EXT. STREET - DAY
FLASHBACK of the couple. LONG SHOT of the couple walking
together talking and laughing. MID CLOSE UP of their
faces, looking at each other with their expressions full
of love and emotion.
SECONDHAND SERENADE (V.O.)
When you’re too in love to let it go
CUT TO
EXT. OUTSIDE KIRSTY’s HOUSE - DAY
GARETH and KIRSTY walk out of KIRSTY’s house and walk
down the street in LONG SHOT. They are walking with a
significant distance between them, showing how they are
not as close as they once were. They are both walking
slowly and hesitantly. GARETH looks at the floor with his
hands in his pockets as he walks whereas KIRSTY looks
around her and off into the distance, arms folded. They
talk as they walk.
SECONDHAND SERENADE (V.O.)
But if you never try then you’ll never know
GARETH stops, reaches out touches KIRSTY’s arm in MID
CLOSE UP. KIRSTY stops and looks up at him with a hurt
and sad expression, then looks off into the distance and
begins to walk again.
5. SECONDHAND SERENADE (V.O.)
Just what you’re worth
EXT. GARETH’s HOUSE - DAY
The couple have walked to GARETH’s house. GARETH opens
his front door and holds it open for KIRSTY to enter
before him.
SECONDHAND SERENADE (V.O.)
Lights will guide you home
Match on action showing GARETH shutting the door from the
inside, dumping his bag on the floor. KIRSTY looks around
her uncomfortably, as if she remembers all the memories
they once had here and then looks at GARETH.
SECONDHAND SERENADE (V.O.)
And ignite your bones
CUT TO
INT. GARETH’s HOUSE - EVENING
FLASHBACK of GARETH and KIRSTY sitting on the sofa
watching a film. KIRSTY has fallen asleep on GARETH’s
shoulder. GARETH checks if KIRSTY is awake and when he
realises she is asleep smiles to himself.
SECONDHAND SERENADE (V.O.)
I will try to fix you
CUT TO
INT/EXT. VARIOUS LOCATIONS - DAY
CLOSE UP of the couple at KIRSTY’S house messing around.
Cut to couple walking down the street. Cut to couple at
GARETH’s house arguing. Cut to handheld footage of the
couple at the park. Cut to couple at KIRSTY’s house
arguing. Cut to KIRSTY storming out and slamming the
front door of GARETH’s house and GARETH shouting after
her. Cut to couple laughing and joking with each other.
Cut to handheld footage of couple happy. Cut to GARETH
frustrated with KIRSTY in her room. Cut to KIRSTY looking
at a photograph of her and GARETH. Cut to close ups of
the couple happy. Cut to heated arguments and fights.
SECONDHAND SERENADE (V.O.)
[Instrumental]
CUT TO
6. INT. KIRSTY’s HOUSE - DAY
GARETH and KIRSTY are fighting in KIRSTY’s living room.
KIRSTY is shouting and crying at GARETH who is in turn
shouting back at her. They are both angry and frustrated
with the situation and each other, standing close to one
another and expressing their emotions.
SECONDHAND SERENADE (V.O.)
Tears stream down your face
KIRSTY shouts at GARETH to leave, but quickly pushes him
out and slams the front door.
SECONDHAND SERENADE (V.O.)
When you lose something you can’t replace
KIRSTY turns around and leans against the front door,
crying and closing her eyes with her head leant back.
SECONDHAND SERENADE (V.O.)
Tears stream down your face
GARETH is standing on the other side of the door, leaning
against it and speaking through it to KIRSTY. He is
trying to apologise to her and is desperate for another
chance.
SECONDHAND SERENADE (V.O.)
And I...
CUT TO
INT. KIRSTY’s BEDROOM - DAY
KIRSTY storms into her bedroom and rummages through her
drawers. She angrily swipes away tears and gathers all of
GARETH’s clothes out of drawers, opens her window and
chucks them out.
SECONDHAND SERENADE (V.O.)
Tears stream down your face
When you lose something you cannot replace
CUT TO
INT. GARETH’s HOUSE - EVENING
FLASHBACK of KIRSTY and GARETH who are fighting and
getting annoyed with each other. OVERLAY shot of KIRSTY
AND GARETH sitting on a bench together, laughing.
7. SECONDHAND SERENADE (V.O.)
Tears stream down your face
And I...
INT. GARETH’s ROOM – DAY
KIRSTY rips the photographs of the couple off the wall in
frustration, throwing them on the floor.
SECONDHAND SERENADE (V.O.)
Tears stream down your face
GARETH steps over to her and holds her.GARETH gently
pushes her against the wall, leaning over her and trying
to talk her, calming her down. GARETH lifts KIRSTY’s chin
to look at him in MID SHOT.
SECONDHAND SERENADE (V.O.)
I promise you I will learn from my mistakes
KIRSTY is upset and turns her head away, avoiding eye
contact.
SECONDHAND SERENADE (V.O)
Tears stream down your face
MID CLOSE UP of the couple standing close, with GARETH
looking at KIRSTY and KIRSTY looking away. Both are upset
and hurt yet a lot calmer after their argument.
SECONDHAND SERENADE (V.O.)
And I…
CUT TO
EXT. TREE – EVENING
FLASHBACK of the couple with KIRSTY leaning into GARETH
talking and sitting under a tree. There are fairy lights
hanging in the tree around them, and they are sitting on
a blanket. MID CLOSE UP of the couple.
SECONDHAND SERENADE (V.O.)
Lights will guide you home
CUT TO
EXT. TREE (PRESENT) – DAY
After the couple have their small argument at GARETH’s
house, they go back to the tree location. MID LONG SHOT
of the couple walking together in the field, they stop in
front of the tree. Camera pull and throw of the couple in
8. the foreground then focuses on the tree in the
background.
SECONDHAND SERENADE (V.O)
And ignite your bones
Cut to CLOSE UP of the couple looking at each other with
the tree in the background.
SECONDHAND SERENADE (V.O.)
And I will try
CUT TO
INT. GARETH’s ROOM – DAY
Camera tracks out of photograph on the wall of the couple
in the tree location in the evening (FLASHBACK).
SECONDHAND SERENADE (V.O.)
To fix you
FADE OUT