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Finding the Heart of Your Story:
Your Original Idea
Annual DAISP/BCX™
Creative Writers Conference
November 7, 2020
George Galdorisi
2
3
Finding the Heart of Your Story: Your Original Idea
This session will help attendees explore the most basic – yet
most important – element of the writing craft, the original idea
that is the essence of your story. We will first examine how
generating this original idea works for both fiction and non-
fiction. We will deep-dive into where original ideas come from
and then progress to how to shape that kernel of an idea into
novel, narrative non-fiction, or even a screenplay. Attendees will
be provided with online access to all workshop material.
5
Distribution Statement A: Approved for
public release; distribution is unlimited.
A Few Preliminaries….
• Three promises:
– This will be a focused session geared to ensuring success
– We’ll learn something…and we’ll have fun
– You’ll have access to these slides…take notes…or not….
• Three assumptions:
– You all are interested in nurturing your story idea
– You would like to turn your idea into a novel or….
– You didn’t wake up last Tuesday morning with this notion
• And a word about Power Point….
7
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: The Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel
Did You Bring Your Homework?
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel
Your Original Idea:
The Spark That Starts the Process
• The coolest thing about writing!
• Only you are the steward of your original idea
• Can you state your idea in one sentence?
• Ideas can be absolutely anything
• Outward vs. inward focus
• A few examples
Only You Are the Steward of Your Original Idea
• It is your idea and your idea alone
• You have to nurture it, don’t share it yet
• It is the foundation of your book
• Above all else, it is the spark of inspiration for you
• Don’t do too much, let it germinate
• Come up with another idea, is the first still the best?
Can You State Your Idea In One Sentence?
• If you can’t do this, start over and find a new one
• This one sentence ignites your creative focus
• It is often the core of the pitch to sell your book
• Remembering just one sentence keeps you focused
My fabulous story idea….
…in just one sentence?
Ideas Can Be Absolutely Anything
• A high concept
• A theme
• A plot
• A character
• A “what if”
• A setting or scene
Outward vs. Inward Focus
• A situation idea is outward focused
• Your situation idea focuses on a plot and a problem
• A character idea is inward focused
• Your character idea focuses on character and intent
• The key to success is to have your book do both
Ideas Can Be A High Concept
• In a post-apocalyptic world, what if the top .1% is
delineated by length of life rather than wealth?
• Burners
Ideas Can Be A Theme
• What is more important? Honor or loyalty?
• Duty, Honor, Country
Ideas Can Be A Plot
• On the same day, six different years, the Time Patrol
must keep the shadow from changing our timeline.
• Time Patrol
Ideas Can Be A Character
• A housewife and female assassin must uncover the
truth of the men in their lives in order to uncover
their destiny.
• Bodyguard of Lies
Ideas Can Be A What If
• What if people going into the Witness Protection
Program really disappear?
• Cut Out
Ideas Can Be A Setting or Scene
• An international treaty bans weapons in Antarctica:
What if the U.S. put nuclear weapons there and lost
track of them?
• Eternity Base
Let’s look at four more examples
New York Times, Publisher’s
Weekly & USA Today Best-
Seller!
What if a prince in a Middle
Eastern country wanted to get
the United States to attack
another country so his
country could later win a fight
with that country?
New York Times, Publisher’s
Weekly & USA Today Best-
Seller!
How does the commanding
officer of a U.S. Navy ship
keep the North Koreans from
capturing her crew after they
run aground on a small island
after losing a gun battle with
North Korean ships?
First book of the Rick Holden Thriller
Series - from Braveship Books
What if the most senior officers in the
United States military are so
dissatisfied with the President that
they concoct a scheme to have the
President direct a major military
operation, and then have that
operation fail in order to drive the
President out of office?
Second book of the Rick Holden
Thriller Series - from
Braveship Books
What if the Islamic Republic of
Iran is killing Americans in
terrorist attacks and other actions
and the United States is not taking
action? And what is a carrier strike
group commander with a wide
array of strike assets at his
disposal decides to create and
incident that has Iran’s
fingerprints all over it and uses
this as an excuse to extract his
own vengeance on Iran? Can he
be stopped?
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: The Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel
Fanning the Flame: From a Spark to a Fire
• Is your idea different?
• No? Now what?
• Every idea has been done before
• “It’s been done before” is the first hurdle
• Check out the Internet Movie Database for log lines
• Try Kipling
“Deconstructing” a Movie Log Line
The subject of the sentence will describe (1) an
imperfect but passionate and active protagonist. The
verb will depict (2) the battle. And the direct object will
describe (3) an insurmountable antagonist who tries to
stop the protagonist from reaching (4) a physical goal
on account of (5) the stakes, if the goal is not reached.
“Deconstructing” Your Idea:
Putting It On Trial for It’s Life
• Is there a plot?
• Are there a protagonist and an antagonist?
• Is the verb in your idea an active one?
• Is there an inherent conflict that needs to be solved?
I keep six honest serving-men
(They taught me all I knew);
Their names are What and Why and When
And How and Where and Who.
Rudyard Kipling
The Elephant’s Child
Fanning the Flame: From a Spark to a Fire
• Since every idea has been done before, now what?
• Your idea turns into a story as you fan the flame
• Fan the flame with Kipling’s help:
– What? Plot
– Who? Characters
– Why? What’s at stake
– Where and When? Setting
– How? Beginning, Middle, and End
• Your idea won’t change
• You are going to do it differently
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: The Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel
Focusing Your Idea: Divergent to Convergent
• Spend a lot of time on divergent thinking
• Save plenty of time for convergent thinking
Dean Koontz
On Generating New Story Ideas
• Read!
• Write!
• Tickle the imagination and generate story ideas by
playing around with exotic titles
• Type out a bunch of narrative hooks and find one
that is intriguing
• Prime the idea pump by building up a couple of
characters in enormous detail
• Whatever you write, you must begin your novel by
plunging the hero or heroine into terrible trouble
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: The Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel
Is It Just a Story –
Or Something More?
• The king died and then the queen died.
– A story
• The king died and then the queen died of grief.
– A plot
• The queen died, and no one knew why, until it was
discovered that it was through grief at the death of
the king.
– A mystery
Is It Just a Story – Or Something More?
• What are you selling?
• The “Intent”
– The “why” behind the “what”
– What do you want the reader to feel?
– Is there a beginning, middle and end?
– The payoff to the reader is the resolution
• The “Shiver”
– What excites you about your idea?
– What will excite those you tell it to?
– Is there emotion and passion?
– Can your reader relate to your plot and your characters?
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: The Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel
Turing the Fire Into a Narrative
• Before you start slamming together sentences:
– Treatment
– Narrative Outline
• An enormous amount of work – why do it:
– You have to convince yourself it’s a book
– You may have to convince others
– A surefire way to avoid writer’s block
– You’re not chained to it – things happen
Let’s Deconstruct
a Novel Treatment
• Cover
• Organization
• Organizing Impulse and High Concept
• The “Old” OpCenter Dies
• The “New” OpCenter is Born
• New Character Details
– Preamble
– Those who spend a great deal of time
physically at OpCenter
– Those who deal with crises overseas
in each scenario
– Those who deal with crises
domestically in each scenario
• OpCenter Plot and Scenario Plan
– Preamble
– Short Plot Synopsis
• For us, this was 17,000+ words
Let’s Deconstruct
a Narrative Outline
• Cover
• Front matter
• Chapter summaries
– Separate sections
– One or two paragraphs per
section
• Epilogue
• For us, this was 19,000+
words
Finding the Heart of Your Story:
Your Original Idea
• Your Original Idea: Spark That Starts the Process
• Fanning the Flame: From a Spark to a Fire
• Focusing Your Idea: Divergent to Convergent
• Is It Just a Story – Or Something More?
• Turing the Fire Into a Narrative
• Taming the Beast and Writing Your Novel: Join Us
Monday night, November 9, at 6:15PM PST
Slides and Resources Posted:
http://www.georgegaldorisi.com/
Email Address
george@georgegaldorisi.com
Questions?
48

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Finding the Heart of Your Story

  • 1. Finding the Heart of Your Story: Your Original Idea Annual DAISP/BCX™ Creative Writers Conference November 7, 2020 George Galdorisi
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  • 4. Finding the Heart of Your Story: Your Original Idea This session will help attendees explore the most basic – yet most important – element of the writing craft, the original idea that is the essence of your story. We will first examine how generating this original idea works for both fiction and non- fiction. We will deep-dive into where original ideas come from and then progress to how to shape that kernel of an idea into novel, narrative non-fiction, or even a screenplay. Attendees will be provided with online access to all workshop material.
  • 5. 5 Distribution Statement A: Approved for public release; distribution is unlimited.
  • 6. A Few Preliminaries…. • Three promises: – This will be a focused session geared to ensuring success – We’ll learn something…and we’ll have fun – You’ll have access to these slides…take notes…or not…. • Three assumptions: – You all are interested in nurturing your story idea – You would like to turn your idea into a novel or…. – You didn’t wake up last Tuesday morning with this notion • And a word about Power Point….
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  • 8. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: The Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel
  • 9. Did You Bring Your Homework?
  • 10. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel
  • 11. Your Original Idea: The Spark That Starts the Process • The coolest thing about writing! • Only you are the steward of your original idea • Can you state your idea in one sentence? • Ideas can be absolutely anything • Outward vs. inward focus • A few examples
  • 12. Only You Are the Steward of Your Original Idea • It is your idea and your idea alone • You have to nurture it, don’t share it yet • It is the foundation of your book • Above all else, it is the spark of inspiration for you • Don’t do too much, let it germinate • Come up with another idea, is the first still the best?
  • 13. Can You State Your Idea In One Sentence? • If you can’t do this, start over and find a new one • This one sentence ignites your creative focus • It is often the core of the pitch to sell your book • Remembering just one sentence keeps you focused
  • 14. My fabulous story idea…. …in just one sentence?
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  • 16. Ideas Can Be Absolutely Anything • A high concept • A theme • A plot • A character • A “what if” • A setting or scene
  • 17. Outward vs. Inward Focus • A situation idea is outward focused • Your situation idea focuses on a plot and a problem • A character idea is inward focused • Your character idea focuses on character and intent • The key to success is to have your book do both
  • 18. Ideas Can Be A High Concept • In a post-apocalyptic world, what if the top .1% is delineated by length of life rather than wealth? • Burners
  • 19. Ideas Can Be A Theme • What is more important? Honor or loyalty? • Duty, Honor, Country
  • 20. Ideas Can Be A Plot • On the same day, six different years, the Time Patrol must keep the shadow from changing our timeline. • Time Patrol
  • 21. Ideas Can Be A Character • A housewife and female assassin must uncover the truth of the men in their lives in order to uncover their destiny. • Bodyguard of Lies
  • 22. Ideas Can Be A What If • What if people going into the Witness Protection Program really disappear? • Cut Out
  • 23. Ideas Can Be A Setting or Scene • An international treaty bans weapons in Antarctica: What if the U.S. put nuclear weapons there and lost track of them? • Eternity Base
  • 24. Let’s look at four more examples
  • 25. New York Times, Publisher’s Weekly & USA Today Best- Seller! What if a prince in a Middle Eastern country wanted to get the United States to attack another country so his country could later win a fight with that country?
  • 26. New York Times, Publisher’s Weekly & USA Today Best- Seller! How does the commanding officer of a U.S. Navy ship keep the North Koreans from capturing her crew after they run aground on a small island after losing a gun battle with North Korean ships?
  • 27. First book of the Rick Holden Thriller Series - from Braveship Books What if the most senior officers in the United States military are so dissatisfied with the President that they concoct a scheme to have the President direct a major military operation, and then have that operation fail in order to drive the President out of office?
  • 28. Second book of the Rick Holden Thriller Series - from Braveship Books What if the Islamic Republic of Iran is killing Americans in terrorist attacks and other actions and the United States is not taking action? And what is a carrier strike group commander with a wide array of strike assets at his disposal decides to create and incident that has Iran’s fingerprints all over it and uses this as an excuse to extract his own vengeance on Iran? Can he be stopped?
  • 29. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: The Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel
  • 30. Fanning the Flame: From a Spark to a Fire • Is your idea different? • No? Now what? • Every idea has been done before • “It’s been done before” is the first hurdle • Check out the Internet Movie Database for log lines • Try Kipling
  • 31. “Deconstructing” a Movie Log Line The subject of the sentence will describe (1) an imperfect but passionate and active protagonist. The verb will depict (2) the battle. And the direct object will describe (3) an insurmountable antagonist who tries to stop the protagonist from reaching (4) a physical goal on account of (5) the stakes, if the goal is not reached.
  • 32. “Deconstructing” Your Idea: Putting It On Trial for It’s Life • Is there a plot? • Are there a protagonist and an antagonist? • Is the verb in your idea an active one? • Is there an inherent conflict that needs to be solved?
  • 33. I keep six honest serving-men (They taught me all I knew); Their names are What and Why and When And How and Where and Who. Rudyard Kipling The Elephant’s Child
  • 34. Fanning the Flame: From a Spark to a Fire • Since every idea has been done before, now what? • Your idea turns into a story as you fan the flame • Fan the flame with Kipling’s help: – What? Plot – Who? Characters – Why? What’s at stake – Where and When? Setting – How? Beginning, Middle, and End • Your idea won’t change • You are going to do it differently
  • 35. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: The Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel
  • 36. Focusing Your Idea: Divergent to Convergent • Spend a lot of time on divergent thinking • Save plenty of time for convergent thinking
  • 37. Dean Koontz On Generating New Story Ideas • Read! • Write! • Tickle the imagination and generate story ideas by playing around with exotic titles • Type out a bunch of narrative hooks and find one that is intriguing • Prime the idea pump by building up a couple of characters in enormous detail • Whatever you write, you must begin your novel by plunging the hero or heroine into terrible trouble
  • 38. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: The Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel
  • 39. Is It Just a Story – Or Something More? • The king died and then the queen died. – A story • The king died and then the queen died of grief. – A plot • The queen died, and no one knew why, until it was discovered that it was through grief at the death of the king. – A mystery
  • 40. Is It Just a Story – Or Something More? • What are you selling? • The “Intent” – The “why” behind the “what” – What do you want the reader to feel? – Is there a beginning, middle and end? – The payoff to the reader is the resolution • The “Shiver” – What excites you about your idea? – What will excite those you tell it to? – Is there emotion and passion? – Can your reader relate to your plot and your characters?
  • 41. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: The Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel
  • 42. Turing the Fire Into a Narrative • Before you start slamming together sentences: – Treatment – Narrative Outline • An enormous amount of work – why do it: – You have to convince yourself it’s a book – You may have to convince others – A surefire way to avoid writer’s block – You’re not chained to it – things happen
  • 43. Let’s Deconstruct a Novel Treatment • Cover • Organization • Organizing Impulse and High Concept • The “Old” OpCenter Dies • The “New” OpCenter is Born • New Character Details – Preamble – Those who spend a great deal of time physically at OpCenter – Those who deal with crises overseas in each scenario – Those who deal with crises domestically in each scenario • OpCenter Plot and Scenario Plan – Preamble – Short Plot Synopsis • For us, this was 17,000+ words
  • 44. Let’s Deconstruct a Narrative Outline • Cover • Front matter • Chapter summaries – Separate sections – One or two paragraphs per section • Epilogue • For us, this was 19,000+ words
  • 45. Finding the Heart of Your Story: Your Original Idea • Your Original Idea: Spark That Starts the Process • Fanning the Flame: From a Spark to a Fire • Focusing Your Idea: Divergent to Convergent • Is It Just a Story – Or Something More? • Turing the Fire Into a Narrative • Taming the Beast and Writing Your Novel: Join Us Monday night, November 9, at 6:15PM PST
  • 46. Slides and Resources Posted: http://www.georgegaldorisi.com/ Email Address george@georgegaldorisi.com
  • 47.

Editor's Notes

  1. https://www.amazon.com/Schylling-Silly-Circus-Jack-Box/dp/B000O3MAMO/ref=sr_1_2_sspa?crid=17I285NPY7XRP&keywords=toys+jack+in+the+box&qid=1568310563&s=gateway&sprefix=toys+jack+in%2Caps%2C233&sr=8-2-spons&psc=1&spLa=ZW5jcnlwdGVkUXVhbGlmaWVyPUFJVTkySzdWTlcxNzgmZW5jcnlwdGVkSWQ9QTA0MDMwOTkzTTZRSE00NE5WUEhTJmVuY3J5cHRlZEFkSWQ9QTA5MDAxMTgxUTUzMUkxRlFONFAmd2lkZ2V0TmFtZT1zcF9hdGYmYWN0aW9uPWNsaWNrUmVkaXJlY3QmZG9Ob3RMb2dDbGljaz10cnVl
  2. https://www.amazon.com/Start-Why-Leaders-Inspire-Everyone/dp/B074VF6ZLM/ref=sr_1_1?crid=1KLOLH7P1X03E&keywords=simon+sinek&qid=1568302155&s=books&sprefix=simon+sinek%2Caps%2C201&sr=1-1
  3. SHOW five novels I’ve done…
  4. Take five minutes….
  5. SHOW five novels I’ve done…
  6. Take five minutes….
  7. https://www.amazon.com/burners-1-Bob-Mayer/dp/1621252566/ref=sr_1_1?crid=10JK36GHQBCQE&keywords=bob+mayer+burners&qid=1572197199&s=books&sprefix=bob+mayer+burner%2Cstripbooks%2C216&sr=1-1
  8. https://www.amazon.com/Honor-Country-Novel-Point-Civil/dp/1935712365/ref=sr_1_4?keywords=Duty%2C+Honor%2C+Country&qid=1572197238&s=books&sr=1-4
  9. https://www.amazon.com/Time-Patrol-Area-51-Nightstalkers-ebook/dp/B00NAJZD4Q/ref=sr_1_2?keywords=Time+Patrol&qid=1572197282&s=books&sr=1-2
  10. https://www.amazon.com/Bodyguard-Lies-Cellar-Book-1-ebook/dp/B003AYEP4A/ref=sr_1_4?keywords=Bodyguard+of+Lies&qid=1572197316&s=books&sr=1-4
  11. https://www.amazon.com/Cut-Out-Dave-Riley-Novel/dp/B008MN1VYQ/ref=sr_1_1?keywords=Cut+Out+bob+mayer&qid=1572197383&s=books&sr=1-1
  12. https://www.amazon.com/Eternity-Base/dp/B008XET1Q4/ref=sr_1_1?keywords=Eternity+Base+bob+mayer&qid=1572197420&s=audible&sr=1-1
  13. “What if” – plot focused The Mouse That Roared was made into a 1959 film starring Peter Sellers The best laid plans of mice and men ... A cold war satire emphasising the new emerged American Superpower's use of foreign aid to buy friends and keep then away from the USSR's influence. Peter Sellers, as the scheming Prime Minister of Grand Fenwick, plots with Peter Sellers, as the scheming Grand Duchess, to declare war on the USA, lose and get that foreign aid. Unfortunately, they forget to tell Peter Sellers, as Tully Bascombe, commander of their mediaeval army. This honourable man does his best for his country and through a series of unbelievable circumstances (well, this is a comedy) to win. Now, who has to give aid to whom?
  14. “What if” – character driven Inspiration USS Pueblo (AGER-2) is a Banner-class environmental research ship, attached to Navy intelligence as a spy ship, which was attacked and captured by North Korean forces on 23 January 1968, in what is known today as the "Pueblo incident" or alternatively, as the "Pueblo crisis".
  15. SHOW five novels I’ve done…
  16. Originally, log lines were long thin ropes on a spool with knots tied in them that mariners unreeled behind their ships to measure their speed – in KNOTS. They counted how many evenly spaced knots passed through their hand as the sand in the hour-glass drained from the top to the bottom. The marina’s log line was a necessity in helping them navigate their journey and not get lost. It told them how far they had gone in a certain direction and when to turn the boat to find their destination. [The other advantage of the marina’s log line was that if the boat got lost, the sailors simply had to follow the log line back to port. As time went on, and captains become more adventurous sailing to distant lands, the log lines got pretty big. But, after a few ships sank from the enormous weight of the reels, ships never got lost again. Why? They learned their lesson and never ventured far from port.] Now, if that last part in brackets sounds like a joke, it wasn’t intended as such for the writers reading this. It’s the lie that tells the truth -- about the importance of log lines. Log lines help us navigate our writing. They also help to steer funding and attachments to our projects. And they direct audiences to theaters. Log lines are a necessary tool that keeps us focused in writing our story, and helps convince “names” to spend their time and money to get our story made and distributed. A good log line tells us how far we need to go before we arrive at a turning point in the plot. And, if we get lost, a good log line will lead us back to the beginning where we can start again.
  17. SHOW five novels I’ve done…
  18. SHOW five novels I’ve done…
  19. SHOW five novels I’ve done…
  20. SHOW five novels I’ve done…
  21. What you’ll find on the website: - These power point slides - Treatment and Narrative Outlines - Access to other resources on website like Writing Techniques