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Western Europe During the Reformation, around 1560
Michelangelo
Last Judgment, Sistine Chapel (1534-1541)
Mannerism
Pontormo
Descent from
the Cross
(1525-28)
Parmigianino
Madonna with the Long Neck
(1535)
Paolo Veronese. Feast in the House of Levi. 1573. 18’ 3" × 42’.
Venice
Jan and Hubert (?) van Eyck. Ghent Altarpiece (Open),
Adoration of the Mystic Lamb. Completed 1432. 11’ 5 3/4" × 15’ 1 1/2”.
“Monuments Men” with panels from the altarpiece recovered at the end of the
Second World War
Matthias Grünewald. Isenheim Altarpiece (Closed). c. 1510–1515. Colmar, Germany
Matthias Grünewald. Isenheim Altarpiece (First Opening). c. 1510–1515.
Center panel 9’ 9 1/2" × 10’ 9” , each wing 8’ 2 1/2" × 3’ 1/2”.
Guttenberg Bible – printed with movable type (1453) Mainz, Germany
Lucas Cranach the Elder
Martin Luther (1533)

Key date: 95 theses, 1517
Wittenburg, Germany
Michael Wolgemut, Wilhelm Pleydenwurff and workshop. The City
of Nuremberg. Nuremberg Chronicle, published by Anton Koberger in 1493.
Each page 18 1/2 × 12 3/4”.Edition at GVSU Special Collections
Albrecht Dürer,
Self-Portrait (1500)
Dürer, The Fall of Man, or
Adam and Eve (1504)
Engraving

23-06
Albrecht Dürer. The Four Horsemen of the Apocalypse.
1497–1498. 15 1/2 × 11 1/8”. Woodcut.
Lucas Cranach the Elder,Wittenberg Altarpiece (1547)
Albrecht Altdorfer,
DanubeLandscape, c. 1530.
Iconoclasm: Protestant destruction of art as part
of Reformation in 1500s
Saint Peter’s Basilica
Baldacchino by Bernini (1624-33)
Pieter Jansz Saenredam
Church interior (1649)
Netherlands
Pieter Jansz
Saenredam
Utrecht Church
interior (1645)
Bruegel (the Elder), Preaching of John the Baptist (1565) Flemish artist
Raphael, School of Athens
(1509-11)
Vatican, Rome
Renaissance

Rembrandt, The Night Watch
(1642)
Amsterdam
Baroque
Comparing naturalism and theatricality from the fifteenth to seventeenth centuries
Gianlorenzo Bernini. David. 1623. Height 5’ 7”.
Saint Peter’s Basilica
Renaissance: Michelangelo (1546-93)

Baroque: Carlo Maderno westwork (1607-15)
Bernini colonnades (1620)
Gianlorenzo Bernini.
Cornaro Chapel,
Church of Santa Maria
Della Vittoria, Rome.
1642–1652.
Borromini,
San Carlo alle Quattro Fontane, Rome
(1665-76)
Caravaggio. Bacchus. 1595–1596. 37 × 33 1/2”.
Caravaggio:
Calling of
St. Mathew
1597

-tenebrism
Caravaggio, Doubting Thomas(1603)
Juan Bautista de Toledo and Juan de Herrera. The Escorial. 1563–1584.
Theodor Galle, America
(1630s engraving after Stradanus 1580 original)
Earliest known globe showing the Americas –
ostrich egg globe from around 1500
Velazquez:
Maids of
Honor1656

Spanish
Antonio de
Pereda,
Still Life with
Ebony Desk
1652

1005116-screen.jpg
Velazquez, Water Carrier of Seville (1619)

1026662-screen.jpg
Rembrandt:
Self Portrait
(1653)
Rembrandt: Three Crosses
(1653)
First and Fourth States

Rembrandt,
The Night
Watch
(1642)
Amsterdam
Rembrandt: Anatomy Lesson of Dr. Tulp (1632)
Pieter Claesz. Still Life with Tazza. 1636. Dutch
Hans Holbein the
Younger,
The Ambassadors

(1533)

Perspectivalanamor
hosis
Thomas Smith,
Self-Portrait
(1690)
British American-Baroque
Massachusetts gravestone with memento mori inscription

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Exam Review 2 W14 Mannerism and Baroque

Editor's Notes

  1. The front panels show Lutheran sacraments (rituals deemed essential to following the religion) as well as the traditional Christian scene of the Last Supper.  Portraying all of these subjects on one altarpiece is meant to say to the viewer, 'Luther’s church is the REAL religion, in the spirit of Christ.'  Of course, the art of the Counter-Reformation in the south was saying just the opposite!On the left front panel, a Protestant colleague of Luther’s is shown baptizing followers into the new faith (the sacrament of Baptism). The right panel depicts a Wittenberg minister leading the sacrament of Confession, and the center shows the Last Supper of Christ (Communion). The three panels are harmonized by subject matter, color, and repeated shapes. Look at the round baptismal font, the round table, and the rounded arches which frame and embrace the tops of all panels. These tie separate events and times into one graceful scene.
  2. Theodore Galle and Leon Stradinus, America (ca. 1580)
  3. Creator: Smith, Thomas, fl. 1650-1693. Title: Self-portrait Work Type: Oil paintings. Work Type: Self-portraits. Date: ca. 1690. Material: Canvas. Measurements: 24 1/2 x 23 3/4 inches. Description: "Oil on canvas. Worcester Art Museum"--Catalog. Accession Number: #1948.19 Subject: Smith, Thomas, fl. 1650-1693. Subject: Painting, American--17th century. Subject: Painting, American--18th century. Collection: The Carnegie Arts of the United States Collection Source: Data from : University of Georgia Libraries