Final Costume Planning
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This document discusses costume planning for a music video. It proposes dressing the singer in casual, indie-style clothing to reflect the genre and focus attention on the meaningful song. For the narrative character of a depressed young girl, darker black clothing is suggested to convey isolation and suppressed emotion, along with creative hairstyles to show her deviation from social norms.
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This document discusses representations in music videos and how different groups are portrayed. It notes that representations are not reality but rather re-presentations of reality meant to convey ideas to audiences. Key representational categories discussed include gender, age, class, ethnicity, and region/place. An example is given of how women and black men are sometimes represented in rap videos in ways that objectify women or portray black men as thugs. The document concludes by outlining how the artist in an upcoming music video will be represented as youthful, carefree, and having fun in different places and situations to appeal to a similar-aged target audience.
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Florence and the machine - Cosmic Love
Florence Welch creates a music video about falling in love with someone who doesn't love her back. The video uses close-up shots of Welch to connect with viewers and depict her quirky indie style through vintage accessories and masculine outfits. Symbolism like a flashing light bulb and falling leaves represents lingering love and emotions. Editing techniques like cross-cutting and eye lines help viewers relate to Welch's passionate expression of feelings around a failed romance.
Exploring mise en scene final
This document analyzes promotional images of three dance music artists - Calvin Harris, Disclosure, and Skream - and summarizes how their appearance, poses, costumes, backgrounds, and lighting are used to convey their image and relatability to fans. For Calvin Harris, his casual clothes and hair show he is relatable while also unusual, intriguing, and willing to make his mark in dance music. Disclosure is presented as cool, trendy siblings through their casual matching outfits and poses, conveying confidence yet a "blank canvas" image as newcomers. Skream's classic casual outfit, tousled hair, and friendly facial expression and pose aim to present him as a relatable yet pivotal and serious dubstep artist.
Evaluation question 5
The radio show "Vintage Grimsby" attracts an older audience through its name, as the word "vintage" connotes older times and fashion from the 1950s-60s. The name appeals to the show's target audience of older listeners by evoking nostalgia for eras like the mid-1900s. The word "vintage" also relates to current trends that draw in listeners of different ages.
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This document analyzes visual elements in album covers featuring Drake and Usher. For Drake, it discusses his direct eye contact with the audience, his minimal clothing in a contrasting color that draws focus to him, and his pouted mouth showing a rebellious or tough look. It also notes Drake's jewelry may reference his religious beliefs or appreciation for inspiration from religious figures. For Usher, it summarizes his assertive and defensive look is meant to convey passion and seriousness for his music genre, his contrasting blue jacket makes him the focus of attention, and his stern gaze implies a serious and important message for the audience. Both artists are depicted wearing jewelry that could symbolize status, wealth, and power.
Question two
The document discusses how the representation of the artist is different between the main music video and ancillary texts. In the music video, the artist is represented as down-to-earth through everyday clothing, but in black and white ancillary images he is depicted as more mysterious with contrasting black and white. This hints at different sides to the artist's personality. Some representations, like romance, are continued between the formats by associating black and white with old movies and a handwritten font with love letters. The purpose is to show the artist has multiple facets and can be submissive in one context but dominating in another.
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Evaluation question 5
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Costumeideas 1
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Question1
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Question two
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Mashud q5
The filmmakers attracted a young audience by choosing the genre of social realism/crime, which younger people tend to understand better. They addressed this audience by using young male actors in hoodies to portray social aspects and shooting in simple urban locations that young males would relate to. The music used was also intended to appeal to what young people like listening to, while the characters represented stereotypes without overly slang-filled dialogue to attract a wider audience interested in crime.
Mashud q2
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Exploring mise en scene final
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Media evaluation question 1
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2) Key elements discussed include close-up shots of the artist's face to show emotions connecting to lyrics, mid-shots showing body language and outfits, and long shots of dance moves. Locations are used to convey the artist's personality and life.
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Poster analyse
The document analyzes posters for several artists including Maverick Sabre and Plan B. It finds that the posters generally depict the artists looking emotional and reflect the personal experiences and feelings explored in their soul/indie/rap music. Maverick Sabre's posters particularly portray a man struggling with his identity and sense of belonging as shown through his dual British-Irish passports and few possessions. The locations and designs of the posters for Plan B and The Streets similarly reflect the urban backgrounds and "dark lyrics" of their music.
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Costumeideas 1
The document discusses costume planning for a music video for the song "Hey There Delilah" by The Plain White T's. It describes styling both the male artist and female character in an "indie" and "laid back" style, with everyday clothes like boots, t-shirts, cardigans and jeans. It aims to portray the characters as friendly and easygoing, focusing on the music rather than flashy fashion.
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Our media product uses conventions of the sadcore genre through its storyline of two lovers drifting apart and flashback scenes showing them happier. It develops conventions by slowing the dance scenes to portray deep emotion and challenge conventions through its dark themes of murder and violence atypical of the genre. Mise en scene creates a gloomy, lonely mood consistent with sadcore. Intertextuality challenges typical fairy tale tropes by starting happily and ending in tragedy rather than a happy ending. The poster and digipak both use conventions of sexualizing the actors to appeal to audiences as commonly seen in real media products.
Question1
The video challenges conventions of typical hip-hop music videos in several ways:
1) It focuses solely on one artist rather than including other characters. This reflects the narrative of the song.
2) The artist is represented in an unconventional, humble way similar to Irish hip-hop artist Maverick Sabre rather than emphasizing wealth.
3) The artist plays two roles, wearing different clothing for performance scenes versus narrative scenes to represent a split between the two. This is a unique approach not common in other music videos.
Question two
The document discusses how the artist created synergy between their main product (a music video) and ancillary texts (a website and album packaging). The theme of nature is consistent across all products to link them together. The artist's values of independence and strength are also represented throughout the different media to reinforce the message that the artist doesn't need a relationship to feel empowered. Lyrics from the song further express emotions of raw vulnerability but also a realization of inner strength.
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The document discusses three different looks - posh, gothic, and girly - created using different hairstyles and makeup for a music video. It then states that natural hair and makeup were used for the rest of the video to focus on the person rather than their appearance and relate to the song's lyrics. Various clothing items like military boots, Converse shoes, skinny jeans, and graphic vests are also mentioned as reflecting different music genres like rock and indie.
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The filmmakers attracted a young audience by choosing the genre of social realism/crime, which younger people tend to understand better. They addressed this audience by using young male actors in hoodies to portray social aspects and shooting in simple urban locations that young males would relate to. The music used was also intended to appeal to what young people like listening to, while the characters represented stereotypes without overly slang-filled dialogue to attract a wider audience interested in crime.
Mashud q2
The filmmakers attracted a young audience by choosing the genre of social realism/crime, which younger people tend to understand better. They addressed this audience through using young male actors in hoodies to portray social aspects, and setting the film in simple urban locations where young males are typically found. The music used in the film, which is a genre young people like, also helped attract the target audience.
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The document discusses costume choices for actors in a music video. It describes dressing the main artist in a bright red lace dress to portray her as fashionable and stylish, like other pop singers. A bright red lipstick was also chosen to match the dress and make her lips stand out. For secondary actors, a beanie hat was selected to distinguish the "depressed girl" character and show her casual style. Duller colors and casual clothes helped the other actors stand out less than the main fashionable pop artist.
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The document discusses the planning for the mis-en-scene elements of a student music video. It outlines that mis-en-scene is an important technique to consider for both filming and audience viewing. Key elements of lighting, costumes, props, color, location, and makeup will be planned to portray the theme of appearance vs. reality and the protagonist's true feelings of unhappiness beneath a happy facade. Locations like a college theater, small flat, and busy street will be used to show the difference between when the girl is dancing and supported versus alone to feel isolated.
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Exploring mise en scene final
Calvin Harris is presented as relatable to fans through his casual clothing of a t-shirt and jeans. His basic haircut also makes him seem relatable. His expression is alarmed and intriguing, showing he is unusual compared to other dance music artists. The retro background of his early promotional image reflects his unusual 80s style. The bright lighting makes the image vibrant and shows he will make his mark in dance music.
Media evaluation question 1
The document discusses synesthesia, which is the concept where listeners imagine images when hearing music. It then provides examples from listening to a specific song where the author imagined scenes of an artist playing the piano, feeling the emotion in the vocals, and envisioning a music video that emphasized the lyrics and melody. The author imagined detailed scenarios that told a story of a relationship breaking up. Overall, the document demonstrates how listening to music can elicit vivid imagined scenes and narratives for the listener based on the musical elements.
Textual analysis beyonce
1) The document analyzes Beyoncé's music video for "Grown Woman" to understand typical features of music videos featuring solo female artists.
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3) Beyoncé's portrayal in the video is consistent with her public image as a strong, independent woman through her facial expressions and dancing, attracting both female and male viewers.
Double page spread photos
The document discusses a photo shoot for a magazine spread promoting an up-and-coming Indian artist named India. To maintain consistency, the same theme from the cover and contents page was used. India is dressed in an all-black outfit and pink timberland boots to represent her determination and passion for music. The pink boots signify her femininity and presence in the male-dominated music industry. A cross necklace was included to inform viewers of the religious aspect of R&B music. The setting helped achieve the urban feel aimed for in the double page spread.
Poster analyse
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Poster analyse
The document analyzes posters for several artists including Maverick Sabre and Plan B. It finds that the posters generally depict the artists looking emotional and reflect the personal experiences and feelings explored in their soul/indie/rap music. Maverick Sabre's posters particularly portray a man struggling with his identity and sense of belonging as shown through his dual British-Irish passports and few possessions. The locations and designs of the posters for Plan B and The Streets similarly reflect the urban backgrounds and "dark lyrics" of their music.
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The document provides descriptions of music videos for the songs "Turn the Page" by Bobby Valentino and "Favorite Girl" by Marques Houston. In the Bobby Valentino video, still shots show him with other women and a woman throwing a glass, portraying his relationships. Scenes transition between black and white to represent turning pages in a book. The Marques Houston video uses color motifs, with the couple wearing matching colors to symbolize their connection, while he is shown alone in grayscale without her. Color changes in their clothing are reflected in the sky to represent the depth of their love.
How does your magazine represent your particular social group 2
This document discusses social groups and themes used in urban and hip hop/R&B music and culture to attract audiences. It explains that social groups are defined by shared characteristics like age, gender, race, interests and styles. Urban culture specifically refers to youth in urban environments who share styles and interests, sometimes involving gang or problem behavior stereotypes. Artists in hip hop and R&B aim to promote power, dominance, seduction and status through their appearance, imagery and music videos to appeal to audiences. Themes of royalty, prominence, gang culture and beauty are explored in several artist images as ways to represent these genres and draw in fans.
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In what ways does your media product use, develop, or challenge forms and con...
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How does your magazine represent your particular social group 2
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Similar to Final Costume Planning
Evaluation q 1
Our music video adheres to conventions of the soul/jazz genre through simple costumes, makeup, and a focus on lyrics over visuals. However, we challenge some conventions by using many close-ups to show emotion and a mix of performance and narrative shots rather than being purely performance-based. We conform to stereotypes of portraying a single female artist in a non-sexual way and using natural lighting and on-location filming but subvert expectations through some narrative elements. In conclusion, our music video both develops and challenges some conventions of real soul/jazz music videos.
Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Question 1
This document discusses how the media product uses, develops, and challenges conventions of real R&B music videos. It uses conventions such as bedroom scenes, close-ups, flashbacks, and depicting wealth. It develops conventions through creative lighting, costume choices, and location transitions. It challenges conventions by focusing on the female protagonist rather than the male, not overly sexualizing characters, empowering the female through costume, and using relatable rather than flashy locations.
Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products
Evaluation Question 2
The combination of the main music video and ancillary texts is effective. The music video tells the narrative of the song through a actress lip syncing and flashbacks in a black and white, video tape style. This conveys the supernatural theme of the song "Poltergeist." This theme is continued in the ancillary texts, like the black and white digipak with smoke edits. Representation of gender, sexuality and ethnicity were considered. While some elements like overlays did not work, the video tape overlay was kept to be effective. The ancillary texts maintain the black and white, indie aesthetic. Overall the synergy between the products improves the artist's popularity.
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The document discusses the creation of a music video, digipak, and magazine advertisement for a hybrid R&B and pop song. It analyzes the works using theories from scholars on music video conventions. The project aims to incorporate representations from both genres effectively. Key influences included using neutral colors and plain settings from R&B, with bold colors and a focus on the artist from pop. The video tells a narrative of the artist expressing feelings over a lost love through flashbacks. The other works continue this theme. Analysis finds the project illustrates lyrics, uses performance and conceptual elements, and promotes the artist's image in line with music video conventions.
Question 1 Evaluation
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Question 1
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TASK 1
This document discusses codes and conventions used in music videos. It begins by explaining that codes and conventions provide a shared understanding between directors and audiences about genre. It then gives examples of symbolic and technical conventions. The document goes on to analyze specific conventions used in a music video, such as portraying the artist as organic through costume choices. It discusses the use of camera shots, like long shots to show setting and close ups to show emotion. Finally, it explains how the narrative challenges conventions by having adults act childish and children act mature to create a sense of youthful rebellion.
our pitch
The document discusses plans for creating a music video and album cover for an unknown artist named Tinashe. It summarizes research conducted on conventions of music videos and how artists portray themselves. It describes initially considering an urban theme but deciding on a surreal fantasy theme inspired by Katy Perry and Gwen Stefani videos. The theme explores media influence on identity using an Alice in Wonderland narrative with the Queen representing media control and Alice rebelling to create her own identity. Plans are outlined for filming at locations, including performance and story scenes, with an artistic style.
Our improved pitch
This document outlines a group's pitch for recreating the Amy Winehouse music video for "You Know I'm No Good". The group chose this song because the lyrics provide a good narrative basis and themes of relationships and conflict. Their vision is for a dark, tense video inspired by Rihanna's "Disturbia" using a split narrative. They want to portray the artist as young, promiscuous, and rebellious through revealing costumes. Key locations include a bedroom, kitchen, bar, and isolated outdoor areas. Props include a dress, pyjamas, microphone, knife, ring, and photos. Themes are love, betrayal, mental health and isolation. Their target audience is females aged 16-20
Evalution task 1
The document provides details about the production of a music video. It summarizes the key elements of the music video's narrative, performance style, camera work, lighting, length, costumes/props, digipack design, and website design. The music video utilized a strong narrative, artistic camera work like whip pans, lighting to indicate the passage of time, stereotypes to concisely tell a complex love story within 3 minutes, and styled costumes/props to clearly portray the narrative with a dramatic star image for a new artist.
Question 1
The document summarizes and analyzes a music video the author created in reference to music video theory. It examines the narrative, editing, camerawork, and relationship between visuals and lyrics/music. The summary analyzes these elements in the author's video and references how other popular music videos use similar techniques, like Taylor Swift's "Trouble" video which tells a narrative through the lyrics. Quick cuts, close-ups of the artist, and handheld camerawork are used to emphasize the beat and maintain focus on the performer.
Question 1
The document discusses the conventions of music videos in the house genre and how the student's music video project adheres to and develops these conventions. Specifically, it discusses how the video uses close-ups, long shots, and establishing shots of the artist to promote them, as is typical in house music videos. It also adheres to conventions regarding costume, lighting, settings, and fast-paced editing to match the upbeat music. Iconography like stereos and watches are used to further the narrative and represent themes of dance and friendship common in the genre.
Pitch 1
The document outlines a music video pitch for Meghan Trainor's song "Me Too." The proposed video would tell the narrative of an average, unconfident woman who gains confidence through a daydream of Trainor's performance. Scenes would split between the woman's story and Trainor performing in various locations. The pitch discusses the song choice, vision, themes, conventions, technical considerations, locations, props, costumes and target audience. The overall goal is to promote female empowerment through an inspiring story and upbeat rendition of the song.
Question 1
This document discusses how the media product challenges conventions of typical pop music genres. It summarizes:
1) The music video uses close-ups and natural lighting/costumes to contrast with typical pop videos' sexualization and unrealistic portrayals. Locations are everyday instead of exotic.
2) The digipak uses dark colors instead of bright tones and focuses on scenery over the artist. Fonts are simple to highlight the music.
3) The poster desaturates an outdoor photo instead of using bright colors. Credits are centered at the top like typical posters to draw attention. Overall, the products strive for a unique acoustic-pop style rather than conforming to pop stereotypes.
Pitch presentation
The group has chosen the song "We Don't Have to Take Our Clothes Off" by Ella Eyre for their music video. They will tell a story about a teenage girl named Pixie facing social pressures. Pixie will be portrayed as unique and individualistic to relate to the audience. The brand for Pixie will revolve around R&B/pop genres and portray everyday struggles and a nightlife theme. The target audience is ages 14-20 as the message of not giving in to pressures will resonate most with teens. The video will show different struggles in a relationship through scenes of a couple and shots of Pixie singing while observing.
A2 Music Video - Evaluation
The document provides details about how the media product uses and develops conventions of real music videos. It discusses using a narrative and performance style to portray emotion throughout a song. It describes combining these styles to illustrate the storyline while depicting emotion. The video links the story to lyrical content about intense love overcoming obstacles. Specific techniques like lighting, editing, camera angles are discussed in detail to motivate creative choices and connect to conventions.
Pitch presentation
The group has chosen the song "We Don't Have to Take Our Clothes Off" by Ella Eyre for their music video. They will tell a story about a teenage girl named Pixie facing social pressures. Their style will be R&B/pop inspired by videos like "Here" by Alessia Cara. The video will feature shots of Pixie observing a couple dealing with relationship pressures on the streets of London at night. They aim to create a unique image for Pixie that reflects today's society.
Evaluation 1: Question 1
The media product is a music video for the song "Who You Are" that was influenced by several existing music videos in its forms and conventions, while also attempting to challenge some conventions. The video drew from techniques used in Jessie J's "Who You Are" video as well as others, such as close-ups, jump cuts, and scenes of the artist singing with a guitar. It also aimed to challenge stereotypical portrayals of women in music videos by dressing the artist comfortably and focusing on her natural beauty rather than sexuality. The accompanying digipak similarly drew from conventions while attempting to challenge others through its design and use of the artist's image.
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Final Audeince Research
This document is an audience research questionnaire that asks respondents about their music preferences and habits. It asks about music genres listened to, channels watched, reasons for listening to music, favorite indie/soul artists, and visual elements respondents associate with indie/soul music videos. The questionnaire aims to gather information about the target audience's music tastes and consumption.
Final Lighting Research
The lighting in the music video is distorted and makes the artist look pale, representing an underground bunker with flickering lights. The lighting emphasizes the artist's features to make her look attractive and appeal to a male audience. The dark and cold lighting fits with the deep emotions of the song about relationship troubles, creating shadows that make the artist appear thinner in a way that may boost album sales.
Dgpak CD
This document appears to repeat the name "Amber Rubarth" multiple times without providing any additional context or information. It does not have a clear topic, narrative, or message to summarize.
Final Music Labels And Brand Research
Record labels serve as brands that manage the marketing, sales, distribution, and legal protection of music recordings and videos. The major record labels - Warner Music Group, Universal Music Group, Sony BMG, and EMI - sign and promote well-known artists globally. They have faced challenges from declining CD sales and illegal downloading, but are adapting to digital music distribution through sites like iTunes and YouTube. Independent labels also play a role by funding and distributing artists sometimes through agreements with major labels. Record labels are generally owned by larger music groups that oversee music publishing, manufacturing, and other divisions.
Final Music Directors
Music video directors are responsible for overseeing the production of music videos. They storyboard the video, direct performers, and ensure the visuals synchronize with the song. Famous music video directors like Jonas Akerlund, Chris Applebaum, and Chris Cunningham have helped promote artists and sell music through creative, stylized videos. Other notable directors include Joseph Kahn, Jake Nava, Sophie Muller, and Ray Kay, who have worked with major pop and rock artists.
Final Star Development
Rihanna's image and music have evolved significantly over her career. Her early music videos, like "Pon de Replay", portrayed her as innocent and playful to appeal to young girls. Later videos, such as "SOS" and "Disturbia", showed a more mature and sexually appealing image through more revealing clothing and sensual dancing to attract male viewers. Her album "Good Girl Gone Bad" signified this transformation to a desirable woman. Rihanna has continued changing her image, like the edgier style in "Russian Roulette" reflecting her personal growth. This strategic shifting of her persona has been commercially successful and helped establish Rihanna as a leading recording artist.
Auteur Theory
The auteur theory suggests that a film reflects the director's creative vision, with the director serving as the author of the film. Examples provided analyze music videos through the lens of the auteur theory, with viewers watching characters observe and photograph other characters through windows, screens, cameras, and other devices that create distance between the observer and observed.
DVD Anaylsis
The document analyzes various design elements of a Michael Jackson DVD cover. It discusses the bold font that stands out, the artist depicted in black against a white background to signify his unique style, and text in small caps emphasizing his dominance in the music industry. Color contrasts and the artist's posture portray him as a talented dancer known for his passion and greatest hits.
CD Analysis
Adele's album cover for "19" features her face against a plain black background to represent the soul genre of her music. The title "19" reflects the music she created at that age. She looks down to convey the meaningful and mellow nature of her songs, while her natural makeup and the bold font are meant to attract audiences to her angelic music.
Spine
Amber Rubarth is an American singer-songwriter from California. She is known for her introspective folk-pop style and has released 5 studio albums since 2005. Her most recent album, "Session," was released in 2020 and features stripped-down renditions of songs from her catalog.
Lyrics
This appears to be song lyrics summarizing a relationship between two people. The lyrics describe falling in love, being in love, and the pain that comes when the relationship ends or one person falls for someone else. Specific details include driving around at night thinking about the past relationship, missing the other person in the morning, and feeling hurt watching your ex start to fall for someone new. The lyrics suggest this is a common experience people go through when young, around age 23.
Poster
Amber Rubarth is a musician who will be touring in 2011. Details about her upcoming tour such as dates and locations are not provided in the document. The document appears to be announcing that Amber Rubarth will have a tour in 2011 but does not give any other specifics about the tour.
Cd Front&Back
This short poem uses imagery of washing day and rising tides to represent overcoming weaknesses and drifting together. It encourages embracing vulnerabilities and finding connection with another person. The piece was produced in the UK and copyright is held by the producer.
Technical Diffcuilties
We had various technical difficulties during filming and editing of our music video, including missing equipment, an unstable camera, and problems with the green screen. However, we were able to continue filming handheld to create an intimate feel, and learned how to use video editing software from others in order to reverse an action scene, despite the challenges being time consuming. In the end, the footage quality was good and the video achieved its goal despite obstacles.
Q4 How Did You Use New Media Technologies In
Our quesiton four response:
•How did you use new media technologies in the construction and research, planning and evaluation stages?
Website Planning
The document discusses two website planning ideas for artist Amber Rubarth. The first idea features Amber's name in bold at the top, her image in the center, and a message from her. It has a white background and submenus linking to pages about her story, music, etc. The second idea changes Amber's image to give her a more edgy look to appeal to more audiences. It changes the background to black to represent her mature music and genres, while her new look reflects a mature pop artist.
Final Prop List Two
The document outlines various props needed for different scenes of an upcoming production. For a shower scene, props include a wet room with a girl sitting or lying down and fake blood to show a nosebleed. For an argument scene between parents and daughter, props are a dining table and objects like candles that could be thrown. For a couple's argument, props are an unmade bed, unlit candles to represent a cold relationship, and a dressing table. For a friends scene, the only prop needed is a scarf and gloves for the girl.
Final Proof Of Permission From Artist
I, John Doe, hereby grant permission to Jane Smith to use my artwork titled "Sunset over the Ocean" in her upcoming art show. She has my permission to display, photograph, and sell prints of the artwork during the show which runs from June 1st through June 30th, 2023 at the Beachside Art Gallery. This permission is non-transferable and expires after the conclusion of the art show.
Final Inital
The proposed music video would tell the story of a woman struggling with drug addiction through scenes depicting her daily life and eventual overdose death. Key elements include a lady portraying a drug addict walking through town singing the song, with shots of various people taking drugs to portray society's issues with addiction. As the song continues, the lady appears more drugged and helpless, taking more drugs to try and forget her past before collapsing from an overdose at the end.
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Final Costume Planning
- 1. Costume Planning These are pictures of our artist, Amber Rubarth: We want the singer that acts in our video to look similar to the real Amber Rubarth. We want this as we feel this reflects the soul/indie genre the best. We will have costumes such as; We think these costumes will be suitable for the singer in our video because they are quite casual and not too ‘over the top’. The costume goes well with the genre as it reflects a casual, calm and meaningful or realistic situation. By having casual clothing, it will force the audience to recognise the importance of the song as it is quite meaningful, so we thought it would be a good idea for the video, for the costume to shift the attention off the way the artist looks and onto the actual song. During the video, we are planning to have a narrative playing as well as having the artist performing. In the narrative we are planning to have a young girl, looking quite depressed, taking cocaine etc. These are the costume ideas we have thought of for
- 2. her; The clothing helps to reflect a troubled person as the blacks amplify the feeling of isolation and suppressed emotion. Also the hair is a major aspect of the costume, as the hair associated with these type of people show; people deviating from social norms and trying to be unique and expressing the little emotion they show through how creative their hair is.