five design tactics
       Jon Freach
        12.30.09
overview
The ingredients of information design consist of words, images,
    numbers, and diagrams. The designer is responsible for
  arranging all of these elements to produce an intuitive and
                         useful display. 
overview
This presentation describes a basic approach to screen layout
that includes five tactics to help you put the right mark in the
         right place to achieve clarity in your designs.
1 evaluate
                Critically examine all your data
(you may end up revising the original content and design intent).
   Break down the material into its simplest components – the
 what, why, and how of the idea you are trying to communicate.
2 reduce
      Hunt for redundancy in your message and data.
Look for opportunities to reduce the amount of information
     and elements that are interacting on each screen. 
3 order
   Determine the macro- and microstructure of the content. 
   The macrostructure consists of the main ideas that you
 want to communicate; its attributes are explicit and include
     headlines, and primary and secondary navigation.
   The microstructure plays a functional role by supporting
the overall design intent; its attributes are usually more subtle
   and include labels, calls-to-action, bold fonts, and other
                    details and visual cues.
4 design
Design and adhere to grids but make them implicit not explicit.
       Only use graphic rules when absolutely necessary.
     If you must use rules, then make them thin not thick.
  Horizontal rules are more useful and effective than vertical
   rules because they order items top to bottom and enable 
                   comparisons across data.
  Be conservative in your choice of fonts and styles. Define a
rationale for your typographic design and apply it consistently
         across each screen in your application or site.
5 separate
Color and weight (the visual mass of form, field, line, and letters)
  are the most important materials to use to help you separate
 layers of information, establish hierarchy, and achieve clarity.
    “If one limits strong, heavy, rich, and solid colors to the small areas of extremes, then
expressive and beautiful colored area patterns occur....Large area background or base-colors
do their work most quietly, allowing the smaller, bright areas to stand out most vividly, if the
                             former are muted, grayish, or neutral.”

                                       Eduard Imhof
                               Cartographic Relief Presentation
                                        (Berlin, 1982)
thanks 
              Jon Freach
Design Research and Interaction Design
          jon@jonfreach.com
             512 297 8373

Five Design Tactics Jf 123009

  • 1.
    five design tactics Jon Freach 12.30.09
  • 2.
    overview The ingredients ofinformation design consist of words, images, numbers, and diagrams. The designer is responsible for arranging all of these elements to produce an intuitive and useful display. 
  • 3.
    overview This presentation describesa basic approach to screen layout that includes five tactics to help you put the right mark in the right place to achieve clarity in your designs.
  • 4.
    1 evaluate Critically examine all your data (you may end up revising the original content and design intent). Break down the material into its simplest components – the what, why, and how of the idea you are trying to communicate.
  • 5.
    2 reduce Hunt for redundancy in your message and data. Look for opportunities to reduce the amount of information and elements that are interacting on each screen. 
  • 6.
    3 order Determine the macro- and microstructure of the content.  The macrostructure consists of the main ideas that you want to communicate; its attributes are explicit and include headlines, and primary and secondary navigation. The microstructure plays a functional role by supporting the overall design intent; its attributes are usually more subtle and include labels, calls-to-action, bold fonts, and other details and visual cues.
  • 7.
    4 design Design andadhere to grids but make them implicit not explicit. Only use graphic rules when absolutely necessary. If you must use rules, then make them thin not thick. Horizontal rules are more useful and effective than vertical rules because they order items top to bottom and enable  comparisons across data. Be conservative in your choice of fonts and styles. Define a rationale for your typographic design and apply it consistently across each screen in your application or site.
  • 8.
    5 separate Color andweight (the visual mass of form, field, line, and letters) are the most important materials to use to help you separate layers of information, establish hierarchy, and achieve clarity. “If one limits strong, heavy, rich, and solid colors to the small areas of extremes, then expressive and beautiful colored area patterns occur....Large area background or base-colors do their work most quietly, allowing the smaller, bright areas to stand out most vividly, if the former are muted, grayish, or neutral.” Eduard Imhof Cartographic Relief Presentation (Berlin, 1982)
  • 9.
    thanks  Jon Freach Design Research and Interaction Design jon@jonfreach.com 512 297 8373