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TECHNOLOGICAL INSTITUTE OF THE
PHILIPPINES
POST-WAR PERIOD
REPORTED BY:
BERDON, JANNE LOUISE T.
SERRA, LAURENT
LAGUNA, ROSELYN
QUINIONES KENNETH
HISTORY OF ARCHITECTURE 4
The devastation brought by the last world war II,
coupled by economic exigencies gave away to the
extention of slowly emerging architectural concept
to detach from the bondage of traditional forms.
POST WAR PERIOD
• ¨ In 1946, the independent
Philippines expressed its
identity by implementing
Modernism through the
utilization of reinforced concrete,
steel and glass, the
predominance of cubic forms,
geometric shapes and Cartesian
grids, and the absense of
applied decoration.
• ¨ In 1947 a corps of architects
and engineers were tasked to
study the modern US and Latin
American capitals and formulate
a master plan for Manila.
POST WAR PERIOD
Federico Ilustre, consulting
architect from the 1950’s to
1970’s, worked on the building
at the Elliptical Road in Q.C.
• He started his career as a
draftsman for Juan Nakpil.
• He graduated from Mapua
Institute of Technology.
• He passed his licensure
examinations in 1937
Federico Ilustre
Quezon Memorial
Monument
The centerpiece is the 65-
meter high Art Deco
Quezon Memorial
Monument, composed of 3
pylons topped by winged
figures representing the 3
island groups.
POST WAR PERIOD
• ¨ The 1950’s and
60’s staple
architectural
element were the
brise-soleil, glass
walls, pierced
screens, and thin
concrete shells.
POST WAR PERIOD
• The post-war doctrine was “form follows function”
professed by the “3rd generation” architects, namely,
Cesar Concio, Angel Nakpil, Alfredo Luz, Otillo
Arellano,Felipe Mendoza, Gabriel Formoso and
Carlos Arguelles.
• "Form follows function" is a principle associated with
modernist architecture and industrial design in the
20th century. The principle is that the shape of a
building or object should be primarily based upon its
intended function or purpose.
POST WAR PERIOD
• Cesar Homero Concio, Sr.
November 30, 1907- April 27, 2003
• First University Architect of the
University of the Philippines. When
the University transferred to
Diliman from Padre Faura in the
late 1940’s, Cesar Concio was
tasked to continue what Louis Croft
has started.
• He is also one of the architects
selected by President Roxas in
1947 to study the trends in
Architecture and Engineering to
design the buildings of the Capital
City, especially in his position as
the chief architect of the UP
Diliman Campus.
Cesar Concio
POST WAR PERIOD
Melchor Hall, University
of the Philippines,
Diliman
The Church of the Risen Lord
located at the University of the
Philippines, Diliman, Quezon
City
POST WAR PERIOD
• Angel E. Nakpil
• ( February 20 1914 - November 2
1980 ) was a leading Filipino
architect.
• Nephew of architect and national
artist of the Philippines Juan Nakpil.
• He graduated from the UST in 1931.
• Harvard-trained architect.
• He served as the City Planning
Commissioner of Manila during the
post-war reconstruction years, from
1947 - 1949.
• He was a charter member of the
United Architects of the Philippines,
which was founded in 1975.
Angel E. Nakpil
POST WAR PERIOD
•
The Nationa Press Club building
was inaugurated on December 30,
1955 with President Magsaysay as
sponsor, along with several cabinet
members and other government
officials and other donors.
The NPC building became a historic
monument to the ideals of press
freedom and unity among
colleagues in the country's
newspaper industry
It was designed by Architect Angel
E. Nakpil and was constructed by
Alberto T. Abaya.
National Press Club
POST WAR PERIOD
• Alfredo J. Luz
• brother of National Artist for
Sculpture Arturo J. Luz.
• AJ Luz was at the cutting edge
of Philippine modernism in the
late ’50s and early ’60s.
• His body of work includes the
Menzi Building on Ayala
Avenue, the Amon Trading
building on Buendia, the L & S
Building on Roxas Blvd., Dewey
Blvd., Manila, and the Fil-Oil
Refinery Service Building in
Limay, Bataan.
Alfredo J. Luz
POST WAR PERIOD
Quisumbing Building
World Health Organization
located at U.N ave. Manila
POST WAR PERIOD
• Otillo Arellano
• Born in Manila on 1916
• He is the son of Arcadio Arellano and the nephew
of Juan Arellano.
• He rose into the Architectural Profession during the
50s to 60s, becoming the one of the architects
representing the Philippines in some International
Expositions.
• He was also chosen by Imelda Marcos to restore
the Metropolitan Theater.
• Awards
Patnubay ng Sining at Kalinangan, 1970
PRC Outstanding Architect of the Year, 1977
Buildings
National Bureau of Investigations
Philippine Pavilion 1964, New York
Otillo Arellano
POST WAR PERIOD
National Bureau of Investigation
(Philippines)
Formed November 13, 1936
Headquarters Taft Avenue, Ermita,
Manila, Philippines
POST WAR PERIOD
• Felipe Mendoza
• also an Physical Planner
• He formed a partnership with Gabino de
Leon and Homero Ingles but formed his
own architectural firm in 1951.
• AWARDS
Patnubay ng Sining at Kalinangan, 1976
UAP Likha Award, 1982
PRC Outstanding Architect of the Year,
1982
Buildings
Batasang Pambansa
The Church of Jesus Christ of Latter Day
Saints
Development Academy of the Philippines
Philippine Veterans Bank.
Felipe M. Mendoza
POST WAR PERIOD
Philippine Veterans Bank in Manila
The concept of a bank for veterans of World
War II was conceived in 1956, when a war
reparations agreement was signed between
Japan and the Philippines.
the Philippine Veterans Bank was born on
June 18, 1963 through Republic Act No. 3518.
POST WAR PERIOD
• Gabriel Formoso
• started his career in the 1950’s and by
the 1960’s, he was already successful
and became the most popular architect of
the residences of the posh Makati
villages.
• he was also one of the people selected in
1963 to the planning and working
committee for the future Pamantasan ng
Lungsod ng Maynila.
• AWARDS
PRC Outstanding Architect of the Year,
1979
Patnubay ng Sining at Kalinangan, 1977
Republic Cultural Heritage Awards, 1973
United Architects of the Philippines Likha
Award, 1990.
Gabriel Formoso
POST WAR PERIOD
Bangko Sentral ng Pilipinas
La Tondena Building
POST WAR PERIOD
• Carlos Arguelles
• He studied abroad,
• He served as a professor in
Design at the UST College of
Architecture and Fine Arts.
• Appointment as Dean of the
UST College of Architecture
and Fine Arts from 1954 to
1959.
• American Institute of
Architects(AIA) and the
Philippine Institute of
Architects(PIA).Carlos Arguelles
POST WAR PERIOD
Philam Life Building
U.N Ave. St. Ermita
Manila
International Rice
Research Institute (IRRI)
IN Los banos
POST WAR PERIOD
• The 1950’s also witnessed Space
Age aesthetics and Soft
modernism, which experimented
with the sculptural plasticity of
poured concrete to come up with
soft and sinuous organic forms
with the use of thin shell
technology. Examples are:
• Space Age- Victor Tiotuycos’s UP
International Center and Jose
Zaragoza’s Union Church
• Soft Modernism: Church of the Holy
Sacrifice, and Phil Atomic Research
Center
Church o f Holy sacrifice
Jose maria Zaragosa union
church
POST WAR PERIOD
• In the 1950’s the height of
buildings was limited to 30 meters
by law. With the amendment of
Manila ordinance No. 4131, a high-
rise fever redefined Manila’s
skyline:
• Angel Nakpil’s 12-storey Picache
Building, considered as the 1st
skyscraper in the Phils.
• Cesar Concio’s Insular Life Building,
the 1st office building to surpass the
old 30-meter height restriction

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Philippine architecture ( post war period )

  • 1. TECHNOLOGICAL INSTITUTE OF THE PHILIPPINES POST-WAR PERIOD REPORTED BY: BERDON, JANNE LOUISE T. SERRA, LAURENT LAGUNA, ROSELYN QUINIONES KENNETH HISTORY OF ARCHITECTURE 4
  • 2. The devastation brought by the last world war II, coupled by economic exigencies gave away to the extention of slowly emerging architectural concept to detach from the bondage of traditional forms.
  • 3. POST WAR PERIOD • ¨ In 1946, the independent Philippines expressed its identity by implementing Modernism through the utilization of reinforced concrete, steel and glass, the predominance of cubic forms, geometric shapes and Cartesian grids, and the absense of applied decoration. • ¨ In 1947 a corps of architects and engineers were tasked to study the modern US and Latin American capitals and formulate a master plan for Manila.
  • 4. POST WAR PERIOD Federico Ilustre, consulting architect from the 1950’s to 1970’s, worked on the building at the Elliptical Road in Q.C. • He started his career as a draftsman for Juan Nakpil. • He graduated from Mapua Institute of Technology. • He passed his licensure examinations in 1937 Federico Ilustre
  • 5. Quezon Memorial Monument The centerpiece is the 65- meter high Art Deco Quezon Memorial Monument, composed of 3 pylons topped by winged figures representing the 3 island groups.
  • 6. POST WAR PERIOD • ¨ The 1950’s and 60’s staple architectural element were the brise-soleil, glass walls, pierced screens, and thin concrete shells.
  • 7. POST WAR PERIOD • The post-war doctrine was “form follows function” professed by the “3rd generation” architects, namely, Cesar Concio, Angel Nakpil, Alfredo Luz, Otillo Arellano,Felipe Mendoza, Gabriel Formoso and Carlos Arguelles. • "Form follows function" is a principle associated with modernist architecture and industrial design in the 20th century. The principle is that the shape of a building or object should be primarily based upon its intended function or purpose.
  • 8. POST WAR PERIOD • Cesar Homero Concio, Sr. November 30, 1907- April 27, 2003 • First University Architect of the University of the Philippines. When the University transferred to Diliman from Padre Faura in the late 1940’s, Cesar Concio was tasked to continue what Louis Croft has started. • He is also one of the architects selected by President Roxas in 1947 to study the trends in Architecture and Engineering to design the buildings of the Capital City, especially in his position as the chief architect of the UP Diliman Campus. Cesar Concio
  • 9. POST WAR PERIOD Melchor Hall, University of the Philippines, Diliman The Church of the Risen Lord located at the University of the Philippines, Diliman, Quezon City
  • 10. POST WAR PERIOD • Angel E. Nakpil • ( February 20 1914 - November 2 1980 ) was a leading Filipino architect. • Nephew of architect and national artist of the Philippines Juan Nakpil. • He graduated from the UST in 1931. • Harvard-trained architect. • He served as the City Planning Commissioner of Manila during the post-war reconstruction years, from 1947 - 1949. • He was a charter member of the United Architects of the Philippines, which was founded in 1975. Angel E. Nakpil
  • 11. POST WAR PERIOD • The Nationa Press Club building was inaugurated on December 30, 1955 with President Magsaysay as sponsor, along with several cabinet members and other government officials and other donors. The NPC building became a historic monument to the ideals of press freedom and unity among colleagues in the country's newspaper industry It was designed by Architect Angel E. Nakpil and was constructed by Alberto T. Abaya. National Press Club
  • 12. POST WAR PERIOD • Alfredo J. Luz • brother of National Artist for Sculpture Arturo J. Luz. • AJ Luz was at the cutting edge of Philippine modernism in the late ’50s and early ’60s. • His body of work includes the Menzi Building on Ayala Avenue, the Amon Trading building on Buendia, the L & S Building on Roxas Blvd., Dewey Blvd., Manila, and the Fil-Oil Refinery Service Building in Limay, Bataan. Alfredo J. Luz
  • 13. POST WAR PERIOD Quisumbing Building World Health Organization located at U.N ave. Manila
  • 14. POST WAR PERIOD • Otillo Arellano • Born in Manila on 1916 • He is the son of Arcadio Arellano and the nephew of Juan Arellano. • He rose into the Architectural Profession during the 50s to 60s, becoming the one of the architects representing the Philippines in some International Expositions. • He was also chosen by Imelda Marcos to restore the Metropolitan Theater. • Awards Patnubay ng Sining at Kalinangan, 1970 PRC Outstanding Architect of the Year, 1977 Buildings National Bureau of Investigations Philippine Pavilion 1964, New York Otillo Arellano
  • 15. POST WAR PERIOD National Bureau of Investigation (Philippines) Formed November 13, 1936 Headquarters Taft Avenue, Ermita, Manila, Philippines
  • 16. POST WAR PERIOD • Felipe Mendoza • also an Physical Planner • He formed a partnership with Gabino de Leon and Homero Ingles but formed his own architectural firm in 1951. • AWARDS Patnubay ng Sining at Kalinangan, 1976 UAP Likha Award, 1982 PRC Outstanding Architect of the Year, 1982 Buildings Batasang Pambansa The Church of Jesus Christ of Latter Day Saints Development Academy of the Philippines Philippine Veterans Bank. Felipe M. Mendoza
  • 17. POST WAR PERIOD Philippine Veterans Bank in Manila The concept of a bank for veterans of World War II was conceived in 1956, when a war reparations agreement was signed between Japan and the Philippines. the Philippine Veterans Bank was born on June 18, 1963 through Republic Act No. 3518.
  • 18. POST WAR PERIOD • Gabriel Formoso • started his career in the 1950’s and by the 1960’s, he was already successful and became the most popular architect of the residences of the posh Makati villages. • he was also one of the people selected in 1963 to the planning and working committee for the future Pamantasan ng Lungsod ng Maynila. • AWARDS PRC Outstanding Architect of the Year, 1979 Patnubay ng Sining at Kalinangan, 1977 Republic Cultural Heritage Awards, 1973 United Architects of the Philippines Likha Award, 1990. Gabriel Formoso
  • 19. POST WAR PERIOD Bangko Sentral ng Pilipinas La Tondena Building
  • 20. POST WAR PERIOD • Carlos Arguelles • He studied abroad, • He served as a professor in Design at the UST College of Architecture and Fine Arts. • Appointment as Dean of the UST College of Architecture and Fine Arts from 1954 to 1959. • American Institute of Architects(AIA) and the Philippine Institute of Architects(PIA).Carlos Arguelles
  • 21. POST WAR PERIOD Philam Life Building U.N Ave. St. Ermita Manila International Rice Research Institute (IRRI) IN Los banos
  • 22. POST WAR PERIOD • The 1950’s also witnessed Space Age aesthetics and Soft modernism, which experimented with the sculptural plasticity of poured concrete to come up with soft and sinuous organic forms with the use of thin shell technology. Examples are: • Space Age- Victor Tiotuycos’s UP International Center and Jose Zaragoza’s Union Church • Soft Modernism: Church of the Holy Sacrifice, and Phil Atomic Research Center Church o f Holy sacrifice Jose maria Zaragosa union church
  • 23. POST WAR PERIOD • In the 1950’s the height of buildings was limited to 30 meters by law. With the amendment of Manila ordinance No. 4131, a high- rise fever redefined Manila’s skyline: • Angel Nakpil’s 12-storey Picache Building, considered as the 1st skyscraper in the Phils. • Cesar Concio’s Insular Life Building, the 1st office building to surpass the old 30-meter height restriction