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Dynamic Effects Of Advertising
And Word Of Mouth In Sequential
Distribution Of New Products
Marketing Mix Seminar 2014
By Federico Triolo
Sequential distribution
 Many industries release their products (usually with
short life) in sequential stages
 They also lunch different campaigns with a
communication mix
Word of mouth (WMO) advertising
Marketing Mix Seminar: Federico Triolo
 Book publishers:
Hardcover editions Paperbacks
 Hollywood studios:
Cinemas Retails
Marketing Mix Seminar: Federico Triolo
Motion pictures/movies
context
Hollywood case: $ 70.8 million to produce a movie
$ 35.9 million to market a movie
$ 45.7 million to cinemas revenues
No breakeven point
Marketing Mix Seminar: Federico Triolo
What sequential distribution can
add???????
 Attract new customers’ preferences (price, style)
 Extend product’s life cycle
 Improve firms revenues
Different campaigns for different stages
Marketing Mix Seminar: Federico Triolo
Marketing Mix Seminar: Federico Triolo
Advertising before product release
 Increases: By carryover/wear-in
 Decreases: By forgetting/wear-out
 Dynamical linear model (DLM): was proposed
by the authors to link a products’ demand to its
underlying goodwill stock. DLM links a movie’s
revenue to its advertising and WOM through an
aggregate response function
Marketing Mix Seminar: Federico Triolo
Ad Effectiveness
How can actually both advertising and WOM
influence a product’s demand???
Marketing Mix Seminar: Federico Triolo
Theatre stage  +$ in
AD  more effective
(Wear-in&wom)
Later stage  -$ in AD 
more effective  WOM
Literature- Sequential ditribution
 This study focuses its attention on multistage diffusion
of new products and advertising
 Especially on two stages theaters and video because
they generate more than 95% of the revenues within
the field. Respectively 9.6 billion and 24.2 billion a year
 Expenditure on advertising: Theaters ($3.8) and video
($1.1)
 Uniform prices to highly differentiated films
Marketing Mix Seminar: Federico Triolo
Dynamic Ad Effectiveness
 Research focuses on advertising strategies in
sequential distributions of new products in order to
capture its effectiveness
Marketing Mix Seminar: Federico Triolo
Dynamic WOM Effectiveness
 In addition to advertising, WOM plays a central role for
experience goods such as movies, whose qualities
cannot be easily assumed before consumption
 Internet communities
 Dynamic and fast force, rather than static and slow
Marketing Mix Seminar: Federico Triolo
Aggregate Demand and Goodwill Stock
 Goodwill basically drives the demand for the movie
It decays over time both AD and WOM try to increase its
value
Weekly revenue
Marketing Mix Seminar: Federico Triolo
Dynamic Advertising and WOM Effectiveness
 Now the analysis is focused on how the AD, and then
WOM, effectiveness vary over time
 AD wear-out:
1. Copy: E.g. audiences know about the actors, etc.
2. Repetition: When viewers gain no novel information
 AD wear-In:
1. Firms rotates its ads
2. Appealing customers’ feelings
3. Consumer forgetting
Marketing Mix Seminar: Federico Triolo
Empirical study – Data
 360 movies of different genres: Action (12%),
comedy (36%), dramas (24%)
 On average, the studios behind these study spent
$43 million on production and gained $51
Theatrical revenues
Marketing Mix Seminar: Federico Triolo
Parameter Estimates
 Competitive Advertising induces a negative effect on
demand
 New theatrical and video releases generate a positive
and significant lift on video demand
 Theatrical advertising enhances positive effectiveness
and leads to wear-in due to entertaining content of films
(drama, story) and it boosts effectiveness of WOM
 Elevate level of WOM can reduce its effectiveness
Marketing Mix Seminar: Federico Triolo
 Although repeated advertising wears in at the theater
stage, it wears out at the video stage (w1
(2)=1,023)
 WOM reduces its efficacy at the theater stage, but not
at the video stage  consumers rely more on
communities here than ads
Theater stage Video stage
Marketing Mix Seminar: Federico Triolo
Managerial implications
The applications of the proposed model based on the
potential re-allocation of ad budgets. They allocate the
theatrical budget first; then, given the predicted resulting
theatrical demand, they allocate the video budget.
Marketing Mix Seminar: Federico Triolo
Marketing Mix Seminar: Federico Triolo
• The study shows that the ad-
budget could be re-allocate in
order to increase the total log-
revenue by 1%-15%
• Movies with prestige and critics
(69,2%) could collocate more
budget at the first stage, rather
other (29,4%) could allocate less
than observed
Consistent Findings
1. A large number of critics’ reviews prevent forgetting
because films attracting more critics’ reviews they enjoy
public awareness, appeal and fascination
2. Advertisers for films that enjoy reduced forgetting and
increased ad wear-in could consider allocating more ad
budgets at the theater stage
3. Intuitively, films that enjoy greater cumulative theatrical
revenues could allocate higher ad budgets at the video
stage
Marketing Mix Seminar: Federico Triolo
Marketing Mix Seminar: Federico Triolo
THANKS !!! 

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Dynamic Effects of Advertising and WOM in Sequential Distribution

  • 1. Dynamic Effects Of Advertising And Word Of Mouth In Sequential Distribution Of New Products Marketing Mix Seminar 2014 By Federico Triolo
  • 2. Sequential distribution  Many industries release their products (usually with short life) in sequential stages  They also lunch different campaigns with a communication mix Word of mouth (WMO) advertising Marketing Mix Seminar: Federico Triolo
  • 3.  Book publishers: Hardcover editions Paperbacks  Hollywood studios: Cinemas Retails Marketing Mix Seminar: Federico Triolo
  • 4. Motion pictures/movies context Hollywood case: $ 70.8 million to produce a movie $ 35.9 million to market a movie $ 45.7 million to cinemas revenues No breakeven point Marketing Mix Seminar: Federico Triolo
  • 5. What sequential distribution can add???????  Attract new customers’ preferences (price, style)  Extend product’s life cycle  Improve firms revenues Different campaigns for different stages Marketing Mix Seminar: Federico Triolo
  • 6. Marketing Mix Seminar: Federico Triolo Advertising before product release
  • 7.  Increases: By carryover/wear-in  Decreases: By forgetting/wear-out  Dynamical linear model (DLM): was proposed by the authors to link a products’ demand to its underlying goodwill stock. DLM links a movie’s revenue to its advertising and WOM through an aggregate response function Marketing Mix Seminar: Federico Triolo Ad Effectiveness
  • 8. How can actually both advertising and WOM influence a product’s demand??? Marketing Mix Seminar: Federico Triolo Theatre stage  +$ in AD  more effective (Wear-in&wom) Later stage  -$ in AD  more effective  WOM
  • 9. Literature- Sequential ditribution  This study focuses its attention on multistage diffusion of new products and advertising  Especially on two stages theaters and video because they generate more than 95% of the revenues within the field. Respectively 9.6 billion and 24.2 billion a year  Expenditure on advertising: Theaters ($3.8) and video ($1.1)  Uniform prices to highly differentiated films Marketing Mix Seminar: Federico Triolo
  • 10. Dynamic Ad Effectiveness  Research focuses on advertising strategies in sequential distributions of new products in order to capture its effectiveness Marketing Mix Seminar: Federico Triolo
  • 11. Dynamic WOM Effectiveness  In addition to advertising, WOM plays a central role for experience goods such as movies, whose qualities cannot be easily assumed before consumption  Internet communities  Dynamic and fast force, rather than static and slow Marketing Mix Seminar: Federico Triolo
  • 12. Aggregate Demand and Goodwill Stock  Goodwill basically drives the demand for the movie It decays over time both AD and WOM try to increase its value Weekly revenue Marketing Mix Seminar: Federico Triolo
  • 13. Dynamic Advertising and WOM Effectiveness  Now the analysis is focused on how the AD, and then WOM, effectiveness vary over time  AD wear-out: 1. Copy: E.g. audiences know about the actors, etc. 2. Repetition: When viewers gain no novel information  AD wear-In: 1. Firms rotates its ads 2. Appealing customers’ feelings 3. Consumer forgetting Marketing Mix Seminar: Federico Triolo
  • 14. Empirical study – Data  360 movies of different genres: Action (12%), comedy (36%), dramas (24%)  On average, the studios behind these study spent $43 million on production and gained $51 Theatrical revenues Marketing Mix Seminar: Federico Triolo
  • 15. Parameter Estimates  Competitive Advertising induces a negative effect on demand  New theatrical and video releases generate a positive and significant lift on video demand  Theatrical advertising enhances positive effectiveness and leads to wear-in due to entertaining content of films (drama, story) and it boosts effectiveness of WOM  Elevate level of WOM can reduce its effectiveness Marketing Mix Seminar: Federico Triolo
  • 16.  Although repeated advertising wears in at the theater stage, it wears out at the video stage (w1 (2)=1,023)  WOM reduces its efficacy at the theater stage, but not at the video stage  consumers rely more on communities here than ads Theater stage Video stage Marketing Mix Seminar: Federico Triolo
  • 17. Managerial implications The applications of the proposed model based on the potential re-allocation of ad budgets. They allocate the theatrical budget first; then, given the predicted resulting theatrical demand, they allocate the video budget. Marketing Mix Seminar: Federico Triolo
  • 18. Marketing Mix Seminar: Federico Triolo • The study shows that the ad- budget could be re-allocate in order to increase the total log- revenue by 1%-15% • Movies with prestige and critics (69,2%) could collocate more budget at the first stage, rather other (29,4%) could allocate less than observed
  • 19. Consistent Findings 1. A large number of critics’ reviews prevent forgetting because films attracting more critics’ reviews they enjoy public awareness, appeal and fascination 2. Advertisers for films that enjoy reduced forgetting and increased ad wear-in could consider allocating more ad budgets at the theater stage 3. Intuitively, films that enjoy greater cumulative theatrical revenues could allocate higher ad budgets at the video stage Marketing Mix Seminar: Federico Triolo
  • 20. Marketing Mix Seminar: Federico Triolo THANKS !!! 

Editor's Notes

  1. the self should not be considered as a foundational aspect of cognition, but rather the self should be seen as a product of the cognitive system
  2. New categories are formed and not pre-existing categories are retrieved from some knowledge store. The term for such categorization is salience