The document provides a template for planning shots, audio, camera movements, angles, and transitions for a documentary. It includes 9 scenes with descriptions of the action, location, audio sources, camera shots, camera movements, angles, and transition effects for each scene. The documentary appears to focus on a topic involving victims and includes interviews, facts and figures, and introductions and conclusions.

1. Key:
CU-CLOSE UP
ECU- EXTREME CLOSE UP
MS- MEDIUM SHOT
NS- NODDY SHOT
LS-LONG SHOT
ELS- EXTREME LONG SHOT
WS-WIDE SHOT

2. Action: Location:
1 Text- quotes from victims N/A
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

3. Action: Location:
2 TITLE OF DOCUMENTARY N/A
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

4. Action: Location:
3 TITLE OF DOCUMENTARY N/A
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

5. Action:
Location:
4 ARCHEIVE PHOTO OF ASIAN
N/A
FAMILY
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

6. Action: Location:
5 Piece to camera-introduction Church stairs
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera
Camera Shots: movement:
CU ECU MS NS LS STATIC PAN
ELS WS TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
STRAIGHT DISSOLVE
LOW EYE HIGH P-O- MOBILE ZOOM
FADE WIPE MATCH
V AERIAL Direction: SUPERIMPOSITION OTHER
N/A

7. Action: Location:
6 INTRODUCTION TO LOCATION CHURCH
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

8. Action:
Location:
7 PIECE TO CAMERA- FACTS ABOUT
FRONT OF CHURCH
THE TOPIC
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera
Camera Shots: movement:
CU ECU MS NS LS STATIC PAN
ELS WS TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
STRAIGHT DISSOLVE
LOW EYE HIGH P-O- MOBILE ZOOM
FADE WIPE MATCH
V AERIAL Direction: SUPERIMPOSITION OTHER
N/A

9. Action: Location:
8 FACTS AND FIGURES CHURCH CORRIDOR
Nearly 40% of the
cases dealt with by the Audio 1- Digetic:
FMU concerned people PRESENTER
under the age of 18. INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Women and girls were
the victims in 85% of
the total cases.
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

10. Action: Location:
9 CONCLUDING INTRODUCTION CHURCH ENTRANCE
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

11. Action: Location:
10 TEXT N/A
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

12. Action: Location:
11 VOX POPULIS’ STARBUCKS
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

13. Action: Location:
12 TEXT N/A
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

14. Action: Location:
13 VICTIMS EXPEREINCE DARK ROOM
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A

15. Action: Location:
14 COMING UP CLIP N/A
Audio 1- Digetic:
PRESENTER
INTERVIEWEES’
VICTIM
BACKGROUND NOISE
Audio 2- Non-Digetic:
VOICE OVER
MUSIC
Camera Shots: Camera
CU ECU MS NS LS movement:
ELS WS STATIC PAN
TRACK CRANE Transition effect:
Camera Angle: TILT HANDHELD
LOW EYE HIGH P-O- STRAIGHT DISSOLVE
MOBILE ZOOM
V AERIAL FADE WIPE MATCH
Direction: SUPERIMPOSITION OTHER
N/A