Film opening sequence analysis report sheet 3
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This document analyzes the opening sequence of a film. It summarizes that the sequence uses CGI to show a shooting star from space, makes the low-quality camera footage look like an amateur recording to set the scene. It establishes the genres of action, fantasy and science fiction by showing a burning building and someone flying in to help. The sequence provides backstory on the main character by depicting him winning sports awards to show he is unusually gifted. It immerses the viewer by simulating reading a newspaper article about the character. The title credits are made to look like 3D steel to relate visually to the film's title of "Man of Steel".
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Cinema verite
Cinéma vérité is a documentary filmmaking style that combines naturalistic techniques with staged elements. It aims to look truthful or realistic. Over time, cinéma vérité has matured and influenced other genres by making scripted films seem more natural. Directors incorporate techniques like handheld camerawork, interactions with camera operators, and claiming fictional footage is real to manipulate audiences into thinking events are unscripted. This blending of cinéma vérité with other genres heightens realism and excitement.
Assignment 3 cinema verite
Cinéma vérité is a documentary filmmaking style that combines naturalistic techniques with staged elements. It aims to look truthful or unscripted. Over time, cinéma vérité has matured and been used to provide perspective across many genres and topics. Directors incorporate cinéma vérité elements like handheld camerawork and interactions between actors and camera operators to make scripted films seem more realistic and engage audiences. Examples like District 9, The Fourth Kind, and Derek use these techniques to varying degrees.
Recce
The artist chose a rural field location to convey that their indie music genre is inspired by and connected to nature, as indie music originated as hippie music associated with the outdoors. The production team shooting photos at the field will need appropriate footwear to avoid slipping or dirtying shoes in muddy areas, suitable warm clothing given it is winter, a tripod, camera, SD card, battery and charger, and camera bag to protect equipment.
Recce
The document discusses choosing a rural field as the location for a music photography project. It would give the impression that the artist is connected to nature, appealing to fans of indie music. The field's unspoiled landscape also links well to the chosen indie genre. The production team would need appropriate clothing and footwear to avoid slipping or getting muddy in some field areas. They would also require equipment like a tripod, camera, SD card, battery, and camera bag to safely film at the location. The field is convenient as it is easily accessible from the artist's home in case any issues occur during the shoot.
Cinema vertie
Cinema Verite is a documentary style using naturalistic techniques like handheld cameras and on-location filming combined with editing and camerawork to provoke subjects. It originated in France in the 1960s using non-actors and location settings rather than studios. Over time, Cinema Verite evolved to use the camera and editing to reveal meaning and allow audiences to experience events. Key techniques include handheld cameras, on-location filming, interviews, voiceovers, and supporting photos or images. Examples that demonstrate these techniques are Roger and Me, West 47th Street, and Grey Gardens.
Yellow submarine animation
George Dunning was the animator for Yellow Submarine. He was known for surreal and Kafkaesque animated shorts, which is likely why he was chosen for the project. Yellow Submarine was created to increase The Beatles' popularity. Its innovative animation style influenced audiences and the animation industry. The film is praised for its psychedelic visuals and combination of music and animation. It uses animation techniques like exaggeration and secondary action to create a surreal and busy atmosphere for The Beatles' adventures in the animated film.
Yellow submarine animation
George Dunning was the animator for Yellow Submarine. He was known for surreal and Kafkaesque animated shorts, which is likely why he was chosen for the project. Yellow Submarine was created to increase The Beatles' popularity. Its innovative animation style influenced audiences and the animation industry. The film is praised for its psychedelic style and pop art elements, and is considered one of the greatest animated films ever made. It uses animation principles like exaggeration and secondary action to create a surreal and busy style that supported the story and music in a way that would not have been possible through live action.
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Cinema verite
Cinéma vérité is a documentary filmmaking style that combines naturalistic techniques with staged elements. It aims to look truthful or realistic. Over time, cinéma vérité has matured and influenced other genres by making scripted films seem more natural. Directors incorporate techniques like handheld camerawork, interactions with camera operators, and claiming fictional footage is real to manipulate audiences into thinking events are unscripted. This blending of cinéma vérité with other genres heightens realism and excitement.
Assignment 3 cinema verite
Cinéma vérité is a documentary filmmaking style that combines naturalistic techniques with staged elements. It aims to look truthful or unscripted. Over time, cinéma vérité has matured and been used to provide perspective across many genres and topics. Directors incorporate cinéma vérité elements like handheld camerawork and interactions between actors and camera operators to make scripted films seem more realistic and engage audiences. Examples like District 9, The Fourth Kind, and Derek use these techniques to varying degrees.
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The artist chose a rural field location to convey that their indie music genre is inspired by and connected to nature, as indie music originated as hippie music associated with the outdoors. The production team shooting photos at the field will need appropriate footwear to avoid slipping or dirtying shoes in muddy areas, suitable warm clothing given it is winter, a tripod, camera, SD card, battery and charger, and camera bag to protect equipment.
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The document discusses choosing a rural field as the location for a music photography project. It would give the impression that the artist is connected to nature, appealing to fans of indie music. The field's unspoiled landscape also links well to the chosen indie genre. The production team would need appropriate clothing and footwear to avoid slipping or getting muddy in some field areas. They would also require equipment like a tripod, camera, SD card, battery, and camera bag to safely film at the location. The field is convenient as it is easily accessible from the artist's home in case any issues occur during the shoot.
Cinema vertie
Cinema Verite is a documentary style using naturalistic techniques like handheld cameras and on-location filming combined with editing and camerawork to provoke subjects. It originated in France in the 1960s using non-actors and location settings rather than studios. Over time, Cinema Verite evolved to use the camera and editing to reveal meaning and allow audiences to experience events. Key techniques include handheld cameras, on-location filming, interviews, voiceovers, and supporting photos or images. Examples that demonstrate these techniques are Roger and Me, West 47th Street, and Grey Gardens.
Yellow submarine animation
George Dunning was the animator for Yellow Submarine. He was known for surreal and Kafkaesque animated shorts, which is likely why he was chosen for the project. Yellow Submarine was created to increase The Beatles' popularity. Its innovative animation style influenced audiences and the animation industry. The film is praised for its psychedelic visuals and combination of music and animation. It uses animation techniques like exaggeration and secondary action to create a surreal and busy atmosphere for The Beatles' adventures in the animated film.
Yellow submarine animation
George Dunning was the animator for Yellow Submarine. He was known for surreal and Kafkaesque animated shorts, which is likely why he was chosen for the project. Yellow Submarine was created to increase The Beatles' popularity. Its innovative animation style influenced audiences and the animation industry. The film is praised for its psychedelic style and pop art elements, and is considered one of the greatest animated films ever made. It uses animation principles like exaggeration and secondary action to create a surreal and busy style that supported the story and music in a way that would not have been possible through live action.
Phil tippett
Phil Tippett is a visual effects supervisor and producer known for his creature and character effects. He got his start in animation at Industrial Light & Magic, working on films like Star Wars: The Empire Strikes Back. Tippett developed techniques like Go-Motion animation and later founded his own studio, Tippett Studio. Some of his most notable works include Jurassic Park, Starship Troopers, and Cloverfield. He transitioned the industry from stop-motion to computer-generated effects.
Phil tippett1
Phil Tippett is a visual effects supervisor and producer known for his creature and character effects. He got his start in the 1970s at Industrial Light & Magic, working on films like Star Wars and Empire Strikes Back using stop-motion animation. In the 1980s, Tippett left ILM to start his own studio where he pioneered new animation techniques and worked on films such as Jurassic Park and Starship Troopers. Throughout his career, Tippett has helped advance the fields of stop-motion and computer-generated animation and has lent his talents to many major science fiction and fantasy films.
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Warner bros
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This document discusses how various shots from a student horror film follow common horror film conventions to look professional and create tension. It analyzes shots of an isolated rural house, ominous titles with dramatic music, high and low camera angles to represent power and vulnerability, a character in dark clothing contrasting with the setting, an antagonist lurking in the shadows unaware to the protagonist, revealing the antagonist in dark lighting, and a high angle shot of the antagonist approaching the vulnerable protagonist in a sparse, gothic house. The goal is to both conform to and challenge horror genre conventions to engage an urban audience.
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Film opening sequence analysis report sheet 2
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2) Visual effects depict the character being dragged into a skull-shaped hole, representing death, with a dark color scheme relating to death.
3) Genre conventions include a gun range cut-out with blood, signaling an action film with violence.
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Phil Tippett is a visual effects supervisor and producer known for his creature and character effects. He got his start in the 1970s at Industrial Light & Magic, working on films like Star Wars and Empire Strikes Back using stop-motion animation. In the 1980s, Tippett left ILM to start his own studio where he pioneered new animation techniques and worked on films such as Jurassic Park and Starship Troopers. Throughout his career, Tippett has helped advance the fields of stop-motion and computer-generated animation and has lent his talents to many major science fiction and fantasy films.
Prop list
The document lists the props needed for two filming locations - a train station and a garage - for an opening sequence. For the train station, props needed include a baseball bat, costumes, mobile phone, and video camera/tripod. For the garage, props needed are beer bottles, sofa, table, cigarettes, paracetamol, and video camera/tripod. The document explains that different props are required to set the scene for each location and help represent characters and the narrative.
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Warner Bros. Entertainment Inc. is a major American film and television studio owned by Time Warner. It was founded by four brothers named Albert, Harry, Sam, and Jack Warner. Warner Bros. has many subsidiary companies and owns half of The CW television network. It is one of the largest film and television studios in the world.
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Warner Bros. Entertainment Inc. is a major American film and television studio owned by Time Warner. It was founded by brothers Albert, Harry, Sam, and Jack Warner. Warner Bros. produces films, television shows, music, and video games through various subsidiary companies. It owns half of The CW television network and is the world's largest film and television studio.
Task 7 evaluation
The student was tasked with creating a short horror film in a group. Their original storyline did not meet the requirements, so they completely changed the storyline and characters. This required using members from another group. Their microphone was broken, limiting audio quality. However, they quickly created a better new storyline and improved their filming and editing. The student's character became more interesting in the new storyline. They met all requirements by uploading their work to blogs. Areas for improvement included time management and audio quality. Overall, the project went well despite difficulties and the student learned new editing and camera skills.
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The document analyzes the opening title sequence of the film "School of Rock". It discusses several film techniques used in the sequence. The tracking camera technique makes the audience feel like they are present in the club. Visual effects and color are used to bring the film to life, such as showing the production company name on a character's jumper. Genre conventions hint that it will be a comedy, as the main character is shown getting hurt in a funny way. Subtle hints through camera techniques and text begin to give insight into the story. Editing uses a cross fade between shots to transition time smoothly. The bold title credit design stands out against the scene it represents in a dark club.
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The document analyzes conventions of camerawork, editing, sound, mise-en-scene, and form in horror film trailers. It discusses techniques like handheld shots, close-ups, tracking shots, fast-paced editing, ominous music, low lighting, and plain costumes that create tension and unsettle audiences. These elements effectively convey the horror genre and entice viewers to watch the full film by leaving them on a climactic note without resolution.
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The document analyzes conventions of camerawork, editing, sound, mise-en-scene, and form in horror film trailers. It discusses techniques like handheld shots, close-ups, tracking shots, fast-paced editing, ominous music, low lighting, and plain costumes that create tension and unsettle audiences. These elements effectively convey the horror genre and entice viewers to watch the full film by leaving them on a climactic note without revealing the ending.
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The document provides an analysis of various cinematography, editing, and stylistic techniques used in the short film Kung Fury. It discusses the establishing shots that introduce settings, the tracking shots during action sequences, and close-ups that signify importance or express emotion. It also summarizes the film's retro 80s visual style, its blending of science fiction, action, and crime genres, and its linear narrative structure following the three-act plot model.
Modern vs classic horror script version 3
1. The document compares elements of classic and modern horror films, including storytelling, characters, dialogue, music, and cinematography. It argues that classic films had stronger characters and cinematography while modern films have better dialogue and use of music.
2. The document highlights James Wan as an exemplary modern director who subverts expectations through films like "Insidious." Other notable directors mentioned are Rob Zombie and John Carpenter.
3. In conclusion, the document gives more points to classic horror overall, arguing they have a memorable charm, but acknowledges both eras have strengths in different elements of filmmaking.
Pr4 final
This document provides an analysis of the 2004 teen comedy film Mean Girls directed by Mark Waters. It examines the film using Lacey's Repertoire of Elements, which considers aspects like characters, setting, narrative events, iconography, and technical codes. The film is set in an American high school with popular cliques led by the mean-girl "Plastics." The main character Cady is initially an outsider but infiltrates their group for revenge. The analysis discusses character representations and social dynamics portrayed in the film and how they reflect typical high school tropes.
Pr4
This document provides an analysis of the 2004 teen comedy film Mean Girls directed by Mark Waters. It examines the film using Lacey's Repertoire of Elements, which considers aspects like characters, setting, narrative events, iconography, and technical codes. The film is set in an American high school with popular cliques led by the mean-girl "Plastics." The main character Cady is initially an outsider but infiltrates their group for revenge. The analysis discusses character representations and social dynamics portrayed in the film and how they reflect typical high school tropes.
Evaluation question 1
This document discusses how various shots from a student horror film follow common horror film conventions to look professional and create tension. It analyzes shots of an isolated rural house, ominous titles with dramatic music, high and low camera angles to represent power and vulnerability, a character in dark clothing contrasting with the setting, an antagonist lurking in the shadows unaware to the protagonist, revealing the antagonist in dark lighting, and a high angle shot of the antagonist approaching the vulnerable protagonist in a sparse, gothic house. The goal is to both conform to and challenge horror genre conventions to engage an urban audience.
Iron manopening
The opening scene of Iron Man uses various camera techniques and editing styles to set up the action-oriented genre and introduce Tony Stark's backstory in a brief and engaging way. Cinematography includes establishing shots, pans, crane shots, and point-of-view shots to follow the vehicles and show character reactions. Visual effects maintain a consistent desert color scheme, with natural and low-key lighting. Dialogue establishes connections to characters and gives insight into Tony's past. Smooth editing, credits, and a subtle 3D title design advance the story efficiently without slowing the pace.
Modern vs classic horror script version 2
Classic horror films are generally better than modern ones in terms of storytelling and characters according to this analysis. Storytelling in classic films tended to be more original with fewer reused ideas, and characters were often more complex and three-dimensional. However, modern horror films excel in areas like dialogue, music and cinematography techniques due to advances. Overall though, classic films from the 1970s like Halloween and The Exorcist are considered memorable classics while modern films often rely too heavily on gore and recycled plots. Directors like James Wan and John Carpenter have found success blending classic techniques with modern styles.
Purpose descent analysis
The document provides an in-depth analysis of the film The Descent. It discusses the film's purpose, genres, form, style, content, meaning, production process, and reviews. The film aimed to entertain audiences and make a profit by using horror and thriller elements. It featured an all-female cast and portrayed women as strong and independent. Overall, the film was successful in achieving its goals of entertaining audiences and turning a profit, though it did not fundamentally change the horror genre.
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The document discusses several factors that influence film remakes and provides examples of the remakes Dredd (1995 and 2012) and Rec (2007, Spanish film) and its American remake Quarantine (2008). Technology advances allow remakes to improve visuals over originals. Dredd remakes benefited from improved CGI to create environments, while the Rec remake had a higher budget but stuck closely to the original story. Remakes expand audience reach and merchandise/synergy opportunities. Language barriers motivated the American Quarantine remake of the Spanish Rec.
Film opening sequence analysis report sheet 2
The document analyzes the opening title sequence of the James Bond film Skyfall across several elements:
1) Cinematography shows the main character as a shadow to hint that he and Bond are alike and reveals him in black and white to tease the film.
2) Visual effects depict the character being dragged into a skull-shaped hole, representing death, with a dark color scheme relating to death.
3) Genre conventions include a gun range cut-out with blood, signaling an action film with violence.
4) Narrative analysis suggests the hero shooting his reflection could mean battling himself mentally rather than just enemies.
Assignment on Trailers
The document provides an analysis of three film trailers: James Cameron's Avatar, Annabelle, and Into the Woods. For each trailer, the author analyzes elements like target audience, distribution platforms, atmosphere, music, special effects, props, backgrounds, camera angles, logos/companies, and characters. The overall document is assessing how different components of each trailer would appeal to and attract audiences.
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The opening scene of Casino Royale sets up the film as an action thriller. It introduces the villain who has leaked government secrets to enemies of M16. James Bond, played by Daniel Craig, is brought in to deal with the problem. The title sequence reinforces the genre with graphics of guns shooting out cards and names against a black and white backdrop. Daniel Craig was cast as Bond because he is a fit actor who can portray the stern yet inspiring main character. The cinematography uses shots like low angles and movements that create tension and authority, fitting for an action film. The black and white visuals and suspenseful music in the opening scene signal to the audience that the movie will involve action and intrigue.
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The document discusses influences on the filmmaker's project, including Guy Richie's unique directing style using clever shots and edits, Keanu Reeves' ability to portray character development from loving to violent, and Steven Spielberg's masterful use of lighting and atmosphere through fog and lens flares. The filmmaker aims to incorporate these influences, telling a philosophical story in an entertaining way as Lions Gate has done with difficult topics.
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The document provides an analysis of characters, camera work, and mise-en-scene in the thriller film The Da Vinci Code. Regarding characters, the analysis describes how clothing and facial expressions are used to portray characters as either good or evil. Tom Hanks' character is presented as good through the use of a high camera shot that makes him seem vulnerable and innocent in contrast to the darkly-clothed killer. Camera work, such as high camera shots, are used to focus attention on important details like symbols around a murder victim. Mise-en-scene creates strange elements like a police chase taking place in broad daylight in a rural landscape rather than at night in a city.
Pr7 me and my movies
The document discusses three fantasy movies - Avatar, The Hobbit: An Unexpected Journey, and Harry Potter and the Goblet of Fire. It analyzes each movie through the lens of genre conventions, including setting, characters, narrative structure, iconography, and cinematography style. The document also examines genre theory concepts like star theory, reception theory, and active spectatorship/fandom that help define fantasy films.
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The production call sheet is for the animated short "Sprite Friends" produced by Harry Powell for Coke Cola. It schedules a meeting on April 27th at Future Skills College, with a call time of 12:00 and transportation via college bus. The crew includes Harry Powell for writing, directing, music, and a voice role, along with Shakeel Uddin for production assistance and sound, Nick Tehvikin for special effects and technicians, and Josh Rothwell in a voice role. Equipment includes a PC, mixer, and microphone, while catering will be from the college canteen and cafe.
Client Brief and Treatment
Sprite is a well-known fizzy drink produced and distributed by Coca-Cola. They are interested in creating a radio advertisement targeted at teenagers and young adults listening to Future Skills Radio, a college radio station. The proposed advertisement would have an upbeat style with popular music, fizzy drink sound effects, and an informal voiceover to appeal to the young demographic. It would portray Sprite's urban image through music without long spoken sections that could lose listeners' attention. The advertisement could be created and voiced by the media students themselves at low financial cost to Sprite.
Music
A radio producer must consider many factors when creating advertisements, including choosing music that fits the theme and target audience. They need to get permission from music owners to use copyrighted music. There are legal requirements and processes to obtain licenses and clearances from organizations like PRS and PPL to legally use outside music. Alternatively, producers can lower costs by creating and using their own original music instead of licensed songs.
Financial Considerations
Financial considerations for radio production and advertising include royalty fees paid to broadcast ads and use music, which can vary significantly based on the station and time of day. Additional costs include music royalties paid to musicians, studio rental fees, wages for those editing or assisting technically with ad creation, and voice artist fees for those providing voiceovers. Proper budgeting of these flexible expenses is key to creating cost-effective radio ads.
ASA Tasksheet
The ASA is the independent regulator of advertising across all media in the UK. They regulate advertising through acting on complaints and proactively checking media to remove misleading, harmful, or offensive ads. There are two main types of advertising regulation: self-regulation, led by the advertising industry, and co-regulation where the ASA regulates TV and radio ads under contract from Ofcom. The BCAP Code sets standards for all ads, including those for radio, TV, teleshopping, and interactive TV. It is enforced by the ASA, who can remove or change non-compliant ads. The codes specifically for print media include standards for gambling, alcohol, weight control, pornography, and competitions ads. Advertisers can use
Radio analysis
The Nando's radio advert uses comedy and humor to target teenagers and young adults. It features an accent and informal language to relate to this audience. The advert reinforces Nando's brand by referencing the phrase "cheeky Nando's" and playing Spanish music. It encourages listeners to treat themselves to Nando's.
The health department advert aims to help people stop smoking. It uses an emotional story of a boy concerned for his mother's health to draw people in. Serious language is then used to provide information on stopping smoking and available resources.
The Heinz advert has a nostalgic and humorous tone about Bonfire Night traditions. It references the company's slogan "It has to
PR3
This document provides a critical analysis of the films Leon the Professional and Deadpool in three areas:
1) It analyzes the genres, narratives, representations and use of symbols in Leon the Professional, noting how it subverts some action movie tropes through the relationship between Leon and Matilda.
2) It examines the linear narrative structure and character archetypes in Leon the Professional based on Todorov and Propp's theories.
3) It discusses how the opening credits of Deadpool immediately signal it as a parody film through its unconventional style and breaking of the fourth wall, setting the comedic tone for the movie.
PR3
This document provides an analysis of the films Leon the Professional and Shrek using several critical approaches. It discusses the genres, narratives, representations of characters, and other semiotic elements of the two films. Key points made include how Leon fits conventions of the thriller genre while subverting expectations around its young female character, and how Shrek embraces fairy tale conventions through its setting and characters that fit traditional roles like the hero, princess, and villain.
3 audience theories
This document summarizes three audience theories: the hypodermic model, encoding/decoding model, and uses and gratifications theory. It then provides a detailed analysis of audience reception of the film Fight Club using these theories. Key findings include:
- 75% of survey respondents had a "preferred reading" of Fight Club aligned with its intended message.
- 87% had heard of the film prior, influencing their expectations and judgments.
- Responses were split on whether the film provided "diversion," with some immersed and others not captivated.
- 100% said they would recommend the film, showing their enjoyment and how word-of-mouth spread awareness.
The analysis uses survey results to understand how
PR1
The document discusses various methods used by media producers to analyze audiences and target marketing campaigns. It provides examples of how Blair Witch and Spectre used techniques like genre theory, audience profiling, and trailer analysis to effectively promote their films to specific demographics. An exit poll conducted for Blair Witch found that the majority of viewers were young adults who learned about the film from YouTube trailers. This showed the film's promotional strategy successfully reached its intended teenage and young adult audience online.
Location recces
The document discusses potential filming locations for a music video about a lonely college boy dealing with rejection. Location 1 at Eccles College would show him leaving college as girls laugh at him. It offers shadows representing depression and is quiet. Location 2, his empty house with altered lighting, lets him return upset and alone. Location 3 along Westminster Road is always quiet with trees and shadows for loneliness. He will walk drunk towards Location 4, a dark and isolated bridge, where he smashes a bottle in anger. Location 5, a field, is where he passes out drunk and wakes confused, then sees his crush with another boy, angering him further. Finally, Location 6, a lone tree, is where he sits and overdo
Music video script 2016
The document is a music video script that outlines 15 scenes from 0:00 to 7:30. It describes the shots, camera angles, and actions that correspond to different parts of the song. Scene 1 shows a boy walking and looking at girls who laugh at him. Scene 2 shows the boy throwing things in his room to find alcohol. Scene 3 shows the boy walking away from his house. Scene 4 shows the boy smashing a bottle against a wall. Scene 5 shows the boy waking up confused. The script provides direction for black and white filming and camera movements corresponding to the music.
Music video analysis work sheet Performance
This music video analysis summarizes key elements of Taylor Swift's "Bad Blood" music video:
1) The target audience is young people who enjoy pop music. The music video appeals to this audience through revealing outfits on women characters and sexuality.
2) The lyrics imply the song is about Taylor Swift having a falling out with a friend or competitor in the music industry, as references are made to changing relationships.
3) The fast tempo and editing are synchronized so actions match the beat for emphasis. Camerawork focuses on Taylor Swift to position her as the star and main focus.
4) As a performance-oriented genre video, it uses famous cameo appearances and exaggerated effects to entertain viewers like a
Music video purposes work sheet Taylor Swift
Music videos provide benefits for artists, record labels, and audiences. They promote new music releases and extend artists' income through advertising deals. Record labels leverage artists' popularity across different outlets and opportunities for synergy. Producers strategize to benefit both the artist and label, such as shifting Taylor Swift's genre from country to pop to reach a larger audience and further her career success.
Pr9 - continued
This document discusses several legal and ethical issues in radio broadcasting. It describes a prank call by two Australian DJs to a hospital pretending to be Prince Philip asking about Kate Middleton's baby. The hospital employee who answered unknowingly disclosed private information about Kate which was broadcast on air. This led to her committing suicide, though the DJs' actions were not considered illegal. The document also discusses a BBC radio presenter, Aleks Dykes, who made comments against breastfeeding in public that offended many listeners and violated the Ofcom broadcasting code. Emerging social concerns discussed include the influence of media violence on children and the issue of child labor.
Regulatory Bodies
Ofcom is the communications regulator in the UK that oversees radio, TV, and postal sectors. Its main goals are to ensure a wide variety of high-quality content is available to appeal to different tastes, and that content is not harmful or offensive. Ofcom investigates thousands of complaints each year and has fined organizations like the BBC for infringing privacy or airing highly offensive material.
structure, organisation and ownership
Commercial radio stations are privately owned companies that began broadcasting in the UK in 1973. They generate revenue through advertisements played during broadcasts. Capital FM is an example of a large commercial radio station, with over 7.5 million weekly listeners. It is owned by Global Radio. Public service radio in the UK is provided by the BBC across numerous stations funded by television license fees. Community radio stations are not-for-profit and focus on local content and audiences. Independent production companies produce radio, television and film programs and fund projects independently or through private investors.
Job roles in radio
The document discusses several job roles in radio, including radio presenter, radio producer, radio reporter, and radio commercials producer. For most roles, relevant experience is more important than a degree. Starting salaries are typically £14,000-£18,000 for presenters and £13,000-£16,000 for producers, but can increase significantly with experience. These roles can lead to advancement into management or work for larger, more well-known stations.
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