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Finals ThesisMATTGAVINO
- 3. INVESTIGATING THE EXISTENCE OF METAMODERNISM IN LOCAL ARCHITECTURE
- 5. Arnfinn Bo-Rygg is a professor on aesthetics in Oslo University and wrote an essay What Modern Was: Art, Progress, and the Avant –Garde as well as others that were included in the book Tracing Modernity: Manifestations of the Modern in Architecture and the City
- 6. Modernism: - Notion of the new, the future - Start of history (a distinction between the old and new) - Separation from the old classical trends
- 7. Charles Jencks designs landscapes and sculpture and writes on cosmogenic art. He is known for his books questioning Modern architecture and defining its successors – Late, New and Postmodern architecture, and is the co-founder of Maggie Cancer Caring Centers. - www. Charlesjencks.com
- 8. In Aesthetics In Philosophy In Worldview Simple Harmonies Monism Mechanical Formal Flatness Materialism Heirarchical Abstract/Ahistorical Utopian Accidental Universe Reductivist Existentialist/Alienated Innocent/ Straightforward
- 9. Postmodernism - Age of lost innocence - Idea of Plenty - Progress is irrelevant - History is complex
- 10. Postmodernism - Pluralism - World culture
- 11. In Aesthetics In Philosophy In Worldview Disharmonious harmony Pluralism Ecological Content-driven Semiotic view Heterarchical Time-binding Heterotopian Anthropic principle Holistic Embedded Lost innocence/ ironic
- 12. ARCHITECTURAL MODERNISM AND POSTMODERNISM IN THE PHILIPPINES?
- 13. PH MODERNISM
- 15. OLD GSIS BUILDING, MANILA (1952)
- 17. UP INTERNATIONAL CENTER CHURCH OF THE HOLY SACRIFICE
- 18. CULTURAL CENTER OF THE PHILIPPINES MAIN THEATER (1969)
- 19. PH POSTMODERNISM
- 20. NATIONAL ARTS CENTER (1976)
- 21. BAGUIO CONVENTION CENTER (1978)
- 23. PHILIPPINE POSTMODERNISM - Pesimissm towards Modernism - Return to contextuality as opposed to the impersonality of Modern architecture - The idea of the end of history as proven by the fact that architects are taking references from the past means that everything that can be thought of has already done, therefore there can never be new developments and original works. - Evokes a sense of nationalism - Recognition of plurality and individuality instead of the monotony of Modernism
- 25. Jim Jarmusch is an American independent film director, screen writer, actor, producer, and composer; and has been a major proponent of independent cinema since the 1980’s
- 26. “Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination.” - Jim Jarmusch
- 27. Judith Torres is currently the editor-in- chief of BluPrint and Condo Living magazines by Mega Publishing Group
- 28. “I’ve heard Jarmusch’s assertion echoed by some designers, particularly when talking about the state of architecture and furniture design here in the Philippines, and lamenting the Filipino’s penchant – and talent – of copycatting” - Judith Torres (Optimistic DNA, Editor’s Note – BluPrint Volume 4 2013)
- 29. The idea of plenty gone wild
- 31. Architectural aesthetics dictated by giant corporations and commodities
- 34. Production of poor copies of “modernism” (A pseudo-modern phenomenon)
- 35. “Gusto ko yung parang zen na minimalist”
- 37. LATE PHILIPPINE POSTMODERNISM - Idea of plenty went wild - Architecture is dictated by corporation and commodities - Aping of western architecture - Production of poor copies of “modernism” (A pseudo-modern phenomenon) - End of history MEDIOCRITY PASTICHE STAGNANCY
- 38. Problem Identification: Due to the effects of the Postmodern cultural trend, the architecture of the Philippines has stopped its growth and development, as it has failed to give any deepening understanding of architectural aesthetics, but rather, a much more chaotic architectural landscape for the country.
- 41. “In the evolution of any discipline, it may be useful to see the development of institutions or other trends that support it.” -Michael D. Kanidah on Contemporary History (http://www.history.ac.uk/makinghistory/resources/articles/contemporary_history.html)
- 42. Thesis Statement: The contemporary society can no longer be defined by Postmodernism, due to the fact that it is no longer the dominant ideology, therefore there must be a new set of architectural aesthetic sensibilities that will reflect this new structure of feeling of the contemporary generation. This new ideology is called Metamodernism
- 43. Timotheus Vermeulen is a teaching fellow in Cultural Studies and Theory at the Radboud University Nijmegen, the Netherlands. He is also currently in the process of completing his AHRC-funded PhD in Film and Television at the University of Reading, UK. He has published on inter- and transmediality, spatiality, contemporary aesthetics, cinema and television, and the work of Jacques Rancie`re. – Notes on Metamodernism Robin van den Akker is a Doctoral candidate in the Department of Philosophy at the Erasmus University Rotterdam, the Netherlands, and a researcher at TNO Information and Communication Technologies. He is writing a dissertation on the remediation of urban space by mobile media practices. He has published on everyday life and urban space, digital culture and contemporary design, and the work of Henri Lefebvre. – Notes on Metamodernism
- 44. Timotheus and Robin are also currently working on an international research project documenting trends and tendencies in current affairs and contemporary aesthetics that can no longer be explained in terms of the postmodern but should be conceived of as metamodern. As part of this project they also co-edit a blog called ‘‘Notes on metamodernism’’ (http://mtmdrn.blogs pot.com).
- 45. “The word ‘metaxy’ is a Greek preposition, meaning ‘between’.” - James M. Rhodes (http://www.lsu.edu/artsci/groups/voegelin/society/2003%20Papers/Rhodes.shtml)
- 46. “The word ‘metaxy’ is a Greek preposition, meaning ‘between’.” - James M. Rhodes (http://www.lsu.edu/artsci/groups/voegelin/society/2003%20Papers/Rhodes.shtml)
- 47. Meta – More than, beyond - Merriam Webster Dictionary
- 50. “An incredible irony of this book is that the post-modernism it describes was started in the early 1970’s, […] and it comes to an end after his (Minorou Yamasaki) twin towers were blown up by terrorists.” - Charles Jencks (2011), The Post-Modern Reader. p. 175, The Language of Post- Modern Architecture and the Complexity Paradigm. John Wiley & Sons Ltd, West Sussex, United Kingdom.
- 55. METAMODERN STRUCTURE OF FEELING - GENERATIONAL ATTEMPT AT RECONSTRUCTION - RETURN OF SOCIAL & POLITICAL ENGAGEMENT - RISE OF A NEW SINCERITY/SERIOUSNESS - IDEA OF CRAFTSMANSHIP - IDEA OF EFFECT AND CARING TIMOTHEUS VERMEULEN & ROBIN VAN DEN AKKER A NEW DAWN
- 57. “By way of analogy, the theistically oriented or performatist architect "plays God" by creates a frame (a building) in which he or she then radically intervenes..” - Raoul Eshelman (http://www.artmargins.com/index.php/archive/322-performatism-or-whatcomes-after- postmodernism-new-architecture-inberlin)
- 58. PERFORMATISM
- 59. PERFORMATISM
- 60. Romanticize – To think about or describe something as being better or more attractive or interesting than it really is - Merriam-Webster Dictionary
- 61. NEOROMANTICISM = To create something new by making one better
- 62. NEOROMANTICISM
- 63. NEOROMANTICISM
- 64. NEOROMANTICISM
- 65. METARATIONALISM - Going beyond the perceived “rational” - No meaningful distinction between luxury and necessity TRAITS - Starts off with a rational/familiar form - Investigating patterns, perforations, and pixelations - Fractal, folding, warping - Overlays, cuts, voids, and subtractions to be able to break up the rationality of the original form.
- 66. ANCIENT AND PRE-RENAISSANCE RENAISSANCE EARLY MODERN MODERNISM POSTMODERNISM Based on the book: “Isms, Understanding Architectectural Styles”
- 67. ANCIENT AND PRE-RENAISSANCE RENAISSANCE EARLY MODERN MODERNISM POSTMODERNISM METAMODERNISM 3000 BC 0 500AD 600 700 800 900 1000 1100 1200 1300 1400 1500 1600 1700 1800 1900 2000 Pre-classicism Indism Proto-classicism Hellenic classicism Confucianism Roman classicism Pre-columbianism Shintoism Christian Classicism Islamisicm Indo-khmerism Gothic Scholasticism Gothic Commercialism Inventionism Humanism Idealsim Mannerism Pietism Regional Classicism Baroque Absolutism Angelican Empiricism Rococo Palladism Georgian Urbanism Neoclassicism Exoticism Sublimism Structural Rationalism Materialism Midievalism Victorianism Monumental Urbanism Anti-urbanism Decorative Urbanism Imperialism Expressionism Usonianism Constructivism Purism Rationalism Functionalism Skyscrapersim Corporatism Brutalism Structuralism Structuralism Metabolism Technoism Neo-Rationalism Deconstructivism Ecoism Based on the book: “Isms, Understanding Architectectural Styles”
- 68. METAMODERNISM ANCIENT AND PRE-RENAISSANCE RENAISSANCE EARLY MODERN MODERNISM POSTMODERNISM Metarationalism 3000 BC 0 500AD 600 700 800 900 1000 1100 1200 1300 1400 1500 1600 1700 1800 1900 2000 Pre-classicism Indism Proto-classicism Hellenic classicism Confucianism Roman classicism Pre-columbianism Shintoism Christian Classicism Islamisicm Indo-khmerism Gothic Scholasticism Gothic Commercialism Inventionism Humanism Idealsim Mannerism Pietism Regional Classicism Baroque Absolutism Angelican Empiricism Rococo Palladism Georgian Urbanism Neoclassicism Exoticism Sublimism Structural Rationalism Materialism Midievalism Victorianism Monumental Urbanism Anti-urbanism Decorative Urbanism Imperialism Expressionism Usonianism Constructivism Purism Rationalism Functionalism Skyscrapersim Corporatism Brutalism Structuralism Structuralism Metabolism Technoism Neo-Rationalism Deconstructivism Ecoism Based on the book: “Isms, Understanding Architectectural Styles”
- 69. ANCIENT AND PRE-RENAISSANCE RENAISSANCE EARLY MODERN MODERNISM POSTMODERNISM METAMODERNISM 3000 BC 0 500AD 600 700 800 900 1000 1100 1200 1300 1400 1500 1600 1700 1800 1900 2000
- 71. so WHAT’S NEXT?
- 72. “Change is the law of life. And those who look only to the past or the present are certain to miss the future.” - John F. Kennedy (Address in the Assembly Hall at the Paulskirche in Frankfurt. June 25, 1963)
- 73. “It is not the strongest or the most intelligent who will survive but those who can best manage change.” - Charles Darwin (1809)
- 75. less is MORE
- 76. lessisaBORE
- 77. so WHAT’S NEXT?
- 79. the NEXT MOVE the METAMODERN MOVEMENT IN ARCHITECTURE
- 80. SIMPLEXITY
- 81. THE MIDPOINT BETWEEN SIMPLICITY AND COMPLEXITY SIMPLEXITY
- 82. SIMPLEXITY CLARITY AND RICHNESS ABSTRACT BUT CONCRETE INSIDE AND OUTSIDE, REUNITED
- 84. POSTMODERN COMPLEXITY IN ARCHITECTURE = COMPLEX COMBINATION OF DIFFERENT ELEMENTS CLARITY AND RICHNESS SIMPLEXITY
- 103. ABSTRACT BUT CONCRETE SIMPLEXITY POSTMODERN ARCHITECTURE = CONCRETE AND LITERAL INTERPRETATIONS
- 125. OVER – SIMPLICITY OPPOSES OF LATE POSTMODERN PHILIPPINE ARCHITECTURE S I M P L E X I T YSIMPLE ARCHITECTURE DELIVERING COMPLEX MEANINGS. CLARITY AND RICHNESS ABSTRACTED FORMS THAT ARE STILL FAMILIAR, YET IT ISN’T. RECONSTRUCTION REUNIFICATION OF THE INSIDE AND OUTSIDE METAMODERNISM RESULTING TO BLANDNESS OVER – COMPLEXITY RESULTING TO LITERALISM AND AMBIGUITY MEDIOCRITY PASTICHE STAGNANCY
Editor's Notes
- fantasyz
- fantasyz